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5 articles
Exhibition Review
Caravaggio and his followers. Belo Horizonte, São Paulo and Buenos Aires
12/2012 | 1317 | 154
Pages: 873-874
related names
Reviewer:
Rowley, Neville (Rowley, Neville)
Subjects
dates:
Illustrations
Attributed works:
61. Medusa, attributed to Caravaggio. c.1597-98. Canvas mounted on wood, 44.7 cm. (diameter). (Private collection; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
62. St John the Baptist feeding the lamb, attributed to Caravaggio. c.1600? Canvas, 78 by 122 cm. (Private collection; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
63. St Mary Magdalene in ecstacy, by Guido Cagnacci. c.1626-27. Canvas, 86 by 72 cm. (Galleria Nazionale d'Arte Antica di Palazzo Barberini, Rome; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Article
The spirit of France: the 1940–46 exhibition of French art in the United States
08/2012 | 1313 | 154
Pages: 564-569
related names
Author:
Yeide, Nancy H. (Yeide, Nancy H.)
Subjects
dates:
print:
Illustrations
Attributed works:
35. Skating, by Edouard Manet. 1877. Canvas, 92 by 71.7 cm. (Harvard Art Museums, Cambridge MA).
Attributed works:
39. Two young girls at the piano, by Auguste Renoir. 1892. Canvas, 111.8 by 86.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
40. Avenue at Chantilly, by Paul Cézanne. 1887. Canvas, 81.3 by 64.8 cm. (Toledo Museum of Art OH).
Western art unattributed:
36. Installation of the exhibition of French art at the National Gallery of Art, Washington, 1941.
Western art unattributed:
38. Visitors at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941, with Claude Monet’s Jetty at Le Havre (1868; private collection).
Western art unattributed:
7. Crowds at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941. The large painting in the centre is The Hermitage at Pontoise (c.1867), by Camille Pissarro, lent by Justin K. Thannhauser, who later donated it to the Solomon R. Guggenheim Museum, New York. To its left is Edgard Degas’s Victoria Dubourg (c.1866–68; Toledo Museum of Art), lent by Paul Louis Weiller; to its right is Edouard Manet’s Autumn (1881), lent by the Musée des Beaux-Arts, Nancy.
Publication Received
La Pintura Holandesa y Flamenca (Siglos XVI al XVIII) en el Museo Nacional de Bellas Artes de Buenos Aires
11/1996 | 1124 | 138
Pages: 760
Subjects
dates:
Reviewed Items
subjects:
La Pintura Holandesa y Flamenca (Siglos XVI al XVIII) en el Museo Nacional de Bellas Artes de Buenos Aires | author: Navarro, Angel M.
Article
Manet's 'Nymphe Surprise'
04/1975 | 865 | 117
Pages: 224-227+229
related names
Author:
Farwell, Beatrice (Farwell, Beatrice)
Subjects
art literature:
artists:
dates:
places:
sources:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
38. Nymphe Surprise, by Edouard Manet. (Museo Nacional de Bellas Artes, Buenos Aires). Photo Courtesy Juan Corradini.
Attributed works:
39. Photograph of Manet's Nymphe Surprise by Godet, 1861. Courtesy of Mrs H. T. Curtiss.
Attributed works:
40. Photograph of Manet's Nymphe Surprise by Lochard, 1883 (?). Photo Courtesy Bibliothèque Nationale, Cabinet des Estampes.
Attributed works:
41. Susannah (Here Reproduced in Reverse), by Vorstermann, after Rubens. Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
42. Detail from La Pêche, by Edouard Manet. 1860-61. (Metropolitan Museum of Art, New York, Purchase, 1957, Mr and Mrs Richard J. Bernhard). Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
43. Nymph and Satyr, by Marcantonio Raimondi (B. XIV.245. 325, D. 123). Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
44. Callisto in Her Retirement (Here Reversed), by R. Earlom after Van Dyck. Photo Courtesy Metropolitan Museum of Art, New York.
Article
Paintings by Goya in the Buenos Aires Museum
01/1965 | 742 | 107
Pages: 10-16
related names
Author:
Gudiol, José (Gudiol, José; Gudiol i Ricart, José; Ricart, José Gudiol i; Gudiol Ricart, J.; Gudiol, Josep)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
15. Bandits Attacking a Group of People, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Bucnos Aires.)
Attributed works:
16. A Burning Building, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
17. A Village Dance, by Francisco de Goya. Canvas, c.71 1 by 101.5 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
18. Detail from Bandits Attacking a Group of People Reproduced in Fig.15. [Bandits Attacking a Group of People, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Bucnos Aires.)]
Attributed works:
19. Procession of Penitents, by Francisco de Goya. Canvas, c.50.8 by 61 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
20. A Village Procession, by Francisco de Goya. Canvas. (Bührle Collection, Zurich.)
Attributed works:
21. St Joseph of Calasanz before the Crucified Christ, by Francisco de Goya. Canvas. (Berriz Collection, Saragossa.)
Attributed works:
22. Mass of Thanksgiving on the Birth of a Child, by Francisco de Goya. Canvas, (Museum, Agen.)
Attributed works:
23. Town on a Rock, by Francisco de Goya. Canvas. (Metropolitan Museum of Art, New York.)
Attributed works:
24. A Village Dance. Copy of the Goya Reproduced in Fig.17, by Eugenio Lucas. Canvas. (Carles Collection, Barcelona.)
Attributed works:
25. Battle beside a Bridge, by Eugenio Lucas after Goya. Canvas. (Carles Collection, Barcelona.)