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11 articles
Article
The Italian Renaissance altarpiece
04/2022 | 1429 | 164
Pages: 380-385
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Mystic winepress, by Mainardi, called Il Chiaveghino. 1594. Oil on canvas, approx. 500 by 300 cm. (S. Agostino, Cremona; Bridgeman Images).
Attributed works:
2. Vision of St Thomas Aquinas, by Santi di Tito. 1593. Oil on panel. (S. Marco, Florence; Bridgeman Images).
Attributed works:
3. Marriage of the Virgin, by Rosso Fiorentino. 1538. Oil on panel, 325 by 250 cm. (S. Michele Visdomini, Florence; Bridgeman Images).
Attributed works:
4. Detail of Crucifixion, by Lorenzo Lotto. 1534. Oil on panel. (S. Maria della Pietà in Telusiano, Monte San Giusto, Macerata; Scala Archives).
Attributed works:
5. Madonna della Misericordia, by Fra Bartolommeo. 1515. Oil on panel, 407.5 by 262 cm. (Museo Nazionale di Villa Guinigi, Lucca; Bridgeman Images).
Article
‘The big Italian’: Giambologna and his model Bartolommeo di Lionardo Ginori
11/2018 | 1388 | 160
Pages: 912-919
related names
Author:
Avery, Charles (Avery, Charles)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).
Attributed works:
10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).
Attributed works:
5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).
Attributed works:
6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).
Attributed works:
7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).
Attributed works:
8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).
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Advertisements (front)
11/2018 | 1388 | 160
Pages: i–xxiv
Subjects
advertisements:
Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Galerie Neuse, Bremen, Germany / Stephen Ongpin Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Burzio, London, Great Britain / Brun Fine Art, London / Didier Aaron Ltd, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Christie's, London / Rijksmuseum, Amsterdam, Netherlands / British Museum, London, Great Britain / Holburne Museum, Bath, Great Britain / Château de Fontainebleau, Fontainebleau, France / Harvey Miller Publishers, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Brimo de Laroussilhe, Paris, France / Fine Arts Paris / F. Baulme Fine Arts, Paris, France / Galerie Berès, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Talabardon & Gautier, Paris, France / Galerie de la Présidence, Paris, France / Galerie Canesso, Paris, France / Irish Art Review / Burlington Magazine / John Sandoe Books, London, Great Britain / Sotheby's, London, Great Britain / Guildhall Art Gallery, London, Great Britain / Cambi Aste, Genova, Italy / Peter Finer (antique arms), London, Great Britain / The Art Newspaper, London, Great Britain / Minerva Magazine / Sculpture Journal, Liverpool, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Adam Bray, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Timothy Newbery (frames), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / The-saleroom.com / Chiswick Auctions, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm
subjects:
Article
Santi di Tito's studio: the contents of his house and workshop in 1603
05/2002 | 1190 | 144
Pages: 279-288
related names
Author:
Brooks, Julian (Brooks, Julian)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
15. The House of Santi di Tito, Designed by the Artist. c.1580. (Via delle Ruote 39, Florence).
Attributed works:
16. Last Supper, by Tiberio Titi. 1603. Panel, c.340 by 205 cm. (Cappella del SS. Sacramento, S. Marco, Florence).
Attributed works:
17. Deposition, by Tiberio Titi. 1603. 380 by 240 cm. (Museo Nazionale di S. Matteo, Pisa).
Attributed works:
18. Deposition, by Tiberio Titi. Pen and Brown Ink with Pale Brown Wash over Black Chalk, 21.8 by 17 cm. (Gabinetto Disegni e Stampe, Uffizi, Florence).
Attributed works:
19. Adoration of the Shepherds, by Tiberio Titi. Pen and Brown Ink with Pale Brown Wash over Red Chalk, 21.8 by 17.2 cm. (Gabinetto Disegni e Stampe, Uffizi, Florence).
Attributed works:
20. Miracle of the Loaves and Fishes, by Santi di Tito and Tiberio Titi. 1603. Panel, c.320 by 200 cm. (Private Collection, Florence).
Attributed works:
21. Birth of the Virgin, by Tiberio Titi. Black Chalk, 19 by 15.4 cm. (Gabinetto Nazionale delle Stampe, Rome).
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Advertisements September 2001(front)
09/2001 | 1182 | 143
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Detail Showing the Central Octagon of the Vault of the Stanza della Segnatura, by Giovanni Antonio Bazzi, Called Il Sodoma. After Eleaning. Fresco. (Vatican Palace)
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Charles-Antoine Coypel. Zephire and Flore - Vertumne and Pomona. 2 Colour Engravings in Crayon Manner with Gold from F. Bartolozzi after Ch.-A. Coypel Edited by A. Torre & Brothers. London 1776. Measures (Illustration): Each about 33.4 × 22.6 cm.
Attributed works:
[Bloomsbury Book Auctions, 3 & 4 Hardwick Street, London, UK] Fuchs, De Historia. Stirpium, 1542
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Ubaldo Gandolfi (1728 - 1781). Head of a Young Girl in Profile. Oil on Paper Laid Onto Canvas: 29.9 × 24.7 cm.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Nicolas Poussin (1594 - 1665). The Holy Family with St. John the Baptist. Oil on Canvas. 80 × 63 cm. 1627/28. Sir Denis Mahon Situates This Work within the Period 1627/28.
