By using this website you agree to our Cookie policy

Search

16 articles
Article
‘Fully armed in plate of war’: making the effigy of the Black Prince
11/2021 | 1424 | 163
Pages: 997-1009
related names
Author:
Barker, Jessica (Barker, Jessica)
Author:
Mcarthur, Graeme (Mcarthur, Graeme)
Author:
Pegues, Emily (Pegues, Emily)
Subjects
media:
Illustrations
Attributed works:
14. The soffit of the tester over the monument to the Black Prince. Late fourteenth century. 440 by 192 by 30 cm. Oak, polychromy and gilding. (© Fitzwilliam Museum, Cambridge).
Attributed works:
15. Detail from La vie du Prince Noir, by the Chandos Herald, showing the Black Prince venerating the Trinity. c.1385. Illumination on parchment, octavo 23.5 by 14 cm. (Senate House, London, MS 1, fol.1; reproduced with the permission of Senate House Library, University of London).
Attributed works:
8. The Black Prince’s funeral achievements, clockwise from top left: sword, helmet, gauntlets. (Photographs by kind permission of Canterbury Cathedral).
Attributed works:
9. Endoscopic view of the interior of the effigy from the bascinet toward the chest cavity and legs. (© Waygate Technologies). a. Join of interlocking teeth connecting the torso piece with the underside of the eventail at the throat; b. Iron interlocking pins at the inside of the chest; c. Tailbone bolt; d. Pin holding the legs together at the thigh; e. Hollow legs; and f. Iron interlocking pins.
Western art unattributed:
1. The tomb of the Black Prince in its setting in the Trinity Chapel, Canterbury Cathedral. (Photograph the authors).
Western art unattributed:
10. Badge of the Black Prince venerating the Trinity. c.1376. Lead, 10.3 by 7.9 cm. (British Museum, London; © The Trustees of the British Museum).
Western art unattributed:
11. Impression of the seal of the Black Prince, affixed to a charter dated 19th July 1362. Wax, diameter 5 cm. (The National Archives, London, E/30/1106; © Lloyd de Beer, reproduced by kind permission from The National Archives, Kew).
Western art unattributed:
12. Tomb of Edward III. c.1386. Gilded brass effigy, Purbeck marble tomb chest and oak tester. (Confessor’s Chapel, Westminster Abbey, London; © Dean and Chapter of Westminster).
Western art unattributed:
13. Detail of Fig.12, showing the face of Edward III. (© Dean and Chapter of Westminster; Alamy).
Western art unattributed:
2. The effigy of the Black Prince on his tomb. c.1386. Gilded brass, with silvered and enamel details. (Trinity Chapel, Canterbury Cathedral; photograph by kind permission of Canterbury Cathedral).
Western art unattributed:
3. Detail of champlevé enamels on the effigy’s sword belt. (Photograph the authors).
Western art unattributed:
4. Drawing of the effigy, indicating names for the armour. (© Matilde Grimaldi).
Western art unattributed:
5. Side view of the effigy and tomb chest of the Black Prince. Gilded brass, enamel and Purbeck marble. (© Michael Freeman; Alamy).
Western art unattributed:
6. Drawing of the effigy, indicating its construction. (© Matilde Grimaldi).
Western art unattributed:
7. The gauntlets on the Black Prince’s effigy. (Photograph the authors).
Article
Richard II’s broomcod collar in the Wilton Diptych: a new identification of the flowers and their significance
07/2021 | 1420 | 163
Pages: 604-606
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Richard II.
Attributed works:
2. Detail of Fig.3, showing the flowers linking the broomcods in Richard II’s collar, here identified as pimpernels.
Attributed works:
3. The Wilton Diptych. Left wing: Richard II with St Edmund, St Edward the Confessor and St John the Baptist. Right wing: the Virgin and Child with angels. French or English, c.1397–99. Tempera on oak panel, each panel 53 by 37 cm. (National Gallery, London).
Attributed works:
4. Exterior of Fig.3. Left: the royal arms of England and France impaled with the arms of Edward the Confessor with a helmet, cap of maintenance and lion passant guardant; right: the white hart lying on branches of rosemary and fern. (National Gallery, London).
Article
A possible French source for the left wing of the Wilton Diptych
12/2015 | 1353 | 157
Pages: 821-826
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
museums and institutions:
Illustrations
Western art unattributed:
1. The Wilton Diptych. c.1397(?). Left wing: Richard II with Sts John the Baptist, Edward the Confessor and Edmund; right wing: The Virgin and Child with angels (National Gallery, London)
Western art unattributed:
2. Watercolour copy of parts of a late fourteenth-century embroidery once in Chartres Cathedral. Left panel: King Charles V of France with his sons, the future Charles VI and Louis d'Orléans, and Sts John the Baptist, Charlemagne and Louis of Toulouse; right panel: Queen Jeanne de Bourbon with two of her daughters and Sts Catherine and Louis of France (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Reserve, OA 13, fols.16 and 17, Gagnières 444 and 445)
Western art unattributed:
3. Jean de Berry being presented to the Virgin and Child enthroned by Sts John the Baptist and Andrew in the Très Belles Heures, fols.10 and 11. c.1390, certainly before 1403 (Bibliothèque Royale, Brussels, MS.11060-1)
Short Notice
A New Discovery in the Wilton Diptych
10/1992 | 1075 | 134
Pages: 662-667
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Western art unattributed:
44. Interior of the Wilton Diptych after Cleaning and Restoration. Panel, 47.5 by 29.2 cm. (Each Panel). (National Gallery, London).
