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Pages: i-xii
Subjects
Illustrations
Attributed works:
GIOVANNA GARZONI (1605-70) Portrait of Zaga Christ (c.1608-1638), claimant to the Ethiopian throne, painted in exile in Turin, Italy, 1635 Watercolour and bodycolour on vellum mounted on card Oval 57mm (2   ins) [Philip Mould]
Attributed works:
Glenn Brown Bring on the Dancing Horses (after Greuze/Jordaens) Etching, 2019 [Paragon]  
Attributed works:
Muhammad Ali (series of four), by Andy Warhol (1928–87). 1978. Screen prints, 101.6 by 76.2 cm. [COSKUN FINEART, VERBIER]
Attributed works:
Pieter Coecke van Aelst (1502–1550), Adoration of the Magi, 112 x 75 cm, €400,000 – 600,000 [Dorotheum]
Attributed works:
Portrait of Joos van den Vondel, by Jan Lievens (1607–1674). Etching, 32.4 by 24.6 cm. [Elizabeth Harvey-Lee]
Attributed works:
Raymond Ray-Jones (1886–1942): Portrait of the Artist Original etching, c.1910–1916 [Elizabeth Harvey-Lee]
Attributed works:
Rembrandt van Rijn (1606–1669): A Hurdy-Gurdy Player with a following of Children, at the Door of a House Original etching, 1641 [Elizabeth Harvey-Lee]
Attributed works:
Self portrait in a velvet cap with plume, by Rembrandt (1606–69). 1638. Etching, 13.4 by 10.3 cm. [SARAH SAUVIN, PARIS]
Attributed works:
Splice, by Bridget Riley (b.1931). 1975. Screenprint, 75.3 by 54 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Tess Jaray Untitled (Red Crosses), 2010 Unique inkjet on archival paper 21.4 x 21 cm | 83∕8 x 81∕4 in [Karsten Schubert]
Attributed works:
The cure – Atomic tangerine/cornflower blue/ice blue, by Damien Hirst (b.1965). 2014. Silkscreen, 72 by 51 cm. [PAUL STOLPER, LONDON]
Attributed works:
The Royal Arms of King Henry VIII, with Garter, c. 1525 England. Wood.[Peter Finer]
Non-western art unattributed:
An exceptional Mughal-style pale celadon jade ‘chrysanthemum’ dish Qing dynasty, Qianlong period (1736–1795) Dimensions: 15 cm. (6 in.) diameter Provenance: A private American collection [Littleton and Hennessy]
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04/2019 | 1393 | 161
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
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04/2018 | 1381 | 160
Pages: n.p.
Subjects
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Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
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04/2017 | 1369 | 159
Pages: s.p.
Subjects
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artists:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Blue Crayola, by Anthony Frost. 2016. Screenprint with woodblock, 87.5 by 45.5 cm]
Attributed works:
[Andrew Edmunds, London. Enchantments lately seen upon the mountains of Wales, by James Gillray (1756-1815). Etching and engraving, 25.1 by 35.5 cm, with publisher's watercolour.]
Attributed works:
[Andrew Edmunds. London. James Gillray (1756-1815). The Marriage pf Cupid and Psyche 1797. Etching, aquatint and engraving 265 x 317 mm, with publisher's watercolour.]
Attributed works:
[Artchina Limited, Cambridge. Zhu Jianhui, Rope. 2010. Woodblock printed with water-soluble ink on xuan paper.]
Attributed works:
[Artchina, Cambridge. The winter at Lianghe village, by Yu Chengyou, 2011. Woodcut, 100 by 150 cm]
Attributed works:
[Christopher Mendez, London. Architectural ruins with birds, by Lorenz Stoer (c. 1529/1530 - 1599). Woodcut from two blocks, printed in green. Hollstein 5, the only recorded impression. 21 by 15.3 cm]
Attributed works:
[Christopher Mendez. Federico Barocci (c. 1535-1612). Virgin and child in the clouds. Etching and engraving, 154 x 109 mm, circa 1581. Bartsch 2, only state]
Attributed works:
[Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128 x 200 cm (detail)]
Attributed works:
[Elizabeth Harvey-Lee, Oxfordshire. The portico with the lantern, by Giovanni Antonio Canaletto (1697-1768). c. 1740 (final state). Etching. 30.1 by 43 cm]
Attributed works:
[Elizabeth Harvey-Lee. Oxon. Jean François Janinet: Venus dur les Eaux. Colour aquatint, c 1777, after a miniature by Charlier.]
