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57 articles
Article
Stanley Spencer, postcards, small books and old masters
09/2023 | 1446 | 165
Pages: 952–67
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
Illustrations
Attributed works:
1. Sir Stanley Spencer; Sydney Spencer; Gilbert Spencer; William ‘Pa’ Spencer, by Philip Edward Morrell. 1914. Vintage snapshot print, 6.1 by 10.3 cm. (National Portrait Gallery, London).
Attributed works:
10. Postcard of a corbel in Exeter Cathedral sent by Desmond Chute to Stanley Spencer, 21st June 1916. (John Spencer collection; JS 32).
Attributed works:
11. Roger Fry’s glass slide of Masaccio’s St Peter healing with his shadow. (Archive Centre, King’s College, Cambridge; REF 2, box 32).
Attributed works:
12. St George, by Donatello. (Frontispiece of H. Rea: Donatello: Il maestro di chi sanno, London 1900).
Attributed works:
13. Postcard of Gentile Bellini’s Finding of the True Cross sent by Henry Lamb to Stanley Spencer. (John Spencer collection; JS 50).
Attributed works:
14. Postcard of Giotto’s Joachim and the shepherds sent by Jas Wood to Stanley Spencer, 17th October 1927. (UCL Art Museum, University College London; UCL 82).
Attributed works:
15. Reverse of Fig.14.
Attributed works:
16. Postcard of Pieter Bruegel’s Autumn sent by Gilbert Spencer to Stanley Spencer, 1934. (John Spencer collection; JS 82).
Attributed works:
2. Stanley Spencer’s postcard album open to showing a Virgin or saint holding a book, Tonnerre stone, c.1390–1400, Musée national du Moyen Age, Thermes de Cluny, Paris (inv. Cl.18931), and the Court of Pan, by Luca Signorelli, formerly in the collection of the Staatlichen Museen zu Berlin. (UCL Art Museum, University College London; UCL 4 and 5).
Attributed works:
3. Letter from Stanley Spencer to the Raverats illustrating the shape of the reliefs on the campanile of Florence Cathedral. 12th April 1913. (Tate Archive, TGA 8116/21).
Attributed works:
4. Roger Fry’s glass slide of Andrea Pisano’s Creation of Eve from the campanile of Florence Cathedral. (Archive Centre, King’s College, Cambridge; REF 2, box 13).
Attributed works:
5. Postcard of the Entombment of Christ, by Donatello, sent from Gwen Darwin to Stanley Spencer, 11th March 1914. (John Spencer collection; JS 6).
Attributed works:
6. Reverse of UCL 51.
Attributed works:
7. Three postcards superimposed to illustrate the west wall of the apse of S. Francesco, Arezzo, by Piero della Francesca, sent by Gwen Raverat to Stanley and Gilbert Spencer, 25th March 1914. (UCL Art Museum, University College London; UCL 53, 50 and 51).
Attributed works:
8. Roger Fry’s glass slides of Piero della Francesca’s Death of Adam. (Archive Centre, King’s College, Cambridge; REF 2, boxes 19 and 32).
Attributed works:
9. Reproduction of the Lion of St Mark, by Vittore Carpaccio, from The Masterpieces of Carpaccio and Giorgione published by Gowans & Gray, 1911.
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Article
The ‘Nameless Exhibition’, London, 1921
09/2011 | 1302 | 153
Pages: 583-590
related names
Author:
Elmer, Samuel (Elmer, Samuel)
Subjects
dates:
places:
print:
subjects:
subjects:
Illustrations
Attributed works:
30. Poster advertising the Nameless Exhibition, Grosvenor Galleries, London, attributed to Roger Fry. 1921.
Attributed works:
31. Kitty of Frying Pan Alley, by Oswald Birley. c.1921. Canvas, 126.8 by 101.5 cm. (Aberdeen Art Gallery & Museums Collections).
Attributed works:
32. Portrait of Philip Wilson Steer, by Walter Sickert. c.1890. Canvas, 90.2 by 59.7 cm. (National Portrait Gallery, London).
Attributed works:
33. Brighton Pierrots, by Walter Sickert. 1915. Canvas, 63.5 by 76.2 cm. (Tate, London).
Attributed works:
34. Christ carrying the Cross, by Stanley Spencer. 1920. Canvas, 153 by 142.9 cm. (Tate, London).
Attributed works:
35. Study after ‘The Lemon Gatherers’, by Duncan Grant. c.1920. Canvas, 48 by 34 cm. (Private collection).
Attributed works:
36. Strolling players, by Henry Tonks. 1906. Canvas, 118.2 by 128.3 cm. (Manchester City Galleries).
Attributed works:
37. Portrait of Iris Tree seated on a four-poster bed, by Alvaro Guevara. c.1918–19. Canvas, 182.5 by 121.5 cm. (Sotheby’s, London, 11th November 1987, lot 63).