Western art unattributed:
45. Exterior of Fig.44, after Cleaning and Restoration.
Western art unattributed:
46. Infra-Red Reflectogram of the Orb of the Banner in Fig.44.
Western art unattributed:
47. Detail of the Orb of the Banner in Fig.44.
Western art unattributed:
48 and 49. Engraving after a Lost Altar-Piece from S. Petrasancta: Tesserae Gentilitiae, Rome [1638], Showing Queen Anne of Bohemia and King Richard II and Their Coats of Arms.
Article
The Chronology of the Portraits of Richard II
01/1971 | 814 | 113
Pages: 12+14-21
related names
Author:
Whittingham, Selby (Whittingham, Selby)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Western art unattributed:
17. Richard II. Engraving after a Lost Painting at the English College, Rome, c.1390? (S. Petrasancta, Tesserae Gentilitiae, Rome (1638), p.667.)
Western art unattributed:
18. Coronation of the King of England. Liber Regalis, c.1380/90. (Archivo Real y General de Navarra, Pamplona.)
Western art unattributed:
19. Presentation of a Book of Statutes of England to Richard II. Book of Statutes, c.1389. (St John's College, Cambridge, MS. A.7., fol.133.)
Western art unattributed:
20. Richard II Handing a Charter to Anne of Bohemia. Shrewsbury Charter, 1389. (Guildhall, Shrewsbury.)
Western art unattributed:
21. Richard II Granting a Charter to the Citizens of Ipswich. Ipswich Charter, 1378. (Ipswich and East Suffolk Record Office.)
Western art unattributed:
22. Richard II. Book of Benefactors of St Albans Abbey, 1380. (British Museum, Cotton MS. Nero D. VII, fol.7.)
Western art unattributed:
23. Edward III, the Black Prince and Richard II. Book of Benefactors of St Albans Abbey, c.1387? (Corpus Christi College, Cambridge, MS.7, fol.206.)
Western art unattributed:
24. Richard II. Roger Dymmok, Liber Contra XII Errores et Hereses Lolladorum, 1395. (Trinity Hall, Cambridge, MS.17, fol.1a.)
Western art unattributed:
25. Richard II and St John the Baptist. Window, c.1390-93. (Winchester College, Chapel.)
Western art unattributed:
26. Richard II. Roof-Corbel, c.1386-88. (New College, Oxford, Chapel.)
Western art unattributed:
27. Richard II. Roof-Corbel, c.1386-88. (New College, Oxford, Chapel.)
Western art unattributed:
28. Richard II. Head-Stop, c.1380. (Hatfield Broad Oak Church, Essex.)
Advertisements
Advertisements June 1967 (Front)
06/1967 | 771 | 109
Pages: i-cii
Subjects
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
[ 'How', 2-3 Pickering Place, St Jame's Street, London ] Porridge Spoon with Spirtle. by Wm. MacLean. Inverness, Circa 1710. Length 19½ Inches
Attributed works:
[ Acquavella Gallleries Inc., 119 East 57th Street, New York ] Picasso 'Mendiant' Ink and Pencil 12½ by 5 Inches
Attributed works:
[ Alavoine, 42 Avenue Kleber, Paris ] Henry IV, King of France and Marie de Medici, His Wife. Bronze Medallion by Guillaume Dupre. Paris, 1605. Diameter: 17.6 cm.
Attributed works:
[ Auction sale, 22 Cite Trevise, Paris ] F. Bazille La Mauresque-1869-Canvas 99 by 58 cm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] G. D. Tiepolo. De Vesme 100 I/II (of Neue Lagerliste 45) Lately Sold to a Museum of the Rhineland
Attributed works:
[ Charles Woollett & Son, 59-61 Wigmore Street, London ] Exceptionally Fine Antique Bow Figure of a Shepherdess (Excellent Condition). Circa 1760, 10¾ Inches High.
Attributed works:
[ Christie's 8 King Street, St James's, London ] Hawking Party near a Pond, by Philips Wouwerman, Signed with Monogram, 29 by 44 Inches. Hercules in the House of Omphale, by Jacopo and Francesco Bassano, 54 by 84 Inches
Attributed works:
[ Christie's 8 King Street, St James's, London ] Nature Morte à l'Ace de Carreaux, by Fernand Léger, Signed and Dated '29, Signed Again, Inscribed and Dated on the Reverse, 35½ by 25¼ Inches. Route à l'Entrée du Village, by Alfred Sisley, Signed, 12½ by 18 Inches.
