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14 articles
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04/2019 | 1393 | 161
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
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05/2016 | 1358 | 158
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Subjects
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subjects:
Illustrations
Attributed works:
[Agnew’s. 6 St. James Place. London. Paolo Uccello (Florence, 1397-1475). The Crucifixion, tempera and gold on panel, 23 5/8 x 13 3/8 inches (60 x 34 cm). Painted circa 1423]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Marco Antonio Franceschini (1648-1729). Mary Magdalene Receiving the Crown of Thorns from an Angal. Oil on canvas, 58.9 x 51. 6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Francesco Barbieri, called Guercino. Cento, 1591 - Bologna, 1666. L'Amore Virtuoso or Allegory of the Arts. Oil on canvas, 105.3 x 152 cm (41 7/16 x 59 7/8 in)]
Attributed works:
[Museo Nacional del Prado. Madrid. Spain. Bosch. Adoration of the Magi (detail). c. 1494. Madrid. Museo Nacional del Prado]
Attributed works:
[Robert Simon. 22 East 80th Street. Fourth Floor. New York. Michele Rocca (Parma 1666 - Venice, after 1751). The Expulsion from Paradise, One of a pair with The Temptation. Oil on canvas, 18 3/8 x 13 1/2 inches (46.7 x 34.3 cm)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin, Fragments, 2015 a series of six screenprints. © Michael Craig-Martin and Alan Cristea Gallery, London]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. P.C. Skovgaard (1817-1875). Twig with berries, 1853. Oil on canvas, 27 x 31 cm]
Attributed works:
[Whitford Fine Art. 6 Duke Street, St, James’s. London. Clive Barker. Coke and Fallen Straw (Ivor), 1968]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An Austrian Archer's Pavise, Klausen, mid 18th century]
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04/2016 | 1357 | 158
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Subjects
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds, London. A pair of polished gentleman, by James Gillray (1756-1815). 1801. Etching, soft-ground etching and engraving with watercolour and gum Arabic. 35.5 by 25.5 cm]
Attributed works:
[August Laube, Zurich. Veduta di Piazza Navona sopra le rovine del Circo Agonale, by Giovanni Battista Piranesi (1720-78). 1751. Etching, 46.3 by 69.7 cm]
Attributed works:
[Bernard Jacobson Graphics, London. Black for Mozart, by Robert Motherwell (1915-91). 1991. Lithograph and collage, 162.6 by 104.1 cm]
Attributed works:
[C.G. Boerner, New York and Düsseldorf. A beggar seated on a bank (self portrait), by Rembrandt Harmensz van Rijn (1606-69). 1630. Etching, 11.7 by 7 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), Christ carrying the cross (detail), oil on carpet, 49.5 x 36.5 cm]
Attributed works:
[Fine Art Society, London. The marriage at Cana, by Stanley Spencer (1891-1959). 1953. Lithograph, 64.5 by 52 cm]
Attributed works:
[Galerie Alexis Bordes. 4,rue de la Paix. Paris. François Boucher (Paris, 1703-1770). Study of a Male Head wearing a Turkish Turban. c.1745. Sanguine. 21.8 x 16.7 cm (8 9/16 x 6 9/16 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Massimo Stanzione (Orta di Atella, c.1585 - Naples, c. 1658. Bathsheba at the her Bath. Oil on canvas, 193 x 146 cm (76 x 57 1/2 in)]
Attributed works:
[Gallery Jin, Tokyo. Jam-packed sushi, by Kurumi Wakaki, 2011. Water-based woodcut on Japanese paper, 50 by 80 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Théodule Ribot. THE FULL BOTTLE. Oil on canvas on wood. 58.7 x 40.5 cm (23 1/8 x 16 in). Signed.]
Attributed works:
[Himmelbau Printmaking Finland, Tampere. Stage 1, by Janne Laine, 2015. Etching and photogravure, 59 by 106 cm]
Attributed works:
[Karl & Faber. Amirplatz 3. Munich. Jean-François Raffaëlli, Printemps de Paris.]
