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8 articles
Book Review
La Sala Grande di Palazzo Vecchio e la Battaglia di Anghiari di Leonardo da Vinci: Dalla configurazione architettonica all’apparato decorativo (Biblioteca Leonardiana. Studi e Documenti, 8)
08/2021 | 1421 | 163
Pages: 766-768
related names
Reviewer:
Quiviger, François (Quiviger, François; Q., F.)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
La Sala Grande di Palazzo Vecchio e la Battaglia di Anghiari di Leonardo da Vinci: Dalla configurazione architettonica all’apparato decorativo (Biblioteca Leonardiana. Studi e Documenti, 8) Edited by Roberta Barsanti, Gianluca Belli, Emanuela Ferretti and Cecilia Frosinini. 610 pp. incl. 168 col. ills. (Olschki, Florence, 2019), €60. ISBN 978–88–222–6670–5. | :
Illustrations
Attributed works:
4. Fight for the standard, after Leonardo da Vinci. 16th century. Oil on panel, 85.7 by 115.6 cm. (Gallerie degli Uffizi; Florence).
Exhibition Review
Coming of age: Jacopo Tintoretto
12/2018 | 1389 | 160
Pages: 1024-1029
related names
Reviewer:
Nichols, Tom (Nichols, Tom)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The apparition of the Virgin to St Jerome, by Jacopo Tintoretto. c.1580. Canvas, 275.5 by 194 cm. (Ateneo Veneto, Sala di Lettura, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
2. Male nude seen from behind, by Jacopo Tintoretto. 1578. Charcoal heightened with white on brown paper, 27.6. by 18 cm. (The Courtauld Gallery, London; exh. Palazzo Ducale, Venice).
Attributed works:
3. A young man of the Doria family, by Jacopo Tintoretto. c.1560. Canvas, 108 by 73 cm. (Museo Cerralbo, Madrid; exh. Palazzo Ducale, Venice).
Attributed works:
4. Madonna of the treasurers, by Jacopo Tintoretto. 1567. Canvas, 221 by 520.7 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Tarquin and Lucretia, by Jacopo Tintoretto. c.1578–80. Canvas, 172.7 by 152.4 cm. (The Art Institute of Chicago; exh. Palazzo Ducale, Venice).
Attributed works:
6. The miracle of the slave, by Jacopo Tintoretto. 1548. Canvas, 415 by 541 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. Baptism of Christ, by Jacopo Tintoretto. c.1580. Canvas, 283.2 by 161.9 cm. (S. Silvestro, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
8. The removal of the body of St Mark, by Jacopo Tintoretto. Probably c.1564. Canvas, 403.8 by 320 cm. (Gallerie dell’Accademia, Venice).
Article
The Patronage of Frédéric Hartmann and the Question of 'Finish'
09/2000 | 1170 | 142
Pages: 549-560
related names
Author:
Kelly, Simon (Kelly, Simon)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
10. La Ferme dans les Landes, by Théodore Rousseau. 1852-67. 65 by 100 cm. (Whereabouts Unknown).
Attributed works:
11. La Ferme dans les Landes, by A. Masson after Théodore Rousseau. Etching Published in Catalogue de Tableaux Modernes de Frédéric Hartmann, Paris [1881].
Attributed works:
12. La Ferme dans les Landes, by Théodore Rousseau, 1844. Grisaille, 61.5 by 97.5 cm. (Ny Carlsberg Glyptotek, Copenhagen).
Attributed works:
13. Gorges d'Apremont (forêt de Fontainebleau), by Théodore Rousseau. 1857-59. 63 by 100 cm. (Middlebury College Museum of Art, Middlebury VT).
Attributed works:
14. Le Four communal dans les Landes, by Théodore Rousseau. 1862-67. 62 by 98 cm. (Private Collection).
Attributed works:
15. Le Four communal dans les Landes, by Gustave Greux after Théodore Rousseau. Etching Published in Catalogue de Tableaux Modernes de Frédéric Hartmann, Paris [1881].
Attributed works:
16. Le Village de Becquigny, by Théodore Rousseau. 1857-67. 63 by 99 cm. (Frick Collection, New York).
Attributed works:
17. Le Bois sacré, by François-Louis Français. 1864. 109 by 134 cm. (Musée des Beaux-Arts, Lille).
Attributed works:
18. Le Cheval pie, by Paul Potter. 1650s. 30 by 41 cm. (Musée du Louvre, Paris).
Attributed works:
19. L'Empereur du Maroc, by A. Lurat after Eugène Delacroix. Etching Published in Catalogue de Tableaux Modernes de Frédéric Hartmann, Paris [1881].
