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4 articles
Article
A Valencian tin-glazed and lustred dish for the Duke of Burgundy
08/2024 | 1457 | 166
Pages: 764–780
related names
Author:
Kingwill, Susannah (Kingwill, Susannah)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
11. Dish with the arms of the Duke of Burgundy. Valencian, probably Manises workshop. 1404–29. Tin-glazed earthenware with lustre decoration, diameter 47.5 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
18. Fragment from the Arcade of the Tomb of John the Fearless and Margaret of Bavaria, by Jean de la Huerta. c.1443–55. Alabaster, 14 by 12.8 by 5.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Tile fragment from the Chartreuse de Champmol decorated with the lion of Flanders, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18 by 18 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
2. Detail of fol.188v of the Breviary of John the Fearless, showing the Burgundian duke (left) and duchesses’ (right) arms. Between 1413 and 1419. Illumination on parchment. (British Library, London, MS 2897).
Attributed works:
20. Tile fragment from the Chartreuse de Champmol decorated with the armorial bands of Burgundy, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18.5 by 13 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
4. Dish with the arms of the King of France (centre), the dauphin (top), Philip the Good (lower left) and Isabella of Portugal (lower right). Valencian, probably Manises workshop, c.1456–61. Tin-glazed earthenware decorated with cobalt and lustre glazes, dimensions unknown (formerly in the Rothschild Collection; © Christie’s, London).
Attributed works:
6. The Last Supper of Solsona, by Jaume Ferrer the Elder. 1400–33. Oil on panel, 115 by 327 cm. (Museo Diocesano Y Comarcal, Solsona; Getty Images).
Attributed works:
7. Detail of Fig.6, showing the foliage motifs on a lustred dish.
Attributed works:
8. The Portinari Altarpiece, by Hugo van der Goes. 1476–79. Oil on panel, central panel 253 by 304 cm., wings each 253 by 141 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
9. Detail of the central panel of Fig.8, showing the foliate design on the arbarello. (Bridgeman Images).
Western art unattributed:
1. Dish with the arms of the Duke of Burgundy. Valencian. 1404–29. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 38.1 cm. (Wallace Collection, London).
Western art unattributed:
10. Dish with the arms of René of Anjou. Valencian, probably Manises workshop. c.1450. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 47.6 cm. (British Museum, London).
Western art unattributed:
12. Hanap decorated with the emblems of John the Fearless. French. c.1405–19. Pounced and gilded silver, height 23.7 cm. (Badisches Landesmuseum, Karlsruhe; from R. Lightbown: Secular Goldsmiths’ Work in Medieval France: A History, London 1978, plate XXIV).
Western art unattributed:
13. Bowl with the arms of the duke of Burgundy engraved on its base. French, Dijon. Second half of 14th–first third of 15th century. Hammered silver with gilded silver cast decoration, diameter 16.8 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
14. Le Livre de Merveilles du Monde, fol.226. c.1410–12. Illumination on parchment, 42 by 29.8 cm. (Bibliotheque Nacional, Paris, MS Fr 2810 fol.226; Bridgeman Images).
Western art unattributed:
15. Le Livre de l’information des rois et princes, fol.81r. 1400–19. Illumination on parchment, 36 by 20.8 cm. (Bibliothèque Royale Belgique, Brussels, KRB MS 9475).
Western art unattributed:
16. Sculpted vault, Tour de Jean sans Peur. French. 1409–11. Stone. (Photograph the author).
Western art unattributed:
17. Comparison of the Wallace dish wreath (Fig.1) with the hops from Figs.14, 15, 13 and 16.
Western art unattributed:
3. Reverse of Fig.1. (Photograph the author).
Western art unattributed:
5. Dish with IHS monogram and floral pattern. Valencian, probably Manises workshop, 1430–60. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 46 cm. (Metropolitan Museum of Art, New York).
Article
The ‘Weston Altarpiece’ in the Museum of the Order of St John, Clerkenwell
02/2022 | 1427 | 164
Pages: 130-144
related names
Author:
West, Richard (West, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Holy Trinity, here identified as the inner left exterior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
11. Altarpiece of the Virgin (Strängnäs III) (opened), wings by Colyn de Coter. c.1500–20. Wood and oil on panel, c.125 by 490 cm. (Strängnäs Cathedral).
Attributed works:
12. St Barbara, by the Master of the View of St Gudula. c.1490–1500. Oil on panel. 147 by 64 cm. (St Dymphna’s Church, Geel).
Attributed works:
13. Infancy Altarpiece open, by the Master of the Rieden Altarpiece. c.1440. Wood and oil on panel, c.136 by 354 cm. (Württembergisches Landesmuseum, Stuttgart).
Attributed works:
14. Reconstruction of the Weston Altarpiece open. (Photograph the author).
Attributed works:
15. Reconstruction of the Weston Altarpiece closed. (Photograph the author).
Attributed works:
16. The Meeting at the Golden Gate, by a follower of Rogier van der Weyden. c.1480. Oil on panel. 71 by 33 cm. (Pinacoteca dell’Accademia dei Concordi, Rovigo).
