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Advertisements June 1994 (front)
06/1994 | 1095 | 136
Pages: i-xl
Subjects
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Illustrations
Attributed works:
[ Antiquus, 90-92 Pimlico Road, London ] One of a pair of pen and wash drawings. 54 × 72 cm. Fantasy villa with view of the 'dependance and garden'. Anonymous XVIII century. Filippo Marchionni. Bibliography: Alessandro Albani, patrono delle arti. Architettura, pittura e collezionismo nella Roma del '700. Bonsignori Editore Roma. 1993.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (1696-1770). "A Winged Deity and other Figures in the Clouds", Black Chalk, Pen and Brown Ink, Brown Wash, 29.3 × 21 cm.
Attributed works:
[ Bonhams Knightsbridge, Montpelier Street, London ] A magnificent rosewood reneer longcase clock, circa 1830, 7ft high, estimate £2,000-3,000. A Gothic Frame (later painting of St Philomena) designed by I. II. V. Pugin for the de Lisle family chapel at Grace Dieu, Leics, 10ft high, estimate £2,000-1,000. A fine Oak Dining Table attributed to I. II. V. Pugin, circa 1815, 8ft long, estimate £7,000-9,000.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Camille Corot (1796 Paris - Ville d'Avray 1875). La rencontre au bosquet. Autography. (1871). 572 × 400 mm sheet-size.
Attributed works:
[ Christie's, 8 King Street, St James, London ] The Master of the Carrand Tondo (Active c. 1430), The Madonna of Humility, Tempera on Gold Ground Panel, 28 1/2 × 20 1/4 in. (72.5 × 51.5 cm.). Estimate: £250,000-350,000.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Jean-Étienne Liotard (1702 - 1769). Portrait of the Comte Jean Diodati Black and Red Chalk, with Touches of White Heightening 9¼ × $7frac{3}{4} text{in}$. (23.5 × 18.8 cm.)
Attributed works:
[ cover ] Allegory of Vice, by Correggio. Red Chalk, 27.9 by 19.4 cm. (British Museum, London; Exh. Kunsthistorisches Museum, Vienna)
Attributed works:
[ David Jones, 8 Rue Rossini, Paris ] Giovanni Francesco Barbieri Called Il Guercino (Cento 1591 - 1666 Bologna). A Pair of Hand Studies, Preparatory for Engravings for Guercino's Academy. Pen & Brown Ink over Black Chalk. Indented for Transfer. 134 × 200; 140 × 207
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Allen Jones Janet 22, Oil on canvas, 1965. Signed and Inscribed on the Reverse
Attributed works:
[ Edoardo Testori and Marco Voena, Via Olmetto 17, Milan ] Daniele Crespi (Busto Arsizio 1597 - Milan 1630). The Flight into Egypt Oil on Panel cm. 40.8 × 59.4
Attributed works:
[ Eric Coatalem, 93 rue du Faubourg St. Honoré, Paris ] Jean Baptiste Deshayes Cléobis et Biton. Oil on Canvas 50 × 58.5 cm
Attributed works:
[ Finarte S. A., 7-8 Mason's Yard, Duke Street, St James, London ] G. De Chirico. Les Plaisirs du Poéte, 1913, Oil on Canvas: 69.5 × 96.5 cms
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Aurelio Luini "Milan" (Circa 1530-1593). St. Matthew - Design for Spandrel over Chapel Entrance. Pen and Brown Ink, Brown Wash, Heightened with White, on Blue-Green Paper. 140 × 202mm.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Pierre-Alexandre Wille 1748-1837. Portrait of Madame Wille, Wearing a Felt Hat over a Lace Cap. Black, Red and White Chalks on Cream Paper, 39.8 × 31.7 cm. Signed and Dated P. A. Wille Filius 1793
Attributed works:
[ Hill-Stone, New York ] Cornelis Dusart 1660-1704. The Violin Player Seated in the Inn. Etching and Roulette; 1685. Bartsch 15, the Second of Two States. Hollstein 15, the Third of Three States. A Very Fine Impression.