Attributed works:
[Karsten Schubert, London. Bagatelle 3, by Bridget Riley. 2015. Screenprint on paper, 67 by 58.5 cm (sheet)]
Attributed works:
[Museo del Prado, Madrid. Georges de La Tour, The Cheat with the Ace of Diamonds, Paris, Musée du Louvre, Dèpartement des Peintures.]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. Hans Schäufelin (c. 1480785 - c.1540). Bearing of the Cross, c. 1516/17. Oil/panel, 52 x 43 cm]
Attributed works:
[Osborne Samuel, London. The windmill, by Sybill Andrews (1898-1992). 1933. Linocut, 33 by 23.2 cm]
Attributed works:
[Paragon | Contemporary Editions, London. Untitled 01 from Six snapshots of Julie, by Grayson Perry. 2015. Woodcut with lithographic underlays, 72.5 by 48.5 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A cased pair of flintlock duelling pistols by Joseph Manton, from 1815]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Noël Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Royal Academy. Michael Craig-Martin, Fragments, 2015 a series of six screenprints © Michael Craig-Martin and Alan Cristea Gallery, London]
Exhibition Review
Richard Hamilton
05/2014 | 1334 | 156
Pages: 328-330
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
35. Man, machine and motion, by Richard Hamilton. 2012, recreated from the 1955 original (Museo Nacional Centro de Arte Reina Sofia, Madrid; exh. ICA, London)
Attributed works:
36. Interior II, by Richard Hamilton (Tate; exh. Tate Modern, London)
Attributed works:
37. d'Orientation, by Richard Hamilton (Private collection; exh. Tate Modern, London)
Attributed works:
38. The citizen, by Richard Hamilton (Tate; exh. Tate Modern, London)
Exhibition Review
London exhibitions (Julian Opie). London
05/2013 | 1322 | 155
Pages: 346-349
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
artists:
media:
places:
subjects:
Illustrations
Attributed works:
50. Winter 38, by Julian Opie (Courtesy of the artist and Alan Cristea Gallery, London)
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04/2010 | 1285 | 152
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Thistle still life, by Craigie Aitchison. 2007. Screenprint, 30.5 by 25.5 cm.]
Attributed works:
[Alan Cristea Gallery, London. Star spangled, by Gilian Ayres. 2009-20. Sugarlift aquatint and carborundum, 78 by 104.5 cm]
Attributed works:
[Elizabeth Harvey-Lee, Oxford. Mars, Venus and Cupid, by Lucas van Leyden. 1530. Engraving, 19 by 24.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giulio Cesare Procaccini. Bologna, 1574 - Milan, 1625. The Holy Family with the Young Saint John the Baptist. Oil on walnut wood panel, 97 x 64,5 cm (38 3/16 x 25 3/8 in)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Lucas van Valckenborch the Elder. Leuven ca. 1533 - 1597 Frankfurt. The Babel Tower. Oil on copper, diameter: 27 cm (16. inches). Monogrammed and dated : L.V.V. 1584.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Robert Bevan. 1865-1925. Houses in Sunlight, 1915. Oil on canvas. 20 x 24 inches; 51 x 61 cm. Signed.]
Attributed works:
[Hill-Stone, New York. Salisbury cathedral: the large plate, David Lucas (1802-81) after John Constable (1776-1837). Mezzotint. Shirley 39. A progress proof close to Shirley, progress proof 'e', with the artists' names scratched below the framing line.]
Attributed works:
[Hill-Stone, New York. URS GRAF (Solothurn c.1485 - 1527/28 Basel). Two Mercenaries and a Woman with Death in a Tree. Woodcut, with extensive hand colouring of the period: 1524. Hollstein 28, only state; Major & Grandmann, Urs Graf, 151. A very fine impression in very good condition, trimmed to the border, and in places just shaved into the border. Of the greatest rarity; Hollstein cities only fourteen impressions in public collection.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Meister der Wenzel-Scheibe (active in Austria in the 1st third of the 15th C.). Flagellation of Christ. Tempera on wood, 55.5 x 51.5 cm]
Attributed works:
[Markus Nass, Berlin. The goldsmith, by Rembrandt van Rijn. 1655. Etching, 9 by 6.7 cm.]