Attributed works:
[Galleria Moretti, Palazzo Niccolini, Piazza Ottaviani 17/r, Florence, Italy] Santi di Tito, Creazione di Eva, olio su tavola
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] The Master of the Twelve Apostles. Ferrara, Active ca. 1530 - 1542. Jacob and Rachel at the Well. Oil on Canvas, 98.5 × 137.5 cm.
Attributed works:
[Studio Novo, London and Rome] Pietro Berrettini Called da Cortona (Cortona 1596-Rome 1669). Noli me tangere. Oil on Canvas, 63 × 49 cm.
Attributed works:
[Venator & Hansten, Cacilienstrasse, 48, Cologne, Germany] J. Bayer. Uranometria, 1661. Print.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Three Singing Angels (North Italian, c.1500). Marble. Height: 32 cm. Width: 28 cm. Depth: 21 cm.
Article
Advertisements August 2001 (front)
08/2001 | 1181 | 143
Pages: i-iv
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Terrace at Sainte-Adresse, by Claude Monet. 1867. 98.1 by 129.9 cm. (Metropolitan Museum of Art, New York; Exh. Art Gallery of Western Australia, Perth).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Hans Wertinger c.1466-Landshut-1533. June. Oil and Gold on Panel: 22 × 39 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] A Clearing in a Wood with Peasants, by Isaac Van Oosten (Antwerp 1613-61). Oil on Copper, 27.5 × 40 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Banquet of the Gods, by Vittorio Maria Bigari (Bologna, 1692-1776). Oil on Canvas, 70 × 52 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] The Bacino di S. Marco Seen from the Piazzett, by Bernardo Canal, First Half of the 18th Century. Oil on Canvas, 61 × 99 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] The Young Bacchus, by Francesco Sossi. Carrara Marble, 205 × 60 cm.
Attributed works:
[Galleria Moretti, Palazzo Niccolini, Piazza Ottaviani 17/r, Florence, Italy] Santi di Tito, Creazione di Eva, olio su tavola
Non-western art unattributed:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Great Dignitary, Chinese, Ming Dynasty. Red and Black Wood Gilt with Lacquer, ht.76 cm.
Western art unattributed:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Console Table, Venetian, Eighteenth Century. Gilt with Lacquer.
Western art unattributed:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Money Box in the Form of a Palazzo, Lombard, Early Seventeenth Century. Walnut, 64 × 76 × 30.5 cm.
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Advertisements March 1996 (front)
03/1996 | 1116 | 138
Pages: i-xxxii
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Michelangelo Ricciolini Attributed. Mary with Elizabeth, Jesus and John. Pen Drawing in Brown with Wash in Ink. 22.8 × 17 cm
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Santi di Tito. Borgo Sansepolcro 1536? Firenze 1603. Oil on Canvas. 118h × 90.5 cms. "Il riposo dalla fuga in egitto"
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jan van Huysum (1682-1749). Study of a Vase of Flowers. Black and White Chalk on Blue Paper. 38 × 29 cm
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] An Important English Eight Day Bracket Clock in an Ebony Architectural Case, by Edward East. Circa 1665. Height: $18frac{3}{4}$″ (47.5cms)
Attributed works:
[ Bonhams, Montpelier Street, London ] An Important Bronze Figure of Hercules, by Antico. $13frac{5}{8}^{prime prime}$ (34.7cm) High
Attributed works:
[ Bonhams, Montpelier Street, London ] An Important Ivory Relief of a Lady and Her Daughter with a Whippet, by David Le Marchand. 7 ½″ (19cm) × 5″ (13cm)
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Simon Challe (Paris 1719 - 1765) White Marble Statue of the Virgin. Signed: challe 1764 - Inscribed: Virgo Virginum - Height: 73cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Jacob van Hulsdonck 1582 - Antwerp - 1647. An Elaborate Still Life. Oil on Panel: 72.5 × 103.5 cms. Monogrammed on Plate at Lower Right: IVH
Attributed works:
[ Cover ] Virgin and Child, by Jan Gossaert. Panel, 30.7 by 24.3 cm. (National Gallery, London)
Attributed works:
[ Daxer & Marschall, Wittelsbacherplatz 6, Munich ] Bernard Molitor (1755 Luxembourg - 1833 Fontainbleau). Card Table. Stamped: B. Molitor, ca. 1785 - 1788. Mahogany, Brass, Gilded Bronze; Height 75 cm, Diameter 107 cm.
Attributed works:
[ Galerie Neuse, Contrescarpe 14, Bremen ] Gerrit van Honthorst, The Love of the Painter is Returned by His Muse. Galerie Neuse. Stand no. 176
Attributed works:
[ Gallery kekko, 14 Prince Arthur Suite 105, Toronto / Castle Genoels -Elderen, Kasteelstraat 9, Riemst ] Guido Reni (1575 - 1642), Head of a Woman. Red and Black Chalk, 35.4 × 26.4 cm
Attributed works:
[ Hill-Stone, New York ] Johannes Lencker. Nuremberg 1523 - 1585. Study of Letters Seen in Perspective. Pen and Brown Ink with Pink Wash; Squared with a Stylus, Possibly for Transfer.
Attributed works:
[ Johnny Van Haeften, 13 Duke Street, St James, London ] Signed and Dated 1608. Paul Brill (Antwerp 1554 - 1626 Rome). Christ Healing the Possessed of Gerasa. Oil on Copper 10½ × 13¼in. 26.9 × 35.1 cm.
