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67 articles
Letter
Stanley Spencer’s postcards of Vézelay
03/2024 | 1452 | 166
Pages: 224
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
media:
subjects:
Illustrations
Attributed works:
Postcard of Jacob fighting with the angel, Vézelay Abbey, sent by Gwen and Jacques Raverat to Stanley Spencer. 1911. (Stanley Spencer Gallery, Cookham).
Article
Stanley Spencer, postcards, small books and old masters
09/2023 | 1446 | 165
Pages: 952–67
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
Illustrations
Attributed works:
1. Sir Stanley Spencer; Sydney Spencer; Gilbert Spencer; William ‘Pa’ Spencer, by Philip Edward Morrell. 1914. Vintage snapshot print, 6.1 by 10.3 cm. (National Portrait Gallery, London).
Attributed works:
10. Postcard of a corbel in Exeter Cathedral sent by Desmond Chute to Stanley Spencer, 21st June 1916. (John Spencer collection; JS 32).
Attributed works:
11. Roger Fry’s glass slide of Masaccio’s St Peter healing with his shadow. (Archive Centre, King’s College, Cambridge; REF 2, box 32).
Attributed works:
12. St George, by Donatello. (Frontispiece of H. Rea: Donatello: Il maestro di chi sanno, London 1900).
Attributed works:
13. Postcard of Gentile Bellini’s Finding of the True Cross sent by Henry Lamb to Stanley Spencer. (John Spencer collection; JS 50).
Attributed works:
14. Postcard of Giotto’s Joachim and the shepherds sent by Jas Wood to Stanley Spencer, 17th October 1927. (UCL Art Museum, University College London; UCL 82).
Attributed works:
15. Reverse of Fig.14.
Attributed works:
16. Postcard of Pieter Bruegel’s Autumn sent by Gilbert Spencer to Stanley Spencer, 1934. (John Spencer collection; JS 82).
Attributed works:
2. Stanley Spencer’s postcard album open to showing a Virgin or saint holding a book, Tonnerre stone, c.1390–1400, Musée national du Moyen Age, Thermes de Cluny, Paris (inv. Cl.18931), and the Court of Pan, by Luca Signorelli, formerly in the collection of the Staatlichen Museen zu Berlin. (UCL Art Museum, University College London; UCL 4 and 5).
Attributed works:
3. Letter from Stanley Spencer to the Raverats illustrating the shape of the reliefs on the campanile of Florence Cathedral. 12th April 1913. (Tate Archive, TGA 8116/21).
Attributed works:
4. Roger Fry’s glass slide of Andrea Pisano’s Creation of Eve from the campanile of Florence Cathedral. (Archive Centre, King’s College, Cambridge; REF 2, box 13).
Attributed works:
5. Postcard of the Entombment of Christ, by Donatello, sent from Gwen Darwin to Stanley Spencer, 11th March 1914. (John Spencer collection; JS 6).
Attributed works:
6. Reverse of UCL 51.
Attributed works:
7. Three postcards superimposed to illustrate the west wall of the apse of S. Francesco, Arezzo, by Piero della Francesca, sent by Gwen Raverat to Stanley and Gilbert Spencer, 25th March 1914. (UCL Art Museum, University College London; UCL 53, 50 and 51).
Attributed works:
8. Roger Fry’s glass slides of Piero della Francesca’s Death of Adam. (Archive Centre, King’s College, Cambridge; REF 2, boxes 19 and 32).
Attributed works:
9. Reproduction of the Lion of St Mark, by Vittore Carpaccio, from The Masterpieces of Carpaccio and Giorgione published by Gowans & Gray, 1911.
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Exhibition Review
A century of figurative British painting
05/2018 | 1382 | 160
Pages: 423-425
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
26. Black nude, by Francis Newton Souza. 1961. Canvas, 181.5 by 121 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
27. The deer park, by Michael Andrews. 1962. Oil on board, 214 by 244.5 cm. (Tate Britain, London; exh. Tate Britain, London).
Attributed works:
28. Reclining figure, by Dorothy Mead. c.1954. Canvas, 92 by 122 cm. (The Sarah Rose Collection; exh. Tate Britain, London).