Attributed works:
[Mary Ryan Gallery, New York. Afternoon swimming, by David Hockney. 1980. Lithograph, 80 by 100 cm.]
Attributed works:
[Musée National de la Renaissance. Chateau D'Ecouen. The portrait of the Trojan Prince Paris acquired at the Yves Saint Laurent / Pierre Bergé sale 2009 is now on display at the Chateu of Ecouen, along with other heroes from the set designed by Leonard Limosin after Ovid's 'Heroes'.]
Attributed works:
[Royal Academy of Arts. London. Paul Sandby. The North Terrace, Windsor Castle. Looking West (detail), c.1765. Bodycolour over graphite. 379 x 545 mm.]
Attributed works:
[Simms Reed, London. Just what was it that made yesterday's homes so different, so appealing? by Richard Hamilton. 1992. Laser print in colours, 42 by 29.7 cm]
Attributed works:
[Sims Reed. Turing 6, by Eduardo Paolozzi. 2000. Screenprint in colours, 76 by 56 cm.]
Attributed works:
[The 45th London Original Print Fair. Royal Academy of Arts. Burlington House. London.. Howard Hodgkin. Night Palm, 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Speed, by Claude Flight. c.1922. Linocut, 22.5 by 28.5 cm]
Attributed works:
[The Old Print Shop, New York. Little penthouse, by Martin Lewis. 1931. Drypoint, recorded impression, 25.2 by 17.3 cm.]
Exhibition Review
McKeever, Le Brun, Setch, Hodgkin. London and Walsall
06/2008 | 1263 | 150
Pages: 424-425
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
museums and institutions:
places:
print:
print:
subjects:
Reviewed Items
subjects:
Christopher Le Brun | institution: New Art Gallery
subjects:
Howard Hodgkin | institution: Gagosian Gallery
subjects:
Ian McKeever. Assembly: paintings and works on paper 2006–2007 | institution: Alan Cristea Gallery
subjects:
Terry Setch | institution: Michael Richardson Contemporary
Illustrations
Attributed works:
67. Assembly painting, by Ian McKeever. 2006–07. Oil and acrylic on linen, 190 by 270 cm. (Courtesy of the artist and Alan Cristea Gallery).
Attributed works:
68. A letter to Puvis, by Christoper Le Brun. 2000–04. Canvas, 130.5 by 140.5 cm. (Courtesy of the artist; exh. New Art Gallery, Walsall).
Attributed works:
69. Branscombe, by Terry Setch. 2007. Mixed media on paper, 229 by 229 cm. (Michael Richardson Contemporary Art, London).
Attributed works:
70. Where seldom is heard a discouraging word, by Howard Hodgkin. 2007–08. Panel, 203.5 by 266.7 cm. (Gagosian Gallery, London).
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Advertisements October 2007 (front)
10/2007 | 1255 | 149
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Subjects
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subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1, John Piper, C.H. (1903-1992). Leeds, 1960. Canvas, 34x44 in]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. I.C.I. shed. 1948. Ben Nicholson]
Attributed works:
[Alan Cristea Gallery. London. Blue, by Boo Ritson. 2007. Edition of 25. From a set of 3 archival inkjet prints, 95.4 by 95.4 cm.]
