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06/2024 | 1455 | 166
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
A saint kneeling in prayer, with other figures in the background (Apostles at the tomb), by Guercino (1591–1666). Red chalk, 28.2 by 20.7 cm. [LAW/STEPHEN ONGPIN FINE ART, 82 PARK STREET, W1K 6NH]
Attributed works:
Attributed to George Gower (c.1540-1596), Portrait of Lady Arabella Stuart, £30,000-40,000 [Sworders]
Attributed works:
Bamburgh Castle, Northumberland, by Thomas Girtin (1775– 1802). 1797. Watercolour over traces of pencil heightened with bodycolour on laid paper, 41.7 by 54.7 cm. [LAW/GUY PEPPIATT FINE ART, 6 MASONS YARD, DUKE STREET, SW1Y 6BU]
Attributed works:
Bust of an old man with a rosary, by Gaetano Gandolfi (1734–1802). Oil on canvas, 56.2 by 45.3 cm. [LAW/TRINITY FINE ART AND WALTER PADOVANI, 15 OLD BOND STREET, W1S 4AX]
Attributed works:
Bust of the Goddess Roma Vincenzo Pacetti (1746–1820) A monumental marble from the collection of Thomas Hope (1769–1831)
Attributed works:
C.R.W. Nevinson (1889-1946) ‘Banking at 4000 Feet’. Lithograph. 1917. Signed. 16x12 inches. [Abbott and Holder]
Attributed works:
Charles Beale, by Mary Beale (1633–99). Oil on paper laid on panel, 29 by 23 cm. [LAW/PHILIP MOULD & COMPANY, 18–19 PALL MALL, SW1Y 5LU]
Attributed works:
Detail from Vedute del Giardino del Mar. Stiozzi-Ridolfi già Orti Oricellari Florence, by Emilio Burci (1811–77). 1832. Pen and ink with grey wash, 21 by 25 cm. [LAW/NONESUCH GALLERY, LOWER FLOOR MAAS GALLERY, 6 DUKE STREET, SW1Y 6BN]
Attributed works:
GIOVANNI FRANCESCO BARBIERI, called GUERCINO (1591–1666) The Virgin of the Rosary with Saints Dominic and Catherine of Siena Pen and brown ink and brown wash, 401 x 267 mm. (15¾ x 10½ in.) [Stephen Ongpin Fine Art]
Attributed works:
Guido Reni Bologna, 1575 - 1642 Martyrdom of Saint Apollonia morettigallery.com Oil on copper, 44.1 x 33.6 cm [Moretti]
Attributed works:
Hunter resting and Hunter grazing, by Adam Roud (b.1971). 2024. Bronze, height 46 cm. and 42 cm., respectively. [LAW/SLADMORE GALLERY, 57 JERMYN STREET, SW1Y 6LX]
Attributed works:
Ivar Arosenus, Venus and Diogenes, 1908 Each titled Venus och Diogenes lower left, and signed and dated I.A./08 lower right Four watercolours on paper each 90 x 143 mm (3 ⁄1/2 x 5 ⁄5/8  in) [Clase Fine Art]
Attributed works:
Leda and the swan and the bath of Venus, by Claude Michel, called Clodion (1738–1814). c.1780–82. Terracotta, 33 by 98.4 by 5.7 cm. and 33.7 by 97.1 by 6.4 cm., respectively. [LAW/DANIEL KATZ GALLERY, 6 HILL STREET, W1J 5NF]
Attributed works:
Making soldiers: in the front line trench for the first time, by Eric Kennington (1888–1960). 1917. Lithograph, 45.7 by 35.6 cm. [LAW/ABBOTT AND HOLDER, 30 MUSEUM STREET, WC1A 1LH]
Attributed works:
Mask of the man with the broken nose, by Auguste Rodin (1840– 1917). Conceived 1864, cast 1883. Bronze, height 40.5 cm. [LAW/STUART LOCHHEAD SCULPTURE, 35 BURY STREET, SW1Y 6AU]
Attributed works:
P I E R R E -A L E X ANDR E W I L L E Paris, 1748 - 1837 THE TRAVELLING MUSICIANS Pen & ink on paper 44 x 33 cm | 1 7 1 / 3 x 1 3 i n [Nonesuch Gallery]
Attributed works:
Red cardinals, by Frank Dobson (1886–1963). 1946. Black ink and pastel, 38 by 49 cm. [LAW/CHARLES BEDDINGTON LTD, 16 SAVILE ROW, W1S 3PL]
Attributed works:
Sir Robert Ker Porter (1777-1842), An album of figure studies taken on travels through France and Russia, forty-one, each signed and dated between 1814 and 1816, pen and ink and watercolour, each sheet approx. 17.2 by 10.8 cm, 6¼ by 4 ½ in. [Guy Peppiatt Fine Art]
Attributed works:
SOPHIE FREMIET (1797–1867) Portrait of a Woman, 1818 Recently acquired by the J. Paul Getty Museum, Los Angeles [Robilant and Voena]
Attributed works:
Summer, by Anna Boberg (1864–1935). Oil on canvas laid on board, 59 by 81 cm. [LAW/BEN ELWES FINE ART, 45 MADDOX STREET, W1S 2PE]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN (C.1485/90–1576) Rest on the Flight into Egypt Estimate: £15,000,000–25,000,000 Old Masters Part I, London, 2 July 2024 [Christie's]
Attributed works:
Vanitas, by Marcos Lozano (b.1990). 2023. Oil on board, 80 by 60 cm. [LAW/MORETTI FINE ART, 13 DUKE STREET, SW1Y 6DB]
Western art unattributed:
Detail of Mary Magdalene as a hermit. France, c.1305–13. Limestone, height 151 cm. [LAW/SAM FOGG, 15D CLIFFORD STREET, W1S 4JZ]
Western art unattributed:
Portrait miniature of a Gentleman wearing a green coat, white waistcoat and jabot, his hair powdered, by Jeremiah Meyer (1735– 89). c.1775. Watercolour on ivory, in a gold frame, set with half pearls, 6.7 by 5.1 cm. [LAW/THE LIMNER COMPANY, 6 MASONS YARD, DUKE STREET, SW1Y 6BU]
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04/2019 | 1393 | 161
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
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11/2016 | 1364 | 158
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[August Laube. Zurich. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré). Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Bacarelli & Botticelli. Firenze. Three Angels from Saint Paul's Cathedral, London. Attilio Piccirilli (Massa Carrare 1866 - New York 1945), and Furio Piccirilli (Massa Carrara 1869 - Rome 1949).]