Exhibition Review
Stanley Spencer. Wakefield and Cookham
10/2016 | 1363 | 158
Pages: 836-837
related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
dates:
museums and institutions:
places:
places:
subjects:
Illustrations
Attributed works:
68. Port Glasgow Cemetery, by Stanley Spencer. 1947 (British Council Collection; exh. Stanley Spencer Gallery, Cookham)
Attributed works:
69. Bellrope, Cookham, Berkshire, by Stanley Spencer. 1936 (Rochdale Museum and Art Gallery; exh. The Hepworth, Wakefield)
Attributed works:
70. Self-portrait, Adelaide Road, by Stanley Spencer. 1939 (Private collection, courtesy Hazlitt Holland-Hibbert; exh. The Hepworth, Wakefield)
Book Review
Stanley Spencer: Art as a Mirror of Himself, by A. Causey
05/2016 | 1358 | 158
Pages: 372–73
related names
Reviewer:
Peters Corbett, David (Peters Corbett, David; Corbett, David Peters)
Subjects
artists:
Illustrations
Attributed works:
41. Unveiling Cookham War Memorial, by Stanley Spencer. 1922 (Private collection)
Advertisements
Advertisements April 2016 (front)
04/2016 | 1357 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Andrew Edmunds, London. A pair of polished gentleman, by James Gillray (1756-1815). 1801. Etching, soft-ground etching and engraving with watercolour and gum Arabic. 35.5 by 25.5 cm]
Attributed works:
[August Laube, Zurich. Veduta di Piazza Navona sopra le rovine del Circo Agonale, by Giovanni Battista Piranesi (1720-78). 1751. Etching, 46.3 by 69.7 cm]
Attributed works:
[Bernard Jacobson Graphics, London. Black for Mozart, by Robert Motherwell (1915-91). 1991. Lithograph and collage, 162.6 by 104.1 cm]
Attributed works:
[C.G. Boerner, New York and Düsseldorf. A beggar seated on a bank (self portrait), by Rembrandt Harmensz van Rijn (1606-69). 1630. Etching, 11.7 by 7 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), Christ carrying the cross (detail), oil on carpet, 49.5 x 36.5 cm]
Attributed works:
[Fine Art Society, London. The marriage at Cana, by Stanley Spencer (1891-1959). 1953. Lithograph, 64.5 by 52 cm]
Attributed works:
[Galerie Alexis Bordes. 4,rue de la Paix. Paris. François Boucher (Paris, 1703-1770). Study of a Male Head wearing a Turkish Turban. c.1745. Sanguine. 21.8 x 16.7 cm (8 9/16 x 6 9/16 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Massimo Stanzione (Orta di Atella, c.1585 - Naples, c. 1658. Bathsheba at the her Bath. Oil on canvas, 193 x 146 cm (76 x 57 1/2 in)]
Attributed works:
[Gallery Jin, Tokyo. Jam-packed sushi, by Kurumi Wakaki, 2011. Water-based woodcut on Japanese paper, 50 by 80 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Théodule Ribot. THE FULL BOTTLE. Oil on canvas on wood. 58.7 x 40.5 cm (23 1/8 x 16 in). Signed.]
Attributed works:
[Himmelbau Printmaking Finland, Tampere. Stage 1, by Janne Laine, 2015. Etching and photogravure, 59 by 106 cm]
Attributed works:
[Karl & Faber. Amirplatz 3. Munich. Jean-François Raffaëlli, Printemps de Paris.]
Attributed works:
[Karsten Schubert, London. Bagatelle 3, by Bridget Riley. 2015. Screenprint on paper, 67 by 58.5 cm (sheet)]
Attributed works:
[Museo del Prado, Madrid. Georges de La Tour, The Cheat with the Ace of Diamonds, Paris, Musée du Louvre, Dèpartement des Peintures.]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. Hans Schäufelin (c. 1480785 - c.1540). Bearing of the Cross, c. 1516/17. Oil/panel, 52 x 43 cm]
Attributed works:
[Osborne Samuel, London. The windmill, by Sybill Andrews (1898-1992). 1933. Linocut, 33 by 23.2 cm]
Attributed works:
[Paragon | Contemporary Editions, London. Untitled 01 from Six snapshots of Julie, by Grayson Perry. 2015. Woodcut with lithographic underlays, 72.5 by 48.5 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A cased pair of flintlock duelling pistols by Joseph Manton, from 1815]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Noël Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Royal Academy. Michael Craig-Martin, Fragments, 2015 a series of six screenprints © Michael Craig-Martin and Alan Cristea Gallery, London]
Article
Stanley Spencer and the Acts of Mercy – a suggested additional source for the Sandham Memorial Chapel
09/2014 | 1338 | 156
Pages: 590-594
related names
Author:
Langmuir, Erika (Langmuir, Erika; Langmuir, Erika H.)
Subjects
artists:
dates:
subjects:
subjects:
Illustrations
Attributed works:
25. Interior of the Sandham Memorial Chapel, Burghclere, by Stanley Spencer. 1927-32. (The National Trust).
Attributed works:
26. The wounded and sick men gathered outside a hospital (the doctor I), by Frederick Cayley Robinson, from the series The Acts of Mercy. 1920. Canvas, 198.7 by 339 cm. (Wellcome Library, London).
Attributed works:
27. Tea in the hospital ward, by Stanley Spencer. 1932. Canvas, 105.5 by 185.5 cm. (Sandham Memorial Chapel, Burghclere, The National Trust).
Attributed works:
28. Bedmaking, by Stanley Spencer. 1932. Canvas, 105.5 by 185.5 cm. (Sandham Memorial Chapel,Burghclere, The National Trust).
Attributed works:
29. Travoys with wounded soldiers arriving at a dressing station at Smol, Macedonia, in September 1916, by Stanley Spencer. 1919. Canvas, 183 by 210.4 cm. (Imperial War Museum, London).
Exhibition Review
A Crisis of Brilliance, 1908–22. London
08/2013 | 1325 | 155
Pages: 564-566
related names
Reviewer:
Owens, Susan (Owens, Susan)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
33. In the hold, by David Bomberg (Tate, London; exh. Dulwich Picture Gallery, London)
Attributed works:
34. Void, by Paul Nash (National Gallery of Canada, Ottawa; exh. Dulwich Picture Gallery, London)
Attributed works:
35. Lytton Strachey, by Dora Carrington (National Portrait Gallery, London; exh. Dulwich Picture Gallery, London)
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