Advertisements
Advertisements November 1985 (Front)
11/1985 | 992 | 127
Pages: i-liv
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein c/o Vic Pearson & Co Ltd, 7 Munton Road, London] Giovanni Battista Piranesi Title? Boy Standing. Pen and Brown Ink 90 × 108 × 58 mm
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Battista Foggini (1652-1725), Studies of the Mocking of Christ. Pen and Ink and Wash, 295 × 212 mm
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Oil on Canvas. Jan Siberechts, Antwerp 1627-c1703 London. 88 × 130 cms
Attributed works:
[Annamaria Edelstein at Robin Symes, 94 Jermyn Street, London] Ferrau Fenzoni. Faenza 1562-1645 Two Studies of Male Nudes: St Sebastian. Pen and Brown Ink over Black Chalk. 236 by 178 mm
Attributed works:
[Arnoldi-Livie, Maximilianstr. 36, Munich] Giovanni Paolo Schor 1615-1674, "Design for the Back of a Coach for the Spanish Ambassador in Rome with the Arms of Castile and Habsburg." 1673. Pen and Brown Ink with Grey Wash. 29.5 × 20 cm. Inscribed and Dated by the Artist: "facta per il S. marches de Lice Amb. Ventino di Spagna - l'anno 1673"
Attributed works:
[Artemis Fine Arts (UK) Ltd, 15 Duke Street, London] Rembrandt Harmensz. van Rijn, The Entombment, c. 1654, B.86, First State, Etching and Drypoint on Thin Oriental Paper, 212 × 163 mm., ex-colls. K. E. von Liphart, Carl Schlösser, Edward Smith, Paul Davidsohn and E. A. Seasongood.
Attributed works:
[Belle Etage, Mahlerstraße 15, Vienna] Display Cabinet. Height 191 cm, Width 90 cm. Designed by Otto Prutscher and Erwin Puchinger; Manufactured by S. Oppenheim. Exh. Winterausstellung des Österreichischen Landesmuseums 1901. Lit., Das Interieur, 1901.
Attributed works:
[Berko in Art Gallery, Berko-Kustlaan, Belgium] Charles Verlat (1824-1890). Canvas: 118 × 75 cm. Signed
Attributed works:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Easter Egg, Moscow, about 1905, Plique á Jour-Enamel, Made by the Master Iwan Petrowitsch Chlebnikow DM 85.000
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] D. M. Canuti (1620 Bologna-Rome 1684). Red Chalk and Brush in Brown and Rose, Heightened with White. 256: 350 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honoré, Paris] François Boucher "Les Grâces au tombeau de Watteau". Red Chalk. 255 mm × 215 mm. Engraved by Boucher in Reverse for the Title Page of Figures de Différents Caractères. (1728)
Attributed works:
[Colnaghi Usa Ltd, 26 East 80th Street, New York] Francesco Solimena 1657-1747, St. Peter. Oil on Canvas 39¼ × 28½ ins.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Pier Francesco Mola (Rome 1612-1666), Study of a Cellist. Red Chalk and Red Wash. 270 × 190 mm
Attributed works:
[David Jones, 109 rue Cardinet, Paris] Giovanni Maria Morandi Florence 1622-Rome 1717. "Death of the Virgin" Black Chalk with Brown and Grey Wash, Squared in Black Chalk. 28 cm × 41 cm. A Drawing Related to the Painting "Death of the Virgin" in S. Maria della Pace, Rome.
Attributed works:
[David Koester, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Dorotheum Kunstpalais, Dorotheergasse 11, Vienna] Egon Schiele, 48,2 × 31,8 cm, Rufpreis: öS 800.000,-
Attributed works:
[Electa, via Trentacoste, Milan] Raffaello Architetto by C. L. Frommel - S. Ray M. Tafuri
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Adriaen van de Venne (1589-1662). On Panel, Signed and Dated 1615, 16.5 × 24.5 cm.
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Workshop of Primaticcio: 'Ulysses and the Sirens' Oil on Canvas 151 × 208 cm.
