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Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
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related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Nevinson, C. R. W. / Picasso, Pablo / Moore, Henry Spencer, 1898-1986 / Beckmann, Max / Braque, Georges / Epstein, Jacob, 1880-1959 / Lehmbruck, Wilhelm / Ernst, Max / Barlach, Ernst / Nash, Paul / Orpen, William / Spencer, Stanley / Mare, André / Grosz, George / Tonks, Henry
artists:
Lenk, Franz / Jouve, Paul / Birkle, Albert / Branson, Clive
dates:
2010-2019
media:
Paintings / Sculpture / Photographs / Videos / Documents / Pastels / Drawings
museums and institutions:
Tate Britain, London, Great Britain
places:
Great Britain / London
subjects:
World War (1914-1918) / World War (1939-1945) / Politics / War Artists / Collections, Public / Archives / Diaries / Correspondence / Soldiers / Nazism / Fascism / Class / Futurism / Abstract art / Figurative art / Neo-classicism / Military art and science / Destruction / Dada / Surrealism / Ruins / War memorials / British painting / French painting / German painting
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).