Attributed works:
[ Christie's 8 King Street, St James's, London ] Oeillets d'Inde, by Henri Fantin-Latour, Signed and Dated '93, 18 by 19¾ Inches. Femme nue couchée, by Edgar Degas, Pastel, Stamped (Lugt 658), 12½ by 16 Inches
Attributed works:
[ Christie's 8 King Street, St James's, London ] Our Lord Crowned with Thorns and Supported by an Angel, by Colin de Coter, on Panel, 20½ by 22 Inches. Adoration of the Magi, by Bernard van Orley, a Triptych, on Panel, 46 by 68 Inches Overall
Attributed works:
[ Christie's 8 King Street, St James's, London ] Portrait of a Lady Aged 15, Said to Be the Daughter of Sir Roger Martin, Lord Mayor of London in 1568, by George Gower, Inscribed with Coat of Arms and Dated 1573, on Panel, 31 by 25 Inches. Portrait of the Hon. Mrs Charles Yorke, by Allan Ramsay, 43½ by 35 Inches.
Attributed works:
[ Christie's 8 King Street, St James's, London ] Portrait of an Old Woman, by Jacopo da Ponte, Called Bassano, 47½ by 39 Inches. Interior with a Maid Servant, by Nicolaes Maes, Signed and Dated 1655, on Panel, 18 by 28 Inches
Attributed works:
[ Christie's 8 King Street, St James's, London ] Portrait of George Frederick Handel (1685-1759), by Thomas Hudson, Signed and Dated 1756, in an Elaborate Giltwood Frame Carved with Musical Instruments, 94 by 56 Inches. Portrait of Thomas Herring (1693-1757), Bishop of Bangor 1737, Archbishop of York 1743-1747 and Archbishop of Canterbury 1747-1757, by William Hogarth, Signed, Inscribed and Dated 1744, 49 by 39 Inches
Attributed works:
[ Christie's 8 King Street, St James's, London ] Portrait of Hugh Montgomerie, 12th Earl of Eglinton, Leading His Men against the Cherokee Indians, by John Singleton Copley, Signed and Dated 1780, 93 by 57 Inches. View of the Thames, London, with St. Paul's Cathedral, by Antonio Joli, 42 by 68 Inches
Attributed works:
[ Christie's 8 King Street, St James's, London ] Portrait of Pieter Jacobsz Olycan, Burgomaster of Haarlem (1572-1658), by Frans Hals, on Panel, 26½ by 22¾ Inches
Attributed works:
[ Christie's 8 King Street, St James's, London ] Temptation of Christ in the Wilderness, One of a Pair, by Juan de Flandes, on Panel, 8 by 6 Inches. The 'Benson' Tondo: Madonna and Child, with the Infant Saint John the Baptist and Two Angels, by Raffaellino del Garbo, 43½ Inches Diameter
Attributed works:
[ Christie's 8 King Street, St James's, London ] The Beggar Boys, by Thomas Gainsborough, R. A., Painted in Spring, 1785, 29 by 24 Inches
Attributed works:
[ Christie's 8 King Street, St James's, London ] The Wedding Feast of Nastagio Degli Onesti and the Daughter of Paolo Traversaro, by Sandro Botticelli, on Panel, 32 by 55 Inches
Attributed works:
[ Colnaghi's 14 Old Bond Street, London ] Jacopo Tintoretto (1518-1599) Two Studies for the Adoration of the Golden Calf (in Madonna Dell'Orto) Black Chalk, Heightened with White on Blue Paper, Pricked and Squared for Transfer. 282 by 177 mm
Attributed works:
[ Crane Kalman Gallery 178 Brompton Road, London ] Jean Marchand Autoportrait 1907. Oil on Board, 14 by 10 Inches. Paysage 1910. Oil on Canvas, 32 by 25¾ Inches.
Attributed works:
[ Cyril Humphris Ltd, 23 Old Bond Street, London ] Castel Durante Plate 1530-1535. By Nicola Pellipario
Attributed works:
[ Frank Partridge, 144 new Bond Street, London ] A Charles II Silver Tankard. 7¾ Inches High. Louis XV Ormolu Mounted Clock. 1 Foot 2 Inches High. One of a Pair of First Empire Candelabra. Signed by Thomire. 3 Feet 9 Inches High.
Attributed works:
[ Frank Partridge, 144 new Bond Street, London ] A George III English Mahogany Commode. 4 Feet 1 Inch by 2 Feet by 2 Feet 10 Inches High. A Louis XV Black Lacquer Bureau. 3 Feet 10 Inches by 1 Foot 10 Inches by 3 Feet 10 Inches High. A Louis XV Work Table Stamped Roussel. 2 Feet 6 Inches High.
Attributed works:
[ Galerie d'eendt nv, Spuistraat 270-272, Amsterdam ] G. de Chirico 1917, "Intérieur métaphysique" 73 by 53 cm. Anc. Coll. Paul Guillaume.