Attributed works:
[Cambi. Georg Petel (1601/02 - 1634). Corpus Christi in ivory. Genova 1622/24. 53 x 54 cm]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. A bronze group of King Henry IV astride a rearing horse. Barthelemy Prieur (1536-1611), French, circa 1595-1610.]
Attributed works:
[Coll&Cortés. Justiniano 3, Madrid, Spain. Lorenzo Mercadante de Bretaña (1454-1467). Virgen del Buen Fin. Terracotta with traces of polychromy. 65.2 x 24 x 18.3 in]
Attributed works:
[Daniel Katz Gallery. 6 Hill Street. London. Auguste Rodin. Nude woman standing. Watercolour, pencil and ink on paper. 31.2 x 24.5 cm. Circa 1898-1900]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Louis Dorigny, Paris, 1654 - Verone, 1742. Two Allegories of Comedy. Oil on canvas, a pair, 48.5 x 65 cm (19 1/8 x 25 9/16 in) each]
Attributed works:
[Galerie Lowet de Wotrenge. Artus II Quellinus (Sint-Truiden 1625 - 1700 Antwerp). An Allegory of Earth. Terracotta, height 54 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Ben Nicholson, Western landscape, 1960. 64,5 x 75,5 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. Leaves 1987-88. Oil on wood. 19 3/4 x 25 3/4 inches; 50.2 x 65.4 cm]
Attributed works:
[Jan Johnson. 189, rue St-Pierre, Chambly, Québec. St. Matthew. Antonio Maria Zanetti (1680-1767)]
Attributed works:
[Museo Nacional del Prado, Madrid. Pere Borrell del Caso. Scaping criticism, (detail), 1874. Madrid, Banco de Espana Collection]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstaße 189-191. Stuttgart. Tino di Camaino (attr.). Probably c.1315, limewood, h. 36 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson. Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The Picture Book (No.2), ca. 1910. Drypoint, signed]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872-1951). The Concerto, c.1935. Linocut 32 x 30 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Bartolomeo Manfredi: St. John the Baptist, circa 1610, oil on canvas, 137 x 96.5 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Master of the Unruly Children probably Sandro di Lorenzo di Smeraldo (Florence 1483-circa 1554). Bacchus. Terracotta. 25 x 29 x 20 cm (9 7/8 x 11 3/4 x 7 7/8 in)]
Attributed works:
[V&A. London. Lectures. Donatello (about 1386-1466). The Lamentation Over the Death Christ. About 1453-66. Bronze, Italy, possibly Siena.]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. A large silver water kettle with burner on stand. Maker Storr and Mortimer, 1824-1825. 925/1000]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. An antique enamel sautoir, by Giuliano 19th Century]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. Johan Barthold Jongkind (1819-1891). View on the Oude Schans with the Montelbaans Tower in Amsterdam. Signed lower right and dated 1885. oil on canvas, 26,5 x 43,5 cm]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. Studio Willem van de Velde (1633-1707). 'A small English merchant ship at anchor firing a gun'. Signed lower center, oil on canvas. 62x74 cm]
Attributed works:
[W. Agnew & Company Ltd. The famous Whig politician, the Hon. Charles James FOx (1749-1806), by Joseph Nollekens RA (1737-1828), commissioned by Fox's closest friend, the 4th Earl Fitzwilliam, as a gift to Fox's 'secret' wife, the courtesan Elizabeth Armitstead, and inscribed, verso, 'This bust given to Mrs Armistead by Earl Fitzwilliam the First of March 1796. Nollekens Ft.' Marble, height: 28" (71 cm).]
