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14 articles
Article
A Valencian tin-glazed and lustred dish for the Duke of Burgundy
08/2024 | 1457 | 166
Pages: 764–780
related names
Author:
Kingwill, Susannah (Kingwill, Susannah)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
11. Dish with the arms of the Duke of Burgundy. Valencian, probably Manises workshop. 1404–29. Tin-glazed earthenware with lustre decoration, diameter 47.5 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
18. Fragment from the Arcade of the Tomb of John the Fearless and Margaret of Bavaria, by Jean de la Huerta. c.1443–55. Alabaster, 14 by 12.8 by 5.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Tile fragment from the Chartreuse de Champmol decorated with the lion of Flanders, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18 by 18 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
2. Detail of fol.188v of the Breviary of John the Fearless, showing the Burgundian duke (left) and duchesses’ (right) arms. Between 1413 and 1419. Illumination on parchment. (British Library, London, MS 2897).
Attributed works:
20. Tile fragment from the Chartreuse de Champmol decorated with the armorial bands of Burgundy, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18.5 by 13 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
4. Dish with the arms of the King of France (centre), the dauphin (top), Philip the Good (lower left) and Isabella of Portugal (lower right). Valencian, probably Manises workshop, c.1456–61. Tin-glazed earthenware decorated with cobalt and lustre glazes, dimensions unknown (formerly in the Rothschild Collection; © Christie’s, London).
Attributed works:
6. The Last Supper of Solsona, by Jaume Ferrer the Elder. 1400–33. Oil on panel, 115 by 327 cm. (Museo Diocesano Y Comarcal, Solsona; Getty Images).
Attributed works:
7. Detail of Fig.6, showing the foliage motifs on a lustred dish.
Attributed works:
8. The Portinari Altarpiece, by Hugo van der Goes. 1476–79. Oil on panel, central panel 253 by 304 cm., wings each 253 by 141 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
9. Detail of the central panel of Fig.8, showing the foliate design on the arbarello. (Bridgeman Images).
Western art unattributed:
1. Dish with the arms of the Duke of Burgundy. Valencian. 1404–29. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 38.1 cm. (Wallace Collection, London).
Western art unattributed:
10. Dish with the arms of René of Anjou. Valencian, probably Manises workshop. c.1450. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 47.6 cm. (British Museum, London).
Western art unattributed:
12. Hanap decorated with the emblems of John the Fearless. French. c.1405–19. Pounced and gilded silver, height 23.7 cm. (Badisches Landesmuseum, Karlsruhe; from R. Lightbown: Secular Goldsmiths’ Work in Medieval France: A History, London 1978, plate XXIV).
Western art unattributed:
13. Bowl with the arms of the duke of Burgundy engraved on its base. French, Dijon. Second half of 14th–first third of 15th century. Hammered silver with gilded silver cast decoration, diameter 16.8 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
14. Le Livre de Merveilles du Monde, fol.226. c.1410–12. Illumination on parchment, 42 by 29.8 cm. (Bibliotheque Nacional, Paris, MS Fr 2810 fol.226; Bridgeman Images).
Western art unattributed:
15. Le Livre de l’information des rois et princes, fol.81r. 1400–19. Illumination on parchment, 36 by 20.8 cm. (Bibliothèque Royale Belgique, Brussels, KRB MS 9475).
Western art unattributed:
16. Sculpted vault, Tour de Jean sans Peur. French. 1409–11. Stone. (Photograph the author).
Western art unattributed:
17. Comparison of the Wallace dish wreath (Fig.1) with the hops from Figs.14, 15, 13 and 16.
Western art unattributed:
3. Reverse of Fig.1. (Photograph the author).
Western art unattributed:
5. Dish with IHS monogram and floral pattern. Valencian, probably Manises workshop, 1430–60. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 46 cm. (Metropolitan Museum of Art, New York).
