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01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
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Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
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Subjects
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artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
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01/2017 | 1366 | 159
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Aesthetica Magazine. Anna Tihanyi. Christal Night, 2014. From the series Berlin bhf]
Attributed works:
[Aktis Gallery, London. Still life, by Le Corbusier (1887-1965), 1921. Pastel and graphite on paper, 48,8 cm by 58,2 cm]
Attributed works:
[Art et Patrimone - Laurence Lenne, Brussels. Albarello. Antwerp, c. 1565. Maiolica. Height: 36 cm. Width: 26 cm]
Attributed works:
[Artcurial. Jean-Antoine Watteau. Study of a man wearing a hat. Black and red chalk. 22,70 x 16,90 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Luca Carlevarijs (Udine 1663 - 1730 Venice). Venice: The Church of the Zitelle and the Giudecca from the Giudecca Canal. Pen and ink and grey wash on paper, laid down on a second sheer with ink borders 12 5/8 x 18 7/8 in (32 x 46.7 cm)]
Attributed works:
[Christie's New York. Old Master & British Drawings, 22 January 2017. Head of a young man, by Giovanni Domenico TIepolo (1727-1804). Red and white chalk and stumping on blue paper, 292 by 20.2 cm]
Attributed works:
[Christopher Bishop Fine Art. Jacopo Bassano (1510-1592). The Sower. Pen and brown ink with brown washes highlighted in white on blue paper, 287 x 201 mm. Inscribed upper right: "questo disegno uin del excellente pittor il sr. jachomo ponte l'ano 1592 10 auiosto"]
Attributed works:
[Day & Faver Exhibiting at: Academy Mansion, 2nd Floor, 2 East 63rd Street. Study for the nave of San Paolo Maggiore, Bologna, by Giuseppe Maria Rolli (1645-1727). 1695. Pen and brown ink, 41.1 by 26.8 cm]
Attributed works:
[Découvert Fine Art Exhibiting at: Lois Wagner Fine Arts, Inc., 15 East 71st Street, Suite 2A. Pietà with instruments of the Passion flanked by St. Francis of Paola and St. Francis of Assisi (Study for fresco or marble altar), by Bartolomeo Passerotti (1529-92). Black CHalk, pen and brown ink, 39.8 by 50.4 cm]
Attributed works:
[Découvert Fine Art. 73 Main St., Rockport, Ma. USA. Salvator Rosa (Arenella, Naples 1615-1673 Rome). Studies of Trees. Black chalk, pen and brown ink, 181 x 128 mm (1) 164 x 137 mm (2)]
Attributed works:
[Galerie Ary Jan, Paris. Indiscretion, by Gustave de Jonghe (1829-93). Oil on panel, 74 by 54 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gioacchino Assereto (Genoa, 1600 - 1650). Joas saved from Athalia's persecution. Oil on canvas, 147,5 x 195,5 cm (58 x 77 in), signed "AXERET" at lower centre, next to the crown]
Attributed works:
[Harold t'Kint de Roodenbeke Gallery, Brussels. Ball game, by Alexander Calder (1898-1976). Gouache on paper, 110 by 74 cm.]
Attributed works:
[Honourable Silver Objects - Cabinets of Curiosities, Antwerp. Soup tureen, by Gregory van der Toorn (1715-71)Silver. Height: 27 cm. Width: 36.2 cm. Depth: 22 cm]
Attributed works:
[Kunstberatung Zürich AG, Zürich. The harrowing of hell, by Pieter Huys (1519-81/84). Oi on panel, 27 by 39.5 cm]
Attributed works:
[Mattia & Maria Novella Romano Exhibiting at: Arader Galleries, 1016 Madison Avenue, 4th Floor. Beheading of St John the Baptist, by Cherubino ALberti (1553-1615). Brown ink, brown washes and traces of black chalk on laid paper, 25 by 28.5 cm]
Attributed works:
[Mattia & Novella ROmano, Florence. Giuseppe Cesari called Cavalier d'Arpino. Arpino 1568 - 1640 Rome. St. Mark and David with head of Goliath within two niches. Pen, brown ink, brown washes, heightened with white on laid paper. 194 x 180 mm. (7 5/8 x 7 1/8 in.)]
