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8 articles
Article
Architectural ornament by Jee, Eginton and Co.
08/2020 | 1409 | 162
Pages: 678-685
related names
Author:
Lucey, Conor (Lucey, Conor)
Subjects
media:
places:
Illustrations
Attributed works:
1. Metal ornaments on joinery (now painted) in the first-floor drawing room at 36 Westland Row, Dublin. (Photograph Louis Haugh).
Attributed works:
10. Ornament no.353 (‘Vase & Honeysuckle’) from List of Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790. (Courtesy Winterthur Library: Printed Book and Periodical Collection).
Attributed works:
2. Detail of Vitruvian scroll pattern on a chair-rail in the first-floor saloon, Tower of the Winds, Mount Stewart, County Down. (Photograph Tony Corey; © Crown DfC Historic Environment Division).
Attributed works:
3. Ornament no.628 from No.1, Containing Twelve Plates in Aqua-Tinta: After the Composition Ornaments, Manufactured by Jee and Eginton, Birmingham, Birmingham 1784. (Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
4. Ornament no.369 (‘Griffins with Foliage Tail’) from List of Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790. (Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
5. Ornament no.322 (‘Vase’) from List of Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790. (Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
6. Metal ornaments in the door architrave of the entrance hall at 19 North Great George’s Street, Dublin. (Photograph Louis Haugh).
Attributed works:
7. Unpainted metal ornaments on the chair-rail and door architrave in the first-floor drawing room at 17 St Stephen’s Green, Dublin. (Courtesy Irish Architectural Archive, Dublin).
Attributed works:
8. Ornament no.157 (‘Surbase’) from List of Ornaments Manufactured by Jee, Eginton, and Co. in Whitall’s Street, Birmingham. c.1790. (Courtesy Winterthur Library, Printed Book and Periodical Collection).
Attributed works:
9. Metal ornaments on the window architrave in the first-floor room at 36 Westland Row, Dublin. (Courtesy Irish Architectural Archive, Dublin).
Article
Bas-reliefs after Angelica Kauffman
07/2014 | 1336 | 156
Pages: 440-444
related names
Author:
Lucey, Conor (Lucey, Conor)
Subjects
dates:
places:
Illustrations
Attributed works:
23. Olim truncus eram ficulnus inutile lignum, by William Ryland after Angelica Kauffman (British Museum, London)
Attributed works:
24. Dormio innocuus, vix impune expergefeceris, by William Ryland after Angelica Kauffman (British Museum, London)
Attributed works:
27. Sappho inspired by Love, composes an ode to Venus, by G.S. and J.G. Facius after Angelica Kauffman (British Museum, London)
Attributed works:
29. Etiam Amor criminibus plectitur, by William Ryland after Angelica Kauffman (British Museum, London)
Attributed works:
31. Detail of drawing-room ceiling at Mount Juliet, County Kilkenny, with centrepiece showing Cupid's struggle with the Graces to recover his arrows, after Angelica Kauffman (Courtesy of the Irish Architectural Archive, Dublin)
Attributed works:
32. Ceiling design from the Stapleton collection with centrepiece showing Ariadne, awakened from sleep, finds herself abandoned, after Angelica Kauffman (Courtesy of the National Library of Ireland, Dublin)
Western art unattributed:
25. Plaster roundel in entrance hall at Lucan House, County Dublin
Western art unattributed:
26. Plaster roundel in entrance hall at Lucan House, County Dublin
Western art unattributed:
28. Detail of plaster roundel on ceiling of drawing room at 9 Merchant's Quay, Dublin
Western art unattributed:
30. Detail of plaster roundel on wall of dining parlour at 53 St Stephen's Green, Dublin
Short Notice
Matthew Boulton's 'Minerva'
06/1996 | 1119 | 138
Pages: 398-401
related names
Author:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
64. 'Minerva' Clockcase, by Boulton and Fothergill, with Later French Modifications and Movement by Charles Baltazard. c. 1772. Marble and Ormolu, 54.6 cm. High. (Metropolitan Museum, New York).
Attributed works:
65. Sketch for the 'Minerva' Clockcase by Boulton and Fothergill, from a Pattern Book. (City of Birmingham Reference Library).