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Govaert Flink (1615-1660)
Attributed works:
[Galerie F. Franco, Avenue Molière, Brussels] Bernard van Orley, Virgin Enthroned, Panel 31.5 × 35 cm.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse, Berlin] Andrea Salvatore Aglio (1736-1786, Arzo, Active in Dresden). Prospect of the Hofkirche in Dresden. Pen and Pencil, Grey Wash. 442 × 194mm. Signed. Coll. I. O. Wessner (Lugt 2562a).
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Camille Pissarro (1830-1903), Sur la rivière, c. 1872/75. Oil on Canvas, 19 × 24,5 cm, Signed Bottom Left.
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Gustav Klimt (1862-1918) "Adele Bloch-Bauer" 1903, Brown Coloured Pencil on Paper, 45 × 32 cm, 1903. Provenence: Present of Gustav Klimt to Adele Bloch-Bauer, Since Then in Property of the Family. Literature: Will Be Included in the Forthcoming Catalogue Raisonné by Dr. Alice Strobl, Gustav Klimt "The Drawings".
Attributed works:
[Galleria Gilli, Via Gesù, Milan] Bernadino Campi, Cremona 1522-1590/95. St. Stephen. Black & Red Chalk, Heightened with White, Squared in Red Chalk. 390 × 230 mm. Preparatory Drawing for the Dome of S. Sigismondo, Cremona.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Gustave Doré 1832-1883, La France protège ses enfants. Pen and Ink over Pencil and Black Chalk, with Grey and Brown Washes, Heightened with White Gouache, 73.7 × 55.9 cm. Signed and Dated 1871
Attributed works:
[Jacques Fischer - Chantal Kiener 46 rue de Verneuil Paris] Alphonse Perin (1798-1874), D'un ensemble de neuf cartons et sept dessins pour la décoration de la chapelle de l'Eucharistie à Notre-Dame de Lorette à Paris. 1835-1852. Carton de "La Cène". Tympan au-dessus de la porte de la sacristie. Détail. Dimensions du carton: 200 × 400 cm. Dimensions du détail: 58 × 83 cm environ. Fusain, crayon bleu, sanguine, craie blanche et lavis bleu.
Attributed works:
[Jacques van Rijn Fine Art O.L., Vrouweplein 28, Maastricht] Pieter de Bloot 1602-1658, 'A Village Scene with Drinking and Dancing Peasants'. Panel, 49½ × 74½ cm. Signed with Monogram
Attributed works:
[Jean Willems, rue Ernest Allard, Brussels] Pietro Dandini, Firenze 1646-1712. The Multiplication of the Loaves. Brown Ink and Wash 212 × 388 mm. Provenance: Coll. G. Vallardi (L. 1223).
Attributed works:
[Joanna Booth, 247 Kings Road, London] Attributed to Georg Frederic Wille (1715-1808), Head of a Boy. Red Chalk 458 mm by 322 mm. Provenance: Vallardi (L. 1223)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] The Jewish Rider 1984-85 Oil on Canvas 60 × 60 in./152.4 × 152.4 cm.
Attributed works:
[Matthiesen in association with Stair Sainty Matthiesen, 7-8 Mason's Yard, Duke Street, London] Giovanni Boldini. The Countess of Rasty
Attributed works:
[Me Hubert Le Blanc, 32 avenue de L'Opera, Paris] Jan Steen, Le souper fin. Canvas, Signed on the Left Towards the Bottom of the Table Base. 48.5 × 64.5cm
Attributed works:
[Mia N. Weiner at Piero Corsini Inc., 162 East 63rd Street, New York] Giulio Romano, Bacchanale. Pen & Brown Ink & Wash. 8¼ × 11¾ ″
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Jean-Honoré Fragonard "Le Verrou". Red Chalk, Pen and Brown Ink, and Brown Wash: 9½ × 14½ Inches
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Joachim Wtewael 1566-1638, Saint Sebastian. On Canvas, 169.5 × 124.8 cm. Signed and Dated 1600
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Simon Vouet, (Paris 1590-1649 Paris). Head of an Old Man. Black and White Chalk on Beige Paper. 5 × $4frac{15}{16}$ in. (128 × 126 mm.). A Preparatory Study for the Figure of Time in the Painting Time, Venus, Mars and Amor in The John and Mabel Ringling Museum, Sarasota
Attributed works:
[Pat Coombs, London] Palma Vecchio (1480?-1528)
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Luca Giordano, "The Penitent Magdalen", Oil on Canvas, 72″ × 71″.
Attributed works:
[Phillips, Blenstock House, 7 Blenstock Street, London] Armand Guillaumin, "Bord de Rivière", Signed, Oil on Canvas, 54 cm. × 65 cm.