Attributed works:
[Museo Nacional del Prado Madrid. Jusepe de Ribera. Acrobats on a loose Wire. Late 1630s. Pen, brown ink and brown wash. 257 x 198 mm. Madrid, Museo de la Real Academia de Bellas Artes de San Ferdinando, D-2208]
Attributed works:
[Otto Naumann, Ltd. 22 East 80th Street. New York. Diego Rodriguez de Silva Y Velázquez (Seville 1599 - 1660 Madrid) Portrait of a Gentleman, bust-length, in a black tunic and white golilla collar (during cleaning). Oil on canvas; 47 x 39 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched and gilt reinforced buff made by Anton Peffenhauser for the Prince Elector Christian I of Saxony, c. 1586]
Attributed works:
[Philippe Heim, Paris. In search of Sir Franklin, by François-Musin (1820-88). Oil on canvas, 78 by 128 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Molenaer II. The Sense of Taste (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Dickson Roundell inc., 19 East 66th Street. Giovanni Francesco Barbieri, called Il Guercino. Lot and his Daughters. Pen and brown ink and brown wash. 180 x 235 mm. (7 1/8 x 8 7/8 in)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Dickson Roundell inc., 19 East 66th Street. The head of a female figure wearing a helmet, by Jean-Baptiste Marie Pierre (1714-89. Pastel and black chalk on blue paper, 30.5 by 22.7 cm]
Non-western art unattributed:
[Galerie Jacques German, Montreal. Mangam crest mask. Nigeria, Benue region, early 20th century. Patinated wood and pigments. Height: 46 cm.]
Non-western art unattributed:
[Jacques Barrrére Gallery, Paris. Head of Buddha. Afghanistan or Pakistan, 3rd to 4th century. Terracotta, 22 by 14 by 15.5 cm]
Western art unattributed:
[Christopher Bishop FIne Art Exhibiting at: Academy Mansion, 15th Floor, 2st East 63 Street. Pan and Syrinx. Fountainbleau school, 1550. Pen and brown ink with brown washes on buff paper, 45.4 by 28.8 cm]
Western art unattributed:
[Galerie Theunissen & De Ghellinck, Brussels. Cabinet, Florence, c 1700. Rosewood, ivory, semi-precious stones and gilt bronze. Height: 59 cm. Width: 62 cm. Depth: 34 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Christ Child blessing, Flemish, early 16th century. Walnut with original polychrome and gilding. Height (with base): 30.7 cm; (without base): 28 cm]
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03/2016 | 1356 | 158
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Subjects
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Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]
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01/2016 | 1354 | 158
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Subjects
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Illustrations
Attributed works:
[Boon Gallery, Knokke-Zoute. Bust of a woman, by Alberto Giacometti (1902-66). Bronze with patina. Height: 47.7 cm. Width: 13.1 cm. Diameter: 13 cm.]
Attributed works:
[Christopher Bishop FIne Art Exhibiting at: Leslie Feely Fine Art, 5th floor, 33 East 68th Street. Holy family, by Luigi Garzi (1638-1721). Pen and brown in highlighted in white on blue paper, 18.7 by 14.8 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut exhibiting at Leslie Feely Fine Art. 33 East 68th Street. New York. Giuseppe Bernardino Bison (1762-1844) The Holy Family. Pen and brown washes over traces of black chalk, highlighted in white pink paper. 5 3/4 x 7 3/16 in. - 136 x 186 mm (oval)]
Attributed works:
[Didier Aaron, Inc. 32 East 67th Street. The father's curse - the punished son, by Jean-Baptiste Greuze (1725-1805). Grey brown ink over graphite, 24.5 by 36.5 cm]
Attributed works:
[Douwes Fine Art BV, Amsterdam. Flower piece with roses, tulips, and other flowers in a cylindrical glass on a stone ledge with a pansy and a red admiral butterfly, by Ambrosius Bosschaert the Younger (1609-45). c.1625. Oil on panel, 32.5 by 20.3 cm]
Attributed works:
[Eric Coatalem, Paris. Studies for river Gods, traditionally identified as the Rhône and the Rhine, by François Boucher (1703-70). Oil on canvas, 91.5 by 73.7 cm]
Attributed works:
[Galerie Boulakia, Paris. Bride and groom, by Marc Chagall (1897-1985). 1979. Tempera on masonite, 110 by 80 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genoa, 1667-1749. Teaching a Magpie to sing. Oil on canvas, 48.5 x 38.5 cm (19 1/18 x 15 13/16 in)]
Attributed works:
[Gallery Mathiev, Paris. Low table, by André Groult (1884-1966). c. 1912. Pylma and ebonised wood. Height: 51 cm. Width: 90 cm. Diameter: 59.5 cm]
Attributed works:
[Guy Peppiatt Fine Art. Exhibiting at: Arader Galleries, 1st Floor, 1016 Madison Avenue. Ludlow Castle, Shropshire, by Francis Towne (1740-1816). Signed lower left: F. Towne/delt. 1777/no 46, and inscribed verso: a view of Ludlow Castle, Shrospshire./ Drawn on thespot/ by /FrancisTowne July 21st 1777. Pen and grey ink and watercolour on five sheets of paper joined on original washline mount, 30 by 57 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London. Edward Lear (1812-1888). View of Capri from Massa, Italy. Signed and dated 1840, black and white chalk on grey paper, 255 by 422 mm., 10 by 16 1/2 in.]