Attributed works:
[ Lawrence Steigrad Fine Arts, 42 East 76th Street, New York ] Pieter Claesz (Münster 1597 - Haarlem 1660). A Banketje. Signed with Monogram and Dated 1656, Oil on Panel $19frac{3}{4}$ × 27 in. (50 × 68.7 cm).
Attributed works:
[ Newhouse Galleries, Inc., 19 East 66th Street, New York ] Self-Portrait of the Artist in His Studio. By Gerard Dou (1613-1675); Oil on Panel; 59.1 × 43.2 cm. (23¼ × 17 ins.)
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Jacques Callot (1592-1635) Cap.Mala Gamba - Cap.Bellavita Etching. Lieure 393, First State of Two from the Balli di Sfessania
Attributed works:
[ Richard Green, 33 New Bond Street, London / 44 Dover Street, London / 39 Dover Street, London / 4 New Bond Street, London ] Salomon van Ruysdael (Circa 1600/03-1670). A Wijdschip with Other Small Dutch Vessels. Signed with Initials. Panel: 16¼ × $20frac{3}{4}$ in / 41.5 × 53 cm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Pierre Subleyras, Male Nude (Study for a St. Jerome), Circa 1728-34. Oil on Canvas, 101 by 73.5 cm.
Attributed works:
[ Schlichte Bergen, P.C. Hoofstraat 53, Amsterdam ] François-Marius Granet, Aix-en-Provence 1775 - 1849. San Martino in Monte. Canvas, 47.5 × 59.5 cm. Painted 1802
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866) Vase of Small Chrysanthemums. Pen, Ink and Watercolour. Heightened with Gum Arabic. Signed and Dated 1862 Lower Left. 15,5 cm × 15 cm
Attributed works:
[ The Artemis Group, 15 Duke Street, St James, London / Succursale de Geneve, 11 Grand Rue, Geneve ] Rembrandt Harmensz. van Rijn 1606-1669. The Descent from the Cross by Torchlight 1654. Etching with Drypoint, 209 × 156 mm. Reference: Bartsch 83
Attributed works:
[ The European Fine Art Fair, Maastricht ] Abraham de Vries, A Double Portrait. Whitfield Fine Art. Stand no. 434
Attributed works:
[ The European Fine Art Fair, Maastricht ] Cornelis van der Voort, Portrait of a Gentleman (One of a Pair) Johnny van Haeften. Stand no. 418
Attributed works:
[ The European Fine Art Fair, Maastricht ] François Quesnel the Elder, Portrait of a Court Lady. Colnaghi. Stand no. 420
Attributed works:
[ The European Fine Art Fair, Maastricht ] Gerrit van Honthorst (1590-Utrecht-1656) "Pictura Is Painting a Likeness of the Artist" or the Allegory of "The Love of the Painter Is Returned by His Muse" Signed "G. Honthorst/1648"; Oil on Canvas, 138 × 113 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Jan Josef. van Goyen, An Extensive Landscape with a Wagon on a Track near a Farmhouse with Peasants Resting by a Pond. Newhouse Galleries. Stand no. 312
Attributed works:
[ The European Fine Art Fair, Maastricht ] Jan van Goyen, A Peasant Woman Milking Cattle near a River. Richard Green. Stand no. 316
Attributed works:
[ The European Fine Art Fair, Maastricht ] Pierre Roussel, One of a Pair of Louis XV Commodes. Galerie Perrin. Stand no. 265
Attributed works:
[ The European Fine Art Fair, Maastricht ] Prague School (Circle of Bartholomäus Spranger) The Four Evangelists. Piero Corsini. Stand no. 430
Attributed works:
[ The European Fine Art Fair, Maastricht ] Rembrandt Harmensz. van Rijn, Portrait of a Young Man. Otto Naumann. Stand no. 428
Attributed works:
[ The European Fine Art Fair, Maastricht ] Travelling Cabinet Veneered with Various Woods, Partly Stained, with Iron Mounts. Nuremberg, Circa 1600. Böhler. Stand no. 131
Attributed works:
[ The London Original Print Fair ] Jean Dubuffet Le Nez Carotte Lithograph 1961-62
Non-western art unattributed:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] Young Nubian Prince Gathering Dates. Scene from the Daily Life of Young Boys in Egypt. Quartzite. Nubian Kingdom, Meroitic Period. (Circa 540-350 B. C.). Height: 76.5 cm
Western art unattributed:
[ August Laube, Trittligasse 19, Zurich ] Apocalypse of Saint John. Blockbook Page Germany, around 1463. Woodcut. Schreiber IV. p. 164/165, leaf 27. Watermark: Gothic P, similar to Briquet 8597 (Luxembourg 1464). Coll. L. Ross in New York, 1944; A. Blum. Top: An Angel Announces the Hour of God's Judgement; Bottom: The Fall of Babylon. Printed in light brown. Coloured in orange, green, yellow, black-grey and brown.
Western art unattributed:
[ Brimo de Laroussilhe, 7 Quai Voltaire, Paris ] Joseph of Arimathea, Central Italian, c. 1230-1240. Wood with Remains of Polychromy, Height 142 cm. (Ex. Coll. A. Stoclet, Brussels)
Western art unattributed:
[ Jonathan Horne, 66c Kensington Church Street, London ] A Large Polychrome Baluster Jug. Height 15 ins (38 cms) c. 1350. Probably Essex
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Advertisements June 1989 (front)
06/1989 | 1035 | 131
Pages: i-lii
Subjects
advertisements:
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
Detail of Annunciation, by Philippe de Champaigne, after Cleaning and Restoration. 334.3 by 214.5cm. (Wallace Collection, London).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Amico Aspertini (1474-1552) A Cleric Holding a Scroll Panel 24½ × 19 ins.
