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04/2019 | 1393 | 161
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
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Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
Exhibition Review
Current and Forthcoming Exhibitions: London and Cambridge [Drawings by Rembrandt and his circle and Rembrandt's Etchings at the Fitzwilliam museum et al.]
04/1966 | 757 | 108
Pages: 215-218
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
61. Joseph Recounting His Dreams, Attributed to Nicolaes Maes. Pen, Brown Ink and Brown Wash, 20 by 32 cm. (Fitzwilliam Museum, Cambridge.)
Attributed works:
62. The Kiss of Judas, by a Follower of Rembrandt. Pen and Brown Ink over Black Chalk, 12.4 by 10.5 cm. (Fitzwilliam Museum, Cambridge.)
Attributed works:
63. A Woman in Bed, with a Servant Seated at the Bedside, by an Imitator of Rembrandt. Pen and Dark Brown Ink, Dark Brown Wash, 17.9 by 19.2 cm. (Fitzwilliam Museum, Cambridge.)
Attributed works:
64. Lot and His Daughters, Attributed to Samuel Van Hoogstraten. Pen, Brown Ink and Brown Wash, 83 by 103 cm. (Fitzwilliam Museum, Cambridge.)
Attributed works:
65. Saul and David, by Oskar Kokoschka. Signed with Initials. Canvas, 100 by 130 cm. (Exh. Marlborough Fine Art Ltd., London.)
Exhibition Review
Current and Forthcoming Exhibitions: London
02/1964 | 731 | 106
Pages: 88-91
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
37. Protracted Summer on the Water, by John Bratby. Canvas, 86.3 by 109.2 cm. (Exh. Zwemmer Gallery, London.)
Attributed works:
38. Standing and Seated Figures, by Henry Moore. Signed. 1932. Ink, Pencil and Wash, 34.9 by 42 cm. (Exh. Marlborough Fine Art Ltd, London.)
Attributed works:
39. Lucca: A Vineyard Walk: Lower Stonework of Tower Twelfth Century, by John Ruskin. Water-Colour, 32 by 41 cm. (Education Trust, Bembridge School.)
Attributed works:
40. The Old Middlesex, by Walter Richard Sickert. Signed. Pen, 26 by 35.2 cm. (Exh. Leicester Galleries, London.)
Attributed works:
41. Plaisirs de Milliardaires, New York. (Miss Elsa Maxwell's Party with Beatrice Lillie on Extreme Right), by Jacques-Emile Blanche. Canvas, 81.3 by 100.3 cm. (Exh. Leicester Galleries, London.)
Exhibition Review
Current and Forthcoming Exhibitions: London
02/1962 | 707 | 104
Pages: 89+91-92
related names
Reviewer:
Brookner, Anita (Brookner, Anita; Brookner, Miss)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
41. Oranges and Lemons, by Manolo Calliyannis. Signed. Canvas, 64.8 by 99.6 cm. (Exh. Messrs Alex Reid & Lefevre Ltd, London.)
Attributed works:
42. Painting 1961, by J. Martín de Vidales. Signed. Oil on Leather, 93 by 70 cm. (Exh. Arts Council, Tate Gallery, London.)
Attributed works:
43. Black and Red, Light Grey Ground, by Salvador Victoria. Signed and Dated 1960. Canvas, 100.3 by 81.3 cm. (Exh. Messrs Arthur Tooth & Sons Ltd, London.)
Attributed works:
44. Wooden Construction No. 19, by Joe Tilson. 1961. Wood Relief, 152 by 122 cm. (Exh. New London Gallery, London.)