Attributed works:
[ Kunsthandel Dr. Robert Keil, Gloriette Gasse 13, Vienna ] Jacopo Palma il Giovane (Venice 1548-1628) God the Father Black Chalk, Squared, Old Mount, 18.5 × 18 cm. Study for the Painting "The Meeting of Joachim and Anna" in San Geremia, Venice; Executed after 1609
Attributed works:
[ Marcello Aldega Margot Gordon, New York City ] Carlo Maratta Camerano 1625-1713 Rome. Red Chalk, Heightened with White, on Blue Paper 272 × 420 mm.
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle street, London ] R. B. Kitaj, Giotto at 70, 1994. Charcoal and Pastel on Paper, 30¼ × 22 in./76.8 × 55.9 cm
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Piero Buonaccorsi, Called Perino del Vaga. Study for a Scene in the Sala di Psiche in Castel S. Angelo, 1545-46 Pen and Brown Ink, Brush and Brown Wash, 120 × 250 mm, 4 5/8 × 9 15/16 in.
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Domenico Piola, Genoa, 1627-1703. The Penitent Magdalen, Brush, Light and Dark Brown Wash, Heightened with White, on Gray Paper, 340 × 254 mm
Attributed works:
[ Phillips, 101 New Bond Street, London ] "Bandits in a Landscape", Signed T. Grigg, Gouache, 435mm × 635mm. One of a Pair. Estimate: £8,000-£12,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Girolamo Mazzola-Bedoli, (c. 1500-1569), "Virgin and Child with Infant St. John", 236mm × 183mm. (Photo Courtesy of the Photographic Survey, Courtauld Institute).
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger (1564-1638), "The Wedding Feast", Signed and Dated P. Brueghel 1624, on Panel, 43cm × 56cm. Estimate: £350,000-£450,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] François-Xavier Fabre Portrait of Marquis Don Luigi Grimaldi Leaning on the Tomb of His Fiancée Fanny Grimaldi and Posthumous Portrait of the Marquise Fanny Grimaldi as She Rejoins Her First Husband, the Marquis Giovanni Battista Grimaldi, in His Tomb, 1804 Each, Oil on Canvas, 31½ by $19frac{3}{4}$ Inches (80 by 50cm.) Portrait of the Marquis Signed and Dated: "F. X. F. 1804" Portraitof the Marquise Signed and Dated: "F. X. F.f./1804"
Attributed works:
[ The Grosvenor House Art & Antiques Fair / C. John, 70 South Audley Street, London ] An Exceptional Indian Agra Carpet Finely Woven by the Inmates of Agra Prison, Circa 1880. The Design is Derived from the Traditional Persian Floral Designs of the Late 16th Century. Wool Pile with a Cotton Foundation. Length 439 cm (172½ in). Width 351 cm ($138frac{1}{8}$ in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Devenish & Company, 929 Madison Avenue, New York ] An exceptionally rare and beautifully figured George II mahogany bureau bookcase in the manner of Thomas Chippendale with unusual applied carved moulding and paterae on the fall front, retaining its original handles and lockplates in the form of rococo cartouches. English, circa 1755. Height 269 cm (106 in). Width 111.8 cm (44 in). Depth 61 cm (24 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Johnny Van Haeften Limited, 13 Duke Street, St James, London ] A Still Life of a Bare and Birds on a Table, by Adriaen van Utrecht (1599-Antwerp-1652). Signed and Dated 1647. Oil on Canvas, 70 × 107 cm (27½ × 42 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / William Drummond, 8 St James Chambers, Ryder Street, London ] The Itinerant Bagpiper by Walter Geikie R. S. A. (1795-1837). Signed and Dated 'W Geikie 1832'. Oil-Paint on Canvas, 30.5 × 25.4 cm (12 × 10 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Francesco Guardi (1712-1793). The Grand Canal, and The Island of San Cristoforo della Pace, Murano, Agnew's. Stand 59
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Peter Brueghel the Younger (Brussels 1564-1637). The Birdnester. 42.5 × 58.1 cm Oil on Panel, Johnny Van Haeften. Stand 61
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ]The Master B. F. (Binasco) Milan Circa 1510. Jacob and Esau. Tempera and Gold Leaf on Vellum. Signed by the Artist. Italy, 167 × 163mm (6½ × 6½), Circa 1510.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Francesco Guardi View of the Grand Canal with the Church of S. Lucia. Pen, Brown Ink and Brown Wash on White Paper, 285 × 445 mm.
