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Advertisements April 1999 (front)
04/1999 | 1153 | 141
Pages: i-xx
Subjects
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Illustrations
Attributed works:
St John the Baptist, by Ercole de' Roberti. c.1478. Oil and Oil/Tempera Emulsion on Panel, 54 by 31 cm. (Gemäldegalerie, Berlin; Exh. The J. Paul Getty Museum, Los Angeles)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Louis Leopold Boilly (1761-1845). La Folie du Jour. Black Chalk, Pen and Brown Ink and Watercolour. 320 × 400 mm
Attributed works:
[Aldega-Gordon, New York, New York]. Sketch. Giuseppino Galliari, 1752-1817
Attributed works:
[Arnoldi-Livie, Munich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptist Isabey: Portrait of a Young Lady Sitting on a Verandah, c.1810. Black Chalk with Stumping, Heightened with White, 28 × 23 cm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Christoffer Wilhelm Eckersberg (1783-1853), A Brig under Sail in Fair Weather, Oil on Canvas, 1844-45, 18½ × 26 3/4 Inches (47 × 68 cm.)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Wilhelm Schadow (Berlin 1788 - 1862 Düsseldorf). Portrait of Friedrich Gottlieb Schadow. Black Chalk, Heightened with White. Signed 1808. 32.2 × 27 cm. Portrait of the Berlin Court-Architect Friedrich Gottlieb Schadow (1761-1831).
Attributed works:
[Arturo Cuellar, Zurich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Johann Gottfried Schadow: Portrait of Charlotte Susanna Juliane Schadow, née Hielkert. Signed. Chalk, 33.5 × 27.6 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] School of Cremona, XVth Century. The Sacrifice of Isaac. Tempera on Panel, 27.5 × 19 cm
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Luigi Miradori Called Genovesino. Genoa c.1605 - Cremona after 1654. Portrait of a Youth. Oil on Canvas: 122 × 90.2 mm
Attributed works:
[Colnaghi, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Francesco Guardi: View of the Rialto and the Riva del Vin. Signed Lower Left. Pen and Brown Ink with Brown and Grey Washes, 24.7 × 42.3 cm.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Battista Tiepolo. Venice 1696∼1770 Madrid. The Madonna and Child with Angels Appearing to a Kneeling Pilgrim and a Seated Saint. Black Chalk, Pen and Brown Ink, Brown Wash 12¼ × 8 7/8 Inches (310 × 226 mm)
Attributed works:
[Flavia Ormond, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giacomo Cavedone: Madonna and Child Seated on Clouds (Recto); Study of Hands (Verso), c.1620. Black Chalk on Blue Paper, 37.8 × 27.3 cm.
Attributed works:
[Galerie Antoine Laurentin, 65 rue Sainte-Anne, Paris, France] François Bonvin. Paris 1817 - 1887 Saint-Germain-en Laye. Falaise de Mers près du Tréport. Aquarelle, Gouache et lavis d'encre brune. Porte une trace de signature en bas, à droite. 223 × 330 mm
Attributed works:
[Galerie du Bayser, 69 rue Sainte-Anne, Paris, France] Jean-Honoré Fragonard (1732-1806). Portrait of a Seated Man. Black Chalk. 33 × 25 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hanns Lautensack. Bamberg 1524 - 1566 Vienna. A View of Steyr on Enns. Etching; 1544. Hollstein 28, Only State. A Fine, Atmospheric Impression.
Attributed works:
[Joanna Booth, 247 King's Road, London, UK] Belisario Corenzio (1560-1640). Study of Horses' Heads, Brush and Blue Wash, 183 × 178mm
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Jacques le Moyne de Morgues. Dieppe c.1533 - 1588 London. Peaches. Gouache and Gold Leaf on Vellum; Inscribed Verso: 35. 152 × 113 mm.
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Aenea Vico, Vase from the Antique. Engraving, 1542
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Fra Semplice DA Verona. Verona? c.1589 - 1654. Seated Woman in Profile Turned to the Right. Black and Red Chalk with White Heightening on Grey-Blue Paper
Attributed works:
[Sotheby's, International Realty, 123 Sloane Street, London, UK] Images of: painting by Thomas Gainsborough, R. A. Gilt Bronze Mythical Beast - Han Dynasty. painting by John Frederick Lewis and photo of Lyall Mews, London.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Jean-Baptiste Greuze (1725-1805). Bourgeoise de Florence. 1755. Pen, Black Ink and Wash. Signed and Dated Lower Left. Engraved by F.-A. Moitte in 1768. 19.8 × 13.4 CM
Attributed works:
[Talabardon & Gautier, Paris. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: The Denial of St Peter. Pen and Brown Ink, 12.4 × 16.5 cm.