Non-western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An important cased pair of indian flintlock pistols with silver barrels and lockplates, signed 'L. Col. Claude Martins, Locknow Arsenal,' circa 1785 and presented in 1786 by Martin to Lieutenant Colonel Alexander Ross]
Western art unattributed:
[Nagel Auktionen Gmbh & Co. KG. Neckarstaße 189-191. Stuttgart. An expressive Renaissance horse head. Italy, c. 1600, bronze, h. 17/30 cm.]
Western art unattributed:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. The virgin and child enthroned. Lower Bavaria/Landshut, c. 1490/1500, h. 96cm.]
Western art unattributed:
[Piasa. 118 rue du Faubourg Saint Honoré. Paris. Alabaster relief represent Adam and Eve. South Netherlands, around 1530]
Western art unattributed:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. A tortoiseshell, mother-of-pearl and gold piqué rosewater ewer and basin. Naples, first half of the 18th century]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church St. London. Antwerp School. c.1635. A gold-Metal mounted Ebony, ebonized, rosewood. tortoiseshell and ivory cabinet on a stand. Decorated with scenes from Ovid's Methaphories]
Western art unattributed:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. A series of four blue and white 'Burglhey House' plates. Qianlong, ca. 1745. Decorated in the center with the Elizabethan 'Burghley House', in a garden with trees and birds, surrounded by ornamental bands]
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10/2016 | 1363 | 158
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnews, London. Lamia, by John William Waterhouse (1849-1917). Oil on canvas, 91.5 by 57 cm]
Attributed works:
[August Laube Buch, Zurich. St. George on horseback slaying the dragon, by Lucas Cranach the Elder (1472-1553). Woodcut, 16.1 by 12.8 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. A documented charger depicting a battle between mystical sea creatures. Inscribed 'cremona fecit fare a di 29 agosto 1540 a de Mo Steveno bocaler'. 40.3 cm. Attributed to Giulio da Urbino, working in a workshop in the Veneto]
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Antonio Mancini. Genio Ribelle]
Attributed works:
[C. G. Boerner, New York and Dusseldorf. The execution of Maximilian, by Edouard Manet. 1832-82. Lithograph on buff-coloured paper, 33.5 by 43.3 cm]
Attributed works:
[Carlo Orsi - Trinity Fine Art, Milan - London. Allegory of Patience, by Carlo Dolci (1616-87). Oil on canvas, 71 by 54 cm]
Attributed works:
[Daniel Katz Ltd, London. St. Michael overcoming the devil. Cast from a model by Alessandro Algardi (1598-1654). Bronze. Height: 53.5 cm]
Attributed works:
[Daniela Laube Fine Art, Jackson Wyoming. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré), Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Daniela Laube, Jackson, Wyoming. Salome presenting Herod with the head of St. John the Baptist, by Lucas van Leyden (1494-1533). Woodcut, 40.6 by 28.9 cm]
Attributed works:
[Daxer & Marschall, Munich. Planegg I - Landscape near Munich, by Wassily Kandinsky (1866-1944). c. 1901. Oil on canvas, laid down on cardboard, 23.5 by 32.8 cm]
Attributed works:
[Daxer & Marschall, Munich. The Bay of Naples with Mount Vesuvius, by Johan Christian Clausen Dahl (1788-1857). 1520. Oil on canvas, 44.5 by 67 cm]
Attributed works:
[De Jonckheere, 7 rue de L’Hôtel-de-Ville, Geneve Marten van Cleve. Antwerp circa 1527 - before 24 November 1581. An Outdoor Wedding Dance. Circa 1570. Panel: 94.3 x 122.3 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The Holy Family with St. Elizabeth and St. John the Baptist, by The Master of the Half-Leghts, (Antwerp c. 1490 - c.1540). Oil on panel, 87 by 63.5 cm]
Attributed works:
[Dickinson. London. Volliers sur le Seine à Argenteuil, by Gustave Caillebotte (1848-94). Oil on canvas, 65 by 54 cm]
Attributed works:
[Didier Aaron, Inc., New York, Paris, London. Allegory of eternity (Study for the main fresco at Montoliveto, Naples), by Giorgio Vasari (1511-1574). Pen and brown ink and wash over black chalk, heightened with white, on blue paper, squared for transfer in red chalk. 28.5 by 22.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Nicolas de Largilliere (1656-1746), Portrait of Prince James Francis Edward Stuart, Prince of Wales, with a courtier. Oil on canvas, 180 x 137.5 cm.]