Article
Drawings of Van Vianen silver in an eighteenth-century collection
02/2021 | 1415 | 163
Pages: 128-143
related names
Author:
Van Der Hoorn, Esther (Van Der Hoorn, Esther)
Subjects
collectors and dealers:
media:
museums and institutions:
styles:
Illustrations
Attributed works:
1. Detail of Fig.22, showing a silver salt.
Attributed works:
10. Drawing of silver objects. c.1725–28. Pen and pencil in black with grey wash, 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
11. Lidded bowl, attributed to Adam van Vianen. c.1620. Silver, 10.5 by 15.8 by 9 cm. (Private collection).
Attributed works:
12. Drinking bowl, by Adam van Vianen. 1618. Silver, 12.9 by 16.5 by 12 cm. (Rijksmuseum, Amsterdam).
Attributed works:
13. Drawing of a silver bowl. c.1725–28. Pen and pencil in black with grey wash, 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
14. Tazza with a foot shaped like Bacchus, by Christiaen van Vianen. 1631. Gilt silver, 19 by 21 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
15. Salt, by Adam van Vianen. 1624. Silver, height 19.5 cm. (Private collection; photograph Collectie A. Aardewerk Antiquair Juwelier).
Attributed works:
16 and 17. Drawings of silver salts. c.1725–28. Pen and pencil in black with grey wash. (Rijksmuseum, Amsterdam).
Attributed works:
18. Salt with a foot in the shape of Ceres, by Michiel de Bruyn van Berendrecht. 1650. Silver, 20.2 by 11.5 cm. (Museum Boijmans van Beuningen, Rotterdam).
Attributed works:
19–21. Drawings of silver salts. c.1725–28. Pen and pencil in black with grey wash, each 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
2. Drawing of a silver cup. c.1725–28. Pen and pencil in black with grey wash, 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
22. Drawings of a silver salt. c.1725–28. Pen and pencil in black with grey wash, 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
23. Drawing of a silver cup. c.1725–28. Pen and pencil in black with grey wash, 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
24. Solon before Croesus, by Gerrit van Honthorst. 1624. Oil on canvas, 168.5 by 214 cm. (© Hamburger Kunsthalle / bpk).
Attributed works:
25. Still life with a bowl, by Mattheus Wijtmans. After 1667. Oil on canvas, 54 by 43.7 cm. (Museum of Fine Arts, Budapest).
Attributed works:
26. Globe cup, after a model by Christoph Jamnitzer. c.1650. Silver, 42 by 17.6 by 17.6 cm. (Rijksmuseum, Amsterdam).
Attributed works:
27. Portrait of Anthony III Grill, by Jan Maurits Quinkhard. 1727. Oil on canvas, 63.1 by 53.3 cm. (Stichting Het Grill’s Hofje; Stichting RKD).
Attributed works:
3. Cup in the shape of a shell, by Adam van Vianen. 1625. Silver, 18 by 15.5 by 12 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Drawing of a silver cupholder. c.1725–28. Pen and pencil in black with grey wash, 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
5. Drawing of a silver cupholder. c.1725–28. Pen and pencil in black with grey wash, 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
6. Drawing of silver bowls. c.1725–28. Pen and pencil in black with grey wash, 35.6 by 24.5 cm. (sheet). (Rijksmuseum, Amsterdam).
Attributed works:
7. Drinking bowl in the shape of a water basin with dolphins, by Christiaen van Vianen. 1627. 8.8 by 15.7 by 21.1 cm. (Rijksmuseum, Amsterdam).
Attributed works:
8. Shell cup, pl.3 from the series Constighe Modellen, by Adam van Vianen (designer), Christiaen van Vianen (publisher) and Theodorus van Kessel (etcher). 1646–52. Etching, 16.3 by 21.3 cm. (Rijksmuseum, Amsterdam).
Attributed works:
9. Two bowls, pl.10 from the series Constighe Modellen, by Adam van Vianen (designer), Christiaen van Vianen (publisher) and Theodorus van Kessel (etcher). 1646–52. Etching, 16.3 by 21.3 cm. (Rijksmuseum, Amsterdam).
Article
Intertwined birds: Islamic artistic presence in Korean ceramics in the Goryeo period
10/2019 | 1399 | 161
Pages: 811-819
related names
Author:
Han, In-Sung Kim (Han, In-Sung Kim)
Subjects
media:
places:
Illustrations
Attributed works:
6. Ivory casket, by Muhammad ibn Zayyan. Cuenca, 1026. Elephant ivory, height 19cm. (Museo de Burgos, Burgos).
Non-western art unattributed:
1. Pillow. Korea (Goryeo), thirteenth century. Stoneware with celadon glaze, 9.1 by 21.5cm. (Museum of Oriental Ceramics, Osaka).
Non-western art unattributed:
10. Dish. Egypt, Fatimid, 10th century, with modern restorations. Earthenware. diameter 13.6cm. (Benaki Museum, Athens).
Non-western art unattributed:
12. Court lady’s pouch. Korea (Joseon), nineteenth century. Silk with gold thread, 11 by 12 cm. (National Palace Museum of Korea, Seoul).
