By using this website you agree to our Cookie policy

Search

2 articles
Advertisements
Advertisements June 1983 (Front)
06/1983 | 963 | 125
Pages: i-xxxii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
[A. D. C. Armitage, 2 Old Bond Street, London, UK] A Fine George IV Silver Inkstand by Philip Rundell, for Rundell, Bridge & Rundell, London 1822. Weight: 216ozs. The Seated Figures of Homer, Virgil and Milton are surmounted by Winged Victory.
Attributed works:
[Adolphe Stein at Douwes Fine Art, 38 Duke St., London, UK] Giovanni Antonio Guardi (1698-1760). Study of a Standing Male Nude. Red Chalk 421 × 287 mm
Attributed works:
[Armitage, 4 Davies Street, London, UK] A Fine Charles II Two Handled Porringer and Cover. London 1676, Makers' Mark O. S. with Trefoil below. 5½ Inches High.
Attributed works:
[Brandt Dayton, 1000 Park Avenue, New York, New York] Charles-Francois Daubigny (Paris, 1817-1878). Le Carrefour du Nid de l'Aigle dans la Forêt de Fontainebleau. Oil on Canvas. 90 × 116 cm. Signed l.l.: "C Daubigny"
Attributed works:
[Browse & Darby, 19 Cork Street, London, UK] Zagi, Oil on Canvas, 58.7 × 41.5 Inches.
Attributed works:
[Bruton Gallery, Bruton, Somerset] Rodin "L'aube". Bronze 9½ ins.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Jean-Bapt. Claude Odiot 1763-1850. Silver-gilt inkstand, Paris 1812 40 x 37 x 24. When opened the inkstand reveals a medallion portrait of Letizia Ramolino Bonaparte, the mother of Napoleon, for whom it was made and later given by her to her son King Joseph. Marks: Parai hall-mark (rooster walking towards right with the number 1 on bottom right enclosed in an octagon) and mark of the first moyenne garantie (helmeted female profile looking towards the right) for 1809-19. The maker's name appears once in its complete for (J. Bte Cde Odiot) and once in initials (JBCO around a shield within a diamond) (S. Grandjean L'orfevrerie du XIXe Siecle en Europe. Paris. 1962. 142 and 144-451).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Vincenzo de' Rossi. Florence 1527-after 1587. Project for a Fountain Surmounted by a Statuette of Hercules and Cerberus. Black Chalk 452×361
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[European Fine Arts, 6 Lower Merion Street, London, UK] Isaac Willaerts ca. 1620 Utrecht 1693. "Ships in a Stormy Sea near the Coast" Signed. Oil on Panel, 24 × 46.4cm. Prov. from a Swedish Collection; Bears Collector's Seal on the Reverse.
Attributed works:
[French & Company, Inc., 17 East 65th Street, New York] Dirck Hals (1591-1656). Elegant Figures Feasting in an Arbour. Signed with Monogram. Panel, 19 3/4 × 28 in.
Attributed works:
[Garrard The Crown Jewellers, 112 Regent Street, London, UK] Paris 1786. Gold with Miniature. Oil Paintings under Glass. By Granchez au "Petit Dunkerque". Paris 1762. Gold, by Jean Charles Gordierè, with Miniatures by van Blarenberghe. French Cirea 1810. Gold with Enamel Baptismal Scene. By Adrien-Jean-Maximilien Vachette. Dresden Cirea 1750. Lacquer and Tinted Mother-of-Pearl with Gold Mount. Paris 1757. Gold and Enamel by Mathieu Coiny. Royal Presentation Given by Marie Theresa, Empress of Austria to the Mother of Hume Caldwell.