Attributed works:
[Dulwich Picture Gallery. Dulwich, London. The Beach at Scheveningen, 1658, (detail). Oil on canvas]
Attributed works:
[Emanuel von Baeyer, London. Adoration of the Magi, by Wolf Huber (1485-1553). Woodcut, sheet: 12.2 by 9.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gregorio Lazzarini, attributed to. Venice, 1655 - Villabona di ROoigo, 1730. The Mocking of Christ. Oil on canvas, 107 x 97 cm (42 1/8 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem, Paris. Peach tray with jar, by Jean-Baptiste-Siméon Chardin (1699-1779). Oil on canvas, 68 by 57.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figures walking up a monumental stair case (detail). Oil on canvas. Height: 66 1/4 in. (173.4 cm); Width: 63 1/2 in. (161.3 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Bacchus with Venus and Ceres. Tapestry from a series "Inclinations of Man" after a design by Lancelot Lefebure (active ca. 1585-1650). Brussels, ca. 1670-80. Weavers mark IFVH for Jan Frans van der Hecke (active 1662-1710)]
Attributed works:
[Galleria Stanza del Borgo, Milan. Samuki no in Kenzoku o shite Tametomo o sukuu zu (Retired emperor Samuki sends to rescue Tametomo), by Utagawa Kuniyoshi (1797-1861). 1851. Woodblock prints. Each sheet: 36 by 25 cm]
Attributed works:
[Haboldt Pictura, New York, Paris, Amsterdam. A vanitas still with a skull, candleholder and coins, by Johann Stumm (active 1640-50). Oil on panel, 22.3 by 31 cm]
Attributed works:
[Hazlitt Holland-Hibbert, London. Eyeli, by Anthony Caro (1924-2013). 1965. Steel painted blue. Height: 286 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Sweet Summer. 1983. Oil on canvas. 92 1/2 x 77 1/2 inches, 234.9 x 196.8 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Otto Marseus van Schrieck. Bouquet of Flowers and Butterflies in front of a stone niche. 1670es. Oil on canvas. 70 x 54 cm]
Attributed works:
[Irish Arts. Richard Gorman at Castletown]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Théodore Géricault (1791-1824). Portrait of Eugène Delacroix, from the collection of the Duke de Trévise. Oil on canvas 54 x 45cm]
Attributed works:
[Karl & Faber. Amiraplatz 3. Munich. Franz von Stuck. Portrait Mary Stuck, Oil on panel, 30x30 cm]
Attributed works:
[Lampronti Gallery, London and Milan. Study of the head of Bearded old man, by Annibale Carracci (1560-1609). Oil on paper laid down on canvas, 41 by 28.5 cm]
Attributed works:
[National Gallery. London. Michelangelo Merisi da Caravaggio, The Tacking of Christ (detail). 1602.]
Attributed works:
[Osborne Samuel Gallery, London. The Eight, by Cyril Edward Power (1872-1951). Linocut, 32.3 by 3.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson, Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Otto Naumann Ltd, New York. Portrait of boy, probably a self-portrait, by Edmond Dehodencq (1860-87). Oil on canvas, 47 by 34 cm]
Attributed works:
[Paragon Contemporary Editions Ltd, London. Red shadow, by Anish Kapoor. Colour etching, 72.5 by 96.5 cm]
Attributed works:
[Paul Prouté, Paris. The Virgin and Child with candle, by Jacques Bellange (1575-1616). Drypoint and engraving, 14.6 by 21.8 cm]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The picture Book (No. 2) ca. 1910. Drypoint, signed]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A gif of King George III: a pair of Spanish bronze cannon cast by Matthias Solano. The Royal Gunfoundry, Seville, to Major-General John Graves Sincoe in 1798, in recognition of his services in French San Domingo. Hispaniola (Haiti), dated 1747]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Comedia 1, by Ana Maria Pacheco. Chiaroscuro woodcut, 29.4 by 38.5 cm]
Attributed works:
[Print Fair. Park Avenue Armory. New York. Francisco De Goya Y Lucientes (Fuendetodos 1746 - Bordeaux 1828). Volaverunt (The Have Flown). Etching, aquatint and drypoint; Harris 96 III.1/III.12; 214 x 150 mm; sheet 315 x 225 mm]
Attributed works:
[Raccanello Leprice, London. The battle of Korakesion. Tondo. Fontana workshop, Urbino. c.1560-70. Tin-glazed earthenware. Diameter: 26.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872 - 1951). The Concerto. c. 1935. Linocut 32 x 30 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. Portrait of a mathematician, by Luca Giordano (1632-1705). Oil on canvas, 127 by 100 cm]
Attributed works:
[Robilant + Voena, London. Crucifix, by Lucio Fontana (1899-1968). Ceramic. Height: 81.5 cm]
Attributed works:
[Royal Academy of Arts. London. Cornelia Parker RA. Beautiful Glass (broken), 2015. Polymeric Photogravure etching. 265 x 29 cm. Edition of 70]
Attributed works:
[Royal Academy of Arts. London. Gary Hume RA. Bikini Print, 2010. Screenprint. Image size: 61 x 39 cm, paper size:76 x 56 cm. RA Edition of 30.]
