Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Franz Heinrich, Der Sibyllentempel und die Wasserfälle von Tivoli Watercolour. Signed. 44.4 × 64.4 cm.
Attributed works:
[ Bruno Scardeoni, 54 Via Nassa, Lugano ] The Sacrifice of Isaac, Oil on Canvas 153 by 118 cms. Orazio Riminaldi (Pisa, 1593-1631)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] C. D. Friedrich. Woodcut by Chr. Friedrich. 1801/03. Börsch-Supan/Jähnig 60
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St Honore, Paris / 21 East 67th Street, New York ] Gaspare Diziani Belluno 1689 - Venice 1767 The Triumphal Entry of Alexander the Great into Babylon. Oil on Canvas, 130 × 202 cms ($50frac{5}{8}$ × 77½ ins)
Attributed works:
[ cover ] Bacchanal with a wine vat, by Andrea Mantegna. Engraving (H.4), 29.9 by 43.7 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint Honore, Paris ] Ambrosius Bosschaert The Younger (1609 Armenuiden - Utrecht 1645) Still-Life with Flowers, Fruits and Shells, Wood Panel, 66 × 47 cm, Signed, Circa 1634
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Sir Lawrence Alma-Tadema (1836-1912). Nude reclining on a Sofa. Oil on Panel, Inscribed, 38 by 22 cms
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Jacopo Zucchi (c.1540-1596) Artist-in-Residence at the Medici Court in Rome. A Study for the Decorative Detail of a Frieze in the Villa Medici, Rome, with Armorial Device Belonging to Pope Leo X. Pen and Brown Ink and Wash over Black Chalk. c.1587-88. 143 × 166 mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Rembrandt Harmensz van Rijn (1606-1669). Diana and Callisto. 1640-1645. Pen and Brown Ink, Brown Wash. 204×295 mm (8×$11frac{5}{8}$ in). Valentiner 596, Benesch 521, Haverkamp Begemann 1961, p. 51, Certificate: Sumowski 1993.
Attributed works:
[ Galerie Lingenauber, Schwerinstrasse 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] Abraham Breughel Antwerp 1631 - 1690 Naples Flowers in a Glass Vase A Pair of Octagonal Canvases 41.5 × 33 cm Each Both Signed
Attributed works:
[ Gallerie D' Arte, C. SO Palestro 37/B, Brescia ] Armondi, The Marlyrdom of St. Sebastian by Anthony Van Dyek (1599-1611). Canvas, 229 × 159 cm. Provenance: Düsseldorf-Mannheim Gallery. Inv. No. 821. According to Erik Larsen (The Paintings of Anthony Van Dyek. Volume II: Luca Verlag Freren 1988: p. 101) a life-size studio repetition of St. Sebastian alone is at the Berlin Castle. An original modello by the artist (parchment on canvas, 60 × 19 cm) which I have recently personally examined, constitutes a first plastic idea for the left side of the composition and is of very high quality.
Attributed works:
[ Gallery kekko, 14 Prince Arthur, Suite 105, Toronto ] Gaetano Gandolfi (1734-1802). Mary Magdalen Washing the Feet of Christ. Black Chalk, Grey Wash, 42.0 × 30.5 cm. Signed and Dated "G. Gandolfi 1798". Final Preparatory Design for the Painting by Gaetano Sold at Sotheby's London, December 1965, lot. 33. The Attribution Was Confirmed by Dr. Donatella Biagi Maino.
Attributed works:
[ Hilmar M. Klemke, Burchardstrasse 26, Münster / 8 Place du Palais Bourbon, Paris] Jacopo Amigoni (Venice ca. 1685-1752 Madrid) Bathsheba Bathing Receives the Message from King David Red Chalk. 152 × 207 mm.
Attributed works:
[ Kate de Rothschild & Didier Aaron, 118 Faubourg Saint - Honore, Paris / 21 Ryder Street, London / 32 East 67th Street, New York ] Giovanni Benedetto Castiglione, Called Il Grechetto (Italian, 1609-1663/1665) Satyr and Bacchante, Executed c.1650, Brush Drawing: 425 × 565 mm.
Attributed works:
[ Marcello Aldega Margot Gordon ] Gian Lorenzo Bernini 1598-1680 Brown Ink, White Paper 211 × 199 mm.
Attributed works:
[ Neumeister, Barer Strasse 37, Munich ] Francesco Trevisani (1656 Capodistria - 1746 Rome) The Madonna and Child with the Infant Saint John. Oil on Canvas. 78,5 × 68,5 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Francisco Goya y Lucientes Fuente de Todos 1746 - Bordeaux 1828 Tu que no puedes Etching, Burnished Aquatint and Burin from the First Edition of Los Caprichos, 1799.
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Abraham Bloemaert (Dordrecht 1564 + Utrecht 1651) Three Standing Women, One Praying. Black Chalk, Pen in Brown Ink, Light Grey Wash, White Heightening, on Beige Paper. On the Verso: A Standing Woman Seen from the Back and Study of Legs, Counterproof of Sanguine. Watermark: Bishop's Crook of Basel. (Close to Briquet 1329).
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini Bologna, 1574 - Milan, 1625 Signed: G. C. P. The Betrayal of Christ ca. 1612-1620. Oil on Canvas, 208 × 149 cm. Provenance: Tomas Harris Collection
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of a Soldier
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Christ
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Judas
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Rudolphe Bresdin (1825-1885) Figures in a Landscape Pen, Black Ink and Black Wash on Cream Paper 4¼ by $3frac{1}{8}$ Inches (10.8 by 7.9 cm.)
Attributed works:
[ Robert Bowman, 15 Kings Road, London ] Auguste Rodin (French 1840-1917) Le Penseur. Signed A. Rodin and Inscribed with Founders Mark, Alexis Rudier Fondeur Paris Bronze, Rich Green, Brown, Orange and Black Patination. Height 37 cm ($14frac{3}{4}$ in)
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Jakob Philipp Hackert Prenzlau 1737-1807 San Piero di Careggio Trees in the Chigi Park at Ariccia, 1772 Black Chalk, 390 × 518 mm, Signed and Inscribed "Dans le Parc du Prince Shigi à L'Ariccia 1772". Provenance: Collection Caspari, Frankfurt
Attributed works:
[ Stanza del Borgo, Via G. Puccini 5, Milan ] Salvator Rosa, The Prodigal Son Herding Swine Pen and Brown Ink, 178 × 263, Study for The Prodigal Son Herding Swine in the Hermitage, c.1650
Non-western art unattributed:
[ Grace Wu Bruce, Hong Kong ] A Very Fine Huanghuali Wood Qiaotouan Table. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 85.7 cm ($33frac{3}{4}$ in). Width 167.0 cm ($65frac{3}{4}$ in). Depth 35 cm ($13frac{3}{4}$ in). Compare This to the Extremely Similar Example Illustrated in Classic Chinese Furniture by Wang Shixiang, 1986, Plate 107, in the Author's Collection.
Western art unattributed:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Marble Relief from a Chancel Screen Siena, Italy Circa 800 80 × 170 cm.
Western art unattributed:
[ Galleria Previtali, Via T. Tasso 21, Bergamo ] A Very Rare Brass Dish with a Stylised Image of a Lion Resembling Those Found on Acquamanili. Fifteenth Century. South German. Diameter: 39 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front Cover, 1st Vol.