Attributed works:
[Harari & Johns Ltd., 173 New Bond Street, London, UK] Nicolas Bertin (1668-1736). Moses and The Daughters of Jethro. On Panel, 49 × 71 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean-François Millet 1814-1875. Meunier chargeant un sac de blé sur son âne. Black Chalk, 22.8 × 17 cm. Signed with Initials
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] The Encounter of Rebecca and Eliezer at the Well by Santi di Tito (Borgo San Sepolcro 1536 - Florence 1603), Oil on Canvas: 331 × 239 cm.
Attributed works:
[Henry Willis Antique Silver, 4 Grosvenor Street, London, UK] William III Casket by William Fleming. London. c. 1700. 34oz Makers Mark Only.
Attributed works:
[J. O. Leegenhoek, 23 Quai Voltaire, Paris, France] Important Work by Henry Met de Bles, Known as "Civetta". Signed with the Owl in the Rocks on the Left. Wood. 57 × 83.5 cms.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] 1759 Pierre-Joseph Redouté 1841. Watercolour on Vellum. 19.2 × 16.5 cms. Signed & Dated 1821
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] David Teniers the Younger (Antwerp 1610 - 1690 Brussels). 'The Fortune Teller' Signed with Initials. On Panel. 7 × 11½ Inches
Attributed works:
[Kate de Rothschild at Morton Morris & Co Ltd, 32 Bury Street, London] Giuseppe Cesare, Cavaliere d'Arpino. Study of a Seated Angel
Attributed works:
[Lefevre, 30 Bruton Street, London, UK] Jean-Baptiste-Camille Corot. "Ville d'Avray, le Chemin de Corot" Ca. 1840-45. Oil on Canvas, Signed 25 5/8 x 35 1/8 in (65cm × 90cm)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Reclining Figure: Single Leg, 1976-77, Black Granite, Length 73in/185cm Unique.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Fra Filippo Lippi-Florence 1406-1469. St John the Baptist. 16 × 4 ins. Virgin and Child. 16½ × 10¼ ins. St George or St Ansanus. 16 × 4½ ins. Lent by the Fitzwilliam Museum, Cambridge.
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] William Hogarth. 1697-London-1764. Canvas, 47½ × 59½ Inches. Signed and Dated 1733
Attributed works:
[Phillips, 7 Blenheim Street, London, UK] Attributed to Eugène Delacroix. "The Fruit Sellers". Signed, Pastels. 21 × 30.5 cm
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Sébastien Bourdon. "Crucifixion of St. Peter", 1643 (Modello of First Idea for "May" of 1643, Notre-Dame, Paris). Oil on Canvas, 81.3 × 62.2 cm.
Attributed works:
[Royal Academy of Arts, London] Detail from Large Landscape, by Piet Mondriaan. (Gemeentemuseum, The Hague; Exh. Royal Academy).
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Dufy. "Le bal du Moulin de la Galette". Panel. H. 65 cm - W. 81 cm. Signed at the Bottom Left and Annotated "d'après Renoir". Painted in 1941.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Joachim Wtewael, Mars and Venus, on Copper, 20.2 by 15.4 cm.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Edmond Aman-Jean (1860-1935). Two Women, Circa 1910. Pencil and Brush. 18⅝ × 12 Inches (47.5 × 30.5 cm). Stamped Lower Right
Attributed works:
[Wheelock, Whitney & Company, 123 East 62nd Street, New York, New York] Henri Lehmann (1814-1882). Le triomphe de l'Amour 1862. Oil and Gold Leaf on Panel. 51.8 × 72.8 cm
Non-western art unattributed:
[Eskenazi Oriental Art, 166 Piccadilly, London, UK] Blue and White Porcelain Bowl. Diameter: 19.3cm. Yongle, 1403-1424
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Baham Beaded Wood Throne, Kuo-Koko, Cameroon, Height 119 cm, Diameter 59 cm. Estimate £25,000-35,000. On Loan to the Museé d'Ethnographie, Genève, 1977-1982.
Western art unattributed:
[Artemis Fine Arts, 6a Mason's Yard, London, UK] School of Fontainebleau ("Juste de Juste"). Six Acrobats Etching, 268 × 205 mm.