Attributed works:
[ Hazlitt, 4 Ryder Street, St James's, London ] Guido Reni, 1575-1642. Canvas, 21 by 17¼ Inches
Attributed works:
[ Hazlitt, 4 Ryder Street, St James's, London ] Ubaldo Gandolfi, 1728-1781. Canvas, 14 by 10¾ Inches
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St James's, London ] François Duquesnoy (1594-1641). Bust of Cardinal Guido Bentivoglo. Marble, Height 30¾ Inches
Attributed works:
[ Heim-Gairac, 13 Rue de Seine, Paris ] Hue, Jean François, 1751-1823. Panel, 19.7 by 28.5 Inches
Attributed works:
[ Kennedy Galleries, Inc., 20 East 56th Street, New York ] Charles M. Russell (1864-1926). A Buffalo Hunt. Oil, 25 by 35 Inches, Signed Lower Left 'C. M. Russell (Bison Skull) 1896' George Heriot (1766-1844). Beginning the War Dance Watercolour, 7 by 12 Inches, c.1800. One of an Unpublished Series of Nine on Special Indian Dances
Attributed works:
[ Maxwell Galleries Ltd, 551 Sutter Street, San Francisco ] "A Mongolian Princess, Kuchantze," Oil, 30 × 22½″
Attributed works:
[ Newhouse Galleries, 15 East 57th Street, New York ] Lady Jane Orde and Her Daughter, Anna Maria. On Canvas, 55¾ by 44 Inches.
Attributed works:
[ Old Masters Galleries 62 South Audley Street, London ] Claude Hoin 1750-1817 Paper on Canvas, 15½ by 12¼ in. (39.2 by 31 cm.)
Attributed works:
[ Palais Galliera, 12 Rue Favart, Paris ] John Masquerier. Portrait of Mary Reynolds Strangeways. Signed at Right. Pastel. From the collection of Mrs Houlthurst. Height 58 cm. Length 44 cm. Clock Decorated with Gilt Bronze Lapis-Lazuli, Mosaic and Marble. Empire Period. A Present from the Emperor Napoléon 1st to Chancellor Cambacérês. Height 70 cm.
Attributed works:
[ Provincial Museum, Jabbeke, Belgium ] C. Permeke. De Bedelaar 1931. Copyright Sabam - Brussels
Attributed works:
[ Ronald A. Lee, 1-9 Bruton Place, London / The Manor House, Byfleet, Surrey ] Herman Mijnerts Doncker. A Dutch Family of Circa 1645. On Panel, 25½ by 21¾ Inches.
Attributed works:
[ Rupert Preston Ltd, 17 King Street, St James's, London ] Willem van de Velde the Younger. Charles II's Yacht Mary Racing the Charlotte (Duke of York). Oils on Canvas: 33 by 45 Inches, 86 by 115 cms. Signed and Dated 1680. The Mary Was Built at Chatham by Phineas Pett in 1677. First Used to Take William of Orange and Princess Mary to Holland after Their Marriage in 1677, She Also Brought the Princess Back from Holland before Her Coronation.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Fabergé Enamel and Hardstone Snuff Box, Workmaster Michael Perchin, 3 Inches. A Fabergé Green Enamel Cigarette Case, Workmaster August Wilhelm Holmström, 3 Inches. An Italian Renaissance Pendant Jewel, Late 16th Century, 2½ Inches. A German Renaissance Enamelled Pendant, c.1500, 3 Inches. A South German Gold and Enamel Jewel, Late 16th Century, 2⅜ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Letter Signed by Lord Burghley, Walsingham and Others, from the Papers of Robert Beale, Relating to His Mission to the Prince of Orange in 1576 and to the British Military Intervention 1586-7. A Grant of Land in Charenci in the County of Mortain, to Bertram de Verdun, by King John as Comte de Mortain, on Vellum, with an Impression in Yellow Wax of the Seal Used by John before His Accession to the Throne of England [c.1189] 135 by 180 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Louis XVI Lacquer Snuff Box, Paris, 1782, 3 Inches. A Louis XV Gold and Enamel Snuff Box, by Charles Le Bastier, Paris, 1768, 2¼ Inches. A Swiss Gold and Diamond Set Snuff Box Made for the Turkish Market, Early 19th Century, 3¼ Inches A Fabergé Enamel and Hardstone Desk Clock, Workmaster Michael Perchin, 4¼ Inches. A Two-Colour Gold Snuff Box, Paris, 1789, Farmer General Henri Clavel, 3¾ Inches. A Fabergé Gold and Enamel Miniature Frame, Workmaster Johan Viktor Aarne, 2¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Miniature of a Gentleman, by John Hoskins, Signed and Dated 1657, 3 Inches. A Miniature of a Gentleman, by John Smart, Signed and Dated 1779, 1½ Inches, in a Diamond Bordered Frame. An Unrecorded Miniature of Elizabeth I, by Nicholas Hilliard. c.1580, 1⅜ Inches. A Miniature of a Gentleman, by Samuel Cooper, 3 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Multi-Coloured Gold Snuff Box, Swiss, Late 18th Century, 3¼ Inches. A Swiss Gold and Enamel Powder Box, Late 18th Century, 3 Inches. A Fabergé powder box, workmaster Michael Perchin, 2½ Inches. A Fabergé Match Box Cover, Workmaster Henrik Wigström, 2⅜ Inches. A Fabergé Gold and Enamel Cigarette Case, Workmaster Michael Perchin, 3 Inches. A Fabergé Match Box Cover, Workmaster Henrik Wigström, 2⅜ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] A Wood Netsuke of an Elephant with a Boy, by Miwa. An Ivory Netsuke of a Puppy with a Sandal by Kwaigyoku Masatsugu. An Ivory Netsuke of a Seated Tiger by Tomotada. An Ivory Netsuke of a Seated Manchurian Crane by Ohara Mitsuhiro An Iwami School Wood Netsuke of a Frog in a Pine Stump by Goho. An Ivory Netsuke of a Seated Puppy by Masanao of Kyoto. An Iron Tsuba by Toshiyoshi. A Series of Kozuka, Including Examples by Goto Ichijo, Hagen, Goto Mitsumasa and Omori Hidetomo.