Attributed works:
[August Laube. Zurich. Courtyard of a castle, by Augustin Hirschvogel. 1546. Etching. Plate size, 14.4 by 21.8 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Sir David Wilkie (Scottish, 1785-1841). Guess My Name, 1821. Black and red crayon with graphite, heightened with white chalk on laid paper. 4x7 inches (103x180 mm). Signed lower right, in pen and brown ink: D. Wilkie]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Ivon Hitchens (1893-1979). River Rother near Stedham signed 'Hitchens/1964' (lower left). Oil on canvas. 45.7 x 109.2 cm]
Attributed works:
[C. Bednarczyk. A.1010 Vienna. Dorotheergasse 12. Porcelain Plaque by JOSEPH NIGG (Vienna 1782-1863). 27.3x21.5cm. Impressed moulder's letter P. Year stampo (1)817, signed Nigg]
Attributed works:
[Catherine E. Burns. Oackland. CA. The Woolworth Building from City Hall, by Emile Antoine Verpilleux. 1929. Signed and numbered 4/12 in pencil. Colour woodcut on thick wove paper, 45,7 by 33 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sit Thomas Lawrence, P.R.A. (1796-1830). Portrait of Arthur Wellesley, 1st Duke of Wellington, K.G., K.B.]
Attributed works:
[Dolan/Maxwell. Philadelphia. Archipelago, by Stanley William Hayter. 1941. Edition 30. Softground etching, scorper, engraving, 12 by 18 cm]
Attributed works:
[Frederick Baker. New York. L'Enfant a la lampe, by Pierre Bonnard. c.1897. Edition of 100, signed in pencil. Colour lithograph, 33 by 45.7 cm]
Attributed works:
[Frederick Mulder. London. La Minotauromachie, by Pablo Picasso. 1935. Etching and engraving, 49.6 by 69.6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Recco. Naples, 1634 - Alicante, 1695. The Five Senses. Oil on canvas, 76x105 cm (29 15/16 x 41 5/16 in) signed and dated on the lute: "GIOS RECCO/F.1676"]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré.Paris. Francesco TRAINI /Pisa, documented from 1321 to 1345). Virgin and Child. Circa 1325. Tempera on panel, gold ground - 25 x 20 1/8cm]
Attributed works:
[H. Blairman & Sons Ltd. 119 Mount Street. London. Four carved giltwood stands by James Pascall (fl. 1733-54). Height: 48in (122cm). English (London), 1745-46.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. David Bomberg. 1890-1957. Abstract Design, 1914. Chalk and watercolour. 10 3/4 x 10 1/4 inches; 27.3x26cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Rembrandt van Rijn, Leiden 1606 - 1669 Amsterdam. Abraham entertaining the Angels. Etching & drypoint; 1656. Bartsch 29, Hind 286, White-Boon 29, only state.]
Attributed works:
[Hill-Stone. New York. A girl from Kowno (Madchen aus Kowno), by Karl Schmidt-Rottluff. 1918. Woodcut.]
Attributed works:
[Hill-Stone. New York. In the wings (Dans la coulisse), by Hilaire Germain Edgar Degas. Lithograph, 24 by 17.1 cm]
Attributed works:
[Ketterer Kunst. Mebberg 1. Hamburg. Adriaen Van Utrecht. "Still Life With Game And Vegetables". Oil on panel, 2nd half of the 1640s. 47x106cm (29.1x41.7 in)]
Attributed works:
[Ketterer Kunst. Mebberg 1. Hamburg. Adriaen Van Utrecht. Eugen VON BLAAS "The Girl From Chioggia". Oil on panel, c. 1880/1900. Wassibauer 192. 34.4x25 cm (13.1x9.8 in)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Claude Joseph Vernet. Les Baigneuses. Oil on canvas, 66,5x82,5 cm]
Attributed works:
[Mallett, 141 New Bond St., London. George Morland (1763-1804). Selling Peas. Painted circa 1792. Signed, oil on canvas. Contained in its original carved and gilded frame. Unframed: 28x36in / 71x91.4cm]
Attributed works:
[Moretti. 24 East 80th Street. New York. San Lucchese Master. Active in Florence, c. 1340-1370. Madonna and Child between angels: Annunciation: Nativity: Crucifixion. Panel, 24.3 x 13.9 in]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Diana preparing for the Hunt. Oil on copper, 7 1/2 x 6 1/4 inches.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Thomas Gainsborugh R.A. (1727-1788). Landscape with cattle, a young man courting a milkmaid. Oil on canvas, 120.5 by 147.5 cm, 47 1/2 by 58 in.]