Attributed works:
[ Voena, S. A. S., Via dei Mille 36, Turin ] Charles Dauphin Lorena 1620 ca. ∼ Torino 1677. Bacchus and Arianna. Oil on Canvas, cm. 150 × 220
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Jacques-Louis David (1748-1825). Presumed Portrait of Jean-Baptiste-Robert Lindet (1743-1825). Signed, Left Center, L, David. Pen and Black Ink with Brush and Grey and Brown Washes over Black Chalk Diameter, 7½ inches (190 mm)
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Porcelain Dish Painted in Underglaze Blue with Wave and Trellis Patterns, Six Ruyi-Shaped or Cloud Panels and a Central Scene of Cranes, Ducks and Lotus. Yuan Dynasty, Mid 14th Century Diameter: 46.3cm
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] Turquoise Inlaid Bronze Axe (Qi) Shang Dynasty (12th Century B. C.) Length 7% Inches (19.6 cm)
Non-western art unattributed:
[ The Chinese Porcelain Company, 822 Madison Avenue, New York ] A Very Rare Pair of Cloisonné Figures of Deer Qianlong Period, (1736-1795), Height: 9 Inches (24 cm.)
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Grace Wu Bruce Inc, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong kong ] A Superb Huanghuali Wood Side Table. Chinese Ming Dynasty. W 199.8 cm. D 59.1 cm. H 82 cm.
Western art unattributed:
[ Asprey, 165-169 New Bond Street, London ] A Rare English Silvered Pier Glass. Circa 1685. Height 69 ins. 175 cms.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Gold-Ruby Cannikin, Potsdam, Early 18th Century, Mount of Silver-Gilt, Marked "CE" in the Oval. Depressed Globular Form Blown into a Wooden Mould. The Middle of Bowl Considerably Waisted. Two-Piece Silver-Mount with Base and Long Spout, Handle and Cover. On the Base Pontil-Mark. Silver-Mount Slightlymissing at Basal rim. Height 11.8 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] An Extremely Rare George I Wing Armchair in Walnut, the Frame Finely Enriched with Original Gilding. English, Circa 1710.
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Str. 37, Munich ] A Flemish Oak Statuette of the Virgin and Child, Circa 1470/80. 34,5 in. (87 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair / 8-10 Hans Road, Knightsbridge, London ] A Very Fine Pair of George III Carved Mahogany Card Tables. English, Circa 1780. Height 72 cm (28½ in). Width 91.5 cm (36 in). Depth 45 cm (18 in). Literature: 18th Century English Furniture - The Norman Adams Collection, pp. 322-3, for a Pembroke Table and Card Table by the Same Maker.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Kugel, 279 Rue de Saint Honore, Paris ] A Collection of Ormolu Mounted Imperial Porphyry Vases. French, Late 18th and Early 19th Centuries.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Richard Philp, 59 Ledbury Road, London ] Crowned Madonna. German, 14th Century. Walnut. Height 43.5 cm (19¼ in).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London ] A Late 18th Century Drum or "Rent" Table with the Very Rare Feature of Circular Pedestal Base, the Top Laid in Vellum Green Leather with Central Hinged Well, the Frieze with Eight Wedge Shaped Drawers, Each One Numbered and Inlaid with Letters of the Alphabet, with Original Brass Handles, with a Cupboard on a Plinth Base. Height: 32in (81 cm) Diameter: 42in (107cm)
Western art unattributed:
[ Wildenstein, 147 New Bond Street, London ] School of Fontainebleau, Pan Pursuing Syrinx (Detail), Pen and Brown Ink with Black Wash, Squared for Transfer 53.8 × 39 cm; One of a Pair.
