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19 articles
Article
The Chamber Floor of the Royal Pavilion, Brighton, 1815–45
10/2022 | 1435 | 164
Pages: 986-999
related names
Author:
Conrad, Stephen (Conrad, Stephen)
Subjects
styles:
Illustrations
Attributed works:
1. The Staircase at the North End of the Long Gallery, by John Nash. 1823. Aquatint. (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
10. Detail of Fig.4, showing rooms that were modified for use by Queen Victoria and her children.
Attributed works:
11. Bedroom used by the Duke of Clarence, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
12. Fragment of blue flowered wallpaper from the Prince Regent’s original Bedroom. Wallpaper with overlaid additions, 40.7 by 55.9 cm. (Royal Pavilion, Brighton; R6013/2; photograph Alexandra Loske).
Attributed works:
13. Bedroom used by the Duke of York, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
2. Detail of Longitudinal section of the Pavilion, by John Nash. 1823. From left to right the ground floor rooms are the Banqueting Room Gallery, the Saloon and the Music Room Gallery. Aquatint (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
3. Plan of the Chamber Floor, Royal Pavilion, Brighton. Before 1842. North is on the left. (Royal Collection; RCIN 918963)
Attributed works:
4. Plan of the Chamber Floor, Royal Pavilion, Brighton (Good 18), by Joseph Good. c.1832. North is at the top. Pen and ink on paper, 53.5 by 173.5 cm. (Royal Pavilion, Brighton, Archive; RG000308).
Attributed works:
5. Queen Victoria’s Bedroom before the reinstatement of the original Chinese wallpaper, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
6. Detail of Fig.4, showing some of the rooms used by Queen Victoria.
Attributed works:
8. The Double Lobby or Gallery (South) above the Corridor, by John Nash. 1823. Aquatint. (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
9. Detail of Fig.4, showing the rooms that were planned for use by the Duchess of Kent and her entourage.
Exhibition Review
A Prince’s Treasure. From Buckingham Palace to the Royal Pavilion: The Royal Collection Returns to Brighton
01/2021 | 1414 | 163
Pages: 67-70
related names
Reviewer:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Subjects
dates:
styles:
subjects:
Reviewed Items
subjects:
A Prince’s Treasure. From Buckingham Palace to the Royal Pavilion: The Royal Collection returns to Brighton Royal Pavilion, Brighton 21st September 2019–Autumn 2021 | :
Illustrations
Attributed works:
14. Console table by Edward Bailey, after a design by Adam Weisweiler, in the Music Room Gallery at the Royal Pavilion, Brighton. 1819. Oak, ebony, gilt and painted bronze, marble and mirror glass, 96 by 162 by 52 cm. (Royal Collection, on loan to the Royal Pavilion, Brighton; photograph Paul Highnam/ Country Life).
Attributed works:
15. The Kylin clock, in the Saloon at the Royal Pavilion, Brighton. Jingdezhen, Jiangxi province, China, second half of the eighteenth century. Porcelain and gilt bronze, 111.7 by 81.3 by 36.9 cm. (Royal Collection, on loan to the Royal Pavilion, Brighton; photograph Royal Pavilion and Museums Trust, Brighton).
Attributed works:
16. The Music Room, the Royal Pavilion, Brighton. The chimneypiece is flanked by porcelain pagodas that are among the loans from the Royal Collection. (Photograph Paul Highnam/ Country Life).
Exhibition Review
George IV: Art and Spectacle. Queen's Gallery, London; King George IV: Royalty, Racing and Reputation. Palace House, Newmarket
04/2020 | 1405 | 162
Pages: 338-341
related names
Reviewer:
Jacobsen, Helen (Jacobsen, Helen)
Subjects
dates:
subjects:
subjects:
Reviewed Items
subjects:
George IV: Art and Spectacle Queen’s Gallery, London 5th November 2019–4th May King George IV: Royalty, Racing and Reputation Palace House, Newmarket 28th November 2019–19th April | :
Illustrations
Attributed works:
13. The Blue Velvet Room, Carlton House, by Charles Wild. c.1816. Watercolour with bodycolour and gum arabic over pencil on paper, 20.1 by 25.2 cm. (Royal Collection; exh. the Queen’s Gallery, London).
Attributed works:
14. The third and last challenge by the champion during King George IV’s coronation banquet at Westminster Hall, by Denis Dighton. 1821. Watercolour on paper, 42.5 by 54.8 cm. (Royal Collection; exh. Palace House, Newmarket).