Attributed works:
[Simon Theobald, London. Standing child, by Erich Heckel (1883-1970). 1910. Woodcut, 37 by 27.6 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. David Taniers II. A Cobbler in the Workshop (detail)]
Attributed works:
[Stephen Ongpin Fine Art, London. A standing lion, by Giovanni Domenico Tiepolo (1727-1804). Pen and grey ink and wash over black chalk, 21.7 by 15.2 cm]
Attributed works:
[The Redfern Gallery, London. The concerto, by Cyril Edward Power (1872-1951). c. 1935. Linocut, 32 by 30 cm]
Attributed works:
[Trinity Fine Art with Carlo Orsi. 29 Bruton Street. London W1J 6QP. Via Bagutta 14. Milano. Ludovico Corracci (Bologna 1555 - 1619) St. Sebastian at the Column. Oil on canvas. 151.5 x 112.7 cm (59 5/8 x 44 3/8 in.)]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Abraham Teerlink (1776-1857). Waterfall near Tivoli. Painted around 1824. Signed. Oil on canvas, 61.5 x 76.5 cm]
Western art unattributed:
[Hansord. Antique Furniture and Works of Art. 6 & 7 Castle Hill, Lincoln Lincolnshire. Great Britain. A fine 17th century Italian ebony and ivory inlaid table cabinet the two doors open to reveal an architectural interior with hard stones and lapis lazuli columns mounted with ormolu. Circa 1650. Provenance a titled European family. Height 56 cm. Width 60 cm. Depth 36 cm]
Western art unattributed:
[Kallos Gallery, London. Early Archaic Cretan Helmet. c.660 - 625 BC. Bronze. Height: 43.1 cm]
Western art unattributed:
[Rupert Wace Ancient Art, London. Flint dagger found in Denmark. Neolithic. c.2000-1800 BC. Length: 21,3 cm]
Western art unattributed:
[Sam Fogg, London. Angel of the Annunciation (detail). 12th century. Softwood. Height: 80 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. The Adoration of the Kings, Upper Rhine, Strasbourg. Last quarter 15th century]
Western art unattributed:
[Tomasso Brothers Fine Art, London and Leeds. Profile head of Alexander the Great. Florentine, c.1530. White marble, 57 by 42 cm]
Western art unattributed:
[Tomasso Brothers FIne Art. Exhibiting at: TEFAF New York. Fall 2016. German, 18th century. A son of Laocoon (1730-1806). After the antique. Limewood. 53.5 cm (21 in.) high. 18.5 cm (7 1/4 in.) wide]
Exhibition Review
A Crisis of Brilliance, 1908–22. London
08/2013 | 1325 | 155
Pages: 564-566
related names
Reviewer:
Owens, Susan (Owens, Susan)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
33. In the hold, by David Bomberg (Tate, London; exh. Dulwich Picture Gallery, London)
Attributed works:
34. Void, by Paul Nash (National Gallery of Canada, Ottawa; exh. Dulwich Picture Gallery, London)
Attributed works:
35. Lytton Strachey, by Dora Carrington (National Portrait Gallery, London; exh. Dulwich Picture Gallery, London)
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Advertisements October 2010 (front)
10/2010 | 1291 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Alice Adam Ltd., Chicago. Family, by Emile Nolde. 1917. One of 16 impressions in the second state. Woodcut, 24.4 by 31.1 cm]
Attributed works:
[Ana Chiclana. Ruiz de Alarcon, 27. Madrid. Thomas Hiepes. c.1600-1674. Grapes in a Basket. Oil on canvas: 63x85 cm.]
Attributed works:
[Brand X Projects, Inc., New York. Vivien, by Alex Katz. 2010. Signed and numbered edition of 75. One of a pair of screenprints, 72.4 by 101.6 cm]
Attributed works:
[C.G. Boerner, New York. Hercules and Cacus, by Hendrick Goltzius. 1588. Woodcut.]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Louis-Léopold Boilly (La Bassée 1761 - 1845 Paris). L'acteur Elleviou jouant 'Le Prisonnier'. Oil on panel 54 by 45.5 cm (21 1/4 by 18 cm)]
Attributed works:
[Courtesy Osborne Samuel Ltd., London. Ice Hockey, Lill Tschudi. 1933. Linocut, 26 by 28 cm]
Attributed works:
[Danielle Laube Fine Art, New York. Le départ pour le travail, by Jean-François Millet. Etching.]
Attributed works:
[David Tunick, Inc., New York. Jazz, by Henry Matisse (1869-1954). Complete portofolio of twenty pochoirs printed in colours, after collages and cut paper designs. Book edition of 270]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Denys Calvaert, Dioniso Fiammingo (1540-1619). Holy family with the Infant St. John, 1579, oil on canvas. 58 x 41 cm.]
Attributed works:
[Frederick Baker, Inc., Chicago. Le Pont de Passy, by Marie Laurencin (1885-1956). 1908. Edition of 15. Etching, 14.9 by 21 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Michelangelo Cerquozzi, called Michelangelo delle Battaglie. Rome, 1602 - Rome, 1660. The Agreement between the Donkey and the Fox. Oil on canvas, 170 x 120 cm (66 15/16 x 47 1/4 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Augustin-Félix Fortin (1763-1832). Michel Le Peletier de Saint-Fargeau. White marble, pedestal in veined white marble, 72 cm (28 3/8 in) high)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Roderic O'Conor (Ireland 1860 - 1940 France). Landscape with Tree. Etching, circa 1893. Johnston, 20, only state, as published in L'Imaginer, no.4 deluxe edition, 1895. An extremely fine impression in excellent fresh condition, with margines.]
Attributed works:
[Jonathan Clark Fine Art. 18 Park Walk. London. Christopher Bramham. Nest. 2006-07. Oil on canvas. 8 1/4 x 10 5/8 in / 21 x 27 cm]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Jean Bourdichon. The Adoring Madonna. Oil on panel, 45 x 34,5 cm.]