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Advertisements April 1994 (front)
04/1994 | 1093 | 136
Pages: i-xvi
Subjects
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subjects:
Illustrations
Attributed works:
[ C. G. Boerner, Kasernenstrasse 3, Düsseldorf / 61 East 77th Street, New York ] Augustinus Terwesten (1649 Ouwerkerk - Berlin 1711). Allegory of America. Pen and Wash over Lead Pencil. (1698). Signed and Titled. 367 × 237 mm. One from the Complete Set of Four Allegories of the Four Continents: Europe, Africa, America and Asia.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Claude Gellée Called Lorrain. Chamagne 1604/5 - Rome 1682. A View in the Campagna with the Arch of Constantine and the Coliseum. Rome in the Distance. Oil on Canvas: 98 × 148.5 cms
Attributed works:
[ cover ] Francis Hastings, Tenth Earl of Huntingdon, by Sir Joshua Reynolds. 1754. 125.7 by 100.3 cm. (Huntington Arg Gallery, San Marino).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Walter Richard Sickert (1860-1942). Dieppe, Les Arcades et la Darse. Oil on Canvas, Signed. $19frac{3}{4}$ by 24 Inches; 50.2 by 61 cms. Painted Circa 1898
Attributed works:
[ Hill-Stone, New York ] Francisco De Goya 1746-1828. Carretadas al Cementario (Cartloads to the Cemetery).
Attributed works:
[ Lempertz, Kunsthaus Lepmpertz, Neumarkt 3, Cologne ] Master of the Legend of St. George. Two Panels, Mass of Saint Gregor. Provenance: Collection Hohenzollern-Sigmaringen; Estimate: DM 75.000.
Attributed works:
[ Nella Longari, Via Bigli 15, Milan ] "Maestro del Salterio di Vicenza". Initial "C". Resurrection of Jesus Christ. Second Half XV Century. Tempera on Vellum, cut of Shape. 130 × 131 mm. Front Cover, 2nd Vol.
Attributed works:
[ R. S. Johnson Fine Art, 645 N. Michigan Ave., Chicago] Giulio Parigi. Florence 1570-1635. A Fantastic Barge Decorated with Dolphins and Carrying Musicians and Glaucus, c. 1608
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street St James, London / 49 East 68th Street, New York ] Francesco Trevisani. Madonna and Child with Young St. John the Baptist, c.1710-15. Oil on Canvas. $30frac{3}{4}$ by 27 Inches (78.2 by 68.6 cm.). Provenance: Private Collection, Germany
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Adriaen van de Velde (Amsterdam 1636-1672), A Study of a Seated Woman Holding Her Ankle, and Two Further Studies of Her Head, Red Chalk, 156 by 145mm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Thomas Gainsborough, R. A. (1727-1788), Study of Mallows, Pencil on Laid Paper, 19 by 15 cm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] William Taverner, (1703-1772) View of Richmond Castle, Yorkshire, Watercolour over Pencil Heightened with Bodycolour, Two Sheets of Laid Paper, 44 by 80cm.
Attributed works:
[ The Leger Galleries Ltd, 13 Old Bond Street, London ] John Constable R. A. A Double-Sided Sheet of Cloud Studies. Painted in the Early 1830s. Watercolour. Size: 11 × 17.5 cm
Attributed works:
[ Thoms Gibson Fine Art Ltd, 44 Old Bond Street, London ] Augustus John, O. M., R. A., On Canford Heath, c. 1910, Oil on Panel, 12½ × $15frac{3}{4}$ Inches 31.6 × 40 cm
Non-western art unattributed:
[ Jacques Barrère S. A., 36 Rue Mazarine, Paris ] Carved Stone Figure of Ram. China Shang Dynasty (1600 to 1028 BC). Height: 6.8 cm Length: 11 cm
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02/1994 | 1091 | 136
Pages: i-viii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St Lames, London ] J.-A.-D. Ingres. Portrait of Joseph Clérian. Pencil, Signed and Dated Ingres-Rome/1814, 202 × 152 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] August Wilhelm Julius Ahlborn (1796 Hannover - Rome 1857). The Park of Villa Chigi at Ariccia. (1831). Pen in Brown and Wash in Brown over Pencil, on Buff Paper, Double-Sided. 393 × 547 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St Honoré, Paris / 21 East 67th Street, New York ] Noël Hallé. 1711 - Paris - 1781. Achilles Discovered at the Court of Deidamia. Oil on Canvas: 56 × 82 cms (22 × 32¼ ins)
Attributed works:
[ cover ] Pope Clement VIII, Designed by Jacopo Ligozzi and Executed by Romolo di Francesco Ferrucci (del Tadda). 1600-1601. Stone Commesso, 97 by 68 cm. (J. Paul Getty Museum, Malibu).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Francesco Monti (1685-1768). The Triumph of Mordecai. Oil on Canvas 47.7 by 55.3 cms.