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Karl Friedrich Schinkel. 1781 Neuruppin - Berlin 1841. Design for the Title Page of Fairy Tales by Clemens Brentano. Gouache over Pen and Ink. 180 × 120 mm. Signed and Dated Bottom Right: Schinkel 1815.
Attributed works:
[Thomas Le Clare, Hamburg. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Michel Moreau, Called Moreau le Jeune: Scene from Virgil's Aeneid, Pen and Brown Ink with Brown Wash. 22.3 × 15.6 cm.
Attributed works:
[Yvonne Tan Bunzl, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France]Luigi Sabatelli: The Crucifixion. Black Chalk, Pen and Brown Ink Heightened with White on Prepared Paper. 52.9 × 36.4 cm.
Non-western art unattributed:
[British Museum, London] The British Museum's Head of Organic Artefacts Conservation, Allyson Rae, Is Helping Preserve a 1980s Papua New Guinea Festival Head Dress.
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Advertisements July 1996 (front)
07/1996 | 1120 | 138
Pages: i-xii
Subjects
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Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jan van Huysum (1682-1749). Study of a Vase of Flowers. Black and White Chalk on Blue Paper. 38 × 29 cm
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] François Boucher 1703-1770. A Pastoral Journey. Oil on Canvas - 42 × 51,5 cm. A Youthful Work, to Be Dated before 1728
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Nicolas de Largillierre 1656 - Paris - 1746. A Portrait of Marie-Marguerite-Elizabeth d'Alègre, comtesse de Ruppelmonde. Oil on Canvas: 131 × 93 cms
Attributed works:
[ For sale, Needham Market, Suffolk ] Gabriel Metsu (Leiden 1629 - Amsterdam 1667). Signed and Dated 1654, Size 29 × 36 Inches, 73 × 91 cm.
Attributed works:
[ Front cover ] Ulysses shooting through the rings, study for the Galerie d'Ulysse, Fontainebleau, by Francesco Primaticcio 1555-59. Red chalk and white highlights on pink prepared paper, 24.3 by 32.4 cm. (Walker Art Gallery, inv. 10843). This drawing, from the collection of Sir Joseph Weld, was acquired in 1991 with the assistance of the National Art Collections Fund and the Friends of the National Museums & Galleries on Merseyside.
Attributed works:
[ Galerie Berès, 25 quai Voltaire, Paris ] Jean-François Millet (1814 - 1875). Femme râtelant, c 1850. Charcoal on Gray Paper 37 by 17 cm
Attributed works:
[ Galerie David Jones, 8 Rue Rossini, Paris ] Lorenzo di Credi (Firenze 1459 - 1537). A Study for an Arm. Metal-Point with White Gouache Highlights on Pink Prepared Paper. 200 × 114 mm.
Attributed works:
[ Katrin Bellinger, Rauchstrasse 2 , Munich ] Bernardo Strozzi Genoa 1581 - 1663 Venice. Study of St. Peter. Black Chalk; Inscribed Verso: P. G. No. 37. 339 × 239 mm
Attributed works:
[ Mia N. Weiner, Norfolk, Connecticut ] Agnolo Bronzino. Black Chalk. 8 1/2 × 6 7/8″. Study for the Head of San Bartolomeo in the Now Fragmentary Altarpiece Commissioned for the Duomo of Pisa in 1554.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Enea Vico (1523 - 1567) The Rape of Hippodamia, Engraving, 1542. Bartsch 30, Only State
Attributed works:
[ The Witworth Art Gallery, The University of Manchester, Oxford Road, Manchester ] John Webber, A View in Nootka Sound, 1778 © Trustees of the British Museum
Non-western art unattributed:
[ Museum of Mankind, 6 Burlington Gardens, London ] (sponsor BP)Cast Gold Mask, Quimbaya (Colombia) 600 - 1100 AD
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres. Carved and Painted Wood. Height: 85 in - 216 cm.
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Advertisements November 1995 (front)
11/1995 | 1112 | 137
Pages: i-xxviii
Subjects
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subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street, St James, London ] Rembrandt Harmensz. van Rijn 1606-1669. Nude Woman Seated with Hat beside Her, 1658, Etching Printed on Japan Paper, 196 × 129 mm. B.199
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640-1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk. 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A Berlin - Grunewald ] After Pieter Brueghel the Elder. The Witch of Mallegem. Engraving. Bastelaer 193, Hollstein 193 I-II (Of V). An Unrecorded State before the Letters in the Lower Plate-Margin.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Bernardo Strozzi (Genoa, 1581/2 - Venice, 1644). "Saint Ann (?)". Oil on Canvas, 43.5 × 56 cm
Attributed works:
[ Bukowski's, Aresnalsgatan 4, Stockholm ] Giovanni Panini. His School. Oil on Canvas. (128 × 172).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan & 11 quai Voltaire, Paris ] A Small Rock Crystal Cup. Byzantine Period. 9.5cm High - 17cm Wide
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Theodore Gericault Rouen 1791 - Paris 1824. The Bride of Abydos. Oil on Paper Laid down on Canvas: 17 × 19 cms Stretcher Bears Label with the Following Inscription: Le Gidour (sic) par Gericault donne au duc de Nemours par le general Bro. Scene de pirate. Chateâu d'Eu 1850. Reverse of Canvas Stamped with Number, 15344, and a Crown above a Monogram Reputedly of the Orleans Family.