Western art unattributed:
[Eyre & Hobhouse, 39 Duke Street, London, UK] Botanical Drawings from Europe and Asia 1650-1850
Western art unattributed:
[Jean Lupu, 43 rue de Faubourg, Paris, France] Bibliothèque en Marqueterie Boulle Époque Louis XIV. Marqueterie de cuivre et écaille brune, incrustations d'ivoire et nacre.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan, Italy] Polychrome Wooden Sculpture Verso "Saint Francis Receives the Stigmata" Recto "Architectural Perspective of a Church" Umbria, Early 15th Century Size: 50 cm. Deep
Western art unattributed:
[Uranienborg Kunst, Norrebrogade 168, 2200 Copenhagen N, Denmark] An Aladdin's Cave. One of Seven Rooms in the Uranienborg Kunst Gallery
Advertisements
Advertisements March 1982 (Front)
03/1982 | 948 | 124
Pages: i-xxviii
Subjects
subjects:
Illustrations
Attributed works:
[ Andrew Smithson, 6-8 Old Bond Street, London ] "Massacre of the Innocents" by Antonio Domenico Gabbiani (1652-1726)
Attributed works:
[ APT Arpaint Limited, 45 Pimlico Road, London ] Jean-Louis Prevost le Jeune "Still Life". Oil on Canvas, 81 × 65 cm. Signed and Dated 1787
Attributed works:
[ Baskett & Day, 173 New Bond Street, London ] Louis Ami Arlaud-Jurine (Geneva 1751 - Geneva 1829). Portrait of Suzanna Arlaud, née Jurine Seated, in a Park, Pen and Grey Ink and Watercolour, 200 × 165 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Adam Pyrnacker. Rocks at a Brook. Grey Brush over Black Chalk. 170 × 237 mm.
Attributed works:
[ Christie's, 8 King Street, St James's, London ] John Paterson: The Entrance Front, Barmoor Castle, Northumberland, 1801, signed and inscribed, pen and black ink, grey, green and pink wash, one in an album of ten designs for additions and alterations, the album 27.3 cm. by 42 cm. overall.
Attributed works:
[ Christie's, 8 King Street, St James's, London ]Thomas Paty or Circle: Design for a Drawing Room - A Fireplace and Overmantel flanked by rocaille frames and sofas, pen and black ink, brown and grey wash, 34.4 cm. by 48 cm. One of ten drawings relating to Thomas Stocking, Thomas Paty and the Royal Fort, Bristol, 1760.
Attributed works:
[ Christopher Wood Gallery, 15 Motcomb Street, London ] John Da Costa. Signed, canvas 68 × 39 inches. Miss Vera Butler. Painted in the U. S. A. Circa 1912. Ex: John Da Costa Exhibition, Leighton House London 1974.
Attributed works:
[ Christopher Wood Gallery, 15 Motcomb Street, London ] Richard Doyle. Derby Day. Pencil and Grey Wash 7 × 10 Inches.
Attributed works:
[ Christopher Wood Gallery, 15 Motcomb Street, London ] Robert Anning Bell, R. A. Signed Canvas, 35½ × 19 Inches. Portrait of a Woman.
Attributed works:
[ Christopher Wood Gallery, 15 Motcomb Street, London ] Sir John E. Millais, Bt. P. R. A. Sophie Gray, the Artists sister-in-law signed with monogram and dated 1854 pencil, brush and brown wash with touches of watercolour 8⅞ × 7 inches. Prov: The Millais Family to 1967.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Sir Augustus Callcott, R. A. 1779-1844. Dead Calm: Boats off Cowes Castle. Signed with Initials. Canvas. 151 × 246 cm.
Attributed works:
[ Cover ] Detail from Girl with a Teacup, by Harold Gilman. (Private Collection; Exh. Royal Academy).