Attributed works:
66. 'Minerva' Clockcase, by Boulton and Fothergill, with a Movement and Some Modifications by Benjamin Vulliamy. c. 1772. Ormolu, 47 cm. High. (Private Collection).
Attributed works:
67. Clockcase, by Boulton and Fothergill c. 1771. Marble and Ormolu, 36.8 cm. High. (Sold Christie's, London, 1994).
Attributed works:
68. Detail of Fig.66. ['Minerva' Clockcase, by Boulton and Fothergill, with a Movement and Some Modifications by Benjamin Vulliamy. c. 1772. Ormolu, 47 cm. High. (Private Collection).]
Short Notice
Boulton and Fothergill Silver: An épergne Designed by James Wyatt
06/1986 | 999 | 128
Pages: 417-419+421
related names
Author:
Quickenden, Kenneth (Quickenden, Kenneth)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
33. Silver Gilt épergne, Designed by James Wyatt and Made by Boulton and Forthergill. 1774-6. (Formerly with Garrard & Co. Ltd, London).
Attributed works:
34. Design for a Candelabrum and Stand by James Wyatt, (From an Album of Drawings in the Collection of the Vicomte de Noailles, Paris).
Attributed works:
35. Design for an épergne by James Wyatt, (From an Album of Drawings in the Collection of the Vicomte de Noailles, Paris).
Attributed works:
36. Design for a Jug and Stand by James Wyatt, (From an Album of Drawings in the Collection of the Vicomte de Noailles, Paris).
Short Notice
Narcissus in Ormolu
08/1980 | 929 | 122
Pages: 573-575
related names
Author:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
artists:
artists:
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places:
subjects:
subjects:
Illustrations
Attributed works:
46. Sketch of a Narcissus Clock-Case, from Boulton and Fothergill's Pattern Books. Volume 1, p.77. (Birmingham Reference Library).
Attributed works:
47. Narcissus Clock-Case, by Boulton and Fothergill. c.1778. Height 42 cm. (Collection Simon Redburn).
Attributed works:
48. Narcissus Clock-Case, by Boulton and Fothergill. c. 1778. Height 43.8 cm. (Leeds Art Galleries).
Article
Wyatt Silver
12/1974 | 861 | 116
Pages: 750-755
related names
Author:
Fergusson, Frances D. (Fergusson, Frances D.; Fergusson, Frances)
Subjects
artists:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
48. Candlestick, by James Wyatt. From Album. (Collection Vicomte de Noailles, Paris.)
Attributed works:
49. Candlestick, by James Wyatt. From Album. (Collection Vicomte de Noailles, Paris.)
Attributed works:
50. Pattern Book 1, f. 43, by Boulton and Fothergill. (Assay Office, Birmingham.)
Attributed works:
51. Candlesticks, Designed by James Wyatt, for Boulton and Fothergill, Hallmarked 1774. (Assay Office, Birmingham.)
Attributed works:
52. Pattern Book 1, f. 43, by Boulton and Fothergill. (Assay Office Library, Birmingham.)
Attributed works:
53. Jug and Stand, by James Wyatt. From Album. (Collection Vicomte de Noailles, Paris.)
Attributed works:
54. Pattern Book, 1 f. 83, by Boulton and Fothergill. (Assay Office, Birmingham.)
Attributed works:
55. Candelabrum and Stand, by James Wyatt. From Album. (Collection Vicomte de Noailles, Paris.)
Attributed works:
56. Tureen and Stand, by James Wyatt. From Album. (Collection Vicomte de Noailles, Paris.)
Attributed works:
57. Three Silver Boxes, by James Wyatt. From Album. (Collection Vicomte de Noailles, Paris.)
Attributed works:
58. Candlestick, by Robert Adam, Executed by John Carter, 1767. (Temple Newsam House, Leeds.)
Attributed works:
59. Pattern Book 1, f. 105, by Boulton and Fothergill. (Assay Office Library, Birmingham.)
Article
Mr Stuart's Tripod
10/1972 | 835 | 114
Pages: 695-705
related names
Author:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
artists:
subjects:
Illustrations
Attributed works:
56. Tripod Perfume Burner. Made c. 1760 for Sir Nathaniel Curzon. Ormolu on Marble Base, with Candle Branches; Height without Branches, 53.3 cm. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
57. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 89.)