Attributed works:
[Fine Art Society, London. Commander looking through a periscope, by Eric Ravilious (1903-42). Lithograph, 28 by 32 cm]
Attributed works:
[Flowers Gallery, London and New York. Terrestrial, by Tom Haddinck. 2017. Woodcut, 118 by 150 cm.]
Attributed works:
[Gilden's Art Gallery, London. May Salon, by René Magritte (1898-1967). Lithograph, 63 by 47 cm]
Attributed works:
[Hargesheimer. Dusseldorf. Moscow, Pavel Ovtschinnikov, 1890]
Attributed works:
[Im Kinsky. Auction House. Severo (Calzetta) da Ravenna. Faun holding a candlestick, Italy 16th century.]
Attributed works:
[Jennings Fine Art. Edward Gordon Craig (1872-1966). Stage Manager, 1909. Woodcut, 15.8 x 4.8 cm]
Attributed works:
[Karsten Schubert, London. United, by Bridget Riley. 1962. Screenprint, 50,8 by 50,8 cm]
Attributed works:
[Paragon. Glenn Brown. Half-life (after Rembrandt) 6. Etching. 2017]
Attributed works:
[Paul Stolper, London. Grapefruit, by Brian Eno. 2016. Etching, 63.5 by 63.5 cm]
Attributed works:
[Peter FIner. 38/39 Duke Street, St. Jemes's, London SW1Y 6DF. A Pair of French Flintlock Pocket Pistols. Made Enterely of Burnished Steel and Chiselled and Gilt After the Engraved Designs of Gilles de Marteau, by Blanc, Cont.Leur Des Armes Pour Le Roy a St. Etienne, c. 1763-5]
Attributed works:
[Pratt Contemporary. Anna Maria Pacheco. Burial, 2014. Drypoint; plate 80.6 x 60.7 cm]
Attributed works:
[Sarah Sauvin, Paris. Ecce Homo, by Martin Schongauer (1445-91). c.1480. Engraving, 16.1 by 11.2 cm]
Attributed works:
[Sarah Sauvin. Paris. Rembrandt Harmenszoon van Rijn (1606-1669). A scholar in his Study - Faust, c.1652. Etching and drypoint, NH 270, 1st state (of 7). Early impression on oatmeal paper with strong burr.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Sr. London W8 7 LP. Noel Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Piccadilly. London. Brian Eno. Grapefruit. Agate. Eclipse. Sunburnt, 2016. Etchings. 63.5 x 63.5 cm.]
Attributed works:
[The Nationa Gallery. London. Sebastiano del Piombo, after partial designs by Michelangelo. Lamentation over the Dead Christ (Pietà) (detail). About 1512-16. Museo Civico, Viterbo.]
Attributed works:
[Venduehuis The Hague. Alexander Calder (1898 - 1976). From the Series: The Bicentennial Tapestries. The Pear, the Cheese, and the Serpent, 1975. Handwoven wool Aubusson tapestry, 105 x 150 cm]
Attributed works:
[Venduehuis The Hague. Keith Haring (1958-1990). Container for the Channel Surf Club Knobble, 1987. Sea-Container painted in lacquer. 250 x 1250 x 240 cm]
Attributed works:
[Venduehuis The Hague. Pierre Alechinsky (1927), à l'Aveuglette, 1974. Etching and aquatint on paper mounted on canvas, 185 x 275 cm]
Western art unattributed:
[Im Kinsky. Auction House. Foot, Roman. 2nd century AD]
Western art unattributed:
[Im Kinsky. Auction House. Head, Roman. 2nd century AD.]
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11/2016 | 1364 | 158
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Subjects
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subjects:
Illustrations
Attributed works:
[August Laube. Zurich. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré). Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Bacarelli & Botticelli. Firenze. Three Angels from Saint Paul's Cathedral, London. Attilio Piccirilli (Massa Carrare 1866 - New York 1945), and Furio Piccirilli (Massa Carrara 1869 - Rome 1949).]