Attributed works:
14. The third and last challenge by the champion during King George IV’s coronation banquet at Westminster Hall, by Denis Dighton. 1821. Watercolour on paper, 42.5 by 54.8 cm. (Royal Collection; exh. Palace House, Newmarket).
Attributed works:
15. Bottle cooler (one of pair), design attributed to John Flaxman, made by Rundell, Bridge and Rundell. 1827–28. Silver gilt, height 58 cm. (Royal Collection; exh. the Queen’s Gallery, London).
Exhibition Review
Chinoiserie in Britain
10/2008 | 1267 | 50
Pages: 704-705
related names
Reviewer:
Winterbottom, Matthew (Winterbottom, Matthew)
Subjects
places:
print:
subjects:
Reviewed Items
subjects:
Chinese Whispers: Chinoiserie in Britain 1630–1930 | institution: Brighton Museum and Art Gallery , institution: Royal Pavilion
Illustrations
Attributed works:
55. Cabinet on stand, by Ernest Gimson. c.1902. Veneered walnut and ebony with gilt gesso, 200 by 119 by 47 cm. (Victoria and Albert Museum, London; exh. Brighton Museum and Art Gallery and the Royal Pavilion, Brighton).
Western art unattributed:
54. Cabinet on stand. English, c.1700. Pine and oak, japanned ivory ground, 203 by 119.5 by 60 cm. (Holburne Museum of Art, Bath; exh. Brighton Museum and Art Gallery and the Royal Pavilion, Brighton).
Western art unattributed:
56. The ‘Kylin’ clock. Chinese porcelain, late 17th–18th century; French clock, c.1750; mounts and base, London, 1821–23. Hard paste porcelain, with gilt bronze mounts, 111.7 by 81.3 by 36.9 cm. (Royal Collection, London; exh. Brighton Museum and Art Gallery and the Royal Pavilion, Brighton).
Article
Chinoiserie at the Buckingham Palace in the nineteenth century
06/2007 | 1251 | 149
Pages: 383-392
related names
Author:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Subjects
dates:
print:
Illustrations
Attributed works:
10. State ball at Buckingham Palace, by Eugène Lami. 1848. Watercolour, 29 by 37.5 cm. (The Royal Collection).
Attributed works:
11. The Queen’s Breakfast Room, Buckingham House, by James Stephanoff. 1817. Watercolour and bodycolour over pencil, 20.2 by 25.3 cm. (The Royal Collection).
Attributed works:
12. The Chinese Drawing Room, Carlton House, by Thomas Sheraton. Engraving, published London, 1st November 1793.
Attributed works:
13. The Chinese Drawing Room, Carlton House, by Thomas Sheraton. Engraving, published London, 1st November 1793.
Attributed works:
14. The Luncheon Room, Buckingham Palace, by James Roberts. 1850. Watercolour and bodycolour with gum Arabic, 25.6 by 38 cm. (The Royal Collection).
Attributed works:
15. The Music Room, The Royal Pavilion, Brighton, by Augustus Charles Pugin. c.1823. Coloured aquatint, 20.2 by 28.5 cm.
Attributed works:
17. The Banqueting Room, The Royal Pavilion, Brighton, by Augustus Charles Pugin. c.1823. Coloured aquatint, 20.2 by 28.5 cm.
Attributed works:
20. The Yellow Drawing Room, Buckingham Palace, by James Roberts. 1855. Watercolour and bodycolour over pencil, 27.4 by 38 cm. (The Royal Collection).
Non-western art unattributed:
22. Ivory settee. Indian, c.1770. Sandalwood with engraved ivory veneer, 101 by 184 by 82.5 cm. (The Royal Collection).
Western art unattributed:
16. The ‘Kylin’ clock. Mid-eighteenth century with English mounts and base, 1821–23. Porcelain and gilt bronze, 111.7 by 36.9 cm. (The Royal Collection).
Western art unattributed:
18. The Centre Room, Principal Floor, Buckingham Palace. 1873. Photograph by Hills and Saunders, 29 by 37.5 cm. (The Royal Collection).
Western art unattributed:
19. Pagoda. Chinese, c.1810, with English additions and mounts, c.1817–18. Hard-paste porcelain and bone china with gilt bronze, 518.5 by 104 by 87 cm. (The Royal Collection).