Attributed works:
[Nasher Museum of Art at Duke University. IMAGE: David Bomberg, The Mud Bath, 1914. Oil on canvas, 152.4 x 224.2 cm. Collection of the Tate, London. Purchased 1964.]
Attributed works:
[Old Print Shop Inc, New York. Glow of the city, by Martin Lewis (1881-1962). 1929. Recorded impressions: 110. Drypoint, 28.9 by 36.1 cm]
Attributed works:
[Oskar Reinhard Collection. Haldenstrasse 95. Winterthur. Pierre-Auguste Renoir, Portrait of Victor Chocquet, c.1876.]
Attributed works:
[The Fine Art Society, London. On the road to Ypres, by C.R.W. Nevinson (1889-1946). 1916. Drypoint printed in black ink on laid paper, 11.6 by 21.2 cm]
Attributed works:
[The International Art Fair for Fine Prints and Editions. Félix Vallotton, The Mont-Blanc, 1982, Woodcut.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Antonio Susini (1558-1624). (After a model by Giambologna 1525/29 - 1608). Hercules and Antaeus. Bronze (one of a pair). 39.5 cm]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. Illustrated: An important carved stone architectural 1:40 scale model of Nelsons column.]
Western art unattributed:
[Hill-Stone, New York. Memento Mori, Early Netherlandish School. c.1500. Engraving, with contemporary hand colouring.]
Advertisements
Advertisements September 2010 (front)
09/2010 | 1290 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Fruit in a brown bowl, by Sir Matthew Smith, CBE. C.1928. Oil on canvas, 40 by 56 cm]
Attributed works:
[Agnew's, London. Picture of a boy, by Henry Lamb (1885-1960). Oil on panel, 35 by 25 cm]
Attributed works:
[Antichità Bacarelli, Florence. Head of Marz. Florence, first half of the seventeenth century. Onyx, Egyptian alabaster. Height: 59cm.]
Attributed works:
[Bernheimer - Colnnaghi, Munich and London. Giovanni Paolo Parini, by Louis-Gabriel Blanchet (1705-72). Oil on canvas, 96.5 by 76 cm]
Attributed works:
[Boundary Gallery, London. Adolescence, by Mark Gertler (1891-1939). 1923. Signed. Oil on canvas, 75 by 49.5 cm]
Attributed works:
[Carlo Orsi Antichità, Milan. Cupid, by Antonio Canova (1757-1822). Signed on the pedestal: ANT.CANOVA. Plaster. Height: 140 cm]
Attributed works:
[Cesare Lampronti, Rome and Milan. Rome Colosseum and the Arch of Constantine, by Bernardo Bellotto (1722-80). Oil on canvas, 61 by 98 cm.]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jean-Baptiste Oudry (Paris 1686 - 1755 Beauvais). Portrait de la Famille Nau. Painted circa 1715. Oil on canvas, 158 by 233 cm. (62 1/4 by 91 3/4 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, London & New York. Aeneas and Anchises fleeing Troy, by Jean Tassel (c.1608-67). c.1650. Oil on canvas, 88.5 by 76.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. André Charles Boulle (1642-1732), Chandelier with Dolphins, Paris. c.1700. Bonze, fire gilt, height 77cm. diameter 81.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, Il Guercino (1591-1666), David and Abigail (detail), one of a pair, oil on canvas, 130 x 135 cm]
Attributed works:
[Duncan R Miller Fine Arts, London. Street scene, cassis, by Samuel John Peploe RSA (1871-1935). Oil on board, 33 by 41 cm]
Attributed works:
[G. Sarti, Paris. Virgin and Child, by Francesco Traini (documented 1321-45). c.1325. Tempera on panel with gold ground, 63.5 by 51.]
Attributed works:
[Galerie Béres, Paris, Composition, by Alberto Magnelli (1888-1971). 1937. Gouache on cardboard, 50.6 by 68 cm]
Attributed works:
[Galerie Brame & Lorenceau, Paris. Composition, by Olivier Debré (1920-99). Signed lower left: O. Debré. Oil on canvas, 58.4 by 71.1 cm.]
Attributed works:
[Galerie Canesso, Paris. The Holy Family with St. Dorothy, by Angelo Caroselli (1585-1652). Oil on panel, 53 by 45.5 cm]
Attributed works:
[Galerie de Jonckheere, Brussels & Paris. The indoors wedding dance, by Pieter Brueghel the Younger (1564-1638). Signed and dated 1622. Oil on panel, 76.6 by 108 cm]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse I. Luzern. Bartolomeo Passarotti (Bologna 1529-1592 Rom) "Fishmongers Shop" Oil on canvas, 114 x 153 cm]
Attributed works:
[Galerie Schmidt, Paris. Crouching nude leaning forward, by Pierre Bonard (1867-1947). Oil on panel, 106.7 by 75.2 cm.]
Attributed works:
[Galleria Bottega Antica, Bologna, Nude with red hair, by Giovanni Boldini. c.1910-12. Oil on canvas, 80 by 40 cm.]