Attributed works:
[Cambi. Georg Petel (1601/02 - 1634). Corpus Christi in ivory. Genova 1622/24. 53 x 54 cm]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. A bronze group of King Henry IV astride a rearing horse. Barthelemy Prieur (1536-1611), French, circa 1595-1610.]
Attributed works:
[Coll&Cortés. Justiniano 3, Madrid, Spain. Lorenzo Mercadante de Bretaña (1454-1467). Virgen del Buen Fin. Terracotta with traces of polychromy. 65.2 x 24 x 18.3 in]
Attributed works:
[Daniel Katz Gallery. 6 Hill Street. London. Auguste Rodin. Nude woman standing. Watercolour, pencil and ink on paper. 31.2 x 24.5 cm. Circa 1898-1900]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Louis Dorigny, Paris, 1654 - Verone, 1742. Two Allegories of Comedy. Oil on canvas, a pair, 48.5 x 65 cm (19 1/8 x 25 9/16 in) each]
Attributed works:
[Galerie Lowet de Wotrenge. Artus II Quellinus (Sint-Truiden 1625 - 1700 Antwerp). An Allegory of Earth. Terracotta, height 54 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Ben Nicholson, Western landscape, 1960. 64,5 x 75,5 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. Leaves 1987-88. Oil on wood. 19 3/4 x 25 3/4 inches; 50.2 x 65.4 cm]
Attributed works:
[Jan Johnson. 189, rue St-Pierre, Chambly, Québec. St. Matthew. Antonio Maria Zanetti (1680-1767)]
Attributed works:
[Museo Nacional del Prado, Madrid. Pere Borrell del Caso. Scaping criticism, (detail), 1874. Madrid, Banco de Espana Collection]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstaße 189-191. Stuttgart. Tino di Camaino (attr.). Probably c.1315, limewood, h. 36 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson. Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The Picture Book (No.2), ca. 1910. Drypoint, signed]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872-1951). The Concerto, c.1935. Linocut 32 x 30 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Bartolomeo Manfredi: St. John the Baptist, circa 1610, oil on canvas, 137 x 96.5 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Master of the Unruly Children probably Sandro di Lorenzo di Smeraldo (Florence 1483-circa 1554). Bacchus. Terracotta. 25 x 29 x 20 cm (9 7/8 x 11 3/4 x 7 7/8 in)]
Attributed works:
[V&A. London. Lectures. Donatello (about 1386-1466). The Lamentation Over the Death Christ. About 1453-66. Bronze, Italy, possibly Siena.]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. A large silver water kettle with burner on stand. Maker Storr and Mortimer, 1824-1825. 925/1000]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. An antique enamel sautoir, by Giuliano 19th Century]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. Johan Barthold Jongkind (1819-1891). View on the Oude Schans with the Montelbaans Tower in Amsterdam. Signed lower right and dated 1885. oil on canvas, 26,5 x 43,5 cm]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. Studio Willem van de Velde (1633-1707). 'A small English merchant ship at anchor firing a gun'. Signed lower center, oil on canvas. 62x74 cm]
Attributed works:
[W. Agnew & Company Ltd. The famous Whig politician, the Hon. Charles James FOx (1749-1806), by Joseph Nollekens RA (1737-1828), commissioned by Fox's closest friend, the 4th Earl Fitzwilliam, as a gift to Fox's 'secret' wife, the courtesan Elizabeth Armitstead, and inscribed, verso, 'This bust given to Mrs Armistead by Earl Fitzwilliam the First of March 1796. Nollekens Ft.' Marble, height: 28" (71 cm).]
Non-western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An important cased pair of indian flintlock pistols with silver barrels and lockplates, signed 'L. Col. Claude Martins, Locknow Arsenal,' circa 1785 and presented in 1786 by Martin to Lieutenant Colonel Alexander Ross]
Western art unattributed:
[Nagel Auktionen Gmbh & Co. KG. Neckarstaße 189-191. Stuttgart. An expressive Renaissance horse head. Italy, c. 1600, bronze, h. 17/30 cm.]
Western art unattributed:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. The virgin and child enthroned. Lower Bavaria/Landshut, c. 1490/1500, h. 96cm.]