Attributed works:
[Jablonka Maruani Marcier Gallery, Brussels. Robert Mapplethorpe, by Andy Warhol (1928-87). 1983. Screenprint on lenox museum board, 102 by 102 cm]
Attributed works:
[Lowell Libson Ltd Exhibiting at: Stellan Holm Gallery, 1018 Madison Avenue at 78th Street. Sunset: a stormy evening, by John Constable (1776-1837). Painted in the early 1820s. Oil on paper laid down on panel, 7.7 by 11.7 cm]
Attributed works:
[Mia N Weiner Exhibiting at: L'Antiquaire and the Connoisseur, 36 East 73rd Street. Design for a reliquary for Pope Innocent X, by Alessandro Algardi (1598-1654). c.1644. Black chalk under drawing, pen and brown ink, brush and blue-grey wash, 37.5 by 27.5 cm]
Attributed works:
[Otto Naumann, Ltd and Robert Simon. 22 East 80th Street. New York. Palma Il Vecchio (Bergamo ca. 1480-1528 Venice). A Shepherd and Two Women. Oil on panel, 27 1/4 x 37 1/4 in. (69.2 x 94.6 cm)]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Nanda Vigo. Early Works]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Brueghel I & Joos de Momper II. A Costal Landscape with Fishermen with their Catch by a Ruined Tower (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting Roundell Inc., 19 East 66th Street. Portrait of a child, by Egon Schiele (1890-1918). Black crayon, 38.1 by 28.3 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Francesco Monti (1683-1768). Study of a Male Nude Holding a Pole. Black chalk and charcoal, with stumping. 420 x 293 mm (16 1/2 x 11 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Odilon Redon (1840-1916). The Crucifixion. Pastel and chalk on paper, laid down on board. 488 x 372 mm. (19 1/4 x 14 5/8 in.)]
Attributed works:
[Stern Pissarro, London. Guitar on the table, by Pablo Picasso (1881-1973). Pastel and pencil on paper, 32.5 by 25 cm]
Non-western art unattributed:
[Eric Pouillot, Paris. Pair of ladies, China, Tang Dynasty. Coated salmon terracotta with traces of polychrome. Height: 59 cm]
Western art unattributed:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Corpus [detail], gilt bronze, Paris, 3rd quarter 13th century, h: 20 cm]
Western art unattributed:
[De Wit Fine Tapestries, Mechelen. Pastoral life. Southern Netherlands. c.1530. Wool and silk, 225 by 202 cm]
Western art unattributed:
[Fortuna Fine Arts, Ltd. 13 East 69th Street. New York. A Roman Glass and Strone Mosaic Panel with Theatre Masks of a Meaned and a Silenus by a Wonderful Guilloche Pattern. Date: 2nd Century AD; Dimensions: 27 x 32 7/8" (68.5 x 83.5 cm)]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Relief with the ascension of Christ. English, Nottingham, 15th century. Alabaster with original polychrome and gilding. Height: 39.5 cm. Width: 24 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Salome with the head of Saint John the Baptist. Oak. Netherlandish, Antwerp. circa 1510-1521. H. 44.5 x W. 31 x D. 7.5 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A "Corinthian" Helmet, circa 580-520 B.C.]