Attributed works:
[ Frye & Sohn, Hörsterstr. 47 /48 Münster ] Jacob Duck (Utrecht c.1600-1667). Interior with a Lute Player. Oil on Canvas, 51 × 76 cm
Attributed works:
[ Hill-Stone, Gracie Station, New York ] Giorgio Ghisi 1520-1582. The Farnese Hercules. Engraving; Late 1570s. Bartsch 41. Boorsch, Lewis & Lewis 58, the First of Three States. A Very Fine Impression Printed with Tone. The Image is Complete with Small Margins beyond the Platemark All around. Extremely Rare in This Quality and Condition.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Christoffer Wilhelm Eckersberg, Christ and the Woman Taken in Adultery, 1843. Oil on Canvas. 51 by $44frac{3}{4}$ Inches (129.5 by 114 cm.) Signed and Dated, Lower Left: "E. 1843"
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] Georg Flegel 1566-1638. Dessert Still-Life with Vase of Flowers. Oil on Panel 31.4 × 24.9 cm. Signed and Dated 1632
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12/1993 | 1089 | 135
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London ] A Bronze Statuette of the Cesarini Venus from the Workshop of Massimiliano Soldani Benzi after a Model Made by Giambologna Circa 1583 Height: 26 cm.
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St James, London ] J.-A.-D. Ingres Portrait of Joseph Clérian Pencil, Signed and Dated Ingres-Rome/1814, 202 × 152 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Palézieux (Born 1919 in Vevey, Switzerland). Peonies. 1992. Black Chalk. 327 × 218 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street New York ] Martin Bernat Active in Zaragonza between 1469 and 1497. St Blaise Enthroned, Oil, Gold and Stucco on Panel: 136.5 × 97 cms $53frac{3}{4}times 38frac{1}{8}$ ins)
Attributed works:
[ Daniel Katz Ltd, 27 Lansdowne Walk Holland Park, London ] Antoine-Louis Barye (1796-Paris-1875). Theseus and the Minotaur, Bronze, $17frac{3}{4}$ in (45.2 cm) High
Attributed works:
[ David & Constance Yates, New York ] Henri baron de Triqueti (1807-1874). Portrait of a Woman, Marble. Height: $22frac{3}{4}$ Inches. (580 mm.) Width: $16frac{7}{8}$ Inches. (430 mm.) Depth: 7½ Inches. (190 mm.) Signed H. de Triqueti and Dated 1840 under the Shoulder.
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1610 Brussels-Antwerp 1690), The Guard-Room, Oil on Canvas, , 61,6 × 76,8 cm, Signed, Circa 1640
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Walter Richard Sickert Piazzetta S. Marco, Evening Painted in 1902. Oil on Canvas, 24 by 18 Inches; 61 by 46 cms.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Francesco Fontebasso Venice 1709-1796 Venice. The Magdalene Washing Christ's Feet, Black and Red Chalk, Pen and Brown Ink, Brown, Grey and Reddish Wash Heightened with White. 489 × 350 mm.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Luca Carlevarijs Venice, Il Molo and Riva Degli Schiavoni (Udine 1663 - Venice 1730). Oil on Canvas, cm 94 × 195
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Atalanta by Jean-Jacques, Called James Pradier (Geneva 1790 - Bougival 1852). Bronze: H. 78 cm. Signed: Pradier, Foundry Mark: Augmentation. Sauvage.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich / Harari & Johns 12 Duke Street, London ] Jan Wierix, Title-Page with Time and Death on Both Sides of an Altar. Pen and Brown Ink, on Parchment 94 × 123 mm
Attributed works:
[ Matthew Marks Gallery, 1018 Madison Avenue, New York ] Lucian Freud, Large Head 1993, Etching, 27¼ × 21¼ Inches, Edition of 40. Published by Matthew Marks Gallery.
Attributed works:
[ Minet Insurance, 66 Prescot Street, London ] "La Madonna che adora Gesù Bambino in un Paesaggio" by Francesco Botticini (1446-1498). Reproduced by Courtesy of Cassa di Risparmio di Firenze
Attributed works:
[ National Gallery Technical Bulletin ] Hans Holbein: A Lady with a Squirrel and a Starling
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Giovanni Battista Tiepolo, Venice 1696 - 1770 Madrid The Virgin and Child Adored by Angels. Pen and Black Ink, Gray Wash, over Black Chalk, 324 × 235 mm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Giovanni Battista Crespi, Called II Cerano, The Lamentation, Circa 1610-14. $38frac{3}{4}$ by 30½ Inches (98.5 by 77.5 cm.)