Attributed works:
[Gallery Patrice Bellanger, Paris. St. Jerome, attributed to Camillo Rusconi (1658-1728). c. 1700-10. One of a pair of terracotta models. Height: 47 cm]
Attributed works:
[Gimpel Fils, London. Sibella, by Albert Irvin. 2008. Acrylic on canvas, 61 by 61 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Christopher Nevinson 1889-1946. Night Arrivals, 1915. Ink and grey wash. 6 5/8 x 9 7/8 inches; 16.8 x 25.2 cm. Signed.]
Attributed works:
[JHW Fine Art, London. Boxing at Juan-les-Pins, by Wyndham Lewis (1882-1957). 1929. Watercolour, gouache, ink, and pencil, 32 by 44.5 cm]
Attributed works:
[Marlborough Gallery, London. Three studies of the human body (one of a series of three), by Francis Bacon. 1970. Oil on canvas, each panel, 198.1 by 145.3 cm]
Attributed works:
[Martin Tinney, Cardiff. Girl with cat, by Ceri Richards (1903-71). 1947. Oil on canvas, 50 by 40 cm]
Attributed works:
[Moretti, Florence, London & New York. Virgin and Child, by Neri di Bicci (1418-92). Oil on panel, 85.4 by 61 cm]
Attributed works:
[Nasher Museum of art at Duke University. IMAGE: David Bomberg, the Mud Bath, 1914. Oil on canvas, 152.4 x 224.2 cm. Collection of the Tate, London. Purchased 1964.]
Attributed works:
[Osborne Samuel, London. Squares (June), by Barbara Hepworth (1903-75). 1969. Bronze, edition of 9. 23 cm high.]
Attributed works:
[Richard Green, London. Shelter scene: Bunks in London Underground, by Henry Moore (1898-1986). Signed, inscribed with the title and #3. Pencil, crayon and wash, 27.3 by 21 cm]
Attributed works:
[Sladmore Gallery, London. Dancer at rest, by Edgar Degas (1834-1917). c.1920. Bronze.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Frank Auerbach. Head of Helen Gillespie II]
Attributed works:
[The Burlington Magazine. Philip IV of Spain, by Diego Velasquez. 1644. Canvas, 133.5 by 98.5 cm.(Frick Collection, New York)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Jean-Pierre-Antoine Tassaert (1727-1788) (attributed to). Bust of a Child. Terracotta, on a mottled grey marble socle. 38.5 9 (15 1/8) high]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Willems (c.1715-1766). A black man in ragged clothes with a bowl. Signed and dated 1736. Terracotta.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Gould, The Birds of Europe. 5 Volumes.]
Attributed works:
[Whitfield Fine Art, London. Tree form, by Graham Sutherland (1903-80). Signed and dated: Sutherland 1958 (lower right). Oil, gouache, ink, pencil and pastel on paper mounted on board, 26.5 by 20 cm]
Western art unattributed:
[Galerie Chenel. 6 rue de Baune. Paris. A colossal marble Hercules Farnese head. Roman Ist-IInd AD.]
Western art unattributed:
[W. Apolloni, Rome. Dressing-table. Early nineteenth century. Carved Carrara Marble. Length: 151 cm. Width: 102 cm. Height: 203 cm.]
Advertisements
Advertisements June 2010 (front)
06/2010 | 1287 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
artists:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, Exhibiting at Tryon Gallery, 7 Bury Street, St. James's. The launch of a galleon, by Teodoro Filippo di Liagno called Filippo Napoletano (1587-1629). Pen and brown ink and brown wash over black chalk, 29.2 by 53.4 cm]
Attributed works:
[Agnew's. Cupid and Psyche, by Benjamin West (1738-1820). Oil on canvas, 137.8 by 142.9 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Leon de Troy (French, 1857-1955). Head of an African Man. Circa 1880. 19 1/2 x 15 3/8 inches (49.5 x 39 cm)]
Attributed works:
[Ben Elws Fine Art. Portrait of a young artist, attributed to Anne-Louis Girodet de Roussy-Trioson (1767-1824). Oil on canvas, 33.5 by 21.5 cm]
Attributed works:
[Bonhams. The head of a bearded man, a sketch for 'the visitation', by Federico Barocci (c.1526-1612). Oil on paper, laid down on canvas, 39.5 by 31.25 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Peter Paul Rubens (Siegen 1577 - 1640 Antwerp). Portrait of a commander, three-quarter-length, being dressed for battle. Oil on panel. 48 1/4 x 38 3/8 in. (122.6 x 98.2 cm)]
Attributed works:
[Deborah Gage. The Holy family in the carpenter's shop, by Bartolomé Estaban Murillo (1618-82). Signed: Bar.me Murillo. Oil on canvas, 214.5 by 166.5 cm]
Attributed works:
[Derek Johns Ltd. Sylvia freed by Amyntas, by Willem van Mieris (1662-1747). Oil on panel, 37 by 44 cm]
Attributed works:
[Dickinson, London and New York. Citrons at verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso and dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Wall decorations, by François-Joseph Bélanger (1744-1818). c. 1785-89.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano near Rome, 1578 - Rome, 1644. A Shipyard. Oil on canvas, 74,5 x 98,5 cm (29 5/16 x 38 3/4 in). One of a pair (with The Capture of Troy)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Os. Middelharnis 1744 - 1808 The Hague. Still Life with Pineapples and Grapes. Oil on wood: 68.4 x 49.2 cm (26.9 x 19.3 inches). Signed and dated at bottom right: J Van Os f. 1776]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms (Maori), 1965. Carved slate on original black painted wooden base. Height: 13 1/2 inches; 34.3 cm]
Attributed works:
[Hazlitt-Holland Hibbert, London. Writing piece 'Well', by Anthony Caro. b.1924. Steel, 50.8 by 59.1 by 14 cm]
Attributed works:
[James Harvey, London. Equestrian portrait of George Burrows on his grey, by James Seymour (1702-52). Signed with monogram and dated 1746, lower left. Oil on canvas, 101.6 by127 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard. Studies of acrobats and a satyr, by Marco Marchetti called Marco da Faenza (1528-88). Bears number lower right corner: 52. Pen and brown ink and wash, 25.2 by 16.6 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jean-Auguste-Dominique Ingres (Montauban 1780-1867 Paris). Study of a Male Nude, Standing, with his Arms Crossed. Signed lower left: Ingres. Black chalk, 446 by 260 mm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The death of St. Sebastian (?), by Paolo Farinati (1524-1606). Numbered in white chalk, lower right: 16. Black chalk, pen and brown ink, brown wash, heightened with white on yellow-ochre prepared paper, 35 by 46 cm.]