Western art unattributed:
21. The Principal Corridor, Principal Floor, Buckingham Palace. 1873. Photograph by Hills and Saunders, 29 by 37.5 cm. (The Royal Collection).
Publication Received
A Prince's Passion. The Life of the Royal Pavilion.
08/2004 | 1217 | 146
Pages: 560
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
Reviewed Items
print:
A Prince's Passion. The Life of the Royal Pavilion. | author: Rutherford, Jessica
Book Review
The Making of the Royal Pavilion, Brighton
12/1984 | 981 | 126
Pages: 792
related names
Reviewer:
Penny, Nicholas (Penny, Nicholas)
Subjects
dates:
places:
Reviewed Items
subjects:
The Making of the Royal Pavilion, Brighton | author: Morley, John
Advertisements
Advertisements September 1967 (Front)
09/1967 | 774 | 109
Pages: i-xxxiv
Subjects
advertisements:
advertisements:
artists:
artists:
Illustrations
Attributed works:
[ 'How', 2-3 Pickerin Place, St James's, London ] By P. Edwards. Monteith. Chester, 1686. Weight 52 oz. 7 dwt. Diameter 11¾ Inches
Attributed works:
[ Anthony d'Offay Fine Art & Vigo Street, London ] Hokusai Reclining Girl. 4⅜ by 10⅜ Inches
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] J. Callot. 4 pl. Lieure 374-377 II
Attributed works:
[ Colnaghi's, 14 Old Bond Street, London ] Gasparo Diziani (1689-1767). Endymion and Selene. Canvas, 18 by 13¾ Inches (One of a Pair)
Attributed works:
[ Fred Teltscher, 17 Crawford Street, London ] Jacob Adriaensz Bellevois, 1621-1675. On Panel, 29 by 48 Inches.
Attributed works:
[ Kunsthaus Am Museum, Drususgasse 1-5, Cologne ] Justus Sustermans (Antwerp 1597-1681 Florence). Lady in Pink Dress. Oil on Canvas, 105 by 77 cm. Expertise: M. J. Friedländer
Attributed works:
[ Michael Hall Fine Arts, 6 East 79th Street, New York ] Bacchus. Bronze after the Model by Pierre Granier (1635-1715) Height: 14⅜ Inches. Amphitrite. Bronze after the Model by Michel Anguier (1612-1686) Height: 14⅝ Inches. Greenish brown varnish over naturally patinated chocolate coloured bronze. An almost identical pair in the Musée du Louvre and another pair in the Hermitage. Ref: La Sculpture Française des XVII-XX Siècles au Musée de l'Ermitage, Leningrad, 1963, pl. 8 and 9.
Attributed works:
[ Newhouse Galleries, 15 East 57th Street, New York ] Bartholomaeus Maton (1643-1682). On Panel, 11¾ by 9½ Inches
Attributed works:
[ Parke-Bernet Galleries Inc ] Landscape with a Flock of Sheep, 3 5/16ths by 6⅞ths Inches. Obelisk, 3 5/16ths by 6⅜ths Inches. Landscape with a Milkman, 2 9/16ths by 6¾ Inches.
Attributed works:
[ Parke-Bernet Galleries Inc ] The Woman with the Arrow, 8⅛th by 4 15/16ths Inches. The Old Haring, 7 11/16ths by 5¾ Inches. A Landscape with Trees, Farmhouse and Tower, 4¾ by 12⅝ths Inches.