Attributed works:
[ Crane Kalman Gallery, 178 Brompton Road, London ] Christopher Wood "Boat in Harbour, Dieppe". Oil on Canvas 1929. 25½ +31¾ ins.
Attributed works:
[ Ebury Gallery, 89 Ebury Street, London ] Martin Battersby 'Butterfly Mask'. Pencil and Acrylic on Paper 17″ × 12″
Attributed works:
[ European Fine Arts, 6 Lower Merrion Street, Dublin ] Tobias Verhaecht (1561 Antwerp 1631). "Mountainous Landscape with Travellers in the Foreground" Monogrammed and Dated 1626. Oil on Canvas, 76 × 115.2 cm
Attributed works:
[ Fischer Fine Art Limited, 30 King Street, St James's, London ] William Butterfield, Design for a Lectern - St. Augustine's, South Kensington, 1873. Black Ink and Watercolour 15½ x 9⅞ ins
Attributed works:
[ Galerie Art Mel, 63 rue du Faubourg St. Honoré, Paris ] Raoul Dufy. Régates à Sainte-Adresse (Le Havre). Gouache-54 × 65 cm
Attributed works:
[ Galerie de La Scala, 68 rue La Boetie, Paris ] Lagrenee Louis-Jean-François, the Elder "Venus and Love" (1725-1805)
Attributed works:
[ Gallery Art & Antiques, Spalenberg 37, Basel ] Peter Monamy 1681-1749. Canvas, 46.5 × 71 cm
Attributed works:
[ Gallery P. de Boer, Herengracht 512, Amsterdam ] Ambrosius Bosschaert I A Flowery Past
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St James's, London / 15 Avenue Matignon, Paris ] Portrait of a Roman Beauty (Maria Virginia Borghese?) by Ferdinand Voet (Antwerp 1639 -? Paris 1700). Oil on Canvas; 73 × 59cm.
Attributed works:
[ Lawrence Fine Art of Crewkerne, South Street, Crewkerne, Somerset ] Van Schooten. A Still Life, Oil, 27 ins. (69) × 31 ins. (79)
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Paul Signac Le Port de St. Tropez, c. 1901, Oil on Canvas, 51½ × 63½ in./131 × 161.5 cm.
Attributed works:
[ Matthiesen, 7/8 Mason's Yard, Duke Street, St James's, London ] Girolamo Forabosco. Padua 1604/5 - Venice 1679. Angelica and Medoro. Canvas: 118.5 × 136cm
Attributed works:
[ Maurice Segoura, 58 East 79th Street, New York ] Hubert Robert (1733-1808). "Le Jet d'Eau". Oil on Canvas, 162 × 110 cm.
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] Giuseppe Cesari, il Cavaliere d'Arpino (Rome 1568-1640). Design for a Cardinal's Coat of Arms Red Chalk; 6¾ x 6½"; Inscribed del Cavalier Giuseppe and Numbered 63; Coll: Victor Winthrop Newman (L.2540).
Attributed works:
[ Neumeister, Barer Straße 37, Munich ] Abraham Roentgen (1711-1793). Cupboard Commode, Circa 1755. Oak with Walnut Veneer, Ivory and Fruitwood Inlays, with Burnished Bronze Mounts. 250 × 165 × 70 cm.
Attributed works:
[ Noortman Ltd, 8 Bury Street, St James's, London ] Abraham Bloemaert 1564-1651. Baptism of Christ. Canvas, 85 × 119 cm. Signed and Dated 1646
Attributed works:
[ Pawsey & Payne Limited, 4 Ryder St. St James's, London ] "Portrait of Bahiro Raghunath Mehendale" Diplomatic Agent of the Maratha Peshwa. Inscribed and Dated 1792 under the Relining. Oil on Canvas. 30 × 20½ Inches
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Joseph Mallord William Turner, R. A., Dunstaborough Castle, Watercolour, 35 cm × 48 cm.