Attributed works:
[London International Fine Art Fair. Ducan Grant - Still Life with Bust of Virginia Woolf.]
Attributed works:
[MacConnal-Mason, London. La conciergerie, by Christopher Richard Wynne Nevinson (1889-1946). Signed. Oil on canvas, 50.8 by 61 cm]
Attributed works:
[N. & I. Franklin, London. A set of four Victorian etched crystal claret jugs with cast silver-gilt mounts. Made by John Figg of London, c.1875.]
Attributed works:
[Offer Waterman, London. Landscape with river and temple, by Ivon Hitchens (1893-1979). c.1943. Oil on canvas, 44.5 by 77.5 cm]
Attributed works:
[Philip Mould Ltd. Self-portrait, by Anthony van Dyck (1599-1641). Oil on canvas, oval, 59.7 by 47.3 cm.]
Attributed works:
[Philip Mould. 29 Dover Street. London. Angelica Kauffmann (1741-1807). Portrait of a Lady, c.1780. Oil on canvas, 24 3/4 x 20 2/2 inches, 62.5 x 52 cm]
Attributed works:
[Sandra Cronan, London. A Tutti Frutti bracelet and pair of dress clips, set throughout with diamonds, carved emeralds, sapphires and rubies. Mounted in platinum. By Henri Picq. Paris, c. 1925.]
Attributed works:
[Stoppenbach & Delestre: 25 Cork Street. Le jongleur, by André Derain (1880-1954). Gouache on paper, 20.5 by 12.5 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Peasant woman with a young boy, by Francesco de Mura (1696-1782). Oil on paper, laid down on canvas, 37 by 51.2 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Baratta: The Statues from Palazzo Giugni rediscovered.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Putto, one of a pair modelled by Carlo Francesco Mellone, cast by the founder Giuseppe Fontana, Milan, 1718. Bronze. Height: 71 cm]
Attributed works:
[Whitfield Fine Art. The rest on the flight into Egypt, by Antonio de Bellis (c.1616.57). Oil on copper, 31 by 22 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Electress Elisabeth Auguste as Magnanimità. Pen, brownish blank ink, red chalk. 20 x 15.3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Glaucus and Scylla. Pen, brown ink, red chalk. 28,1 x 28,3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Pallas Athena with the Sculpture. Pen, brownish blank ink, red chalk 32,8 x 19,8 cm]
Non-western art unattributed:
[Russian, Eastern & Oriental Fine Art Fair. London. 'Bishamon' - Edo Period 18th century. Sydney Moss Ltd.]
Western art unattributed:
[Apter-Fredericks Ltd, London.A pair of George II burr walnut armchairs with shaped solid back splat and out-scrolling arms, with contemporary needlework drop-in seats, the legs headed by the Astley family crest of feathers and a ducal coronet, standing on carved hairy paw feet. English, c.1730]
Western art unattributed:
[London International FIne Art Fair. A pair of bronze and ormolu candelabras on marble plinths, M&J Duncan, East Essex.]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. A Marble Group of Three Satyrs Fighting a Serpent, Roman Imperial, circa 1st Century A.D.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. An Italian engraved ivory inlaid rosewood centre table made for the Duke of Urbino Francesco Maria II della Rovere (1549-1631), circa 1596.97]
Western art unattributed:
[Thomas Coulborn & Sons, Sutton Coldfield. Scarlet japanned secretaire. English, c.1730. Height: 206 cm. Width: 105 cm. Depth: 56 cm]
Western art unattributed:
[Tomasso Brothers, Leeds. Lucius Venus. Rome, 17th century. White marble and breccia africano. Height: 90 cm]
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