Attributed works:
[Agnew's, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Joseph Wright of Derby Mrs Anne Hanway
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Francesco Zuccarelli (Pitigliano 1702-1788 Firenze) Lady with a Cat. Charcoal, Heightened with White, on Buff-Coloured Paper. 23 × 18 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London, UK and 725 Fifth Avenue, New york, New York. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A William and Mary Ebonised Pull Quarter Repeating Timepiece with Alarm by George Halsey, London. Circa 1690. Height 15 Inches.
Attributed works:
[Brand Inglis Limited, 9 Halkin Arcade, Motcomb Street, London, UK] A pair of George I trencher salts of Extremely Heavy Quality. They are Oblong with Cut Corners and Slightly Concave Sides and Are Each Engraved with an Identical Contemporary Crest.
Attributed works:
[Browse & Darby, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Edgar Degas Cheval en Marche. Bronze, Marked Degas Numbered 10/N and Stamped AA Hebrard, cire perdue. Height: 8 1/8 ins (21.3 cms). Original Wax Executed Circa 1880, Cast between 1919 and 1922
Attributed works:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Liebermann-Fontane, TH, Effi Briest. Officina Serpentis for Munich, Maximilian Gesellschaft, 1926. 4to. With 21 orig. Lithographs by Max Liebermann (1 Signed). Orig. Vellum with Gilt Stamped Decoration by Marcus Behmer. One of the 325 De luxe Copies.
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London, UK] Jacob Pynas (Haarlem (?) c. 1585-Delft 1648) Moses and Aaron Oil on copper, 40 × 50 cm. Provenance: Lord Northwick
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London, UK] Jan de Bray Portrait of a Girl Canvas, Laid on Panel, 40.5 × 31.5 cm. Jan de Bray Portrait of a Girl Canvas, Laid on Panel, 40.5 × 31.5 cm.
Attributed works:
[Christopher Mendez, 59 Jermyn Street, London, UK] Jean Mignon. fl. 1537-1552 The Complete Set of 14 Herms, Published by Ciartres Etchings, Zerner 9-22
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giovan Antonio Burrini 1656-Bologna-1727 Fabio Albergati Received by Philip II of Spain Who Has Given Orders That His Portrait Be Painted In Secret Canvas: 104 × 68 ins. (264.1 × 172.8 cms.)
Attributed works:
[Daniel Katz Ltd, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Phillipe Mercier (1689-1760) Portrait of Cosmo George, 3rd Duke of Gordon Signed Lower Right and Inscribed Lower Left: Cosmo George. 1 Duke of Gordon/AEtat 25. Oil on Canvas 49¼ × 40 in 125 × 100 cms
Attributed works:
[David Jones, 109 rue Cardinet, Paris, France] Francesco Guardi, 1712-1793 A Quay Animated with Figure Studies. Pen and Grey Ink 112 × 285mm
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Gabriel Gresley (1712 Paris-Besançon 1756) 'A trompe l'œil of Playing Cards, Letters and Sketches on a Wood Wall' Canvas, 76.2 × 99 cm.
Attributed works:
[De Havilland Ltd., 48 Sloane Street, London, UK] George III Brass Eight-Day Chiming Clock with Paste Bezel by Paul Rimbault. Signed on Back Plate 'Paul Rimbault Denmark Street Soho London' Circa 1775
Attributed works:
[des Lyons-Samson, 9 rue de Beaune, Paris, France] Fernand Pinal - 1881-1958 Le printemps à Pavant (Aisne) H. S. T. 0,54 × 0,65 - S. B. G.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Jean Francois Raffaelli (1850-1924) 'Les Figurantz de Paris Watercolour and Bodycolour: 34 × 57 cm Signed with a Monogram
Attributed works:
[Douwes Fine Art, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Gaspar Van Den Hoecke (ca.1575 - Antwerp - After 1648) on Panel: 52,4 × 43,3 cm
Attributed works:
[Drouot Montaigne, 15 Avenue Montaigne, Paris, France] Auguste Renoir Pastel 45 by 60 cm Signed Lower Right
Attributed works:
[Entwistle, 37 Old Bond Street, London, UK] Leon Spilliaert Self-Portrait Circa 1903
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] Henri Alexandre Georges Regnault (1843-1871) A Gondolier 15¼ × 10 3/4 Inches (38.8 × 27.3 cm.) Watercolour on Paper.
Attributed works:
[Galeria Gilli, Via Gesu 17, Milan, Italy] Donato Creti (Cremona 1671-Bologna 1749) Lute Player Coloured Crayon, Traces of Red Chalk; 725 × 555.
Attributed works:
[Galerie Cailleux, 136 Faubourg Saint Honore, Paris, France] C. Van Loo, Agar et Abraham, Huile sur toile, 479 mm × 392 mm, Cat. M. C. Sahut, 1977, No. 145.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Images of a Van der Meulen sketch and an Intéieur Autrici
Attributed works:
[Galerie de la Scala, 68 rue La Boetie, Paris, France] Hughes Taraval (1729-1785) Hercule enfante étouffant des serpents Crayon noir, sanguine, plume, 52 × 36 cm. Etu de préparatoire pour le tableau du Louvre de 1785, commandé pour le Roi Louis XVI à l'artiste.