Non-western art unattributed:
2. Lidded container (‘hap’). Korea (Goryeo), thirteenth century. Stoneware with celadon glaze, 3.1.cm. by 6.8 cm. (Horim Museum, Seoul).
Non-western art unattributed:
5. Sword hilt. Korea (Silla), fifth or sixth century AD. Gold and iron, length 13.8cm. (Leeum, Samsung Museum of Art, Seoul).
Non-western art unattributed:
7. Phial. East Iran, late twelfth century. Brass, inlaid with silver, height 12.8 cm. (Idemitsu Museum of Art, Tokyo).
Non-western art unattributed:
8. Mural decoration depicting a pair of peafowl with intertwined necks in the eastern Kharraqan tomb tower, near Qazvin, Iran. Seljuk period, 1067–68. From D. Stronach and T.C. Young Jr.: ‘Three octagonal Seljoq tomb towers from Iran’, Iran 4 (1966), pp.1–20, plate XVe.
Non-western art unattributed:
9. Detail of an oliphant, showing intertwined birds. Sicily or Italy, eleventh–twelfth century. Elephant ivory, length 69 cm. (National Museums Scotland, Edinburgh).
Non-western art unattributed:
Opposite 11. Cup. Ilkhanate, early fourteenth century. Silver with inlaid gilding, 3.3 by 15.2 cm. (David Collection, Copenhagen).
Non-western art unattributed:
Opposite 3. Bowl decorated with cranes and clouds. Korea (Goryeo), thirteenth century. Stoneware, inlaid in brown and white slip and celadon glazed, 6.5 cm by 19.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Non-western art unattributed:
Opposite 4. Bowl or saucer. Korea (Goryeo), 1250–1300. Stoneware with celadon glaze and gilding, 5.6 by 22.3 cm. (Victoria and Albert Museum, London).
Book Review
The Golden Age of Italian Maiolica-Painting: Catalogue of a Private Collection. By Timothy Wilson
07/2019 | 1396 | 161
Pages: 608-609
related names
Reviewer:
Mallet, J. V. G. (Mallet, J. V. G.; Mallet, John)
Subjects
dates:
media:
museums and institutions:
styles:
Reviewed Items
subjects:
The Golden Age of Italian Maiolica-Painting: Catalogue of a Private Collection By Timothy Wilson. 512 pp. incl. 220 col. + 77 b. & w. ills. (Umberto Allemandi, Turin, 2018), | :
Illustrations
Attributed works:
3. Plate, Michelangelo and Vitruvius and the arms of Paleologo of Monferrato, by Nicola da Urbino. c.1533. Tin-glazed earthenware, diameter 26.2 cm. (Private collection).
Article
Giovanni Francesco Arrighi: a newly discovered account book
10/2018 | 1387 | 160
Pages: 824-832
related names
Author:
Montagu, Jennifer (Montagu, Jennifer)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
1. Reliquary, by Giovanni Francesco Arrighi. 1722. Silver, height 120 cm. (S. Maria di Monserrato, Rome).
Attributed works:
2. Reliquary, by Giovanni Francesco Arrighi. 1727/28. Silver, height 77 cm. (Museo Diocesano, Jesi).
Attributed works:
3. Above Detail of Fig.4.
Attributed works:
4. Right Crucifix, by Giovanni Giardini. c.1706. Bronze, ebony and ivory, height 230 cm. (Notre-Dame, Paris).
Attributed works:
5. Detail of Pietà, by Giovanni Giardini. 1688–1702. Gilt bronze on velvet, 54.5 by 33.5 cm. (Private collection; photograph Sotheby’s, London).
Attributed works:
6. The Agony in the garden, after Angelo de Rossi, attributed to Giovanni Francesco Arrighi. c.1700. Copper, 53 by 46.5 cm. (National Gallery of Art, Washington).
Article
A dish from the Cantagalli workshop in the British Museum
10/2018 | 1387 | 160
Pages: 816-823
related names
Author:
Thornton, Dora (Thornton, Dora)
Subjects
dates:
Illustrations
Attributed works:
1. Iznik-style dish, marked for the Figli di Giuseppe Cantagalli workshop, Florence. c.1890–95. Tin-glazed earthenware, diameter 41 cm. (British Museum, London).