Attributed works:
[ Provincial Museum, Jabbeke, Belgium ] C. Permeke. De Bedelaar. 1931. Copyright Sabam - Brussels
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Coloured Lowestoft Birth Tablet, 3 Inches. A Coloured Lowestoft Scent Bottle, the Initials and Date 'S. C. 1784' on the Base, 2¾ Inches. A Rare Chelsea Beaker, Triangle Period, 2⅞ths Inches. A Rare Documentary Silver-Resist Lustre Jug, Inscribed Mary Thawley, 1815, 4¾ Inches. A Silver-Resist Lustre Bough Pot and Cover, 8½ Inches. A Rare Worcester Tea-Pot and Cover Decorated by James Giles, First Period, 6½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Figure of Fukurokujiu by Tsuji of Osaka. A Chrysanthemum Bloom by Kwaigyoku Masatsugu. A Group of Three Bulbs by Hoshin of Kyoto. A Spider on a Boar's Tusk by Seiyodo Tomiharu of Iwami. A Cat and a Rat in a Waste Paper Basket by Chokusai of Osaka and Yoshimitsu of Kyoto. An Ebony Bear by Kagetoshi. A Reclining Boar by Tanaka Minko. A Rare Ivory Carp Water-Wheel by Kokusai of Asakusa. A Fine Crane by Mitsutama of Osaka. A Figure of Il no Hayata Killing the Boar by Okakoto of Kyoto.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Late Seventeenth Century Brussels Allegorical Tapestry, 11 Feet 3 Inches High by 12 Feet 11 Inches Wide. A William and Mary Tortoiseshell Small Bracket Clock with Silver Mounts by John Cotton, London, 11 Inches. One of a Pair of George II Mahogany Armchairs Covered in Contemporary Gros- and Petit-Point Needlework. A Chippendale Giltwood Overmantel Mirror, 5 Feet 11 Inches High by 5 Feet 10 Inches Wide.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Pair of Dutch Ivory-Stocked Boy's Flint-Lock Pistols by J. Kosters of Maastricht, c.1680, 11 Inches. A Pair of Flint-Lock Presentation Duelling Pistols by John Manton, London, c.1810, Made for the 1st Marquess of Hertford, 15 Inches. A Saxon Wheel-Lock Hunting Rifle, Maker's Mark O. S. over a Cog-Wheel Within a Shaped Shield, Early Seventeenth Century, 43 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Set of Four Octagonal Second Course Dishes, by Edward Feline, London, 1743, 11¼ Inches Wide, a Pair of Sauce Tureens and Covers by William Fountain, London, 1803, 9½ Inches, and a Pair of Sauce Boats by William Sampel, London, 1765, 8 Inches Wide. A Chinoiserie Caudle Cup and Cover, Maker's Mark R. L., c.1680, 6½ Inches High.A Coffee-Pot by Humphrey Payne, London, 1708, 7¾ Inches High.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Transfer-Printed and Coloured Battersea Plaque, 4½ Inches. A Large Staffordshire Enamel Plaque Painted from an Engraving by P. Aveline after François Boucher, 8¼ Inches. A Birmingham-Printed Plaque, painted with 'The Fishing Party' after Louis P. Boitard, 4½ Inches. A Staffordshire Enamel Plaque, 5⅝ths Inches. A Plaque Painted after Nicolas Lancret, Probably Birmingham, 4⅞ths Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Friday, 13th October. A Small Longcase Clock by Andrew Allum, Grubb Street, London, c.1670, 6 Feet High.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Guillemeau, Œuvres de Chirurgie, Paris, 1598. Le Propriétaire des Choses, Paris, 1510. Vesalius, Humani Corporis Fabrica Librorum Epitome, Basle, 1543. Dom Bedos de Celles, L'Art du Facteur d'Orgues, 4 vols. in Three, Paris, 1766-78.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] H. Singleton, R. A. A Scene from 'The Vicar of Wakefield'. 17¼ by 23 Inches. Benjamin West, P. R. A. The Golden Age. Oval. 24¾ by 29½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Henry Alken. The Exeter and London Royal Mail Coach at Speed. Signed, 13½ by 17½ Inches. James Stark. Deer in a Park. 17¼ by 23½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] One of a Pair of Early George III Giltwood Oval Wall Mirrors, 4 Feet 5 Inches High by 2 Feet 5 Inches Wide. A George III Cut Glass and Gilt-Metal Chandelier, 4 Feet 3 Inches High by 2 Feet 5 Inches Deep. One of a Pair of Small George III Mahogany Commodes in the French Manner, 3 Feet 1 Inch Wide. An Early George II Walnut Library Armchair Covered in Mortlake Tapestry.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Sale, Toronto, Monday, 16th October. Rembrandt Bugatti. Le Flamant. Bronze, Signed, 13 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Sale, Toronto, Monday, 16th October. W. F. Friend. A View of Quebec and the Falls of Montmorency. Watercolour, 14⅜ths by 24¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ]Thomas Gainsborough, R. A. Portrait of the 1st Marquess of Donegall (1739-99). 91½ by 60 Inches.
Attributed works:
[ Spink & Son Ltd, King Street, St James's, London ] The Duke of Grafton off Portsmouth by John Cleveley, 1747-1786. Signed and Dated 1774. Oils on Canvas. 34¼ by 55¾ Inches.