Attributed works:
[Galerie du Bayser, 69 rue Sainte-Anne, Paris, France] Th. Chasseriau Desdemona (La Romance du Saule) Pen & Wash, Corrected by White 113/4 x 81 11/16 ins. (The Ian Woodner Family Collection)
Attributed works:
[Galerie du Stoel, 6 rue Royale, Paris, France] Louis Nicolas de Lespinasse (1734-1808) Panorama de la rade de Toulon (Détail) Aquarelle 43 × 65 cms
Attributed works:
[Guy Monegier du Sorbier, 18 rue de Beaune, Paris, France] François Marius Granet - 1775-1849 - H. S. P. 39 × 45 - S. B. D.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Charles Gleyre 1806-1874. Tête de jeune fille Black, White and Red Chalks on Bluish Paper, 45 × 30.7 cm.
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Jean-Pierre-Antoine Tassaert (Antwerp 1727-Berlin 1788) Louis XV as the Pythian Apollo Marble, 105cm. High. (Article in Print for the Festschrift of Prof. Dr. Henning Bock, Director of Sculpture Dept., Berlin Dahlem Museum)
Attributed works:
[J & M Duputel, 20 rue de Beaune, Paris, France] H. Le Sidaner - 1862-1939 "A Madame Emond, Hommage Respectueux. Henri Le Sidaner - 1889" 73 × 54 - S. H. G.
Attributed works:
[Jean Williams Master Drawings, rue Ernest Allard, Brussels, Belgium] Jean-Honoré Fragonard, Grasse 1732-1806, Paris, Black Chalk 180 × 229 mm Fragonard's Garden at Charenton
Attributed works:
[Jean-Max Cassel, 15 quai Voltaire, Paris, UK] Laurent Pecheux (Lyon 1729-Turin 1821). 'La Continence de Scipion' Huile sur toile H. 0,99; L. 1,353 cm/H.39; L. 53¼ in. No 21 de l'Inventaire de 1804 Executé vers 1765
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York, New York] Adolph von Menzel, Studies of Three Men, 1892 Graphite on Paper, 5 1/8 x 8 1/16 in. Signed Lower Right
Attributed works:
[Kate de Rothschild and Yvonne Tan Bunzl. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Fine Chinese Huang Huali Two-Door Book Cabinet, 17th/18th Century.Giovanni Paolo Panini (1691/2-1765) A Perspectival Study of a Star on a Plinth Surrounded by a Circular Balustrade. Pen and Brown Ink and Red Wash over Black Chalk. Signed and Dated 1709. 495 × 366 mm
Attributed works:
[Kate de Rothschild. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Santi di Tito 1536-1603. The Holy Family with the Infant St. John
Attributed works:
[Kate Ganz Ltd., 49 Maddox Street, London, UK. Exh. Douwes Fine Art, 38 Duke St., London, UK] G. B. Piranesi, a Standing Man, Pen, Brown Ink & Wash, 1765
Attributed works:
[Maas Gallery, 15 a Clifford Street, New Bond Street, London, UK] Dante Gabriel Rossetti, Fanny Cornforth, Pencil, 5½ × 4 1/8 in
Attributed works:
[Marc Villette, 12 rue de l'Abbaye, Paris, France] Louis Belanger (Paris 1736-Stockholm 1816) Paysage italien Aquarelle gouachée, signée et datée en bas à droite, 28 × 45 cm
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Further and Better Particulars, 1989. Oil on Canvas 54 1/8 × 72 in./137.5 × 182.9 cm.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Pierre Henri De Valenciennes Toulouse 1750-Paris 1819. Ideal Classical Landscape with Washerwomen around a Fountain. Canvas 100 × 140 cms. Signed and Dated at the Lower Right. P. H. Valenciennes, 1807
Attributed works:
[Michael Simpson Ltd., 11 Savile Row, London, UK] Fernand Toussaint (Born 1873). Woman Reclining on a Couch. Panel: 24 cm × 33 cm. Signed Lower Right
Attributed works:
[Newhouse Galleries, 19 East 66th Street, New York, New York] Bartolommeo Passarotti (1529-1592). Portrait of a Gentleman Oil on Canvas 41 × 35 5/8 in.; 104 × 90.5 cm.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jan Erasmus Quellinus (1634-1715) The Marriage at Cana, c. 1680. Pen and Black Ink, Red Chalk, Brown Grey and Beige Washed with White and Blue Heightening. 45.5 by 60 cms. Inscribed 'Quellinus Fect.
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Gabriel-Jacques de Saint-Aubin (1724-1780) French School The Harp Lesson Brown Wash over Black Chalk. H. 15,4 cm; L. 19,1 cm. Collector Mark of Marquis de Vallori (L.2500) Bottom Right.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Rombout van Troyen, (1605?-1650), "The Siege of Troy", Signed and Dated 1652, Oil on Canvas, 99cm × 126cm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Tsuguharo Foujita, "Femme aux Mimomas," Signed and Inscribed "Paris 1951," Oil on Canvas, 19cm × 24 cm. Estimate: £200,000-£300,000.