Attributed works:
[ Senger Bamberg Kunsthandel, Karolinenstrasse 8, Bamberg ] Adoration of the Christ Child. Erasmus II Quellinus (1607-1678), Signed and Dated '1669' Oil on Panel, 176 × 218 cm.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Jan Harmensz Muller (1571 Amsterdam 1628) Arion Playing the Harp. Pen and Black Ink over Traces of Red Chalk. Black Ink Framing Lines. 227 × 240 mm.
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Silver Ewer Hallmarked Paris (?) Circa 1645, Height: 22cm
Western art unattributed:
[ cover ] Detail of Madonna and Child. Limestone, Late-Fifteenth Century, 48 cm High. (Winchester Cathedral).
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front cover, 1st Vol.
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Advertisements September 1993 (front)
09/1993 | 1086 | 135
Pages: i-xxviii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Franz Heinrich, Der Sibyllentempel und die Wasserfälle von Tivoli Watercolour. Signed. 44.4 × 64.4 cm.
Attributed works:
[ Bruno Scardeoni, 54 Via Nassa, Lugano ] The Sacrifice of Isaac, Oil on Canvas 153 by 118 cms. Orazio Riminaldi (Pisa, 1593-1631)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] C. D. Friedrich. Woodcut by Chr. Friedrich. 1801/03. Börsch-Supan/Jähnig 60
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St Honore, Paris / 21 East 67th Street, New York ] Gaspare Diziani Belluno 1689 - Venice 1767 The Triumphal Entry of Alexander the Great into Babylon. Oil on Canvas, 130 × 202 cms ($50frac{5}{8}$ × 77½ ins)
Attributed works:
[ cover ] Bacchanal with a wine vat, by Andrea Mantegna. Engraving (H.4), 29.9 by 43.7 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint Honore, Paris ] Ambrosius Bosschaert The Younger (1609 Armenuiden - Utrecht 1645) Still-Life with Flowers, Fruits and Shells, Wood Panel, 66 × 47 cm, Signed, Circa 1634
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Sir Lawrence Alma-Tadema (1836-1912). Nude reclining on a Sofa. Oil on Panel, Inscribed, 38 by 22 cms
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Jacopo Zucchi (c.1540-1596) Artist-in-Residence at the Medici Court in Rome. A Study for the Decorative Detail of a Frieze in the Villa Medici, Rome, with Armorial Device Belonging to Pope Leo X. Pen and Brown Ink and Wash over Black Chalk. c.1587-88. 143 × 166 mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Rembrandt Harmensz van Rijn (1606-1669). Diana and Callisto. 1640-1645. Pen and Brown Ink, Brown Wash. 204×295 mm (8×$11frac{5}{8}$ in). Valentiner 596, Benesch 521, Haverkamp Begemann 1961, p. 51, Certificate: Sumowski 1993.
Attributed works:
[ Galerie Lingenauber, Schwerinstrasse 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] Abraham Breughel Antwerp 1631 - 1690 Naples Flowers in a Glass Vase A Pair of Octagonal Canvases 41.5 × 33 cm Each Both Signed
Attributed works:
[ Gallerie D' Arte, C. SO Palestro 37/B, Brescia ] Armondi, The Marlyrdom of St. Sebastian by Anthony Van Dyek (1599-1611). Canvas, 229 × 159 cm. Provenance: Düsseldorf-Mannheim Gallery. Inv. No. 821. According to Erik Larsen (The Paintings of Anthony Van Dyek. Volume II: Luca Verlag Freren 1988: p. 101) a life-size studio repetition of St. Sebastian alone is at the Berlin Castle. An original modello by the artist (parchment on canvas, 60 × 19 cm) which I have recently personally examined, constitutes a first plastic idea for the left side of the composition and is of very high quality.