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Aert van der Neer. Winter Landscape. On Panel, Signed in Monogram and Dated 1644. 21½ by 32½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Albrecht Dürer. The Holy Family. Pen and Ink. 118 by 78 mm. Lucas Cranach the Elder. Study of a Stag. Drawn with Brush and Brown Washes Touched with Grey-White Gouache. 134 by 167 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Alfred Sisley. En Aval du Pont de Moret - Le Matin. Signed and Dated '91. 21 by 25½ Inches. Pablo Picasso. Courses de Taureaux. 1900, pastel, Signed. 13¾ by 15½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Alfred Sisley. Hiver à Veneux-Nadon. Signed and Dated '81. 20¾ by 28 Inches. Jean-Baptiste-Camille Corot. La Ferme Normande aux Trois Commères (Etretat ou Yport). c.1872, Signed. 18 by 24 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Amedeo Modigliani. Portrait de Léopold Zborowski. Pencil, Signed. 16¼ by 11 Inches. Mary Cassatt. Femme et Enfant. Watercolour, Signed. 16 by 11 Inches. Paul Cézanne. Étude d'Homme Debout. Charcoal, c.1865-70. 11 by 7½ Inches. Mark Tobey. Composition. Gouache, Signed and Dated '62. 16½ by 11¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] An Italian Violin by Joseph Gagliano, Dated 1785, Length of Back 14 Inches. An Italian Violin by Antonio Stradivari, 'Called The Partello', Dated 1690, Length of Back 14 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Botticelli. Simonetta Vespucci. On Panel. 25¾ by 17½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Camille Pissarro. La Mare à Ennery. Signed and Dated 1874. 21 by 25¼ Inches. Camille Pissarro. La Prairie de Moret. Signed and Dated 1901. 21 by 25¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Camille Pissarro. Les Coteaux de Gisors, temps gris. Signed and dated 1885. 17¾ by 21½ Inches. Jean-Baptiste-Camille Corot. Jeune Baigneuse couchée sur L'Herbe. c.1868-70, Signed. 15¼ by 22¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Camille Pissarro. Vue de Berneval. Signed and Dated 1900. 28½ by 35 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Canaletto. A Regatta on the Grand Canal, Venice. 47½ by 59½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Claude Monet. Hiver à Argenteuil. 1875-6, Signed. 24¼ by 40 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Claude Monet. La Plage à Sainte-Adresse. 1867, Signed. 23½ by 31½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Edouard Vuillard. Femme à sa Toilette. Pastel, Signed, 25 by 24¼ Inches. Pierre Bonnard. Voiliers sur la Mer (Golfe de St. Tropez). c.1936, Signed. 20 by 31 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Edvard Munch. Vampire. Woodcut and Lithograph Printed in Colours. 385 by 565 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Ford Maddox Brown. Jacob and Joseph's Coat. Signed and Dated 1871. 22 by 20½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Francesco Guardi. A View near Venice. 8½ by 6½ Inches. Canaletto. Campo Santa Margherita, Venice. 19 by 31 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] François Boucher. Head of a Young Woman. 220 by 166 mm. Black, Red and White Chalks, Touched with Grey Wash. Hubert Robert. Avenue of a Park. Red Chalk. 398 by 495 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] George Stubbs, A. R. A. Self-Portrait. Signed and Dated 1781. Oval, 26½ by 20 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Georges Rouault. La Sainte Face. c.1935, 24 by 21 Inches. Nicolas de Staël. Composition. 1951, Signed. 28¼ by 36¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Georges Rouault. Miserere-Christ Assis. 1939, Signed. 28½ by 19¾ Inches. Marc Chagall. Golgotha. Gouache, Signed and Dated 1912. 18¾ by 23¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Giovanni Battista Tiepolo. Adoration of the Shepherds. Pen and Ink and Brown Wash over Black Chalk. 410 by 292 mm. Giovanni Battista Tiepolo. An Oriental Warrior. 277 by 190 mm. Pen and Ink and Brown Wash over Black Chalk.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Giovanni Domenico Tiepolo. The Honeymoon of Punchinello's Parents. Pen and Ink and Light Brown Wash over Black Chalk. 290 by 410 mm. Giovanni Domenico Tiepolo. A Family Party in a Villa Garden. Pen and Ink and Grey-Brown Wash over Black Chalk. Signed and Dated 1791. 