museums and institutions:
museums and institutions:
Attributed works:
32. Landscape at Iden, by Paul Nash. 1929. Canvas, 69.9 by 90.8 cm. (Tate, London).
Attributed works:
33. The Angelus, by Jean-François Millet. c.1865. Reduced replica by Millet of his original oil of 1857–59 in the Musée d’Orsay, Paris. Pastel and crayon noir on paper, 34.3 by 43.2 cm. (Museums and Art Galleries, Glasgow).
Attributed works:
37. Early spring, by Ethelbert White. 1919. Canvas, 81 by 100.5 cm. (Government Art Collection of the United Kingdom).
Attributed works:
38. Objects in relation, by Paul Nash. 1935. Canvas, 50.8 by 61 cm. (St Paul’s School, London).
Attributed works:
39. Le Consolateur, by Giorgio de Chirico. 1926. Present whereabouts unknown. From a black-and-white photograph by de Chirico’s Paris art dealer Paul Guillaume, reproduced in R. Vitrac: Georges de Chirico, Paris 1927, p.63.
Attributed works:
40. Cover binding designed by Paul Nash for Sir Thomas Browne’s Urne Buriall and the Garden of Cyrus. 1932. Morocco and vellum with vellum inlays and gilt tooling, 30.7 by 23 cm. (Tate Archive, London).
Attributed works:
41. Sorrow, from Urne Buriall, by Paul Nash. 1932. Collotype and stencilled watercolour, 19 by 14 cm. (Tate Archive, London).
Attributed works:
42. The grieving parents, by Käthe Kollwitz. 1932. Reproduced from a photograph of 1937 in H. Fischer, ed.: Die trauernden Eltern: Ein Mahnmal für den Frieden, Cologne 1999, showing the Belgian granite statues as originally installed in 1932 in the German military cemetery of Esen-Roggeveld, Belgium.
Western art unattributed:
34. Artillery that Aided the Australians’ Advance. From The War Illustrated 7 (10th November 1917), p.245.
Western art unattributed:
35. Industrious Eve in the Garden of England. From The War Illustrated 7 (5th January 1918), p.419.
Western art unattributed:
36. War-Time Field Work of the Daughters of France. From The War Illustrated 7 (1st September 1917), p.59.