Western art unattributed:
[Safani Gallery Inc, New York. Statue of Dionysos, Roman, 1st to 2nd century AD. Marble. Height: 46.5 cm]
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03/2013 | 1320 | 155
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Subjects
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museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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Illustrations
Attributed works:
[Christie's, 20 Rockefeller Plaza. The Madonna and Child with the infant St. John the Baptiste, by Alessandro Filipepi, called Sandro Botticelli. (1444/45 - 1510). Tempera on panel, 46.3 by 36.8 cm]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Jean-Auguste-Dominique Ingres (Montauban 1780 - 1865 Paris). Comtesse Charles d'Agoult, née Marie de Flavigny, and her daughter Claire d'Agoult (detail). Signed and dated 'J. Ingres Del/ 1849'. Pencil, heightened with white, touches of yellow bodycolour. 19 x 15 5/8 in. (48.4 x 39.6 cm)]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Federico Barocci (Urbino c.1533-1612). Study for the Head of Saint Dominic. c.1593-7. Black, red, peach, brown, ocre and traces of white chalk on blue paper, 23.7 cm x 24 cm. Watermark: Bunch of grapes.]
Attributed works:
[Christopher Bishop, Exhibited at: Dickinson Fine Art, 19 East 66th Street. Putti frolicking in the clouds, by Giovanni Domenico Tiepolo (1727-1804). Signed 'Dom. Tiepolo f.' lower left and numbered '37' upper right. Pen with brown and grey washes, 19 by 27 cm]
Attributed works:
[Didier Aaron, Inc., 32 East 67th Street. Study for a Scene from 'Regotin', by Jean Baptiste Oudry (1680-1755). Pen and ink and wash, heightened with gouache, on blue paper, 20.7 by 27.7 cm]
Attributed works:
[Francis Maere Fine Arts, Ghent. Girls in the field, by Emile Claus (1849-1924). Signed. Oil on canvas, 73.5 by 114 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battisti Langetti. Genoa, 1635 - Venice, 1676. Apollo and Marsyas. Oil on canvas, 108 x 126 cm (42 1/2 x 49 5/8 in)]
Attributed works:
[Guy Pieters Gallery, Knokke-Heist, Belgium. Shéhérazade, by René Magritte, 1947. Gouache on paper, 18 by 13 cm.]
Attributed works:
[Hélène Bailly Gallery, Paris. Cannes, by Francis Picabia (1879-1953). Oil and gouache on cardboard, 44.7 by 36.7 cm]
Attributed works:
[Margot Gordon Fine Art, Exhibiting at: Shepherd & Derom Galleries, 58 East 79 Street, 26 January - 27 Frabruary. Two Putti supporting a beam or a plaque, by Raffaello Sanzio, called Raphael (1483-1520). Pen and brown ink over black chalk, 11.4 by 6.9 cm]
Attributed works:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Pietro da Cortona (1596-1696). Rome. Study for the Sala di Apollo, Palazzo Pitti, (c.1646). Black chalk, traces of white heightening, 191 x 248 mm]
Attributed works:
[Maruani & Noirhomme Gallery, Brussels. Sleepy, by Gilbert & George. 1985. Signed, titled and dated 'SLEEPY Gilbert + George 1985'. Mixed media, 242 by 202 cm]
Attributed works:
[Mia N Weiner, Exhibiting at: L'Antiquaire and The Connoisseur, 36 East 73rd Street. St. Thomas the Apostle, by G.F. Barbieri, Il Guercino (1591-1666). Pen and ink, 20.5 x 26.1 cm]
Attributed works:
[Moeller Fine Art Ltd, 35 East 64th Street. The Academician (The Poet), by Richard Lindner (1901-1978). Signed and dated lower right 'Richard Lindner March 1954'. Oil pastel and ink on paper, 72.4 57.2 cm]
Attributed works:
[Monroe Warshaw, Exhibited at: Kraushaar Galleries, 74 East 79th Street. Maria with the four evangelists, by Jan Boeckhorst (1605-68). c.1659. Preliminary study for the 'Snyders' triptych. Pen and ink with wash, heightened with white, 19.7 by 25.4 cm]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Vierge d'Intercession. Attributed to Jean de la Huerta (active 1431 - 1462). Limestone (pierre d'Asnières-lès-Dijon), with traces of original polychrome France, Burgundy, probably between Dijon and Chalon-sur-Saône, circa 1445 - 1450. H. 112 x W. 43 x D. 26.5 cm]