Attributed works:
[ Gallery kekko, 14 Prince Arthur, Suite 105, Toronto ] Gaetano Gandolfi (1734-1802). Mary Magdalen Washing the Feet of Christ. Black Chalk, Grey Wash, 42.0 × 30.5 cm. Signed and Dated "G. Gandolfi 1798". Final Preparatory Design for the Painting by Gaetano Sold at Sotheby's London, December 1965, lot. 33. The Attribution Was Confirmed by Dr. Donatella Biagi Maino.
Attributed works:
[ Hilmar M. Klemke, Burchardstrasse 26, Münster / 8 Place du Palais Bourbon, Paris] Jacopo Amigoni (Venice ca. 1685-1752 Madrid) Bathsheba Bathing Receives the Message from King David Red Chalk. 152 × 207 mm.
Attributed works:
[ Kate de Rothschild & Didier Aaron, 118 Faubourg Saint - Honore, Paris / 21 Ryder Street, London / 32 East 67th Street, New York ] Giovanni Benedetto Castiglione, Called Il Grechetto (Italian, 1609-1663/1665) Satyr and Bacchante, Executed c.1650, Brush Drawing: 425 × 565 mm.
Attributed works:
[ Marcello Aldega Margot Gordon ] Gian Lorenzo Bernini 1598-1680 Brown Ink, White Paper 211 × 199 mm.
Attributed works:
[ Neumeister, Barer Strasse 37, Munich ] Francesco Trevisani (1656 Capodistria - 1746 Rome) The Madonna and Child with the Infant Saint John. Oil on Canvas. 78,5 × 68,5 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Francisco Goya y Lucientes Fuente de Todos 1746 - Bordeaux 1828 Tu que no puedes Etching, Burnished Aquatint and Burin from the First Edition of Los Caprichos, 1799.
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Abraham Bloemaert (Dordrecht 1564 + Utrecht 1651) Three Standing Women, One Praying. Black Chalk, Pen in Brown Ink, Light Grey Wash, White Heightening, on Beige Paper. On the Verso: A Standing Woman Seen from the Back and Study of Legs, Counterproof of Sanguine. Watermark: Bishop's Crook of Basel. (Close to Briquet 1329).
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini Bologna, 1574 - Milan, 1625 Signed: G. C. P. The Betrayal of Christ ca. 1612-1620. Oil on Canvas, 208 × 149 cm. Provenance: Tomas Harris Collection
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of a Soldier
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Christ
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Judas
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Rudolphe Bresdin (1825-1885) Figures in a Landscape Pen, Black Ink and Black Wash on Cream Paper 4¼ by $3frac{1}{8}$ Inches (10.8 by 7.9 cm.)
Attributed works:
[ Robert Bowman, 15 Kings Road, London ] Auguste Rodin (French 1840-1917) Le Penseur. Signed A. Rodin and Inscribed with Founders Mark, Alexis Rudier Fondeur Paris Bronze, Rich Green, Brown, Orange and Black Patination. Height 37 cm ($14frac{3}{4}$ in)
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Jakob Philipp Hackert Prenzlau 1737-1807 San Piero di Careggio Trees in the Chigi Park at Ariccia, 1772 Black Chalk, 390 × 518 mm, Signed and Inscribed "Dans le Parc du Prince Shigi à L'Ariccia 1772". Provenance: Collection Caspari, Frankfurt
Attributed works:
[ Stanza del Borgo, Via G. Puccini 5, Milan ] Salvator Rosa, The Prodigal Son Herding Swine Pen and Brown Ink, 178 × 263, Study for The Prodigal Son Herding Swine in the Hermitage, c.1650
Non-western art unattributed:
[ Grace Wu Bruce, Hong Kong ] A Very Fine Huanghuali Wood Qiaotouan Table. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 85.7 cm ($33frac{3}{4}$ in). Width 167.0 cm ($65frac{3}{4}$ in). Depth 35 cm ($13frac{3}{4}$ in). Compare This to the Extremely Similar Example Illustrated in Classic Chinese Furniture by Wang Shixiang, 1986, Plate 107, in the Author's Collection.
Western art unattributed:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Marble Relief from a Chancel Screen Siena, Italy Circa 800 80 × 170 cm.
Western art unattributed:
[ Galleria Previtali, Via T. Tasso 21, Bergamo ] A Very Rare Brass Dish with a Stylised Image of a Lion Resembling Those Found on Acquamanili. Fifteenth Century. South German. Diameter: 39 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front Cover, 1st Vol.