Attributed works:
2. Reverse of the dish illustrated in Fig.1, showing the cockerel mark for the Cantagalli workshop.
Attributed works:
3. Iznik-style dish with scalloped edge and floral sprays, marked for the Figli di Giuseppe Cantagalli workshop, Florence. c.1899. Tin-glazed earthenware, diameter 39 cm. (Stibbert Museum, Florence).
Attributed works:
5. Iznik-style vase, marked for the Figli di Giuseppe Cantagalli workshop, Florence. 1883. Tin-glazed earthenware, diameter 57 cm. (Stibbert Museum, Florence).
Attributed works:
8. Curiosités, by Antoine Vollon. 1868. Canvas, 264 by 192 cm. (Musée d’Orsay, Paris).
Attributed works:
9. The sixteenth-century room at Hertford House, London, looking north, by J.J.Thomson. c.1890. Photograph. (The Wallace Collection, London).
Non-western art unattributed:
4. Iznik rimless dish with flower sprays, Iznik, Ottoman Turkey. c.1550. Fritware painted in underglaze blues, green and mauve, diameter 33.6 cm. (Victoria and Albert Museum, London).
Non-western art unattributed:
6. Iznik dish with peahen amid prunus branches, Iznik, Ottoman Turkey. c.1580–90. Fritware painted in underglaze blue, green and red, diameter 47.4 cm. (Wallace Collection, London).
Western art unattributed:
7. The comte de Nieuwerkerke’s collections in his private apartments in the Louvre, unknown photographer. c.1865. Stereoscopic glass negative. (The Wallace Collection, London).
Exhibition Review
The Silver Caesars: A Renaissance Mystery. Waddesdon Manor, Buckinghamshire
07/2018 | 1384 | 160
Pages: 580-582
related names
Reviewer:
Warren, Jeremy (Warren, Jeremy)
Subjects
collectors and dealers:
dates:
media:
Illustrations
Western art unattributed:
5. Tazza with a figure of the Emperor Galba. Netherlands, c.1587–99. Gilded silver, height 43 cm. (Casa- Museu Medeiros e Almeida, Lisbon; exh. Waddesdon Manor, Buckinghamshire).
Western art unattributed:
6. The dish from a tazza representing the Emperor Domitian. Netherlands, c.1587–99. Gilded silver, diameter 18 cm. (Minneapolis Institute of Art; exh. Waddesdon Manor, Buckinghamshire).
Western art unattributed:
7. The Breda Cup, by Elias Marcus and Jeremias Maes. 1600. Gilded silver, height 61.5 cm. (Hohenlohe Museum, Schloss Neuenstein; exh. Waddesdon Manor, Buckinghamshire).
Short Notice
A Model by Paul de Lamerie
12/1956 | 645 | 98
Pages: 446+448-449
related names
Author:
Delmar, Emil (Delmar, Emil; Delmar, E.)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
34. Gilt Bronze Dish, Here Attributed to Paul de Lamerie. (Museum of Art, Cleveland.)
Attributed works:
35. Handle of ewer, by Paul de Lamerie. Hall-Marked 1741. (Goldsmiths' Hall, London.)
Attributed works:
36. Gilt Silver Dish and Ewer, Here Attributed to Paul de Lamerie and His Workshop. (Earl of Ilchester Collection, London.)
Attributed works:
37. Gilt Silver Dish, Hall-Marked W. Pitt 1809. (Mr André G. T. Boszormenyi Collection, London.)
Book Review
Dutch Silver, Embossed Plaquettes, Tazze, and Dishes from the Renaissance until the End of the Eighteenth Century
06/1953 | 603 | 95
Pages: 221-222
related names
Reviewer:
Oman, Charles (Oman, Charles; Oman, Charles Chichele; O., C. C.; Oman, C. C.; Oman, Charles C.)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Dutch Silver, Embossed Plaquettes, Tazze, and Dishes from the Renaissance until the End of the Eighteenth Century | author: Fredericks, J. W.
Article
The Nîmes Faience-II
04/1933 | 361 | 62
Pages: 156-158
related names
Author:
Put, Albert van de (Put, Albert van de; P., A. V. de; Put, A. van de; P., A. V. D.)
Subjects
artists:
places:
subjects:
Illustrations
Attributed works:
Dish. Nîmes, c. 1581-1590. Diameter 25 cm. (Salting Bequest, the Victoria and Albert Museum). The Nîmes Faience-II
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