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50 articles
Article
The ‘Weston Altarpiece’ in the Museum of the Order of St John, Clerkenwell
02/2022 | 1427 | 164
Pages: 130-144
related names
Author:
West, Richard (West, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Holy Trinity, here identified as the inner left exterior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
11. Altarpiece of the Virgin (Strängnäs III) (opened), wings by Colyn de Coter. c.1500–20. Wood and oil on panel, c.125 by 490 cm. (Strängnäs Cathedral).
Attributed works:
12. St Barbara, by the Master of the View of St Gudula. c.1490–1500. Oil on panel. 147 by 64 cm. (St Dymphna’s Church, Geel).
Attributed works:
13. Infancy Altarpiece open, by the Master of the Rieden Altarpiece. c.1440. Wood and oil on panel, c.136 by 354 cm. (Württembergisches Landesmuseum, Stuttgart).
Attributed works:
14. Reconstruction of the Weston Altarpiece open. (Photograph the author).
Attributed works:
15. Reconstruction of the Weston Altarpiece closed. (Photograph the author).
Attributed works:
16. The Meeting at the Golden Gate, by a follower of Rogier van der Weyden. c.1480. Oil on panel. 71 by 33 cm. (Pinacoteca dell’Accademia dei Concordi, Rovigo).
Attributed works:
2. St John the Baptist, here identified as the outer right exterior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
3. Photograph of the panel in Fig.4. 1932. (The Museum of the Order of St John, London).
Attributed works:
4. Presentation of the Virgin in the Temple, here identified as the outer left interior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
5. Presentation of Christ in the Temple, here identified as the inner right interior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
6. Detail of Fig.5, showing the family arms of John Weston.
Attributed works:
7. Detail of Fig.5, showing the shield of office of John Weston.
Attributed works:
8. Detail of Fig.2, showing a heavily restored shield, here identified as the shield of office of John Weston.
Attributed works:
9. Edelheere Triptych, exterior wings, by a follower of Rogier van der Weyden. c.1443. Oil on panel, 99 by 47 cm. (St Peter’s church, Louvain).
Western art unattributed:
10. Altarpiece of the Passion of Christ (closed), by unknown Brabantine painter. c.1500–20. Oil on panel, c.140 by 490 cm. (Bro church, Uppland).
Western art unattributed:
17. Cast of original of a seal of John Weston. c.19th century. Wax and plaster, diameter 3.7 cm. (The Museum of the Order of St John, London).
Western art unattributed:
18. Detail from the tomb of John Tregonwell, showing the inscription. c.1565. (Milton Abbey Church). (Photograph the author).
Book Review
A Magnificent Faith: Art and Identity in Lutheran Germany. By Bridget Heal
03/2018 | 1380 | 160
Pages: 256
Book Review
The Neutelings Collection: Four Centuries of Medieval Sculpture. Edited by Lars Hendrikman
03/2018 | 1380 | 160
Pages: 254
related names
Reviewer:
Davies, Glyn (Davies, Glyn)
Subjects
dates:
Illustrations
Western art unattributed:
1. Panel from a triptych depicting Death and coronation of the Virgin (top of gable missing), German (Mainz?). Last quarter of the fourteenth century. Ivory with traces of polychromy, 21.9 cm. high. (Bonnefanten Museum, Maastricht, on long term loan from the V.Z.W. Fundatie voor kunst der middeleeuwen, inv. no.10-05423).
Exhibition Review
Medieval sculpture in Utrecht. Utrecht and Aachen
02/2013 | 1319 | 155
Pages: 122-123
related names
Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
Illustrations
Western art unattributed:
60. Epitaph with the Virgin and Child, St James the Greater, St Jerome and a canon. Utrecht (Centraal Museum, Utrecht; exh. Museum Catharijneconvent, Utrecht)
Western art unattributed:
61. Head of the Virgin or a saint. Utrecht (Museum Catharijneconvent, Utrecht)
Publication Received
Matter of Light and Flesh. Alabaster in the Netherlandish sculpture of the 16th and 17th centuries
09/2012 | 1314 | 154
Pages: 648
related names
Reviewer:
Skibinski, Franciszek (Skibinski, Franciszek)
Subjects
dates:
dates:
museums and institutions:
Reviewed Items
subjects:
Matter of Light and Flesh. Alabaster in the Netherlandish sculpture of the 16th and 17th centuries | editor: Kriegseisen, Jacek , editor: Lipinska, Aleksandra
Article
A bronze Bacchus wearing a Silenus mask, made for Antonio Londonio
01/2011 | 1294 | 153
Pages: 13-21
related names
Author:
Wengraf, Patricia (Wengraf, Patricia)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
14. Bacchus/Silenus, possibly by Adriaen de Vries(?). c.1579–80. Bronze, 89.5 cm. high. (Mr and Mrs J. Tomilson Hill, New York). Photograph: Maggie Nimkin, New York.