Western art unattributed:
[Piasa. 118 rue du Faubourg Saint Honoré. Paris. Alabaster relief represent Adam and Eve. South Netherlands, around 1530]
Western art unattributed:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. A tortoiseshell, mother-of-pearl and gold piqué rosewater ewer and basin. Naples, first half of the 18th century]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church St. London. Antwerp School. c.1635. A gold-Metal mounted Ebony, ebonized, rosewood. tortoiseshell and ivory cabinet on a stand. Decorated with scenes from Ovid's Methaphories]
Western art unattributed:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. A series of four blue and white 'Burglhey House' plates. Qianlong, ca. 1745. Decorated in the center with the Elizabethan 'Burghley House', in a garden with trees and birds, surrounded by ornamental bands]
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04/2008 | 1261 | 150
Pages: i-xx
Subjects
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Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Sir Augustus Wall Callcott, RA (1779-1844). Smugglers Alarmed While Landing their Cargo. Signed with the artist's monogram. Canvas, 63 x 102 in. (160 x 259 cm.)
Attributed works:
[Alan Cristea Gallery at The London Original Print Fair, Wednesday 23 to Sunday 27 April 2008, Royal Academy of Arts, Burlington Gardens, London] Michael Craig Martin. Intimate Relations, Safety Pin. 2001. Screenprint.
Attributed works:
[Christie's Important Old Master & British Pictures, London, 8 July 2008] William Larkin (London, c.1585-1619). Portrait of Bridget Thornhagh, later Lady Hickmon. Inscribed and dated 'AEtatis.SVAE.17/ANO: 1617'. Oil on panel, 44¼ x 33 in. (113.8 x 83.8 cm.)
Attributed works:
[Dorotheum, Palais Dorotheum, Dorotheergasse 17, Vienna, Austria. First auction week 2008] Vittorio Matteo Corcos (1859-1933). Conversation in the Jardin du Luxembourg (detail). 1892. Oil on canvas, 171 x 140 cm.
Attributed works:
[Elizabeth Harvey-Lee, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Hendrik Goltzius 1558-1616) Hercules and Cacus. Chiaroscuro woodcut, 1588. Ref: Bartsch 231, Hollstein 373, Bialler 25 ii/iii.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris] Pietro Piffetti (Turin, 1701-1777). Commode veneered with rare woods, decorated with engraved ivory and gilt-bronze ornaments. Circa 1730-1740. Dimensions: 98.5 x 132 x 63.5 cm. (38¾ x 25 in.)
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Bartolomeo Bettera (Bergamo 1639-Milan after 1688). Musical instruments with Glass Balls and a Male Bust. Oil on canvas, 96 x 140 cm (37 13/16 x 55⅛ in.)
Attributed works:
[Hilary and Georgie Gerrish, Monmouthshire at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Andy Warhol. Eva Mudocci (After Munch) 1984. 1989. Screenprint on Lenox Museum Board, 101.6 by 81.3 cm.
Attributed works:
[Lempertz, Neumarkt 3, Cologne, Germany] Hans Hoffmann (um 1545/1550-1591/1592). The Hare (after Albrecht Dürer). 1582. Watercolour on paper, 21.6 x 18.3 cm.
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, New Bond Street, London] George Romney (1734-1802). Titania's Attendants. Oil on canvas, 47 x 59 inches (1194 x 1499 mm.). Painted circa 1792.
Attributed works:
[TAG Fine Arts, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Robert Ryan. We don't need no stepping stones. 2007. Edition of 11. Screen print, 83.5 by 114.5 cm.
Attributed works:
[The Fine Art Society, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Robert Bevan (1865-1925). Horse dealers (Ward's repository No. 1). 1919. Lithograph, 27.8 by 38 cm.
Attributed works:
[The Paragon Press, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Anish Kapoor. Untitled, from shadow. 2007. Signed and numbered by the artist. Edition of 35. Etching, 65.5 by 49.5 cm.
Western art unattributed:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] Important pair of Carrara marble sphinxes. Paris, circa 1700. H. 82 cm. (32⅓ in.), W. 102 cm. (40 in.), D. 44 cm. (17⅓ in.)
Western art unattributed:
[Bonhams, 101 New Bond Street, London. Antiquities, Thursday 1 May] A large Roman marble bust of a satyr, mid 2nd Century A.D. Estimate: £30,000-40,000.