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4 articles
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
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related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Nevinson, C. R. W. / Picasso, Pablo / Moore, Henry Spencer, 1898-1986 / Beckmann, Max / Braque, Georges / Epstein, Jacob, 1880-1959 / Lehmbruck, Wilhelm / Ernst, Max / Barlach, Ernst / Nash, Paul / Orpen, William / Spencer, Stanley / Mare, André / Grosz, George / Tonks, Henry
artists:
Lenk, Franz / Jouve, Paul / Birkle, Albert / Branson, Clive
dates:
2010-2019
media:
Paintings / Sculpture / Photographs / Videos / Documents / Pastels / Drawings
museums and institutions:
Tate Britain, London, Great Britain
places:
Great Britain / London
subjects:
World War (1914-1918) / World War (1939-1945) / Politics / War Artists / Collections, Public / Archives / Diaries / Correspondence / Soldiers / Nazism / Fascism / Class / Futurism / Abstract art / Figurative art / Neo-classicism / Military art and science / Destruction / Dada / Surrealism / Ruins / War memorials / British painting / French painting / German painting
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Exhibition Review
Emil Nolde: Colour is Life. Scottish National Gallery of Modern Art, Edinburgh
08/2018 | 1385 | 160
Pages: 684-686
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related names
Reviewer:
Lloyd, Jill (J. L.) (Lloyd, Jill (J. L.); L., J.)
Subjects
artists:
Nolde, Emil
dates:
2010-2019
media:
Paintings / Prints / Watercolours
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / National Gallery of Ireland, Dublin, Ireland
museums and institutions:
Nolde Foundation Seebüll, Neukirchen, Germany
places:
Great Britain / Edinburgh / Ireland / Dublin
subjects:
German painting / Expressionism / Figurative art / Brücke / Portraits / Colour / Nazism / Politics / Entartete Kunst / Nationalism / Race / Primitivism (Cultural anthropology related concept) / Class / Ethnology / Anthropology / Iconography / Christian iconography
Illustrations
Attributed works:
25. Slowenians, by Emil Nolde. 1911. Canvas, 80 by 69.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
26. Frisians, man and woman, by Emil Nolde. 1910. Canvas, 69.5 by 89.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Skater, by Emil Nolde. Watercolour on paper, 25.8 by 18 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Glasgow International. Various locations
07/2018 | 1384 | 160
Pages: 599-601
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related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
art literature:
Obrist, Hans-Ulrich
artists:
Himid, Lubaina / Jane, E. / Pandhal, Hardeep / Eatough, Graham / Sutcliffe, Stephen / Peter, Mick / Leckey, Mark / Kiwanga, Kapwani / Shani, Tai / Nicoll, Janie / Rutherford, Ailie / Ottinger, Ulrike / Ferrer, Esther / Linder / Fields, Duggie / Fields, Duggie
dates:
2010-2019
media:
Paintings / Sculpture / Videos / Mixed media / Installations (visual works) / Performance art / Ceramics / Art objects
museums and institutions:
Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain / Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / Kelvin Hall, Glasgow, Great Britain / Tramway, Glasgow, Great Britain / Centre for Contemporary Arts, Glasgow, Great Britain / Trongate 103, Glasgow, Great Britain / Platform, Glasgow, Great Britain / Glasgow Project Room, Glasgow, Great Britain / Many Studios, Glasgow, Great Britain / Hunterian Museum and Art Gallery, Glasgow, Great Britain
places:
Great Britain / Glasgow
subjects:
Glasgow International / Conceptual art / Gender / Race / Class / Politics / Feminism / Theatre design / Literature in art
subjects:
Science fiction / Cultural tourism / Colonialism / Postcolonialism
Illustrations
Attributed works:
31. Installation view of Duggie Fields at The Modern Institute, Osborne Street, Glasgow (photograph Patrick Jameson).
Attributed works:
32. Performance photograph of Dark continent: SEMIRAMIS, by Tai Shani. Tramway, Glasgow (photograph Keith Hunter).
Attributed works:
33. Installation view of The regenerators, by Mick Peter at Dalmarnock Gas Purifier Shed, Glasgow (photograph Keith Hunter).
Exhibition Review
Adrian Piper: A Synthesis of Intuitions, 1965–2016. Museum of Modern Art, New York
07/2018 | 1384 | 160
Pages: 597-599
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related names
Reviewer:
Buskirk, Martha (Buskirk, Martha)
Subjects
art literature:
Siegelaub, Seth / Lippard, Lucy / Kant, Immanuel
artists:
Piper, Adrian
dates:
2010-2019
media:
Paintings / Drawings / Documents / Videos / Photographs
museums and institutions:
Museum of Modern Art, New York, United States
places:
United States / New York
subjects:
Conceptual art / African American / Gender / Race / Genealogy / Audiences
subjects:
Class
Illustrations
Attributed works:
28. Vanilla nightmares #12, by Adrian Piper. 1986. Charcoal on newspaper, 59.7 by 34.3 cm. (Museum of Modern Art, New York; © Adrian Piper Research Archive Foundation, Berlin).
Attributed works:
29. Installation view of What it’s like, what it is #3, by Adrian Piper, in Dislocations at the Museum of Modern Art, New York, 20th October 1991–7th January 1992. (Museum of Modern Art, New York; © Adrian Piper Research Archive Foundation, Berlin).
Attributed works:
30. Documentation of Untitled performance at Max’s Kansas City, by Adrian Piper. 1970.Gelatin silver print, 9 by 9 cm. (© Adrian Piper Research Archive Foundation, Berlin; exh. Museum of Modern Art, New York).