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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
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Pages: i-xxviii
Subjects
artists:
Illustrations
Attributed works:
A capriccio with a gothic church and ancient ruins, by Marco Ricci (1676–1730). Gouache on vellum, 31.3 by 44.2 cm. [GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
A demilune commode (with royal Italian provenance), by Carlo Randoni (1755–1831). c.1820–21. Wood, gilt, lacquer and broccatello marble, 90 by 124 by 57 cm. [Burzio, London/Tefaf]
Attributed works:
A very important pair of late-Baroque Italian polychrome majolica two-light wall sconces, tin-glazed earthenware co-called 'a gran fuocco'. Faenza. Possibly decorated by Nicolas Letourneau or Nicola Raccagna.[ Burzio/Tefaf]
Attributed works:
Albrecht Dürer. Das Schweißtuch von zwei Engeln gehalten. Around 1513. Copper engraving.[Venator & Hanstein]
Attributed works:
Alessandro Rondoni Busts of six Roman emperors [Brun Fine Art/Tefaf]
Attributed works:
BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617–1682) Portrait of Archbishop Ambrosio Spinola Circa 1670/75 Oil on canvas, 90.2 x 65.4 cm. [Caylus]
Attributed works:
Composition with portrait, fish and moonlight, by Louis Marcoussis (1878– 1941). c.1926. Gouache and pencil on paper, 20 by 14.3 cm. GALERIE BERÈS, PARIS [Salon du Dessin]
Attributed works:
Curly blue tail, by Alexander Calder (1898–1976). 1967. Painted metal and wire, 51.4 by 97.2 by 48.3 cm. [Galerie von Vertes, Zurich/Tefaf]
Attributed works:
Delft tile panel depicting a winter scene, based on an 18th-century engraving by Pierre-Jean Mariette. The ceramic panel was made by Jan Aalmis in the Dutch city of Rotterdam, c.1770. Approx 91 by 65 cm.[Regts Delft Tiles]
Attributed works:
Ecce Homo, by Sebastiano del Piombo (c.1485– 1547) and studio. 1520s. Oil on poplar, 34.7 by 26 cm. [Caylus, Madrid/Tefaf]
Attributed works:
Fabulous animal: Fabel- Tier, by Marc Chagall (1887–1927). c.1926–27. Watercolour, gouache and pastel on paper glued to card, 66 by 51.5 cm. [BAILLY GALLERY, GENEVA/Salon du Dessin]
Attributed works:
FRANÇOIS DE NOMÉ called Monsù Desiderio (c. 1593–after 1644) A pair of paintings showing the Martyrdoms of Saints Peter and Stephen, surrounded by fantastical architecture, c. 1617 Oil on slate, in original frames. Each: 31 x 31 cm [Robilant and Voena]
Attributed works:
Head of a man looking upwards, by Giovanni Bonazza (1654–1736). Late 17th century. Carrara marble, 54.5 by 45 cm. [Alessandro Cesati, Milan/Tefaf]
Attributed works:
Hiroshi Suzuki silver at Adrian Sassoon gallery. Photography by Sylvain Deleu. [Tefaf New York]
Attributed works:
Jacopo Robusti, called Tintoretto Portrait of a Scholar (detail) Oil on canvas, 112 x 90 cm [Trinity Fine Art/Tefaf]
Attributed works:
Jan Davidsz de HEEM (Leide, 1631 - 1695, Anvers) Peaches, grapes and a partly-peeled lemon in a Wanli “kraak” porselein bowl, with a ham on a pewter platter, a silver-gilt cup and cover, a pewter flagon, and a roemer with a knife on a plate, on a partly-draped table Oil on panel. Signed and dated lower left J.D. de Heem.f. 26 3/16 x 39 3/4 in. [Aguttes]
Attributed works:
Jupiter and Callisto, by Jacob de Wit (1695–1754). 1733. Black chalk, pen and ink, wash, watercolour and gouache with white highlights on paper, 44.5 by 30.8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Attributed works:
LELIO ORSI (1508?–Novellara–1587) Portrait of Camilla Ruggeri Pen and brown ink, 17.3 x 11.8 cm. [Ratton and Ladriere]
Attributed works:
Nicolas Robert (1614-1685), Papaver somniferum (Linné). Muséum national d’Histoire naturelle, Collection des vélins, portefeuille 41, folio 49. Cliché Tony Querrec (RMN) ©. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Parrot and exotic birds on a branch, by Gustave Doré (1832–83). c.1856. Watercolour and black pencil on paper, 45 by 30 cm. [GALERIE FABIENNE FIACRE, PARIS/Salon du Dessin]
Attributed works:
PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) Study of a kneeling man seen in profile black chalk, heightened with white, on buff paper 40.6 x 29.1 cm €250,000-350,000 £230,000-310,000 [Christie's]
Attributed works:
Philoctetes on the island of Lemnos, by Gerard van Kuijl (1604–73). Oil on canvas, 137.7 by 110.8 cm. Haboldt & Co., New York, Amsterdam and Paris/Tefaf]
Attributed works:
Plants and insects (III), by Pablo Picasso (1881–1973). 1956. Ink on paper, 66 by 50 cm. WADDINGTON CUSTOT, LONDON/Salon du Dessin]
Attributed works:
POPE PAUL V BORGHESE ENTHRONED PAOLO SANQUIRICO (1565–1630) Bronze, deep reddish-black patina Bronze, 38.5 (15¹⁄4 in.) high Datable to c. 1616–1619 [Tomasso]
Attributed works:
Prince Hoare, Portrait of Sir Horace Mann (detail). Terracotta, height 51.5 cm [Walter Padovani/Tefaf].