290 by 418 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Grant of Lands in the Cotentin to the Benedictine Abbey of Marmoutier near Tours, Witnessed by Duke Richard II of Normandy and His Sons Richard and Robert, and Others [c.1025], on Vellum. 490 by 380 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Harry Hall. Mounseer, Winner of the Chester Gold Cup, 1850. Signed and Dated 1850. 22¼ by 29 Inches. John Ferneley, Snr. Lady Lindsay Riding a Bay Hunter in the Grounds of Allington Hall. Signed and Dated Melton Mowbray, 1853. 33¼ by 41¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] J. F. Lewis, R. A. A Cairo Bazaar: The Dellal. On Panel, Signed and Dated 1875. 30 by 21 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Jacob Cornelisz. van Amsterdam. The Adoration of the Kings. On Panel, Centre 33 by 21¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Jan van Goyen. A River Scene. On Panel, Signed with Initials. 12 by 14¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Maurice-Quentin de la Tour. Self-Portrait. Pastel. 17½ by 14½ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Monday, 3rd July. Important Snuff-Boxes and Objects of Vertu. A Louis XV Gold and Blue Enamel Snuff-Box with Watteauesque Figures by Noel Hardivilliers. Paris, c.1762, 2¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Nicolas de Staël. Composition. 1951, Signed. 28¼ by 36¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pierre Bonnard. Femme dans un Intérieur. 1910, Signed. 32 by 25½ Inches. Maurice Utrillo. Maison rouge à Sannois. c.1912, Signed. 23 by 31¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pierre Bonnard. Panier de Fruits sur une Nappe rouge. c.1930, Watercolour, Signed. 20 by 29½ Inches. Kees van Dongen. Arabes sur des Anes en Egypte. 1925, Signed. 31½ by 39 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Portrait of Ida Rubinstein, as Zobeïda in 'Shéhérazade', 1910, by Jacques-Emile Blanche, 35 by 47 Inches. Nijinsky's Costume for L'Oiseau d'Or. The Ballet Was First Danced at a Divertissement by Karsavina and Nijinsky in Vienna, January, 1913. Costume for a Messenger in 'Phedre', Watercolour, by Léon Bakst, 11 by 8¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Rembrandt van Rijn. Geographer. Pen and Ink and Brown Wash, Heightened with White Bodycolour, 127 by 104 mm. Rembrandt van Rijn. Actor. Pen and Brown Ink. 185 by 144 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Rembrandt van Rijn. Portrait of Jan Lutma. Etching, Second State. 200 by 152 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Samuel Palmer, R. W. S. Shoreham, Kent. c.1831-2, Pen and Wash. 2¾ by 4½ Inches. Samuel Palmer, R. W. S. The Waterfall at Pistil Mawddach, near Dolgelly, North Wales. c.1835, Pen and Ink Heightened with White, Signed and Inscribed. 18½ by 14⅝ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Sir Thomas Lawrence, P. R. A. The Angerstein Children. 75 by 56¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] The Master of 1518. The Adoration of the Kings. On Panel, 43 28¾ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Thomas Gainsborough, R. A. The Hon. Mrs Yorke. 29⅛ by 24½ Inches. John Scarlett Davis. The Art Gallery of the Farnese Palace, Parma. Signed with Initials, Inscribed Parma and Dated 1839. 38¼ by 73¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Thomas Rowlandson. An Evening at Vauxhall Gardens. Watercolour, 19 by 29¼ Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Thursday, 8th June, at 10.30 am. A Pair of Diamond Ear Clips by van Cleef and Arpels and an Important Diamond Bracelet.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Two from a Series of Fine Plant and Insect Studies, Watercolour and Bodycolour, by Thomas Robins the Younger, Signed and Dated (Bath) 1786, 13⅞ by 9½ Inches and 13¾ by 9¼ Inches. Thomas Rowlandson. Courtship. Pen and Ink and Watercolour. 14 by 11 Inches. Thomas Rowlandson. Marriage. Pen and Ink and Watercolour. 14 by 11 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Vincent Van Gogh. Vase de Pivoines. Signed and Dated '89. 21¼ by 17¾ Inches. Claude Monet. Bois d'Oliviers. Signed and Dated '84. 25¼ by 32 Inches.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] William Blake. St. Luke. Tempera. 14¾ by 10 Inches. John Robert Cozens. On the Coast of the Adriatic near Rimini. Watercolour. 10⅛ by 15 Inches.
Attributed works:
[ Spink & Son Ltd, King Street, St James's, London ] The Fiend Conjured up by Bolingbroke - Shakespeare, Henry VI, pt. 2. Act. 1, scene 4, by George Romney, 1734-1802. Pencil Drawing with Grey Wash. 15¾ by 11½ Inches. Colls: Alfred de Pass. Small Reproduction of the Head Only on Plate 9 (Page 601) of Antiques Magazine, New York, Nov. 1964.