Attributed works:
2. St John the Baptist, here identified as the outer right exterior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
3. Photograph of the panel in Fig.4. 1932. (The Museum of the Order of St John, London).
Attributed works:
4. Presentation of the Virgin in the Temple, here identified as the outer left interior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
5. Presentation of Christ in the Temple, here identified as the inner right interior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
6. Detail of Fig.5, showing the family arms of John Weston.
Attributed works:
7. Detail of Fig.5, showing the shield of office of John Weston.
Attributed works:
8. Detail of Fig.2, showing a heavily restored shield, here identified as the shield of office of John Weston.
Attributed works:
9. Edelheere Triptych, exterior wings, by a follower of Rogier van der Weyden. c.1443. Oil on panel, 99 by 47 cm. (St Peter’s church, Louvain).
Western art unattributed:
10. Altarpiece of the Passion of Christ (closed), by unknown Brabantine painter. c.1500–20. Oil on panel, c.140 by 490 cm. (Bro church, Uppland).
Western art unattributed:
17. Cast of original of a seal of John Weston. c.19th century. Wax and plaster, diameter 3.7 cm. (The Museum of the Order of St John, London).
Western art unattributed:
18. Detail from the tomb of John Tregonwell, showing the inscription. c.1565. (Milton Abbey Church). (Photograph the author).
Article
‘Fully armed in plate of war’: making the effigy of the Black Prince
11/2021 | 1424 | 163
Pages: 997-1009
related names
Author:
Barker, Jessica (Barker, Jessica)
Author:
Mcarthur, Graeme (Mcarthur, Graeme)
Author:
Pegues, Emily (Pegues, Emily)
Subjects
media:
Illustrations
Attributed works:
14. The soffit of the tester over the monument to the Black Prince. Late fourteenth century. 440 by 192 by 30 cm. Oak, polychromy and gilding. (© Fitzwilliam Museum, Cambridge).
Attributed works:
15. Detail from La vie du Prince Noir, by the Chandos Herald, showing the Black Prince venerating the Trinity. c.1385. Illumination on parchment, octavo 23.5 by 14 cm. (Senate House, London, MS 1, fol.1; reproduced with the permission of Senate House Library, University of London).
Attributed works:
8. The Black Prince’s funeral achievements, clockwise from top left: sword, helmet, gauntlets. (Photographs by kind permission of Canterbury Cathedral).
Attributed works:
9. Endoscopic view of the interior of the effigy from the bascinet toward the chest cavity and legs. (© Waygate Technologies). a. Join of interlocking teeth connecting the torso piece with the underside of the eventail at the throat; b. Iron interlocking pins at the inside of the chest; c. Tailbone bolt; d. Pin holding the legs together at the thigh; e. Hollow legs; and f. Iron interlocking pins.
Western art unattributed:
1. The tomb of the Black Prince in its setting in the Trinity Chapel, Canterbury Cathedral. (Photograph the authors).
Western art unattributed:
10. Badge of the Black Prince venerating the Trinity. c.1376. Lead, 10.3 by 7.9 cm. (British Museum, London; © The Trustees of the British Museum).
Western art unattributed:
11. Impression of the seal of the Black Prince, affixed to a charter dated 19th July 1362. Wax, diameter 5 cm. (The National Archives, London, E/30/1106; © Lloyd de Beer, reproduced by kind permission from The National Archives, Kew).
Western art unattributed:
12. Tomb of Edward III. c.1386. Gilded brass effigy, Purbeck marble tomb chest and oak tester. (Confessor’s Chapel, Westminster Abbey, London; © Dean and Chapter of Westminster).
Western art unattributed:
13. Detail of Fig.12, showing the face of Edward III. (© Dean and Chapter of Westminster; Alamy).
Western art unattributed:
2. The effigy of the Black Prince on his tomb. c.1386. Gilded brass, with silvered and enamel details. (Trinity Chapel, Canterbury Cathedral; photograph by kind permission of Canterbury Cathedral).
Western art unattributed:
3. Detail of champlevé enamels on the effigy’s sword belt. (Photograph the authors).
Western art unattributed:
4. Drawing of the effigy, indicating names for the armour. (© Matilde Grimaldi).
Western art unattributed:
5. Side view of the effigy and tomb chest of the Black Prince. Gilded brass, enamel and Purbeck marble. (© Michael Freeman; Alamy).
Western art unattributed:
6. Drawing of the effigy, indicating its construction. (© Matilde Grimaldi).
Western art unattributed:
7. The gauntlets on the Black Prince’s effigy. (Photograph the authors).
Article
Fifteenth-Century Hispano-Moresque Pottery
10/1903 | 7 | 3
Pages: 36-37+39-41+43
related names
Author:
Put, Albert van de (Put, Albert van de; P., A. V. de; Put, A. van de; P., A. V. D.)
Subjects
dates:
places:
Illustrations
Western art unattributed:
1.-Dish in British Museum
Western art unattributed:
2.-Dish in Sevres Museum
Western art unattributed:
3.-Dish in Mr. F. D. Godman's Collection
Western art unattributed:
6.-Dish in British Museum
Western art unattributed:
Fig. 4
Western art unattributed:
Fig. 5
Western art unattributed:
Fig. 7