Attributed works:
58. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 91.)
Attributed works:
59. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 90.)
Attributed works:
60. 'Design of the West End of the Dining Room with the Nich and Sideboard', by Robert Adam. For Kedleston, 1762. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
61. 'Drawing at Large of the Side Board in the Nich of the Dining Room at Kedleston', by Robert Adam, 1762. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
62. Design for the Window Wall of a Great Hall at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
63. Design for the Entrance Hall of the Painted Room at Spencer House, London, by James Stuart, 1759. (British Museum, Inv. No. 1955-4-16-13.)
Attributed works:
64. Tripod Perfume Burner. One of a Pair Made c. 1760 for the Painted Room at Spencer House, London. Ormolu on Marble Base, with Candle Branches, Mounted on Gilt and Painted Wooden Stand; Height of Tripod without Branches, 53.3 cm. (Collection the Earl Spencer, Althorp, Northampton.)
Attributed works:
65. Tripod Perfume Burner, c. 1760, Originally at Wentworth Woodhouse, Yorkshire. Ormolu on Marble base; Height, 53.3 cm. (Victoria and Albert Museum, Accession No. M. 46-1948.)
Attributed works:
66. Detail of One of the Supports of the Tripod Illustrated in Fig. 65.
Attributed works:
67. Detail of the Bowl of the Tripod Illustrated in Fig. 65.
Attributed works:
68. Detail of the Lid of the Tripod Illustrated in Fig. 65.
Attributed works:
69. Design for the West End of the Dining Room at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
70. Design for the West End of the Dining Room at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
71. Design for a Wall at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)
Attributed works:
72. The Choragic Monument of Lysicrates, Known Vulgarly as the 'Lanthorn of Demosthenes'. From James Stuart and Nicholas Revett, The Antiquities of Athens, Vol. 1 (1762), Chapter IV, Plate III.
Attributed works:
73. Stuart's and Revett's Suggested Reconstruction of the Bronze Tripod Which Once Surmounted the Choragic Monument of Lysicrates (See Fig. 72). From James Stuart and Nicholas Revett, The Antiquities of Athens, Vol. 1 (1762), p. 36.
Attributed works:
74. Pencil Sketch of a Tripod Perfume Burner. From William Chambers's 'Franco-Italian' Sketch-Book, Facing p. 2. (Department of Prints and Engravings, Victoria and Albert Museum, Accession No. 5172.)
Attributed works:
75. Tripod Perfume Burner, by Boulton and Fothergill. One of a Set of Four Supplied in 1777 to the Second Earl Gower. Ormolu on Marble Base; Height, 64 cm. (Collection the Late Fifth Duke of Sutherland.) Photo. by Permission of Messrs Christie's.
Article
Matthew Boulton's Mechanical Paintings
08/1970 | 809 | 112
Pages: 497-507
related names
Author:
Robinson, Eric (Robinson, Eric)
Author:
Thompson, Keith R. (Thompson, Keith R.)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
13. Nymphs Adorning a Herm. Engraving after Angelica Kauffmann, from Which Mechanical Paintings Were Made. (Science Museum, London.)
Attributed works:
15. Graces Awakening Cupid. Engraving after Angelica Kauffmann (Left) and the Mechanical Painting Copy of It (Right). (Science Museum, London.)
Attributed works:
16. Summer, after Philippe Jacques de Loutherbourg. Mechanical Painting. (National Portrait Gallery.)
Attributed works:
17. Detail from the Interior of Elizabeth Montagu's House, 22 Portman Square, Showing Mechanical Paintings after Angelica Kauffmann over the Door and in the Centre of the Ceiling. From a Photograph Taken in 1894. (Destroyed.) Courtesy National Buildings Record.
Western art unattributed:
14. Detail from Green Drawing Room, Culzean Castle, Scotland, Showing What is Probably a Mechanical Painting in the Style of Angelica Kauffmann.