Attributed works:
[ The Contemporaries, 992 Madison Avenue, New York ] Zevi Blum.
Non-western art unattributed:
[ Parke-Bernet Galleries ] A New Ireland Wooden Totok Carving, 60 Inches. A New Ireland Wooden Uli Figure, 54½ Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] An Early Louis XV Kingwood Serpentine Commode, Signed E. Doirat, c.1730, 2 Feet 9 Inches High, 4 Feet 2 Inches Wide. A George II Mahogany Bureau of Unusually Small Size, c.1730, 3 Feet High, 2 Feet 8 Inches Wide, 1 Foot 8 Inches Deep. A Louis XV Giltwood Bergère, c.1760, Formerly in the Collection of Her Late Majesty Queen Mary, at Marlborough House.
Advertisements
Advertisements August 1967 (Front)
08/1967 | 773 | 109
Pages: i-xiv
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Barth. Spranger. Pen and Wash. 125 by 192 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Jean Baptiste Deshays (1729-1765). A Sacrifice to Ceres. Pen and Ink with Brown Wash over Red Chalk. 388 by 259 mm
Attributed works:
[ Fred Teltscher, 17 Crawford Street, London ] Jacob Adriaensz Bellevois, 1621-1675. On Panel, 29 by 48 Inches.
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St James's, London ] Jan Cornelisz Vermeyen (1500-1559). Portrait of a City Councillor. Panel 29 by 24½ ins.
Attributed works:
[ How, 2-3 Pickering Place, St James's, London ] By John Hamilton. Pair of Sauce Boats. Dublin Circa 1735. Weight 34 ozs. 15 dwts.
Attributed works:
[ Leger Galleries, 13 Old Bond Street, London ] Summer Flowers. By Jacobus Linthorst (1745-1815). Panel 30 by 24½ Inches; Signed and Dated 1808 Sir Jamset Jee Jejeelbhoy with a Manservant. By George Chinnery, RHA, 1784-1847. Canvas 28½ by 21¾ Inches
Attributed works:
[ Michael Hall Fine Arts, 6 East 79th Street, New York ] Femme Assise. Bronze, by Prince Paul Troubetskoy. Signed and Dated 1921 with A. Valsuani Cire Perdue Cachet. Height: 14½ Inches.
Attributed works:
[ Newhouse Galleries, 15 East 57th Street, New York ] Agustin Esteve (1753-1820). On Canvas, 38 by 26 Inches
Attributed works:
[ Provincial Museum, Jabbeke, Belgium ] C. Permeke. De Bedelaar. 1931. Copyright Sabam - Brussels
Attributed works:
[ Spink & Son Ltd, King Street, St James's, London ] An Execution by Benjamin West, P. R. A., 1738-1820. Black Chalk, Pen and Brown Ink Drawing, 18 by 13½ Inches. Coll: Mrs. Claire Francis, Descendant of the Artist.
Attributed works:
[ Thos. Agnew & Sons Ltd, 43 Old Bond Street and 3 Albemarle Street, London ] Hagar and Ishmael. Canvas, 14 by 19 Inches. Giacomo del Po. Tobias and the Angel. Canvas, 14 by 19 Inches.
Advertisements
Advertisements July 1967 (Front)
07/1967 | 772 | 109
Pages: i-xl
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[ 'How', 2-3 Pickering Place, St James's Street, London ] By R. Green. Pair of Candlesticks. London 1719. Weight 30½ ozs.
Attributed works:
[ Colnaghi's 14 Old Bond Street, London ] John Robert Cozens 1752-1797. Lake Albano and Castel Gandolfo
Attributed works:
[ Fred Teltscher, 17 Crawford Street, London ] White Hall. Signed Wallace Stewart, 1889. Canvas, 26 by 42 Inches.
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St James's, London ] The Pozuelo Master. The Virgin with the Child and St Anne. Panel 39¼ by 30½ ins. (One of a Series of Four Panels Depicting the Life of Christ).