Attributed works:
[Sragow Gallery, New York. Forward together, by Jacob Lawrence. 1961. 1997. Screen print, 63.5 by 101.6 cm. Edition of 125]
Attributed works:
[Tandem Press. Wisconsin. Half-life Series No.7, by Nicola Lopez. 2007. Lithography and relief on mylar, 91.3 by 119.3 cm]
Attributed works:
[The Fine Art Society. London. Reading by lamplight, by James McNeill Whistler. 1858. Etching, printed in warm black ink on laid paper in the second (final) state, 16 by 11.9 cm]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Saved. Etching by Wislow Homer, 1889.]
Attributed works:
[The Paul Mellon Centenary. Yale Center for British Art. New Haven, Connecticut. Johan Joseph Zoffany. The Drummond Family, ca. 1769, Oil on canvas.]
Attributed works:
[The Paul Mellon Centenary. Yale Center for British Art. New Haven, Connecticut. Joseph Mallord William Turner. Yarmouth Sands, ca. 1840, watercolour and scraping out on wove paper.]
Attributed works:
[W/S Fine Art / Andrew Wyld. 160 New Bond Street, London W1S 2UE. Thomas Gainsborough R.A. (1727-1788). Landscape with a Herdsman driving Cows and Sheep, c. 1784. Oil on canvas 21 1/2 x 29 1/2 inches (54.6x74.9 cm)]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Friederich Nerly. Giardino Boboli. Watercolour, pastel, pencil. Signed, titled and illegible marked. 31,8x34,5 cm]
Western art unattributed:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. German Artist. The Bearing of the Cross. Gouache, brown and black pen, about 1530. 52x71,5cm]
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Advertisements September 2007 (front)
09/2007 | 1254 | 149
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Adam Williams Fine Art. New York. Portrait of a young man, by Bernardo Strozzi (1581-1644). Oil on canvas, 50 by 38cm]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Josef Albers. Placards. 1934]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Newlyn, by Ben Nicholson. 1948. Drypoint. Paper: 19.0 by 22.4 cm / Image: 15.2 by 18.4 cm. Edition of 8]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Richard Hamilton. Beatles. 2007]
Attributed works:
[Altomani & Sons. Milan and Pesaro. Allegory of the Four seasons, by Francesco Bertos (1678-1741). Carrara marble, height: 40 cm]
Attributed works:
[Boundary Gallery. London. Mother and child, by David Bomberg (1890-1957). 1920. Watercolour, 39.4 by 29.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. François Jerome Chantereau (?1710-Paris, 1757). Departure for the hunt. Black chalk heightened with pastel on blue paper, 28.8x44.2 cm. Unidentified collector's mark (Lugt no.883) at lower left.]
Attributed works:
[Crane Kalman Gallery. London. Construction, by Edward Burra (1905-76). c. 1950. Gouache on paper, 72.4 by 104.1 cm]
Attributed works:
[Duncan R. Miller Fine Arts. London. Red and green relationships, by William Johnstone OBE., LLD (1897-1981). 1962. Oil on canvas, 63.5 by 76 cm]
Attributed works:
[Enrico Frascione. Florence. Christ in the Garden of Gethsemane, by Giovan Francesco Barbieri known as Il Guercino (1591-1666). Pen, ink and sepia watercolour on beige paper, 30 by 24 cm.]
Attributed works:
[Fondantico di Tiziana Sassoli e C. Bologna. The Elderly Farmer, by Giovanni Andrea Donducci Known as Il Mastelletta (Bologna 1575-1655). Oil on canvas, 113 by 152.]
Attributed works:
[Gagosian. 6-24 Britannia Street. London. Epiphany, 1964. Richard Hamilton.]