Attributed works:
[Richard Green, london. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Pieter de Hooch (1629-1684). A Couple Playing Music and a Maidservant Pouring Wine. Signed. Canvas: 22½ × 25 3/4 in/57 × 65.5 cm
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] John Martin, The Assuaging of the Waters, 1840 Oil on Canvas, 56½ by 86¼ Inches (143.5 by 218 cm) Signed, Lower Right: "J. Martin 1840"
Attributed works:
[Roy Miles Fine Paintings Limited, 29 Bruton Street, London, UK] Sergei Chepik, Mixed Media on Canvas. The Madhouse. 62″ × 68″
Attributed works:
[S. J. Philips, London. [Richard Green, london. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] XVIth Century German Silver Gilt Figure of a Turkey with a Cowrie Shell Body by Joachim Hiller, Breslau c. 1590. Height: 5½″. Formerly in the Collection of Max von Goldschmidt Rothschild.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Fernand Khnopff, L'Encens, Signed with the Monogram, Signed and Dated 1898, Oil on Canvas, in the Artist's Original Frame, 86 by 50cm ($33frac{3}{4}$ by 19½ in). Estimate: £500,000-700,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Giovanni Battista Tiepolo, The Madonna of the Rosary, Oil on Canvas, 236 by 152cm, (93 by 59 3/4 in). Signed and Dated Joa. Batta Tiepolus. F./1735. Estimate: £750,000-1,250,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Pierre Peyron (1744-1814), The Death of Alcestes or the Heroism of the Conjugal Love, Signed and Dated in the Low Left Corner, P. Peyron. Pinxit/1794, 96.5 by 97 cm (38 by 38¼ in). Estimate: FF 1,000,000-1,500,000 (£100,000-150,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Caspar David Friedrich, A Waterfall in a Pine Forest, Oil on Canvas, 44.5 by 35cm (17½ by 13 3/4 in). Estimate: £700,000-1,000,000.
Attributed works:
[Spencer A. Samuels Gallery, 39 East 72nd Street, New York, New York] Jean Robert Ango (?-ca. 1773, Rome) The Creation of the World (After Michelangelo) Sanguine 7 3/4 × 16 Inches (200 × 410 mm)
Attributed works:
[Spink & Son, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Francis Barlow 1626-1702 A Group of Spaniels Playing with Monkeys on a Terrace with a Classical Landscape beyond Signed and Dated 1661 103 × 132 cms (40½ × 52 ins)
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Aureliano Milani (Bologna 1675 - Rome 1749) Vulcan Forging the Arms of Achilles Pen and Brown Ink over Traces of Pencil. 31 by 41.5 cms. Dateable c. 1730.
Attributed works:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK] Dutch Delft Oval Dish Decorated in Blue in Chinese Style. Marked AK Monogram (Adrian Koex). End 17th Century. 53 × 42 cm.
Attributed works:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK]A Fine 'Newcastle' Engraved Armorial Wine Goblet with the Arms of William IV of Orange, Surrounded by the Arms of the Seven Provinces of the Netherlands. c.1750. Attributed to Jacob Sang. 19.5 cm High.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Giovanni Balducci, Called Il Cosci (Florence 1560-after 1631 Naples) The Last Supper Inscribed on the Album Page, Verso, with an Attribution to Naldini Pen and Brown Ink over Black Chalk, with Gouache on Blue Paper 9¼ × 14 5/8 Inches (235 × 373 mm)
Attributed works:
[Walpole Gallery, 38 Dover Street, London, UK] Pietro Paolo Bonzi, Called Il Gobbo Dei Carracci. Active First Quarter Seventeenth Century in Rome. Landscape with Diana and Endymion. Oil on Canvas: 31.8 × 50.8 cms.
Non-western art unattributed:
[Bernheimer Fine Arts, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK]One of a Pair of Very Fine Arita Plates. Japan, Genroku (1688-1703). Diameter: 53 cm.
Non-western art unattributed:
[S. Marchant & Son, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Fine Chinese Huang Huali Two-Door Book Cabinet, 17th/18th Century.
Non-western art unattributed:
[The International Ceramics Fair and Seminar, The Park Lane Hotel, London, UK] Chinese 16th-Century Blue and White Meiping. Chinese Double Gourd Blue and White Vase, Circa 1650. Chinese Qianlong Mark and Period Underglaze Blue and Copper Red Dragon Dish, Circa 1750.
Western art unattributed:
[Didier Aaron, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Suite of Furniture from the Château de Fontainbleau by Jacob Desmalter, Acajou Flammé, Mounted in Ormolu. French Empire.
Western art unattributed:
[Heribert Tenschert Antiquariat, D-8399, Rotthalmunster, Germany] Unique 15th Century Binding with 2 Large Embroidered Inlays from Our Catalogue XIX (No.3): 'Fine Bindings 15th to 20th Centuries'
Western art unattributed:
[Ronald A. Lee, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] An 18th-Century Chelsea Porcelain Group Taken from the François Boucher Engraving Le Mérite de tout Pais, 1742. It Is the Only Colour Decorated Example Recorded and Joins a White Group in the Museum of Fine Arts, Boston. Despite Some Damage It Is of Prime Importance. Raised Red Anchor Mark. Circa 1750. Height 9 ins.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Mosan Champlevé Enamel Plaque of the Sacrifice of Cain and Abel, Mid-12th Century, 10 by 10.1cm. Estimate on Request.