Attributed works:
18. The nymphaeum of Villa Litta (Weil-Weiss), Lainate, by Carlo Bossoli. 1852–53. Photograph of a now lost watercolour. (Civico Archivio Fotographfico, Milan).
Attributed works:
19. Detail of the south pulpit frontal, cast by Andrea Pellizzone. 1586. Thin repoussé copper sheets mounted onto a wood backing. (Milan Cathedral).
Attributed works:
20. Self-portrait, by Giovanni Paolo Lomazzo. c.1568–70. Canvas, 55 by 43 cm. (Pinacoteca di Brera, Milan).
Attributed works:
21. Detail of Fig.20 showing the hat badge worn by Giovanni Paolo Lomazzo.
Attributed works:
22. Detail of Fig.14 showing the beard of Bacchus beneath the Silenus mask.
Attributed works:
23. Compà Digliagor, by Aurelio Luini. c.1568. Ink on paper, 12 by 8.5 cm. (Musée du Louvre, Paris).
Western art unattributed:
15. Photograph of c.1910 showing the bronze Bacchus/Silenus on a marble column in the nymphaeum, known as the cortino delle piogge, at Villa Visconti Borromeo Litta di Lainate, near Milan. (Photograph: Civico Archivo Fotografico, Collection Lissoni 4972D, Castello Sforzesco, Milan).
Western art unattributed:
16. Detail of Fig.15 showing the inverted ‘umbrella’ apparatus emerging from the head of the bronze Bacchus/Silenus
Western art unattributed:
17. Cast in lead from the Bacchus/Silenus in Fig.14. c.1920s. (Uffici Comunali di Lainate). Photograph: Patricia Wengraf.
Book Review
The Craftsman Revealed. Adriaen de Vries. Sculptor in Bronze
11/2009 | 1280 | 151
Pages: 776-778
related names
Reviewer:
Scholten, Frits (Scholten, Frits)
Subjects
dates:
Reviewed Items
subjects:
The Craftsman Revealed. Adriaen de Vries. Sculptor in Bronze | author: Bassett, Jane , contributor: Fogelman, Peggy , contributor: Schmidtling, Ronald C. , contributor: Scott, David
Illustrations
Attributed works:
47. The Farnese bull, by Adrian de Vries. 1614. Bronze, 103.5 cm. high. (Schlossmuseum, Gotha).
Publication Received
Uit het goede hout gesneden: Middeleeuwse beelden uit de collectie Schoufour-Martin in Museum Boijmans van Beuningen, Rotterdam
11/2009 | 1280 | 151
Pages: 786
related names
Reviewer:
Jopek, Norbert (Jopek, Norbert)
Subjects
collectors and dealers:
dates:
dates:
Reviewed Items
subjects:
Uit het goede hout gesneden: Middeleeuwse beelden uit de collectie Schoufour-Martin in Museum Boijmans van Beuningen, Rotterdam | contributor: Giltajj, Jeroen , author: Vlierden, Marieke van
Article
Claus Sluter’s ‘Well of Moses’ for the Chartreuse de Champmol reconsidered: part III
11/2008 | 1268 | 150
Pages: 724-741
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
artists:
dates:
places:
print:
Illustrations
Attributed works:
1. Reconstruction drawing of the Great Cross, by the author.
Attributed works:
10. Angel between Daniel and Isaiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
11. Angel between Zachariah and Daniel, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
12. St Dominic in prayer to the Crucifix, frescos from four of the novice’s cells (nos. 17, 18, 19 and 21), by an assistant of Fra Angelico. c.1450. (S. Marco, Florence).