Attributed works:
[Pietro Scarpa, Via XXII Marzo, Venice] Parmigianino: St. John the Baptist (Actual Size)
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Henry Tonks Neac (1862-1937), A Conversation, Betteshanger Barn. Oil on Canvas 24 × 20 ins. Ins. H. Tonks, 1927-8
Attributed works:
[Richard Green, 4 New Bond Street, London] James Tissot (1836-1902), Jeune Femme chantant à l'Orgue. Signed. Canvas: 42¼ × 28¼ in/105 × 72 cm
Attributed works:
[Richard Green, 4 New Bond Street, London] John Cleveley Snr. (1712-1777). The 'Amazon' with the 'Caroline' at a Distance. Signed, Titled and Dated 1750. Canvas 35¾ × 51 in 91 × 129.5 cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jacques-Louis David, "Cupid and Psyche," 1813 Black, Grey and Sepia Inks with White Gouache over Black Chalk, 16.8 by 22.6 cm. Signed, Lower Right: "L. David 1813"
Attributed works:
[Shaunagh Fitzgerald Ltd at Baskett & Day, 173 New Bond Street, London] Circle of Albrecht Dürer
Attributed works:
[Society Portraits 1850-1939 a joint exhibition held at Colnaghi, 14 Old Bond Street, London and Clarendon Gallery, 8 Viggo Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An Italian Marble Group of Aeneas and Anchise by Antonio Carra, Signed, Venetian, Late 16th Century, Height 87.6 cm. £15,000-20,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Christoffer Wilhelm Eckersberg, Sailing Ships, Dated 1825, Oil on Canvas, 38.5 by 54 cm.
Attributed works:
[Spencer A. Samuels 11 East 57th Street New York] Domenico Campagnola, Study of Candlesticks. Pen & Brown Ink, 11¾ × 7¼″
Attributed works:
[Spink & Son Ltd, King Street, London] Walter Richard Sickert, R. A., 1860-1942. The Hat Shop. Oils on Canvas. 13 × 16 Inches. Signed.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69 Street, New York] Louis de Boullongne II, Rinaldo and Armida. Oil on Canvas. 38 × 51½ Inches. Signed: L. de Boullogne 1704. Exhibited: Paris. Salon. 1704.
Attributed works:
[Stanze del Borgo, via Puccini 5, Milan] Bernardo Strozzi - Genoa 1581 - Venice 1644, "Testa di Fanciullo". Charcoal, White Touches on Chamois Paper - 144 x 131 mm. From the S. Varni Collection The Drawing is Dated ca. 1610, during the Artist's Genoa Period.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Thomas Shotter Boys. A View of Paris near the Jardin des Tuileries. Size: 14 × 10 Inches. Signed and Dated 1832
Attributed works:
[Thomas le Claire Adickesstraße 40 Hamburg] Cornelis Saftleven (1607 Gorkum - Rotterdam 1681): "Landscape with Shepherd and Cattle", Black Chalk, Grey Washes; Monogrammed and Dated > 1659 <; 159: 197 mm.
Attributed works:
[Wiener Kunst und Antiquitatenmesse] Belle Etage Left: Table. Height 75cm, diameter 115cm. Design attributed to Adolf Loos. Vienna c. 1900. Below left: Brass Lamp. Design attributed to Josef Hoffmann. Vienna 1903. Galerie bei der Albertina Below: Garden bench. 1906-1908. Softwood painted white. Larger variant of the bench, which was exhibited at the "Kunstschau 1908" and in the Austrian pavilion in Rome 1911. Provenance: Dr Hugo Koller House. Height: 105cm, length 200cm, width 54cm. Right: Dancer. Painted plaster. 53cm high. On a highly polished wooden pedestal, 141cm high. Attributed to Richard Teschner, Vienna c. 1909.
Attributed works:
[William H. Schab Gallery, 11 East 57th Street, New York] Carletto Caliari, Study of Hands
Attributed works:
[Yvonne Tan Bunzl, London] Carlo Dolci. Red and Black Chalk 255 × 190 mm
Western art unattributed:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Lion-Gilded-Aquamanile, Hildesheim, 14./15. Century 13 × 11,5 cm
Western art unattributed:
[Glassgallery Michael Kovacek, Vienna] Bohemian Goblets c. 1840-50. Left: Colourless Glass with White and Blue Overlays, Painted in Gold and Silver. Height 14.5 cm. Centre: Colourless Glass, Gold-Ruby Overlay on Interior. Painted in Gold, Silver and Enamels. Height 24.5 cm. Right: Colourless Glass, Gold-Ruby Overlay, Painted in Gold, Silver and Enamels. Height 15.3 cm
Western art unattributed:
[Phillips, Blenstock House, 7 Blenheim Street, London] An Important Roman Figure of Hercules, 2nd Century AD., 176 cm. High. Estimate: Refer to Department.