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Vittore Ghislandi, Called Fra Galgario 1655 - Bergamo - 1743. Portrait of a Gentleman. Oil on Canvas. 100 × 73 cm
Attributed works:
[ Cover ] Virgin and Child with Sts Peter and Paul, by Giuseppe Cesari, Called Il Cavaliere d'Arpino. 1608-09. 174.2 by 119.9 cm. (Nelson-Atkins Museum of Art, Kansas City; Purchase: Nelson Trust [91 14]).
Attributed works:
[ F. Dörling Auctioneers, Neuer Wall 40, Hamburg ] Theodor Hosemann. The Admired Groom. Oil on Canvas. 1869. Signed and Dated.
Attributed works:
[ F. Dörling Auctioneers, Neuer Wall 40, Hamburg ] Tsugouharu Foujita. Filette au fichu. Watercolour and Indian Ink. 1939. Signed and Dated.
Attributed works:
[ Galerie d' Arte Armondi, S. R. L, C.so Palestro, 37/B, Brescia ] The Holy Family with St John the Baptist by Andrea del Brescianino (Siena XVIth c.). Oil on Panel, 104 × 83 cm.
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert) (Breda 1640 - Paris 1694). Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for Each Relief. Limestone
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Giovanni Battista Gaulli, Known as Il Baciccio (1639 - 1709). Marco, Cardinal Gallo. Oil on Canvas, 74 × 59,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Sabbatini c. 1530-1576. The Dead Christ Supported by Angels. Etching, after the Painting in Bologna.
Attributed works:
[ Kate Ganz Limited, New York ] Domenico Zampieri, Called Domenichino. Bologna 1581 - Naples 1641. Landscape with Trees, a Town, a Horse and Rider and Some Figures Pen and Brown Ink on Ivory Coloured Paper. $7frac{1}{8}times 4frac{1}{4}$ × 4¼ Inches. 18.1 × 10.8 cms.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jean-Baptiste Wicar, 1762-1834. Black Chalk, White Heightening. 278 × 97mm. Preparatory for La Résurrection du fils de la veuve de Naïm, 1816
Attributed works:
[ Neumeister Fine Art Auctioneers, Barer Strasse 37, Munich ] Abraham Hondius (1625 Rotterdam - 1695 London), Setting-Out with Falcons. Signed and Dated 1654. Oil on Panel. 95 × 124 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Enea Vico (Parma 1523-1567) Punishment of the Courtesan Who Had Mocked Virgil, after Perino del Vaga. Engraving, 1542. Bartsch 46, Only State
Attributed works:
[ Olympia Fine Art & Antiques Fair, London ] Alfred Lord Tennyson by Samuel Lawrence (Detail), Circa 1840, by Courtesy of the National Portrait Gallery, London.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Edouard Manet, Civil War, 1871-1873
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Jacopo Bellini Venice, c. 1400 - 1470/71. Two Saints, Parts of an Altarpiece, Circa 1440/1450. Tempera and Gold on Panel, Each 89 × 28.5 cm. (Painted Surface: 86.4 × 24 cm.)
Attributed works:
[ R. S. Johnson Fine Art, 645 n. Michigan Ave., Chicago ] Edgar Degas (1834-1917). Ht: 321 mm.; $12frac{5}{8}$ Inches. Femme s'essuyant (Bronze), 1896-1911. No. 43/0 (Ref: Rewald no. LXXII)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Lavinia Fontana, Holy Family with Infant St. John the Baptist and Saint Catherine, Circa 1570-75, Oil on Panel, 85 × 66 cm.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. Fisherman. 1909. Oil on Canvas. 96.5 × 71.1 cm. (38 × 28 in.) Monogrammed and Dated. Estimate: DM 350,000-450,000
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Giambattista Tiepolo (Venice 1696-1770 Madrid), Portrait of Giulio Contarini, after the Bust of Alessandro Vittoria. Oil on Paper, 310 × 200 mm (12¼ × $8frac{7}{8}$ Inches). Inscribed Upper Left, Tiziano Vecelli
Non-western art unattributed:
[ Grace Wu Bruce Co., Ltd, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Wine Table, Chinese, Late 16th to Early 17th Century
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] A Chinese Painted Pottery Figure of a Musicienne. Sui Dynasty (A. D. 581-618). Height $8frac{3}{4}$ Inches (22.2 cm)
Western art unattributed:
[ Donati Arte Classica, Via Nassa 3, Lugano ] Torso of a Young Man. Standing Nude Figure, Wearing a Short Cloak. Roman, 1st-2nd c. A. D. Marble, ht. 38 cm.