Attributed works:
20. Le Printemps, by Jean-François Millet. 1868-73. 86 by 111 cm. (Musée d'Orsay, Paris).
Attributed works:
21. L'Automne, Les meules, by Jean-François Millet. 1868-74. 85 by 110 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Le Marais dans les Landes, by Théodore Rousseau. 1852-55. Panel, 63 by 97 cm. (Musée du Louvre, Paris).
Letter
The Kingston Lacy 'Judgment of Solomon'
08/1986 | 1001 | 128
Pages: 585
Article
A new exhibition of Cézanne
03/1960 | 684 | 102
Pages: 114+116-118
related names
Author:
Reff, Theodore (Reff, Theodore; Reff)
Subjects
artists:
dates:
dates:
subjects:
Illustrations
Attributed works:
25. Vase de Fleurs, by Paul Cézanne. Pastel, 18.7 by 14.4 cm. (Collection Mr and Mrs Dunbar W. Bostwick, New York.)
Attributed works:
26. Eglise dans un Village, by Paul Cézanne. Pencil and Water-Colour, 43.7 by 31.9 cm. (Collection Mr Basil Goulandris, New York.)
Attributed works:
27. Les Arbres, by Paul Cézanne. Pencil and Water-Colour, 45 by 29.4 cm. (Collection Mr and Mrs Lazarus Phillips, Montreal.)
Article
The Martelli David
04/1959 | 673 | 101
Pages: 132+134-139
related names
Author:
Pope-Hennessy, John (Pope-Hennessy, John; Hennessy, John Wyndham Pope-; Pope-Hennessy, J.; P.-H., J.)
Subjects
artists:
collectors and dealers:
dates:
patrons:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
17. St Sebastian, by Antonio Rossellino. Marble. (Galleria della Collegiata, Empoli.)
Attributed works:
18. David, Here Attributed to Antonio Rossellino. Marble, Height 164.6 cm. (Widener Collection, National Gallery of Art, Washington, D.C.)
Attributed works:
19. Side-View of the David Reproduced in Fig.18. [Here Attributed to Antonio Rossellino. Marble, Height 164.6 cm. (Widener Collection, National Gallery of Art, Washington, D.C.)]
Attributed works:
20. Young Baptist Entering the Wilderness, by Antonio Rossellino. Marble. (Museo Nazionale, Florence.)
Attributed works:
21. Head of the David Reproduced in Fig.18. [Here Attributed to Antonio Rossellino. Marble, Height 164.6 cm. (Widener Collection, National Gallery of Art, Washington, D.C.)]
Attributed works:
22. Detail of the Left Angel on the Monument of the Cardinal of Portugal, by Antonio Rossellino. Marble. (S. Miniato al Monte, Florence.)
Attributed works:
23. Detail of Shepherds in Relief of Nativity, by Antonio Rossellino. Marble. (S. Anna dei Lombardi, Naples.)
Western art unattributed:
14. Statuette of David. Bronze, Height 37 cm. (Staatliche Museen, Berlin-Dahlem.). 16. Back View of the Bronze Statuette Reproduced in Fig. 14.
Short Notice
A Mysterious Bronze Group
02/1912 | 107 | 20
Pages: 289-290
related names
Author:
Cundall, H. M. (Cundall, H. M.)
Subjects
dates:
places:
subjects:
subjects:
Article
How a Dutch Picture Was Painted
12/1906 | 45 | 10
Pages: 140+144-147+149-151+153-154
related names
Author:
Martin, W. (Martin, W.)
Subjects
dates:
places:
Illustrations
Attributed works:
Plate I. Portrait of a Lady, by Abraham van Den Tempel. In the Rijksmuseum, Amsterdam. How a Dutch Picture Was Painted
Attributed works:
Plate II. Scene in a Studio, by Jan Miense Molenaer, in the Kaiser Friedrich Museum, Berlin. How a Dutch Picture Was Painted
Attributed works:
Plate II. Scene in a Studio, by Joos van Craesbeeck, in the Collection of the Duke of Arenberg. How a Dutch Picture Was Painted
Attributed works:
The Procuress by Jan ver Meer of Delft in the Royal Gallery, Dresden. Emery Walker Ph. Sc.