Article
Professor Tonks: War Artist
05/1985 | 986 | 127
Pages: 284-291+293
related names
Author:
Freeman, Julian (Freeman, Julian)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
24. Lieutenant Henry Tonks, RAMC, at Aldershot, 1916, with Pastel Drawings of Maxillo-Facial Cases.
Attributed works:
25. A Saline Infusion, by Henry Tonks. Signed with Initials and Dated 1915. Chalk, 67.9 by 57.2 cm. (Imperial War Museum).
Attributed works:
26. Diagram of Surgical Method Used on Maxillo-Facial Patient, by Henry Tonks. 1916-17, Pen and Ink, 25.4 by 20.3 cm. (The Royal College of Surgeons of England).
Attributed works:
27. Plastic Surgery Operation, by Henry Tonks. 1916. Signed. Pen and Wash, 39 by 27 cm. (The Royal College of Surgeons of England).
Attributed works:
28-31. Studies of Facial Wounds, 1916-17, by Henry Tonks. Pastel, 25.4 by 20.3 cm. (The Royal College of Surgeons of England).
Attributed works:
32 and 33. Studies of Facial Wounds, 1916-17, by Henry Tonks. Pastel, 25.4 by 20.3 cm. (The Royal College of Surgeons of England).
Attributed works:
34. An Advanced Dressing Station, France, 1918, by Henry Tonks. 182.8 by 218.6 cm. (Imperial War Museum).
Attributed works:
35. A Shell Dump, France, 1918-19, by William Roberts. 190.6 by 317.5 cm. (Imperial War Museum).
Attributed works:
36. The First Wounded, London Hospital, 1914, by John Lavery. 174.1 by 200.7 cm (Dundee Art Galleries and Museums).
Attributed works:
37. Gassed, by John Singer Sargent. Signed and Dated 1918. 228.8 by 609.6 cm. (Imperial War Museum).
Attributed works:
38. A Battery Shelled, by Percy Wyndham-Lewis. Signed and Dated with Initials 1918. 190.6 by 317.5 cm. (Imperial War Museum).
Article
Three Teachers: Brown, Tonks and Steer
06/1943 | 483 | 82
Pages: 141-146
related names
Author:
Schwabe, Randolph (Schwabe, Randolph; S., R.)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
Plate I. A-Henry Tonks John S. Sargent and Wilson Steer. By Sir William Rothenstein. About 1904. Sketch in Oils. (Property of the Artist). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate I. B-Portrait of the Artist. By Frederick Brown. Dated 1932. Canvas, 91 by 66 c. m. (Tate Gallery). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate I. C-The Garden. By Frederick Brown. Dated 1937. Canvas, 46 by 61 c. m. (Tate Gallery). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate II. A-Study of Trees. By Henry Tonks. Pen Drawing, 25.4 by 35.6 cm. (The Slade School of Fine Art). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate II. B-The Storm. By Fred Brown. Signed and Dated 1914. Ink and Watercolour, 24 by 35 cm. (Tate Gallery). Three Teachers: Brown, Tonks and Steer
Attributed works:
Plate II. C-Sheet of Figure Studies. By Henry Tonks. Pen Drawing, 42 by 31.8 cm. (The Slade School of Fine Art). Three Teachers: Brown, Tonks and Steer
Article
Wilson Steer
03/1943 | 480 | 82
Pages: 68-71
related names
Author:
Howard-Jones, Ray (Howard-Jones, Ray; Jones, Ray Howard-)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
A-Shipyard, Shoreham. by P. Wilson Steer. 1926. Oil. (The Leicester Galleries). Wilson Steer
Attributed works:
B-River at Bridgnorth. By P. Wilson Steer. Oil. (The Leicester Galleries). Wilson Steer
Short Notice
Memorial to Professor Tonks
12/1937 | 417 | 71
Pages: 296
Subjects
art literature:
dates:
places:
subjects:
Obituary
Professor Henry Tonks
02/1937 | 407 | 70
Pages: 94
related names
Author:
MacColl, D. S. (MacColl, D. S.; MacColl., D. S.; M., D. S.)
Subjects
art literature:
dates:
places:
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