Western art unattributed:
[ Trinity Fine Art Ltd & Michael Tollemache Limited, Newhouse Galleries Inc., 19th East 66th Street, New York ] Two Mosan Enamelled Plaques of Christ Blessing. Circa 1160-70, Gilt Copper, 7.4 × 7.4 cms. and 7.2 × 7.2 cms.
Article
A Greek Bronze in Renaissance Venice
04/1975 | 865 | 117
Pages: 204-209+211
related names
Author:
Perry, Marilyn (Perry, Marilyn)
Subjects
collectors and dealers:
dates:
places:
sources:
sources:
Illustrations
Western art unattributed:
10-13. Four Views of a Renaissance Copy of the Antique Adorante or Efebo Illustrated in Figs.15-16. Bronze. (Museo Archeologico, Venice.)
Western art unattributed:
14. Head of the Bronze Copy of the Adorante Illustrated in Figs.10-13. [Renaissance Copy of the Antique Adorante or Efebo Illustrated in Figs.15-16. Bronze. (Museo Archeologico, Venice.)]
Western art unattributed:
15-16. Adorante or Efebo. Greek, Late Fourth-Early Third Century B. C. (From Rhodes). Bronze; Height, 128.4 cm. (Staatliche Museen, Antiken-Sammlung, Berlin.)
Article
Some Spurious Antique Vase Designs of the Sixteenth Century
06/1972 | 831 | 114
Pages: 376+378-386
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
artists:
artists:
dates:
places:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
30. Engraved Design of Antique Vase, by Enea Vico. Dated 1543. (Victoria and Albert Museum.)
Attributed works:
31. Drawing of a Vase in the Antique Manner. Italian or Perhaps Copied by Erasmus Hornick from an Italian Original, Third Quarter of the Sixteenth Century. Pen and Wash. (Victoria and Albert Museum Codex, No.5342.)
Attributed works:
32. Drawing of a Ewer in the Manner of Giulio Romano. Italian, Third Quarter of the Sixteenth Century, from the Liechtenstein Codex. Pen and Wash. (Collection Paul Wallraf.)
Attributed works:
37. Drawing of a Ewer, in the Manner of Giulio Romano, 'Found Outside Naples in a Vineyard', Collection of Cardinal de la Valle, Rome. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
38. Drawing of the Central Area of a Large Dish, by Giulio Romano. Pen and Wash. (British Museum, 1878-7-13-36.)
Attributed works:
39. Drawing of a Bronze Ewer, in the Manner of Giulio Romano, 'Found in the Baths of Antoninus', Collection of Monsignor di Gaddi, Rome. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
40. Drawing of a Ewer, in the Manner of Giulio Romano but Also Showing Influence of Polidoro Caldara, 'Found in the Grotto di Santo Sebastiano'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussicher Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
41. Drawing of a Terra-Cotta Ewer, in the Manner of Giulio Romano. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
43. Drawing of a Ewer, the Design Probably Based on Polidoro, 'Found at Fondi', Collection of Cardinal Sangiorgio. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
44. Drawing of a Gold Vase, Based on Designs of Giulio Romano, 'Destroyed in the Sack of Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
45. Drawing of a Cooler, Designed in the Manner of Giulio Romano but Perhaps by Jacopo da Strada to Match Fig. 44. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
48. Drawing of a Flask, in the Manner of Giulio Romano but with Figures Derived from Francesco Salviati, Perhaps by Jacopo da Strada. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
33. Drawing of a Lamp with Three Wicks, 'Found in the Grotto of the Baldassini'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
34. Drawing of a Ewer, 'Found at Ostia'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
35. Drawing of a Ewer, in the Form of a Head of Minerva, 'Found near the Temple of Bacchus'. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
36. Drawing of a Ewer, in the Form of a Head of a Faun, 'Found near the Temple of Bacchus'. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
42. Drawing of a Ewer, of Bronze with Silver Handle, 'Found in a Vineyard Outside the Piazza del Popolo'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
46. Drawing of a Bronze Vase, 'Found Unfinished in Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
47. Drawing of a Flask with Details Derived from Enea Vico, Giulio Romano, Erasmus Hornick etc., 'Found at Capo di Bono Outside Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)