Attributed works:
13. Zachariah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
14. Daniel and Isaiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
15. Moses holding the tablets of the Law, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
16. Detail of book of Jeremiah, photographed from above, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
17. Jeremiah, detail of surface of face showing underdrawing, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
18. Philip the Bold, profile, by Claus Sluter and workshop, c.1392–93. Detail of portal of the Chartreuse de Champmol, Dijon.
Attributed works:
19. Jeremiah, detail from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
2. The ‘Well of Moses’ (base of the Great Cross), by Claus Sluter and workshop. 1395–1404. Asnières stone, with traces of gilding and polychromy. (Chartreuse de Champmol, Dijon). View with David and Jeremiah.
Attributed works:
21. Philip the Bold, detail (rotated 90 degrees) from a drawing of the tomb of Philip the Bold, by Jacques-Philippe Gilquin. 1736. Pen and watercolour, 74.5 by 52.5 cm. (Bibliothèque Nationale, Paris).
Attributed works:
22. Angels behind Philip the Bold, detail of tomb of Philip the Bold, by Claus Sluter and Claus de Werve. c.1404–10. Alabaster. (Musée des Beaux-Arts, Dijon).
Attributed works:
24. Jeremiah, by Barthélemy d’Eyck(?). Panel, 152 by 86 cm. (Musées royaux des Beaux-Arts, Brussels).
Attributed works:
25. The Magdalene, detail of the left-hand panel of a Noli me tangere, by Barthélemy d’Eyck(?). Panel, 101 by 68 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
3. Crucifixion, by Simone Martini. c.1336–40?. Tempera on panel, 29 by 20 cm. (Musée royaux des Beaux-Arts, Antwerp).
Attributed works:
5. (Above). Detail from Descent from the Cross, by the Limbourg brothers, from the Très Riches Heures. 1414–16. (Musée Condé, Chantilly).
Attributed works:
6. Arms of the Magdalene, surviving fragment of the figure on the terrace of the ‘Well of Moses’ shown in Fig.1, by Claus Sluter and Jan van Prindale. 1398–99. Asnières stone, 17 by 36 cm. (Musée archéologique, Dijon).
Attributed works:
7. Calvary with a Carthusian monk, by Jean de Beaumetz and workshop. c.1389–95. Panel, 56.5 by 45.5 cm. (Cleveland Museum of Art).
Attributed works:
8. Angel with crossed arms between David and Jeremiah, from the ‘Well of Moses’ shown in Fig.1.
Attributed works:
9. Angel between Moses and David, from the ‘Well of Moses’ shown in Fig.1.
Western art unattributed:
20. Philip the Bold, anonymous sixteenth-century copy after original of c.1400. Panel, 42 by 28 ?cm. (Musée des Beaux-Arts, Dijon).
Western art unattributed:
23. Jeremiah, detail from the Belle Croix, Dijon. 1508. Asnières stone. (Hôpital Saint-Espirit, Dijon).
Western art unattributed:
4. (Left). Holy water stoup. Late fifteenth century. Stone, c.400 cm. high. (Church of St Martin, Cluses).
Exhibition Review
Black is Beautiful
10/2008 | 1267 | 50
Pages: 708-710
related names
Reviewer:
Bindman, David (Bindman, David)
Subjects
museums and institutions:
print:
print:
subjects:
subjects:
Reviewed Items
subjects:
Black is Beautiful: Rubens to Dumas | institution: Nieuwe Kerk
Illustrations
Attributed works:
62. Moses and his Ethiopian wife, by Jacob Jordaens. 1650. Canvas, 106.5 by 80 cm. (Rubenshuis, Antwerp; exh. Nieuwe Kerk, Amsterdam).
Attributed works:
63. Egyptian or Agrippan Sibyl, attributed to Jan van den Hoecke. Late 1630s. Canvas, 106.5 by 80 cm. (Museum Kunst Palast, Düsseldorf; exh. Nieuwe Kerk, Amsterdam).
Attributed works:
64. Margaretha van Raepenhorst, by Jan Mytens. 1668. Canvas, 136 by 104.5 cm. (Rijksmuseum, Amsterdam; exh. Nieuwe Kerk, Amsterdam).
Attributed works:
65. The supermodel, by Marlene Dumas. 1995. Lithograph, 66 by 51.5 cm. (Collection of the Nederlandsche Bank; exh. Nieuwe Kerk, Amsterdam).
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