Attributed works:
[ The Brodway Art Gallery, Worcestershire ] Gypsy by Isidro Nonell (1873-1911)
Attributed works:
[ The Contemporaries, 992 Madison Avenue, New York ] Giorgio de Chirico The Tired Troubador (1919) Oil on Canvas, 23½ by 35¼ Inches
Attributed works:
[ The Sladmore Gallery, Cryers Hill, Nr. High Wycombe, Buckinghamshire ] Barye
Attributed works:
[ Thos. Agnew & Sons Ltd, 43 Old Bond Street and 3 Albemarle Street, London ] Boudin. Deauville. Watercolour, 5½ by 7¾ Inches Forain. Un Admirateur. Ink and Watercolour, 8½ by 6¾ Inches Bevan. The Artist's Daughter. Watercolour, 8¼ by 9 Inches
Attributed works:
[ Tilley & Co (Antiques Ltd), 2 Symons Street, Sloane Square, Chelsea ] Figure I Figure II Chelsea vases
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Attributed to Andrea Mantegna. Portrait of Francesco Gonzaga.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] An Ascetic at Prayer: A Mughal Miniature, c.1620, 150 by 100 mm. A Leaf from a Persian Manuscript of the Shahnameh of Firdausi, Dated 1694 A. D., Page Size 355 by 235 mm. Vipralabdhā Nāyikā. A Kangra Miniature of the Early Nineteenth Century, 205 by 150 mm. Bhairavi Ragini. An Example from a Series of Ten Miniatures from a Seventeenth Century Ragamala Set in Popular Mughal Style, 215 by 147 mm.
Non-western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] Examples from a Collection of Archaic Jades of the Shang, Chou and Han dynasties, Actual Size.
Western art unattributed:
[ Brian Koetser Gallery, 38 Duke Street, St James's, London ] Italian School. Canvas, 25¼ by 21 Inches
Western art unattributed:
[ Charles Morse, The White House Earls Colne, Colchester, Essex ] Fine South German Walnut Cupboard Inscribed by Makers Anno 1633 HNB, ANB in Monogram. Height 183 cms.
Western art unattributed:
[ Parke-Bernet Galleries Inc. ] November 1967. A Late 18th Century Marquetry Display Cabinet, 9 Feet High by 4 Feet 6 Inches Wide.
Western art unattributed:
[ Sabin Galleries Limited, 4 Cork Street Bond Street, London ] Sir Edward Pytts of Kyre (1541-1619), Sheriff of Worcestershire, with His Grandson, 1612. In 1588 He Began to Rebuild the 'Ruynes of the House at Kyre' Demolished in an Earthquake. One of the Earliest English Patrons to Use Books of architecture. Panel, 73½ by 43 Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Manuscript Plan of Detroit, c.1760, 21½ by 28½ Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Manuscript Plan of Pittsburgh, c.1760, 20¼ by 26¾ Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] A Sassanian Silver Ewer with Gilded Decoration, c.8th Century A. D., 5½ Inches. An Attic Red-Figure Column Krater, c.480 B. C., 15⅛ Inches. An Egyptian Bronze Figure of a Cat, Saite Period, 10½ Inches. Three Tanagra Terra-Cotta Figures of Women, All c.300 B. C. 11⅝, 10¾ and 10¼ Inches.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] Hours of E. E., Illuminated with 96 Large and 24 Small Miniatures, Region of the Loire, c.1480, 130 by 95 mm.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] Missal of Etienne de Longwy, Bishop of Mâcon, c.1485, 348 by 235 mm. Register of the Privileges of the Merchant Adventurers, London, c.1483, 360 by 262 mm., A Miniature from a Missal, Siena(?), c.1300, 165 by 155 mm.
Western art unattributed:
[ Sotheby's, 34-5 New Bond Street, London ] Thursday, 8th June. A William III Punch Bowl, 1701, 10½ Inches Diam.
Western art unattributed:
[Edward Nield, 51 Church Street, Preston] A Very Fine and Rare 18th-Century Secretaire with Shelves Width 3 ft. 1 in. Height 4 ft. 8 in. Depth 1 ft. 8 in.
Western art unattributed:
[Fred Teltscher, 17 Crawford Street, London ] Anne of Denmark. Panel 22½ by 17 Inches.
Article
The Westminster Portrait of Richard II
11/1934 | 380 | 65
Pages: 220-222
related names
Author:
Lethaby, W. R. (Lethaby, W. R.; L., W. R.; Lethaby, William Richard)
Subjects
artists:
dates:
places:
subjects:
Article
The Early English School of Portraiture
10/1934 | 379 | 65
Pages: 171-172+174-177+180-184
related names
Author:
Shaw, William A. (Shaw, William A.; Shaw, W.A.; Shaw, W. A.)