Attributed works:
[ Michael Hall Fine Arts, 6 East 79th Street, New York ] Pierre Jeannin, Councillor of the Kings, Superintendent of Finance. Signed and Dated, Guillaume Dupré 1618. Diameter: 18.7 cm. No Reverse. Natural Brown Patinated Bronze with Traces of Dark Varnish. Ref: Renaissance Bronzes from the Kress Collection, National Gallery of Art, Washington, D. C., 1951, p.129
Attributed works:
[ Newhouse Galleries, 15 East 57th Street, New York ] Mary Magdalene and Donor and Saint Ursula (A Pair of Altar Wings). By Hans Schaeuffelein 1485-1540. On Panel, Each 9½ by 3 Inches
Attributed works:
[ Patterson & Shipman, 19 Albemarle Street, London ] Abraham Hulk. Fishing off the Dutch Coast. Canvas 23 by 34. D. Pols. A View in Alkmaar. Canvas 17½ by 25. D. Pols. The Mint Tower, Amsterdam. Canvas 17½ by 25.
Attributed works:
[ Provincial Museum, Jabbeke, Belgium ] C. Permeke. De Bedelaar. 1931. Copyright Sabam - Brussels
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] A Russian Double-Sided Menologic Icon, Strogonoff School, Seventeenth Century, 12 by 10 Inches. A Russian Icon of the Resurrection, Strogonoff School, Early Seventeenth Century, 12¼ by 10¼ Inches. A Russian Icon of St Luke, Northern School, Fifteenth Century, 20¼ by 15¾ Inches. A Russian Icon of Our Lady of Vladimir, Moscow School, Early Sixteenth Century. 13 by 10 Inches.
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] An Irish 'Volunteer' Glass, 6 Inches. A Spanish Enamelled Glass Plate, Barcelona, c.1560, 7 Inches. An Irish 'Volunteer' Glass, 6¾ Inches. A Decanter Enamelled by Beilby, 8¾ Inches. A Wine Glass Enamelled in Colours by Beilby, 6¼ Inches. A Wine Glass Enamelled by Beilby, 6⅛th Inches. A Goblet Enamelled by Beilby, 7½ Inches. A Wine Glass Enamelled in Colours by Beilby, 6 Inches.
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Friday, 7th July. A Repeating Bracket Timepiece by Thomas Tompion, Pre-Numbered Period, in a Veneered Ebony Case, c.1680, 12½ Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Monday, 17th July, at 11 am and 2.30 pm. A Charles I Crown by Briot (1631-2).
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Piece from an Early Chelsea Part Service, 9⅝ths Inches. Cow Creamers from the Kidd Collection. A London Decorated Worcester Fable Bowl, 9⅛ Inches Wide.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Quarter-Repeating Verge Watch by Roux Bordier & Cie., 48 mm. An Unusual Gold-Cased Verge Watch, 52 mm. An Open-Faced Duplex Watch by William Anthony of London. 63 mm. A Gold-Cased Windmill Watch by P. Terrot. 60 mm. A Gold-Cased Adam and Eve Watch, 58 mm. An Irish 'Volunteer' Glass, 6¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] An Enamelled Gem-Set Gold-Cased Lever Watch, 40 mm. A Verge Pendant Watch Set with Split Pearls, 27 mm. An Octagonal Pendant Watch Surrounded by Rubies and Emeralds, 27 mm. A Gold-Cased Watch Set with Amethysts. Sapphires and Diamonds, 44 mm. A Verge Watch by Vauchez of Paris 58 mm. A Gold and Enamel-Cased Verge Watch by Charles Moricaud of Geneva, 51 mm. A Quarter-Repeating Verge Watch by Roux Bordier & Cie., 48 mm. An Unusual Gold-Cased Verge Watch, 52 mm. An Open-Faced Duplex Watch by William Anthony of London. 63 mm. A Gold-Cased Windmill Watch by P. Terrot. 60 mm. A Gold-Cased Adam and Eve Watch, 58 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Aubrey Beardsley. A Child At Its Mother's Bed. Pen and Indian Ink. 14⅝ by 7½ Inches. Lucien Pissarro. La Montagne de Sicié. Signed with Monogram and Dated 1925. 23 by 28 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Augustus John, O. M., R. A. Dorelia with a Child. Pencil and Sepia Wash, Signed. 17½ by 10⅝ Inches. Augustus John, O. M., R. A. Llyn Cymeog, 1908. On Board, Signed. 12⅛ by 15¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Augustus John, O. M., R. A. Self-Portrait. Black Chalk, Signed, c.1901. 10¼ by 7 Inches. Augustus John, O. M., R. A. Three Men. A Study after Rembrandt. Pen and Ink and Grey Wash, Signed. 9¼ by 11½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Cornelius Springer. A Canal Scene at Alkmaar. Signed and Dated 1868, on Panel. 