Attributed works:
[Paolo Antonacci, Exhibiting at GRAHAM, 32 East 67th Street. Portrait of Ulysses, by Joann Heinrich Wilhelm Tischbein (1751-1829). Watercolour on paper, 38 by 49 mm]
Attributed works:
[Paolo Antonacci. Via del Babbuino 141/a. Rome. Giuseppe Cades (1750-1799), Paolo and Francesca surprised by Giangiotto Malatesta. Ink and brown wash on paper, 455 x 590 cm]
Attributed works:
[Robert Simon, Fine Art. Satis House. 53 Tower Hill Road East. Tuxedo Park. New York. 208A East 78th Street. New York. Giovanni Battista Langetti (Genoa 1635 - Venice 1676). Job Cursed by His wife. Oil on canvas, 44 x 34 1/2 in. (111.7 x 87.6 cm]
Attributed works:
[Sigrid Freundorfer Fine Art LLC, 790 Madison Avenue, Suite 602. Portrait of Albert Einstein, by Josef Scharl (1896-1954). 1950. Signed 'Jos. Scharl 1950', lower right and dated 'Princeton Febr. 9, 1950'. Signed by Einstein 'A. Einstein', lower centre. Ink on paper, 36.8 by 29.2 cm]
Attributed works:
[Sperone Westwater in New York. Francesco Calebrano (1729-1814), Colazione in campagna, Oil on canvas, 260 x 175 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Domenico Tintoretto. Portrait of Paolo Tiepolo (1523-1585)]
Attributed works:
[Stephen Ongpin, Exhibiting at: Mark Murray Fine Paintings, 39 East 72nd Street, Fifth Floor. The sleeping child, by Odilon Redon (1840-1916). Signed vertically in grey ink at the lower left. Watercolour, gouache and pencil on card, 17.8 by 25.7 cm]
Non-western art unattributed:
[Galerie Jacques Germain, Montreal, Canada. Punu mask of the Okouyi tribe. Light wood with pigment and kaolin. Gabon, the Ngounié region. Late nineteenth century.]
Non-western art unattributed:
[Joyce Nejad. Front and side. An Assyrian Royal Stele, in black basalt, depicting King Adad-Nerari III Dur-Kaltimmu in Syria, c.805 BC; H: 137.5 cm. W: 75 cm. D: 27 cm. 'The top of this fragment is kept at the British Museum'.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten, Belgium. Wrought-iron door with remains of polychrome decoration. Spain, Toledo, fifteenth century. Height: 204 cm. Width: 115 cm]
Western art unattributed:
[Klaas Muller, Brussels. Christ crowned with thorns. Austro-Bavarian school. c.1470/75. Oil on panel, 77 by 59.5 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Arts, London. A walnut table, Italy, Bologna, late 16th century. Height: 81.5 cm. Width: 181 cm. Depth: 75 cm]
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Subjects
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Illustrations
Attributed works:
[Chanel. Première watch. Steel, diamonds and ceramic]
Attributed works:
[Charly Bailly Fine Art, Paris. An imaginary landscape with figures, monkeys and fruits: 'The cat's paw' and A capriccio landscape with birds and figures, by Jan Weenix (c.1640-1719). Both oil on canvas, 177 by 113 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jan Brueghel II (Antwerp 1601-1678). Tulipomania. Circa 1637. Oil on panel, 24 x 35 cm (9 1/2 by 13 3/4 in)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Giambattista Tiepolo (Venice 1696- 1770 Madrid). The Arrival of Henry III at the Villa Contarini. Oil on canvas. 28 1/4 x 42 in. (71.7 x 106.7 cm)]
Attributed works:
[Christopher Bishop Fine Art Exhibiting at: James Francis Trezza Gallery, 39 East 78th Street. Going to market, by Jean-Baptiste Huet (1745-1811). Blind Stamp of Joseph Newman lower right (Lugt, 2540). Pen and ink with sepia washes, 23 by 38.1 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Guercino (1591-1666). Immaculate Virgin. Red chalk on laid paper, 5 3/4 x 7 1/2 inches (192 x 161 mm)]