Advertisements
Advertisements December 1983 (Front)
12/1983 | 969 | 125
Pages: i-xii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
[Bull and Bush Gallery, 27 Bastionstr, Dusseldorf, Germany] Aert de Gelder. (Dordrecht, 26th October 1645-28th August 1727. Pupil of Hoogstraten and Rembrandt). Sarah Urging Abraham to banish Hagar, Oil on Canvas, 116 × 137 cm. Signed.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] George Stubbs A. R. A. (1724-1806). Trentham with William South up. Signed and Dated 1773. Panel: 32½ × 29½ Inches
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[Front Cover] Three Putti in Clouds, by François Boucher. 1759. (Nelson-Atkins Museum of Art, Kansas City, Missouri).
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Bawsey II, 1982, Watercolour, 26¼ × 20 7/8 in/66.7 × 53 cm.
Attributed works:
[Noortman & Brod, 1020 Madison Avenue, New York, New York] Hendrik Terbrugghen 1588-Deventer-Utrecht-1629. Boy Playing a Stringed Instrument and Singing. Canvas: 79.5 × 58 cm. Signed with Monogram
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Sacred Family. Santi di Tito (Florence c. 1536-1603). Oil on Panel, 115 × 94 cm. (45¼ × 37 in.)
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York, New York] Jan Swart van Groningen, "St. John the Baptist." Oil on Panel, 122 by 84 cm.
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Monet. "La Seine en aval de Rouen". Canvas. 40 × 58 cm. Signed on the Lower Right. Painted in 1872.
Attributed works:
[Sotheby & Co, 34 New Bond Street, London, UK] Gaetano Gandolfi, Christ and the Woman Taken in Adultery, Oil on Canvas, 94 by 112 cm.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69th Street, New York, New York] Martin Drolling (1752-1817). "La famille royale au temple" Signed and dated 1793 Ink and crayon on paper: 10 3/4 x 15 3/4 inches This scene shows Louis XVI parting with his family - Queen Marie-Antoinette, the Dauphine Princess Marie-Therese, and his sister Madame Elizabeth.
Western art unattributed:
[Galerie Nikolenko, 220 Boulevard Saint-Germain, Paris, France] Nativity. Cretan School 16th Century
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan, Italy] "Madonna with Infant Jesus". Wooden Sculpture with Original Gilding and Polychromy. Italian Art - Venetian School. XV Century. Measured Size: 65 cm × 44 cm × 108 cm Height
Advertisements
Advertisements June 1983 (Front)
06/1983 | 963 | 125
Pages: i-xxxii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
[A. D. C. Armitage, 2 Old Bond Street, London, UK] A Fine George IV Silver Inkstand by Philip Rundell, for Rundell, Bridge & Rundell, London 1822. Weight: 216ozs. The Seated Figures of Homer, Virgil and Milton are surmounted by Winged Victory.
Attributed works:
[Adolphe Stein at Douwes Fine Art, 38 Duke St., London, UK] Giovanni Antonio Guardi (1698-1760). Study of a Standing Male Nude. Red Chalk 421 × 287 mm
Attributed works:
[Armitage, 4 Davies Street, London, UK] A Fine Charles II Two Handled Porringer and Cover. London 1676, Makers' Mark O. S. with Trefoil below. 5½ Inches High.
Attributed works:
[Brandt Dayton, 1000 Park Avenue, New York, New York] Charles-Francois Daubigny (Paris, 1817-1878). Le Carrefour du Nid de l'Aigle dans la Forêt de Fontainebleau. Oil on Canvas. 90 × 116 cm. Signed l.l.: "C Daubigny"
Attributed works:
[Browse & Darby, 19 Cork Street, London, UK] Zagi, Oil on Canvas, 58.7 × 41.5 Inches.
Attributed works:
[Bruton Gallery, Bruton, Somerset] Rodin "L'aube". Bronze 9½ ins.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Jean-Bapt. Claude Odiot 1763-1850. Silver-gilt inkstand, Paris 1812 40 x 37 x 24. When opened the inkstand reveals a medallion portrait of Letizia Ramolino Bonaparte, the mother of Napoleon, for whom it was made and later given by her to her son King Joseph. Marks: Parai hall-mark (rooster walking towards right with the number 1 on bottom right enclosed in an octagon) and mark of the first moyenne garantie (helmeted female profile looking towards the right) for 1809-19. The maker's name appears once in its complete for (J. Bte Cde Odiot) and once in initials (JBCO around a shield within a diamond) (S. Grandjean L'orfevrerie du XIXe Siecle en Europe. Paris. 1962. 142 and 144-451).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Vincenzo de' Rossi. Florence 1527-after 1587. Project for a Fountain Surmounted by a Statuette of Hercules and Cerberus. Black Chalk 452×361
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[European Fine Arts, 6 Lower Merion Street, London, UK] Isaac Willaerts ca. 1620 Utrecht 1693. "Ships in a Stormy Sea near the Coast" Signed. Oil on Panel, 24 × 46.4cm. Prov. from a Swedish Collection; Bears Collector's Seal on the Reverse.
Attributed works:
[French & Company, Inc., 17 East 65th Street, New York] Dirck Hals (1591-1656). Elegant Figures Feasting in an Arbour. Signed with Monogram. Panel, 19 3/4 × 28 in.
Attributed works:
[Garrard The Crown Jewellers, 112 Regent Street, London, UK] Paris 1786. Gold with Miniature. Oil Paintings under Glass. By Granchez au "Petit Dunkerque". Paris 1762. Gold, by Jean Charles Gordierè, with Miniatures by van Blarenberghe. French Cirea 1810. Gold with Enamel Baptismal Scene. By Adrien-Jean-Maximilien Vachette. Dresden Cirea 1750. Lacquer and Tinted Mother-of-Pearl with Gold Mount. Paris 1757. Gold and Enamel by Mathieu Coiny. Royal Presentation Given by Marie Theresa, Empress of Austria to the Mother of Hume Caldwell.
