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16 articles
Book Review
Genealogy and the Politics of Representation in the High and Late Middle Ages
08/2023 | 1445 | 165
Pages: 916-918
related names
Reviewer:
Opacic, Zoë (Opacic, Zoë)
Subjects
Reviewed Items
subjects:
Genealogy and the Politics of Representation in the High and Late Middle Ages By Joan A. Holladay. 406 pp. incl. 11 col. + 143 b. & w. ills. (Cambridge University Press, 2019), $135. ISBN 978–1–108–47018–6. | :
Exhibition Review
Adrian Piper: A Synthesis of Intuitions, 1965–2016. Museum of Modern Art, New York
07/2018 | 1384 | 160
Pages: 597-599
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Reviewer:
Buskirk, Martha (Buskirk, Martha)
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Illustrations
Attributed works:
28. Vanilla nightmares #12, by Adrian Piper. 1986. Charcoal on newspaper, 59.7 by 34.3 cm. (Museum of Modern Art, New York; © Adrian Piper Research Archive Foundation, Berlin).
Attributed works:
29. Installation view of What it’s like, what it is #3, by Adrian Piper, in Dislocations at the Museum of Modern Art, New York, 20th October 1991–7th January 1992. (Museum of Modern Art, New York; © Adrian Piper Research Archive Foundation, Berlin).
Attributed works:
30. Documentation of Untitled performance at Max’s Kansas City, by Adrian Piper. 1970.Gelatin silver print, 9 by 9 cm. (© Adrian Piper Research Archive Foundation, Berlin; exh. Museum of Modern Art, New York).
Article
Tommaso de’ Cavalieri, formerly Orsini: Michelangelo’s muse and Medici cousin
08/2015 | 1349 | 157
Pages: 530-532
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Author:
Ruvoldt, Maria (Ruvoldt, Maria)
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Illustrations
Attributed works:
10. Fall of Phaeton, by Giovanni Bernardi da Castel Bolognese. 1533-35 (Walters Art Museum, Baltimore)
Western art unattributed:
8. Coat of arms of Tommaso de'Cavalieri (Archivio Segreto Vaticano, Archivio Della Valle-Del Bufalo, vol.99, fasc.7. Stemmi gentilizzi delle nobili famiglie entrate in Casa della Valle, con alcune notizie circa le med[esim]e, fol.292)
Western art unattributed:
9. Extended Orsini genealogy
Book Review
Alla ricerca di ‘Ghiongrat’. Studi sui libri parrocchiali romani (1600–1630)
07/2013 | 1324 | 155
Pages: 492
related names
Reviewer:
Finaldi, Gabriele (Finaldi, Gabriele)
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Article
The identification of a family portrait by Frans Hals recently acquired by the Toledo Museum of Art
02/2013 | 1319 | 155
Pages: 72-76
related names
Author:
Biesboer, Pieter (Biesboer, Pieter)
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Illustrations
Attributed works:
1. Three children of the Van Campen family, by Pieter de Mare, after Frans Hals (Rijksprentenkabinet, Amsterdam)
Attributed works:
2. The Van Campen family in a landscape, by Frans Hals (Toledo Museum of Art)
Attributed works:
3. Three children of the Van Campen family, by Frans Hals (Royal Museums of Fine Arts, Brussels)
Book Review
Becoming Venetian. Immigrants and the Arts in Early Modern Venice
06/2011 | 1299 | 153
Pages: 412-413
related names
Reviewer:
Salomon, Xavier F. (Salomon, Xavier F.)
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places:
print:
Reviewed Items
subjects:
Becoming Venetian. Immigrants and the Arts in Early Modern Venice | author: Maria, Blake de
Illustrations
Attributed works:
48. The Cuccina family presented to the Virgin and Child with Sts John the Baptist and Jerome, by Paolo Veronese. c.1572. Canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Dresden).
