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19 articles
Article
Newly attributed drawings by Botticelli
04/2023 | 1441 | 165
Pages: 358-365
related names
Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
Illustrations
Attributed works:
1. Study for a standing man (St Sebastian), by Sandro Botticelli. c.1473–74. Metalpoint (silver?) and white gouache on ochre prepared paper, 18.4 by 9.3 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.12, showing the face of the third onlooker on the right.
Attributed works:
11. Head of a man in near profile looking left, here attributed to Sandro Botticelli. c.1468–70. Traces of black chalk, metalpoint (lead?) heightened with white and grey wash, on yellow-ochre prepared paper, 13.2 by 11 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
12. Adoration of the Magi, by Sandro Botticelli, showing the face of an onlooker. c.1470–75. Tempera and oil on poplar panel, 68 by 102 cm. (National Gallery of Art, Washington).
Attributed works:
13. Head of a veiled woman, by Fra Filippo Lippi. c.1452. Silverpoint and white gouache, retouched with pen and brown ink and red chalk, on ochre-prepared paper, 30 by 20.5 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
2. Study of two standing figures and a right hand, by Sandro Botticelli. c.1475. Silverpoint and white gouache on mauve-lilac prepared paper, 16.5 by 10 cm. (Palais des Beaux-Arts, Lille).
Attributed works:
3. Two partial studies of a profile, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellowochre prepared paper, 18.9 by 7.1 cm. (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
4. Detail of the Cestello Annunciation, by Sandro Botticelli, showing the face of the Archangel Gabriel. 1489. Tempera on panel, 150 by 156 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
5. Standing man turned to the right, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellow-ochre prepared paper, 18.9 by 7.1 cm. (recto of Fig.3). (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
6. Study for a standing draped figure turned to the left, by Sandro Botticelli. Metalpoint (lead?) and white gouache on ochre prepared paper, 18.3 by 8.3 cm. (© RMN-Grand Palais; Musée du Louvre; Stéphane Maréchalle).
Attributed works:
7. Virgin and Child with the young St John the Baptist, by Sandro Botticelli. c.1468–70. Tempera and gold on poplar panel, 90.7 by 67 cm. (Musée du Louvre, Paris; Tarker; Bridgeman Images).
Attributed works:
8. Head of a woman looking down to the left, here attributed to Sandro Botticelli. c.1468–70. Metalpoint (lead?) heightened with white and light grey wash on yellow-ochre prepared paper, 13.4 by 10.7 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
9. Detail of Fig.7, showing the face of the Virgin.
Article
A newly discovered figure study for Francesco Vanni’s ‘Return of the Holy Family from Egypt’
06/2021 | 1419 | 163
Pages: 503-507
related names
Author:
Kämpf, Tobias (Kämpf, Tobias)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. The return of the Holy Family from Egypt, by Francesco Vanni. 1598. Oil on canvas, 236 by 153 cm. (SS. Quirico e Giulitta, Siena; Lensini Foto).
Attributed works:
2. Draped standing young woman, here attributed to Francesco Vanni. 1598 or shortly before. Red chalk on paper, 21.2 by 11.1 cm. (Wallraf- Richartz-Museum, Cologne).
Attributed works:
3. The return of the Holy Family from Egypt, by Gaetano Vascellini. 1795. Etching after a drawing by Carlo Bozzolini. (From M. Lastri: L’Etruria pittrice, Florence 1795, II, pl.LXXX).
Attributed works:
4. The return of the Holy Family from Egypt, by Francesco Vanni. 1598 or shortly before. Black and red chalk with brown wash on paper, 26.9 by 18.1 cm. (Museum of Art and Archaeology, University of Missouri, Columbia MO).
Attributed works:
5. The return of the Holy Family from Egypt, by Francesco Vanni. 1598 or shortly before. Pen-and-ink on paper, 11.7 by 8.3 cm. (Galleria degli Uffizi, Florence).
Exhibition Review
A century of figurative British painting
05/2018 | 1382 | 160
Pages: 423-425
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
26. Black nude, by Francis Newton Souza. 1961. Canvas, 181.5 by 121 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
27. The deer park, by Michael Andrews. 1962. Oil on board, 214 by 244.5 cm. (Tate Britain, London; exh. Tate Britain, London).
Attributed works:
28. Reclining figure, by Dorothy Mead. c.1954. Canvas, 92 by 122 cm. (The Sarah Rose Collection; exh. Tate Britain, London).