Attributed works:
[Gillian Jason. London. Flowers, early summer, by David Bomberg. 1936. Oil on canvas, 91.4 by 70 cm]
Attributed works:
[Gimpel Fils. London. Opus O.632 Transformation of A.D. No.3, by Alan Davie. 1970. Oil on canvas, 122 by 153 cm]
Attributed works:
[Grassi Studio. New York. Crucifixion, by Ercole Procaccini il Vecchio (1515-1595). Oil on canvas, 48 by 34 cm]
Attributed works:
[Grosvenor Gallery. London. Girl, by Reg Butler (1913-81). 1954. Cast bronze in an edition of 8, with a black patina, 52 cm high]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. The Horses of St. Mark's, 1901. Oil on paper laid on panel. 19 3/4 x 15 1/2 inches: 50.2 x 39.4 cm. Signed.]
Attributed works:
[JPMorgan CHase Art Collection. Josef Albers. Homage to the Square: In Late Red, 1959, oil on masonite, 101.6 x 101.6 cm.]
Attributed works:
[Karsten Shubert. 5-8 Lower John Street, London. John Stezaker, Marriage (Film portrait collage) XXXII, 2007]
Attributed works:
[Keith Chapman. London. Winston Churchill, by Sir Jacob Epstein (1880-1959). 1946. Bronze, 31 cm high.]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ambrosius Bosschaert II (Middelburg 1609-1645 Utrecht). Still life with fruits, shells and insects. 1630. Oil on panel. Monogrammed and dated. 38.2 x 50.2 cm.]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. 24 East 80th Street. New York. Giovan Girolamo Savoldo. Brescia, c. 1480-Venice, post 1540. St. Dominic and St. Veneranda St. Anthony Abbot and st. Vincent Ferrer. Oil on canvas, 149.5x49cm (each)]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Vincent Van Gogh. Two figures in a wood (detail), 1890. Cincinnati Art Museum, legacy of Mary E. Johnston.]
Attributed works:
[Osborne Samuel. London. Neapolitan bathers, by Keith Vaughan. (1912-1977). 1951. Oil on board, 63 by 48 cm]
Attributed works:
[Piacenti Art Gallery. Florence. Madonna with Child, by Jacopo Amigoni (1682-1752). Oil on canvas, 66.5 by 52.7 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Richard Hamilton. I'm Dreaming of a Black Christmas (Lullin 82). Screenprint on collotype in colours, 1971.]
Attributed works:
[The Italian Cultural Institute. 8 Storey's Gate, London. Francesco Gonzales. The Grey Series, a portrait of Sir Denis Mahon and other new paintings.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Baccio Bandinelli. 1493-1560. Monumental bust of a young man. Marble. Height 77cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. E. Blackwell. Herbal book. 6 volumes, 1757-73]
Attributed works:
[Waddington Galleries. 11 Cork Street. London. Josef Albers, Homage to the Square (JAAF 1976.1.372), 1953, 18x18 in/ 45.7x45.7 cm, oil on masonite]
Attributed works:
[Whitford Fine Art, London. Gravy for the Navy again, by Peter Phillips (b.1939). Oil on canvas, 36 by 36 cm]
Attributed works:
[Wilson Stephens Fine Art. London. Nude figures, by Duncan Grant (1885-1978). 1928. Pen on paper, 12.7 by 20 cm]
Western art unattributed:
[Galleria Nella Longari. Milan. Head of a putto, Florentine sculptor of the early sixteenth century. Marble, height: 19cm]
Western art unattributed:
[The 25th Florence Biennale. Photograph of Palazzo Corsini sull'Arno.]
Western art unattributed:
[The 25th Florence Biennale. The late seventeenth century Throne Room, Palazzo Corsini, Florence. Photograph.]
Publication Received
Ian Davenport. Ovals Arches Lines
03/2007 | 1248 | 149
Pages: 200
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Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
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subjects:
Ian Davenport. Ovals Arches Lines | author: Mullins, Charlotte
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