Book Review
Art Collecting and Lineage in the Elizabethan Age: The Lumley Inventory and Pedigree (Facsimile and Commentary on the Manuscript in the Possession of the Earls of Scarborough)
04/2011 | 1297 | 153
Pages: 257-258
related names
Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
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Reviewed Items
subjects:
Art Collecting and Lineage in the Elizabethan Age: The Lumley Inventory and Pedigree (Facsimile and Commentary on the Manuscript in the Possession of the Earls of Scarborough) | author: Evans, Mark
Article
Matthijs Roelandts, Joris Leemans and Lanceloot Lefebure: new data on Baroque tapestry in Brussels
06/2009 | 1275 | 151
Pages: 360-367
related names
Author:
Brosens, Koenraad (Brosens, Koenraad)
Author:
De Laet, Veerle (De Laet, Veerle)
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Illustrations
Attributed works:
1. Minerva: Art has no enemies, except for Ignorance, by the workshop of Matthijs Roelandts or Joris Leemans after a design by Lanceloot Lefebure. c.1650. Wool and silk, 350 by 328 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
10. Theseus leaves Ariadne, by the workshop of Jan II Raes after a design by Antoon Sallaert. c.1630. Wool and silk, 326 by 469 cm. (Patrimonio nacional, Madrid).
Attributed works:
2. Cupid: he who does not meddle with Amor does not get hurt by his arrows, by the workshop of Joris Leemans after a design by Lanceloot Lefebure. c.1650. Wool and silk, 346 by 334 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
3. The building of the Lateran basilica, by the workshop of Joris Leemans after a design by Lanceloot Lefebure. c.1650. Wool and silk, 344 by 330 cm. (Musée d’Art et d’Histoire, Geneva).
Attributed works:
4. Helena shows Constantine the True Cross, by the workshop of Matthijs Roelandts after a design by Lanceloot Lefebure. c.1650. Wool and silk, 359 by 345 cm. (Musée d’Art et d’Histoire, Geneva).
Attributed works:
5. The marriage of Constantine’s half-sister Constantia and Licinius, by the workshop of Matthijs Roelandts after a design by Lanceloot Lefebure. c.1650. Wool and silk, 352 by 380 cm. (Musée d’Art et d’Histoire, Geneva).
Attributed works:
6. The defeat of Maxentius, by the workshop of Matthijs Roelandts after a design by Lanceloot Lefebure. c.1650. Wool and silk, 359 by 478 cm. (Musée d’Art et d’Histoire, Geneva).
Attributed works:
7. The defeat and death of Maxentius, by Peter Paul Rubens. Panel, 38.3 by 64.5 cm. (Wallace Collection, London).
Attributed works:
8. The supper of Scipio and Massinissa, by the workshop of Gerard van der Strecken after a design by Giulio Romano. c.1660. Wool and silk, 410 by 530 cm. (Palazzo del Quirinale, Rome).
Attributed works:
9. The supper of Dido and Aeneas, by the workshop of Marcus de Vos after a design by Lanceloot Lefebure. c.1650. Wool and silk, 422 by 633 cm. (Patrimonio nacional, Madrid).
Article
New light on some portraits by Aelbert Cuyp
09/2008 | 1266 | 150
Pages: 584-591
related names
Author:
Loughman, John (Loughman, John)
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Illustrations
Attributed works:
1. Here identified as Portrait of Johannes Repelaer, by Aelbert Cuyp. 1646. Pen and brush and grey ink on white prepared parchment, heightened with white, 20.8 by 16.5 cm. (Kupferstichkabinett, Staatliche Museen zu Berlin).
Attributed works:
10. Portrait of Willem van den Kerckhoven and his family, by Jan Mijtens. 1652 and 1655. Canvas, 134 by 182 cm. (Haags Historisch Museum, The Hague).
Attributed works:
11. The Melkpoortje on the Dordrecht harbour, by Aelbert Cuyp. 1639. Panel, 59.5 by 74 cm. (Private collection; photograph courtesy of Johnny van Haeften Ltd., London).
Attributed works:
2. Here identified as Portrait of Erkenraad Berck, by Aelbert Cuyp. 1646. Pen and brush and grey ink on white prepared parchment, heightened with white, 20.8 by 16.5 cm. (Kupferstichkabinett, Staatliche Museen zu Berlin).
Attributed works:
3. Here identified as Portrait of Cornelis van Someren, by Aelbert Cuyp. 1649. Panel, 68.9 by 60.2 cm. (National Gallery, London).
Attributed works:
4. Here identified as Portrait of Anna Blocken, by Aelbert Cuyp. 1649. Panel, 67.3 by 56.5 cm. (Minneapolis Institute of Arts, The John R. Van Derlip Fund).