Attributed works:
[Didier Aaron, Inc. 32 East 67th Street. Soldiers resting inside the Colosseum, Rome, by Joseph-Benoit Suvée (1743-1807). c.1775. Red chalk, 45 by 32.3 cm]
Attributed works:
[Frascione Arte. Palazzo Ricasoli Firidolfi. Via Maggio 5/7. Florence. Maestro delle Palazze (?) active in Spoleto (Umbria) at the end of the XIII century. Crucifix. c1288-1300. Tempera and silver on panel. 159 x 119 cm. 62.6 x 46.9 in]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Nicolas Colombel. Sotteville-lès-Rouen, 1644 - Paris, 1717. Rinaldo abandoning Armida. Oil on canvas, 118 x 170 cm (46 1/2 x 67 in)]
Attributed works:
[Galerie Florence de Voldère, Paris. Spring, by Abel Grimmer (1570-1610). Oil on panel. Diameter: 12 cm]
Attributed works:
[Galerie Jean-François Cazeau, Paris. Forest with rocks in Sausset-les-Pins, by André Derain (1880-1954). 1911-13. Signed lower right: Derain. Oil on canvas, 40.5 by 32.5 cm]
Attributed works:
[Galleria Manuel Barbié, Barcelona. Still life with fruit and guitar, by Pablo Picasso (1881-1973). 1922. Signed and dated. Oil on cardboard, 34.6 by 43.5 cm]
Attributed works:
[Laura Pecheur. Exhibiting at Gallery Schlesinger Ltd. 24 East 73rd Street, 2nd Floor, New York. Setting sun by Dora Maar.]
Attributed works:
[Laura Pecheur. Exhibiting at Gallery Schlesinger Ltd. 24 East 73rd Street, 2nd Floor, New York. Tree at sunset, by Dora Maar (1907-97). Monogrammed. Titled by the artist. Colored ink, 24 by 32 cm]
Attributed works:
[Marc Heiremans, Brussels. Free-blown glaze vase. c.1933. The vase bears four leaf-shaped decorations made of murrine canes. Each leaf is covered with a gold layer, and encloses a red glass thread. Vittorio Donà, designer for S.A.I.A.R.-Ferro Toso Murano, Italy.]
Attributed works:
[Margot Gordon Fine Art, Exhibiting at: Shepherd & Derom Galleries, 58 East 79 Street. 21 January -18 February. The Putti supporting a beam or a plaque, by Raffaello Sanzio, called Raphael (1483 - 1520). Pen and brown ink over black chalk, 11.4 by 6.9 cm]
Attributed works:
[Mia N Weiner, Exhibiting at: L'antiquare and the Connosseur. 36 East 73rd Street. Study of a man's hand, by Giuseppe Cesari, called Il Cavaliere d'Arpino (1568-1640). From a seventeenth-century album dismembered in 1980 which consisted largely of Cavaliere head studies by d'Arpino. Red and black chalk, 11.3 by 10.4 cm]
Attributed works:
[Mia N. Weiner. Exhibiting at: L’Antiquaire & The Connoisseur. 36 East 73rd Street. New York. Workshop of Paolo Veronese. Verso: Study of the Madonna & Child. Black and white chalk on paper. 12 5/9 x 9 1/2" (322 x 242 mm)]
Attributed works:
[Moeller Fine Art Ltd, 36 East 64th Street. Study for Blue Spot, by Vassily Kandinsky (1866-1944). 1912-13. Monogram lower right: K. Watercolour, opaque white and black ink on paper, 36,5 by 26,4 cm]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostols (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm (30 x 25 3/4 in)]
Attributed works:
[The Canon Gallery. Huntingdon, Camsbs. The Lagoon, Venice by Federico Nerly Junior (1824-1919). Signed. Oil on canvas in original frame. Canvas: 29 x 51 cm (11.5 x 20 in). Framed: 51 x 71 cm (20 x 28 in)]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bathélemy Prieur (Berzieux, Marne circa 1536 - Paris, 1611). Cavalier. Bronze, rich brown natural patina with extensive black/dark brown lacquer. Height (without base) 21.8 cm (8 5/8 in.)]
Non-western art unattributed:
[Pierre Dartevelle, Brussels. Anthropomorphic container. Ovimbundu people of Angola. Wood. Height: 16 cm]
Western art unattributed:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Northern Italian School XVI Century (attributed by Berenson to Lorenzo Lotto). Portrait of a Man. Brush and gray ink, gray and red gouache. 156 x 128 mm]