19½ by 26 Inches. Barend Cornelis Koekkoek. A Winter Scene. Signed and Dated 1831. 22 by 28¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Dame Laura Knight, R. A. A Cloak for Pericles: The Wardrobe Department at Stratford. Signed. 29½ by 24½ Inches. Jack B. Yeats. The Fencers. On Board, Signed. 9¼ by 14¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Edward Dayes. Queen Square, Bloomsbury. Watercolour, Signed and Dated 1786. 14½ by 20⅞ Inches. Joseph Mallord William Turner, R. A. In the Grounds at Farnley Hall, Wharfedale. Watercolour Heightened with Body Colour. 12½ by 17 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Francis Bacon. Seated Figure, 1960. 60 by 47 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Henry Moore, O. M., C. H. Reclining Figures, Studies for Sculpture. Pencil, Pen and Ink, Coloured Chalks and Watercolours, Heightened with White, Signed and Dated '40 9¾ by 16¾ Inches. Henry Moore, O. M., C. H. Three Motives against a Wall, No.2. Bronze, Signed. Length 43 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Sir Henry Raeburn, R. A. Lady Don and Her Granddaughter Mary. 48⅝ by 38 Inches. James Pollard. London to Edinburgh Royal Mail Coach No.125. Signed and Dated 1821. 30 by 39¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Sir Jacob Epstein. Sir Winston Churchill Bronze on a Marble Base, Signed. Height Overall 15 Inches. Graham Sutherland, O. M. Hydrant II. 1954. 43¾ by 35½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Sir Stanley Spencer, R. A. The Meeting. c.1930. 26½ by 23⅝ Inches. L. S. Lowry, R. A. The Obelisk. On Panel, Signed and Dated 1944. 14 by 18 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Sir Thomas Lawrence, P. R. A. Portrait of John Kemble. 55 by 43¼ Inches. Thomas Gainsborough, R. A. A Wooded Landscape. c. 1755. 23½ by 28¼ Inches.
Attributed works:
[ Spink & Son Ltd, King Street, St James's, London ] Eastern Mediterranean Scene by William Van de Velde II, 1633-1707. Oils on Canvas. Signed across the Back, Now Covered by Relining, 13½ by 21½ Inches.
Attributed works:
[ The Couper Gallery, 9 Dering Street, New Bond Street, London ] Gustave Doré. Canvas, 10½ by 14 ins.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Famille-Rose goose tureen, Ch'ien Lung, 16¼ Inches.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Ritual Bronze Food Vessel (kuei), Tenth Eleventh Century B. C., 9¾ Inches.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] An Unrecorded Fourteenth Century Blue and White Stand, 10¾ Inches.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] Pieces from a Collection of Archaic Jades of the Shang, Chou and Han Dynasties, Actual Size.
Western art unattributed:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] French, Late 18th Century. Brown Pen and Wash. 210 by 340 mm.
Western art unattributed:
[ Sotheby's 34-5 New Bond Street, London ] Tuesday, 11th July, at 11 am and 2.30 pm. A Cypriot Bronze Age Terra-Cotta Horse, c.1200 B. C., 9 Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A 'Duck's-Foot' Flint-Lock Pistol, Late Eighteenth Century, 8¾ Inches. A South German Combined Walking Staff, Sword and Wheel-Lock Pistol, Late Sixteenth Century. An Historic Pair of Embossed Steel Plaques from the Snake Armour of Henry II, Sixteenth Century, Each 15¼ by 9 Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Flemish Swept-Hilted Riding Sword, Mid 17th Century, 3 Feet 8 Inches Long. A German Horse Muzzle, Dated 1604. 10 Inches. A Pair of Tuscan Snaphaunce Belt Pistols, Late 18th Century, 14 Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A German Gothic Casket, c.1400, 8¾ by 4 Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Limoges Crucifix, Thirteenth Century, 7½ Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A South German Boxwood Mirror Frame, c.1570, 5¼ Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] An Armorial Urbino Tondino with the Arms of Strozzi, 7¾ Inches., An Armorial Urbino Tondino with the Arms of Strozzi, 7½ Inches.
Western art unattributed:
[ The Arcade Gallery, 28 Old Bond Street, London ] ROMAN, 2nd A. D. MARBLE 23 Inches High from Capua
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