Attributed works:
5. Here identified as Portrait of the Sam family before the town of Bacharach, by Aelbert Cuyp. c.1653. Canvas, 168 by 240 cm. (Szépmú´vészeti Múzeum, Budapest).
Attributed works:
6. Detail of Fig.5 showing figures on the riverbank negotiating a wine deal.
Attributed works:
7. View of Bacharach, by Matthaeus Merian the Elder. 1642. Engraving in Historisch oft waerachtich verhael . . ., Amsterdam 1642.
Attributed works:
8. Portrait of a family in a landscape, by Jacob Gerritsz and Aelbert Cuyp. 1641. Canvas, 155 by 245 cm. (Israel Museum, Jerusalem).
Attributed works:
9. Portrait of Michiel Pompe van Slingelandt, by Jacob Gerritsz Cuyp. 1649. Panel, 106.5 by 77.8 cm. (Dordrechts Museum, Dordrecht, on loan from the Netherlands Institute for Cultural Heritage, Amsterdam/Rijswijk).
Article
Donatello’s ‘Nunziata del Sasso’: the Cavalcanti chapel at S. Croce and its patrons
03/2008 | 1260 | 150
Pages: 152-165
related names
Author:
Preyer, Brenda (Preyer, Brenda)
Author:
Zervas, Diane Finiello (Zervas, Diane Finiello; Finiello Zervas, Diane; Zervas, Diane)
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artists:
dates:
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Illustrations
Attributed works:
1. The Annunciation, the Cavalcanti tabernacle, by Donatello, after the 1994–95 restoration. c.1436-40. Pietra serena, terracotta and gilding, 420 by 274 cm. (S. Croce, Florence)
Attributed works:
10. Detail of Fig.9
Attributed works:
11. Youthful St John the Baptist, by Michelozzo. c.1440s. Terracotta, 69 cm. high. (Museo Nazionale del Bargello, Florence)
Attributed works:
12. Sts John the Baptist and Francis, by Domenico Veneziano. 1450s. Fresco, approx. 194 by 108 cm. (Museo dell’Opera di S. Croce, Florence)
Attributed works:
13. Fig.1 photographed before 1954
Attributed works:
14. Predella with scenes from the life of St Nicholas of Bari, by Giovanni di Francesco. 1450s. Tempera on wood, 23 by 158 cm. (Casa Buonarroti, Florence)
Attributed works:
6. Left side of Fig.1, set diagonally into the church wall, before restoration
Attributed works:
7. Left capital of Fig.1, before restoration
Attributed works:
8. Left pair of standing putti in Fig.1, here attributed to Donatello. c.1439. Terracotta, pigmented stucco, gilding and traces of white pigment, approx. 76 cm. high
Attributed works:
9. Right pair of standing putti in Fig.1, here attributed to Michelozzo. c.1440. Terracotta, gilding and traces of white pigment, approx. 76 cm. high
Western art unattributed:
2. Genealogical tree of members of the Cavalcanti family who created the chapel. Not included are Giovanni di Lorenzo and Francesco di Matteo, who were distantly related.
Western art unattributed:
3. Plan of S. Croce with the tramezzo. (Reproduced by permission of Marcia Hall)
Western art unattributed:
4. Reconstruction of the area around the Cavalcanti chapel, S. Croce, Florence, 1440–42: 1) Nobili tomb; 1a) Nobili holy water stoup; 2) Mannelli tomb; 3) Cocchi tomb; 4) Cerchi tomb; 5) messer Benedetto Cavalcanti tomb; 6) messer Amerigo Cavalcanti tomb; 7) female relatives of messer Amerigo Cavalcanti tomb; 8) messer Amerigo and descendents tomb; 10) Boscoli tomb; 11) Bernardo di Bernardo Cavalcanti tomb. (Diane Finiello Zervas)
Western art unattributed:
5. Reconstruction in elevation and plan of the Cavalcanti chapel and surrounding area, c.1450: ABC) elevation; ABD) ground plan; 1) Nobili tomb; 2) Nobili holy water stoup; 3) Mannelli tomb; 4) Cerchi tomb; 5) messer Benedetto Cavalcanti tomb; 6) messer Amerigo Cavalcanti and descendents; 7) female relatives of messer Amerigo; 8) Bernardo Cavalcanti’s tomb; 9) Cavalcanti altar; 10) altar steps; 11) Domenico Veneziano fresco; 12) tramezzo. (Diane Finiello Zervas)
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