Attributed works:
[Harari & Johns Ltd., 173 New Bond Street, London, UK] Nicolas Bertin (1668-1736). Moses and The Daughters of Jethro. On Panel, 49 × 71 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean-François Millet 1814-1875. Meunier chargeant un sac de blé sur son âne. Black Chalk, 22.8 × 17 cm. Signed with Initials
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] The Encounter of Rebecca and Eliezer at the Well by Santi di Tito (Borgo San Sepolcro 1536 - Florence 1603), Oil on Canvas: 331 × 239 cm.
Attributed works:
[Henry Willis Antique Silver, 4 Grosvenor Street, London, UK] William III Casket by William Fleming. London. c. 1700. 34oz Makers Mark Only.
Attributed works:
[J. O. Leegenhoek, 23 Quai Voltaire, Paris, France] Important Work by Henry Met de Bles, Known as "Civetta". Signed with the Owl in the Rocks on the Left. Wood. 57 × 83.5 cms.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] 1759 Pierre-Joseph Redouté 1841. Watercolour on Vellum. 19.2 × 16.5 cms. Signed & Dated 1821
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] David Teniers the Younger (Antwerp 1610 - 1690 Brussels). 'The Fortune Teller' Signed with Initials. On Panel. 7 × 11½ Inches
Attributed works:
[Kate de Rothschild at Morton Morris & Co Ltd, 32 Bury Street, London] Giuseppe Cesare, Cavaliere d'Arpino. Study of a Seated Angel
Attributed works:
[Lefevre, 30 Bruton Street, London, UK] Jean-Baptiste-Camille Corot. "Ville d'Avray, le Chemin de Corot" Ca. 1840-45. Oil on Canvas, Signed 25 5/8 x 35 1/8 in (65cm × 90cm)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Reclining Figure: Single Leg, 1976-77, Black Granite, Length 73in/185cm Unique.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Fra Filippo Lippi-Florence 1406-1469. St John the Baptist. 16 × 4 ins. Virgin and Child. 16½ × 10¼ ins. St George or St Ansanus. 16 × 4½ ins. Lent by the Fitzwilliam Museum, Cambridge.
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] William Hogarth. 1697-London-1764. Canvas, 47½ × 59½ Inches. Signed and Dated 1733
Attributed works:
[Phillips, 7 Blenheim Street, London, UK] Attributed to Eugène Delacroix. "The Fruit Sellers". Signed, Pastels. 21 × 30.5 cm
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Sébastien Bourdon. "Crucifixion of St. Peter", 1643 (Modello of First Idea for "May" of 1643, Notre-Dame, Paris). Oil on Canvas, 81.3 × 62.2 cm.
Attributed works:
[Royal Academy of Arts, London] Detail from Large Landscape, by Piet Mondriaan. (Gemeentemuseum, The Hague; Exh. Royal Academy).
Attributed works:
[Schmit, 396 Rue Saint-Honore, Paris, France] Dufy. "Le bal du Moulin de la Galette". Panel. H. 65 cm - W. 81 cm. Signed at the Bottom Left and Annotated "d'après Renoir". Painted in 1941.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Joachim Wtewael, Mars and Venus, on Copper, 20.2 by 15.4 cm.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Edmond Aman-Jean (1860-1935). Two Women, Circa 1910. Pencil and Brush. 18⅝ × 12 Inches (47.5 × 30.5 cm). Stamped Lower Right
Attributed works:
[Wheelock, Whitney & Company, 123 East 62nd Street, New York, New York] Henri Lehmann (1814-1882). Le triomphe de l'Amour 1862. Oil and Gold Leaf on Panel. 51.8 × 72.8 cm
Non-western art unattributed:
[Eskenazi Oriental Art, 166 Piccadilly, London, UK] Blue and White Porcelain Bowl. Diameter: 19.3cm. Yongle, 1403-1424
Non-western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Baham Beaded Wood Throne, Kuo-Koko, Cameroon, Height 119 cm, Diameter 59 cm. Estimate £25,000-35,000. On Loan to the Museé d'Ethnographie, Genève, 1977-1982.
Western art unattributed:
[Artemis Fine Arts, 6a Mason's Yard, London, UK] School of Fontainebleau ("Juste de Juste"). Six Acrobats Etching, 268 × 205 mm.
Western art unattributed:
[Eyre & Hobhouse, 39 Duke Street, London, UK] Botanical Drawings from Europe and Asia 1650-1850
Western art unattributed:
[Jean Lupu, 43 rue de Faubourg, Paris, France] Bibliothèque en Marqueterie Boulle Époque Louis XIV. Marqueterie de cuivre et écaille brune, incrustations d'ivoire et nacre.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan, Italy] Polychrome Wooden Sculpture Verso "Saint Francis Receives the Stigmata" Recto "Architectural Perspective of a Church" Umbria, Early 15th Century Size: 50 cm. Deep
Western art unattributed:
[Uranienborg Kunst, Norrebrogade 168, 2200 Copenhagen N, Denmark] An Aladdin's Cave. One of Seven Rooms in the Uranienborg Kunst Gallery
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