Publication Received
Leonardo, Michelangelo, and the Art of the Figure
03/2016 | 1356 | 158
Pages: 211
related names
Reviewer:
Godfrey, Daniel (Godfrey, Daniel)
Subjects
subjects:
Exhibition Review
Contemporary round up
12/2015 | 1353 | 157
Pages: 869-870
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
56. A body made itself, by Moyra Flannigan. 2015 (Gimpel Fils, London)
Attributed works:
57. Prolepsis, by Gelitin. 2014 (Massimo de Carlo, London)
Attributed works:
58. David, by Frederick Kiesler. 1964-65 (Michael Werner Gallery, London)
Book Review
John Singer Sargent: Figures and Landscapes, 1908–1913/Complete Paintings, Volume VIII, R. Ormond and E. Kilmurray, eds., with research assistance from the late R.H. Finnegan
05/2015 | 1346 | 157
Pages: 352-354
related names
Reviewer:
Simpson, Marc (Simpson, Marc)
Subjects
dates:
Illustrations
Attributed works:
59. Nonchaloir (Repose), by John Singer Sargent (National Gallery of Art, Washington)
Article
A further drawing for Pietro da Cortona’s ‘Age of Bronze’
03/2011 | 1296 | 153
Pages: 168-171
related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
dates:
Illustrations
Attributed works:
41. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 35 by 25 cm. (Dulwich Picture Gallery, London).
Attributed works:
42. The Age of Bronze, by Pietro da Cortona. 1641. Fresco. (Sala della Stufa, Palazzo Pitti, Florence).
Attributed works:
43. Study for the Age of Iron, by Pietro da Cortona. 1641. Pen and ink and red chalk on paper, 18.7 by 19.4 cm. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
44. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink on paper, 28 by 20 cm. (Galleria degli Uffizi, Florence).
Attributed works:
45. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 33.3 by 26 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
46. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over red chalk on paper, 33.8 by 26.5 cm. (Collection Dr Arthur Feldmann, Brno, Czech Republic. Confiscated by the Gestapo on 15th March 1939. Restituted by the National Gallery in Prague to the Feldmann heirs).
Attributed works:
47. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk on paper, 23.3 by 17.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
48. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink and brown wash over black chalk on paper, 40.5 by 27 cm. (Metropolitan Museum of Art, New York).
Attributed works:
49. Figure study for the Age of Bronze, by Pietro da Cortona. 1641. Black chalk and white lead on paper, 34.8 by 23.1 cm. (Istituto Nazionale per la Grafica, Rome).
Western art unattributed:
50. The Age of Bronze, after Pietro da Cortona. Seventeenth century. Canvas, 81.9 by 65.4 cm. (Dulwich Picture Gallery, London).
Western art unattributed:
51. The Age of Bronze, after Pietro da Cortona. Seventeenth century. Canvas, 83.9 by 62.2 cm. (National Museum of Wales, Cardiff).
Article
Rubens’s lost ‘pocketbook’: some new thoughts
02/2010 | 1283 | 152
Pages: 94-98
related names
Author:
Jaffé, David (Jaffé, David)
Subjects
dates:
Illustrations
Attributed works:
31. Fols.64v and 65r of the Antwerp sketchbook, by Anthony van Dyck. Pen on paper, 20.6 by 32 cm. (Duke of Devonshire collection, Chatsworth).
Attributed works:
33. Fol.64r of the Antwerp sketchbook, by Anthony van Dyck. Pen on paper, 20.6 by 16 cm. (Duke of Devonshire collection, Chatsworth).
Attributed works:
34. Detail of Judgment of Paris, by Peter Paul Rubens. c.1597–99. Panel, 133.9 by 174.5 cm. (National Gallery, London).
Attributed works:
35. Detail of Judgment of Paris, by Peter Paul Rubens. c.1602. Copper, 34 by 45 cm. (Akademie der Bildenden Künste, Vienna).
Attributed works:
36. Detail of Duke Vincenzo Gonzaga and his family adoring the Holy Trinity, by Peter Paul Rubens. c.1604–05. Two canvases, each 185 by 462 cm. (Palazzo Ducale, Mantua).
Attributed works:
37. Detail of the Lamentation over the dead Christ, by Peter Paul Rubens. c.1601–02. Canvas, 180 by 136 cm. (Galleria Borghese, Rome).
Attributed works:
38. Detail of The return from war: Mars disarmed by Venus, by Jan Brueghel and Peter Paul Rubens. c.1613. Panel, 127.3 by 163.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
39. Detail of Crucifixion, by Pellegrino Tibaldi. 1587. Fresco. (Escorial, Spain).
Western art unattributed:
30. Boy with a goose. Roman copy of Hellenistic original. Marble, 85 cm. high. (Museo Palazzo Altemps, Rome).
Western art unattributed:
32. Boy boxer. Paduan, c.1500. Bronze, silver and enamel, 28.5 cm. high. (Kunsthistorisches Museum, Vienna).
Letter
Picasso and the sight-size technique
05/2009 | 1274 | 151
Pages: 321
related names
Author:
Uraneck, Joan (Uraneck, Joan)
Subjects
artists:
Letter
Picasso and the sight-size technique
05/2009 | 1274 | 151
Pages: 321
related names
Author:
Beer, Nicholas (Beer, Nicholas)
Subjects
artists:
subjects:
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