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
Plate III. K-St. George and the Dragon (Detail), from Royal MS. A, XVIII, f. 5b; L-The White Hart (Reduced), from the Reverse of the Wilton Diptych; M-Portrait of Elizabeth Woodville, Here Ascribed to John Stratford of London, 1463. Panel, 30.4 by 22.2 cm. (Mr. W. A. Shaw). The Early English School of Portraiture
Western art unattributed:
Plate I. Border Decorations, from A. Add. MS. 42131; B, Arundel MS. 38; C, Royal MS. 2A, VIII; D, Harleian MS. 4866; E, Cotton MS. Vespasian, B. XXII. The Early English School of Portraiture
Western art unattributed:
Plate II. A-St. Edmund, from the Wilton Diptych; B-Chaucer, from Harleian MS. f. 88, 4866; C-Chaucer(?) from Add. MS. 42131, f. 54b., 4295. The Early English School of Portraiture
Western art unattributed:
Plate II. D-Youthful Patron, from Royal MS. 2A, XVIII, f. 23. The Early English School of Portraiture
Western art unattributed:
Plate II. E-Richard II, from the Wilton Diptych. The Early English School of Portraiture
Western art unattributed:
Plate II. F-Hoccleve Presenting His Ms. to Prince Henry (Detail), from Arundel MS. 38, f. 37, 4300. The Early English School of Portraiture
Western art unattributed:
Plate III. D-Girls' Heads; E, Heads of Men, from Add. MS. 42131, f. 14; f. 221b; f. 8b. The Early English School of Portraiture
Western art unattributed:
Plate III. G-Heads of Angels; H-St. John the Baptist; J-King Edward the Confessor, from the Wilton Diptych. The Early English School of Portraiture
Western art unattributed:
Plate III. Head of the Virgin. A-From Add. MS. 42131, f. 21b; B-From the Wilton Diptych; C-From Royal MS. A, XVIII, f. 23b. The Early English School of Portraiture
Article
The French Exhibition. I - The Goldsmiths' Work; II - The Painter of Richard II; III - Within the Nineteenth Century.
02/1932 | 347 | 60
Pages: 76-79+81-83+86-88
related names
Author:
Borenius, Tancred (Borenius, Tancred; B., T.; Borenius, Dr.; Borenius, T.)
Author:
Noppen, J. G. (Noppen, J. G.; Noppen, John George; N., J. G.)
Author:
Sickert, Walter (Sickert, Walter; Sickert, W. R.; Sickert, W.; Sickert, Richard; Sickert, Walter Richard)
Subjects
dates:
dates:
places:
subjects:
Illustrations
Attributed works:
A-La Toilette, by Berthe Morisot. Canvas, 56 by 45 cm. (Marquise de Ganay, Paris). French Exhibition-III. Within the Nineteenth Century
Attributed works:
A-Richard II, Here Identified as by a Bohemian Artist. Panel, 2.14 by 1.10 m. (Westminster Abbey). The French Exhibition-II. The Painter of Richard II
Attributed works:
B-La Danse à la Campagne, by Renoir. Pencil, 24 by 12 cm. (M. C. M. de Hanke). French Exhibition-III. Within the Nineteenth Century
Western art unattributed:
B-Virgin and Child Enthroned, by a Bohemian Artist, Fourteenth Century (Berlin Museum). The French Exhibition-II. The Painter of Richard II
Western art unattributed:
Plate II. A-Chalice and Paten. Silver, Covered with Gold Leaf. Tenth Century. Height, 13 cm. (Cathedral of Nancy). The French Exhibition-I. The Goldsmiths' Work
Western art unattributed:
Plate II. B-Reliquary for a Thorn from the Crown of Thorns. Crystal Mounted with Gold and Precious Stones. Fifteenth Century. Height, 26 cm. (Cathedral of Rheims). The French Exhibition-I. The Goldsmiths' Work
Western art unattributed:
Plate II. C-Sword Used at the Coronation of the French Kings. The Hilt of Gold. Twelfth Century. Length, 100 cm. (The Louvre, Paris). The French Exhibition-I. The Goldsmiths' Work
Western art unattributed:
Reliquary, Ninth Century. Above, the Crucifixion, on the Front; Below, Three Niches and Two Eagles, on the Back and Roof. 17.8 by 18.6 by 19 cm. (Church of Ste. Foy, Conques)
Article
The Wilton Diptych
06/1931 | 339 | 58
Pages: 283-285+287-290+292-294
related names
Author:
Clarke, M. V. (Clarke, M. V.)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Western art unattributed:
Plate I. A-Richard II Enthroned. Royal Ms. 20. B. VI. f.2 (British Museum). The Wilton Diptych
Western art unattributed:
Plate I. B-Crown of Thorns between the Crowns of England and France. Royal Ms. 20. B. VI. f.1 (British Museum). The Wilton Diptych
Western art unattributed:
Plate I. C-Richard II's Banner. Royal Ms. 20. B. VI. f.35 (British Museum). The Wilton Diptych
Western art unattributed:
Plate I. D-Banner and Shield of the Order of the Passion. Ashmole Ms. 813 (Bodleian Library, Oxford). The Wilton Diptych
Western art unattributed:
Plate II. Pictures from Ashmole Ms. 813, Showing the Dress for Members of the Order of the Passion (Bodleian Library, Oxford). The Wilton Diptych
load more