advertisements:
Bonhams, London, Great Britain
/ London Original Print Fair
/ Paragon Press, London, Great Britain
/ Karsten Schubert, London, Great Britain
/ Gwen Hughes Fine Art, London, Great Britain
/ Elizabeth Harvey-Lee, Oxford, Great Britain
/ C.G. Boerner (dealer), New York, United States
/ Osborne Samuel Gallery, London, Great Britain
/ Redfern Gallery, London, Great Britain
/ Andrew Edmunds (dealer), London, Great Britain
/ Alan Cristea Gallery, London, Great Britain
/ Gilden's Art Gallery, London, Great Britain
/ Pratt Contemporary Art, Sevenoaks, Great Britain
/ Princeton University Press, New Jersey, United States
/ Sir Denis Mahon Essay Prize
/ Biennale Internazionale d'Antiquariato (Italy: Florence)
/ Peter Finer (antique arms), London, Great Britain
/ The Burlington Magazine
/ Sterling and Francine Clark Art Institute, Williamstown, United States
/ Dorotheum (auction house), Vienna, Austria
/ Simon Dickinson, London, Great Britain
/ Alessandro Cesati, Milan, Italy
/ Rafael Valls, London, Great Britain
/ Didier Aaron, Inc, New York, United States
/ Daniel Katz Ltd (dealers), London, Great Britain
/ Trinity Fine Art Ltd, London, Great Britain
/ Day and Faber, London, Great Britain
/ The-saleroom.com
/ Master Drawings London
/ Hazlitt Gallery, London, Great Britain
/ Galerie Chenel, Paris, France
/ Throckmorton Fine Art, New York, United States
/ Minerva Magazine
artists:
Muray, Nickolas
/ Reemtsen, Kelly
/ Morris, Sarah
/ Tschudi, Lili
/ Pencz, Georg
/ Dürer, Albrecht
/ Bellows, George Wesley
/ Whistler, James Abbott McNeill
/ Power, Cyril
/ Carter, John, b. 1942
/ Gillray, James
/ Nevinson, C. R. W.
/ Tilson, Joe
/ Gross, Anthony
/ Riley, Bridget, London , Great Britain
/ Miró, Joan
/ Morris, Frederic
/ Lambert, Alison
/ Cagnacci, Guido
Attributed works:
[Alan Cristea. The stones of Venice, ca’
foscari 2, by Joe Tilson.
2017. Inkjet print
with screenprint and
hand colouring,
135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar,
by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s,
by George Bellows
(1882–1925). 1917.
Lithograph on Japan
paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune
Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea
Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott
McNeill Whistler
(1834–1903). 1875.
Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró
(1893–1983). 1969.
Etching and aquatint
with carborundum,
101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82)
Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4,
by Anthony Gross
(1905–1984). 1931.
Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6),
by Bridget Riley.
1965. Screenprint
on Plexiglas,
74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs, (detail)
Woodcut printed in colours
Published by the artist
Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round,
by Cyril Power
(1872–1951). c.1930.
Linocut, 30.5
by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris
Vertical Power
Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a
series of six in an edition
of sixty-eight),
by Sarah Morris. 2018.
Screenprint,
90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by
Frederic Morris. 2019.
Etching and aquatint,
34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes:
16 orientations,
by John Carter. 2016.
Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD,
Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965
screenprint on plexiglas (on reverse of sheet)
255/8 x 321/8 in, 65.2 x 81.6 cm (image)
261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