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Henri Matisse, "Male Nude", Circa 1901-03, Oil on Canvas, 82.4 by 29.5 cm
Attributed works:
[ Schmit, 396 Rue St. Honoré, Paris ] "Le Jardin d'Essai à Alger" by Renoir. Canvas. H. 54.5 cm-W. 65 cm. Signed and Dated on the Lower Left (18)81.
Attributed works:
[ Simon Kaye Ltd, 1½ Albemarle Street, London ] A Very Fine George III Tea-Urn, 1808, by Paul Storr, 179 02.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Vincenzo de Rossi, Standing Hercules, Pen and Brown Ink, 427 by 289 mm.
Attributed works:
[ Spencer A. Samuels & Company Ltd, 13 East 76th Street, New York ] "Lady Hamilton as a Bacchante" by George Romney. Oil on Canvas, 50 × 40 Inches (127 × 101.5 cm.)
Attributed works:
[ Uranienborg Kunst, Norrebrogade 168, Copenhagen ] Degas, Danseuses Pastel, 18.5 by 13 Inches
Attributed works:
[ William Drummond, Covent Gallery Ltd, 20 Russell Street, London ] Daniel Maclise RA 1806 - 1870. The Juggler
Attributed works:
[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] Commode, Louis XV Period. Estampillé Delorme. Height 80 cm, Width 87 cm, Depth 60 cm. (Sale 14th March)
Attributed works:
[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] Lady's Secrétaire. Marquetry, with Veneer of Rosewood and Violetwood. Estampillé Migeon. Height 134 cm, Width 54 cm, Depth 34 cm. (Sale 14th March)
Attributed works:
[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] Painting, Oil on Canvas, by Philippe Budelot. Early 19th Century. 41 cm by 54.5 cm. (Sale 21st March)
Attributed works:
[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] Very Fine Cartel Clock. Ormolu Mounted, Decorated with Rocailles, Flowers and Parakeets. Movement by J. B. Baillon. Louis XV Period. (Sale 14th March). Young Women, Attributed to Falconet. White Marble. Height 51 cm. (Sale 14th March)
Non-western art unattributed:
[ 23rd Art and Antiques Fair of Switzerland, Basle ] Vishnu and Lakshmi Riding Garuda, Framed by Ařatars South Rajasthan, 14th Century Stone. Height 115 cm. La Vieille Fontaine, Lausanne Stand Nos. 9 & 25.
Non-western art unattributed:
[ John Keil, 154 Brompton Road, London ] An Exceptionally Fine and Rare Chinese Export Lacquer Bureau-Cabinet. Circa 1800. Height 6ft. 7in. Depth 1ft. 10in. Width 3ft.
Non-western art unattributed:
[ La Vieille Fontaine Antiquites S. A., 9 Cheneau-de-Bourg, Lausanne ] One of a Fine Collection of Japanese Screens - 380 by 165 cm.
Western art unattributed:
[ John Keil, 154 Brompton Road, London ] A pair of George III mahogany torcheres in the manner of Thomas Chippendale. Circa 1760. A less elaborate pair of identical form, supplied to Aske Hall by Thomas Chippendale, illustrated in "The Life and Work of Thomas Chippendale", by Christopher Gilbert. A George III serpentine mahogany commode of superb quality and colour in the manner of William Vile. Circa 1760. Provenance: Moccas Court A George III Chippendale period giltwood mirror. Circa 1770.
Western art unattributed:
[ Τ. Crowther & Son Limited, 282 North End Road, Fulham, London ] A Superb Pair of 18th Century Carrara Marble Lions. Base 4′0″ × 1′0″ × 2′10″ High.
Western art unattributed:
[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] French and Russian Boxes of the 18th and 19th Centuries
Western art unattributed:
[Me Marie-France Massart, 1 rue Mellet, L'Isle d' Adam, France] French, English and Russian Watches of the 17th, 18th and 19th Centuries