Attributed works:
The feast in the house of Simon with Mary Magdalene, by Luca Giordano (1634–1705). Pen and brown ink and wash over black chalk, 43.1 by 43.1 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink and wash on paper, 22.5 by 19.3 cm. GRÄSSLE, HÄRB & NUTI, MUNICH AND LONDON/Salon du Dessin]
Attributed works:
The narrow path, by Maurice Denis (1870– 1943). c.1889–90. Watercolour on paper, 23 by 17 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
The popular improviser in the Campo Vaccino, by Bartolomeo Pinelli (1781–1835). 1820. Oil on canvas, 97 by 137 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
The triumph of Neptune and Amphitrite, by Frans Francken the Younger (1581–1642). Oil on panel, 53.6 by 75.2 cm. [Galerie De Jonckheere, Geneva/Tefaf]
Attributed works:
Titian (1488–1576) and workshop The Tribute Money Oil on canvas, 108.3 x 103.5 cm Expertise: Mauro Lucco and Peter Humfrey Published: Titian Themes and Variations edited by Peter Humfrey [New Raritet Gallery]
Attributed works:
Tritons and Nereids, by Amico Aspertini (1473/75–1552). 1520. Brush and brown ink heightened with white on prepared paper, 28 by 43.5 cm. [Day & Faber, London/Tefaf]
Attributed works:
Two affectionate doves, by Giacomo Raffaelli (1753–1836). Micro mosaic with a gold border, 3.5 by 1.8 cm. [Alessandra Di Castro, Rome/Tefaf]
Attributed works:
Two lovers, by Parmigianino (1503–40). Pen and brown ink on paper, 13.1 by 15.2 cm. [JEAN-LUC BARONI AND MARTY DE CAMBIAIRE, PARIS/Salon du Dessin]
Attributed works:
Untitled (bricolage), by Jean Tinguely (1925–91). c.1975. Metal and rubber with an electric sander, 75 by 49 by 49 cm. [Galerie Georges- Philippe & Nathalie Vallois, Paris/Tefaf]
Attributed works:
Untitled, by Wassily Kandinsky (1866–1944). 1941. Ink, watercolour and gouache, 47.5 by 31 cm. [Galerie Utermann, Dortmund/Tefaf]
Attributed works:
Whale hunting from the Royal Grotesques series, by the Brussels workshop of Cornelis and Jan Mattens. Design attributed to Giulio Romano. Late 16th century. Wool and silk, 415 by 550 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Young girl sitting, by Carl Olof Larsson (1853–1919). Watercolour over pencil with gouache on paper, 35.5 by 25.4 cm. [GALERIE GRAND-RUE MARIE-LAURE RONDEAU, GENEVA/Salon du Dessin]
Non-western art unattributed:
Camel and rider. China, Tang dynasty (618–906 AD). Terracotta with polychrome, 98.5 by 33 by 75 cm. [Vanderven Oriental Art, ’s-Hertogenbosch/Tefaf]
Non-western art unattributed:
CASKET Ceylon, probably Kandy;  2nd-half 16th century Ivory and silver Dim.:  8.0  ×   19.0  ×   11.0  cm Prov: descendants of Afonso de Albuquerque (1453–1515  ),  2nd Viceroy of Portuguese India. [Sao Roque/Tefaf]
Non-western art unattributed:
Female reliquary figure. Fang peoples, Okak group, Equatorial Guinea or Rio Muni / Northern Gabon, 1718–1886. Wood, nails and copper alloy, height 38.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Iznik jug. Ottoman, Turkey, late 16th century. Ceramic, 19 by 15 cm. [Amir Mohtashemi, London/Tefaf]
Non-western art unattributed:
NAMBAN TABLE Japan, Momoyama (   1573  –  1603   ) Dim.:  36. 2 ×   56.5  ×  43.5  cm Former T. P. collection, Lisbon. Exhibited at Smithsonian M., Washington; McMullen M., Boston; Orient M., Lisbon, 2010. [Sao Roque/Tefaf]    
Western art unattributed:
Attic black-figure amphora depicting the fourth labour of Hercules and two female fi gures in a chariot with winged horses (verso). Athens, 530–29 BC. Ceramic, height 45 cm. [David Aaron, London/Tefaf]
Book Review
The Aesthetics of Reaction: Tradition, Faith, Identity, and the Visual Arts in France, 1900–1914
06/2022 | 1431 | 164
Pages: 635
related names
Reviewer:
Coombes, Rachel (Coombes, Rachel)
Subjects
Reviewed Items
subjects:
The Aesthetics of Reaction: Tradition, Faith, Identity, and the Visual Arts in France, 1900–1914 By Neil McWilliam. 376 pp. incl. 80 col. + 7 b. & w. ills. (Brepols, Turnhout, 2021), €135. ISBN 978–2–503–59157–5. | :
Illustrations
Attributed works:
8. Nymphs after bathing, by Émile Bernard. 1908. Oil on canvas, 121 by 151 cm. (Musée des Beaux-Arts, Lille; © RMN Grand Palais / Art Resource, New York; photograph Thierry Le Mage).
Exhibition Review
The Morozov Collection: Icons of Modern Art
02/2022 | 1427 | 164
Pages: 204-206
related names
Reviewer:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
dates:
patrons:
Reviewed Items
subjects:
The Morozov Collection: Icons of Modern Art Fondation Louis Vuitton, Paris 22nd September 2021– 22nd February 2022 | :
Illustrations
Attributed works:
23. Ivan Abramovitch Morozov, Moscow, 1910, by Valentin Serov. 1910. Tempera on cardboard, 63.5 by 77 cm. (State Tretyakov Gallery, Moscow; exh. Fondation Louis Vuitton, Paris).
Attributed works:
24. The cork or Country inn (La Guinguette), by Édouard Manet. c.1878. Oil in canvas, 72.4 by 92 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Louis Vuitton, Paris).
Attributed works:
25. Bathers, by Paul Cézanne. 1892–94. Oil on canvas, 26 by 40 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Fondation Louis Vuitton, Paris).
Exhibition Review
Maurice Denis: Love
06/2021 | 1419 | 163
Pages: 544-546
related names
Reviewer:
Deltour, Louis (Deltour, Louis)
Subjects
artists:
dates:
Reviewed Items
subjects:
Maurice Denis: Love Musée cantonal des Beaux-Arts, Lausanne 12th February–16th May | :
Illustrations
Attributed works:
10. Sunlight on the terrace, by Maurice Denis. 1890. Oil on cardboard, 23.5 by 20.5 cm. (Musée d’Orsay, Paris; photograph RMN-Grand Palais / Patrice Schmidt; exh. Musée cantonal des Beaux-Arts de Lausanne).
Attributed works:
11. Bathers, beach with a small temple, by Maurice Denis. 1906. Oil on canvas, 114 by 196 cm. (Musée cantonal des Beaux-Arts de Lausanne).
Attributed works:
12. April, decoration for a ceiling, by Maurice Denis. 1894. Oil on canvas, diameter 182 cm. (Private collection; exh. Musée cantonal des beaux-arts de Lausanne).
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03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
Book Review
Nature’s Experiments and the Search for Symbolist Form. By Allison Morehead
01/2019 | 1390 | 161
Pages: 94-95
related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
media:
places:
Illustrations
Attributed works:
6. Study for Décor, by Maurice Denis. c.1890–91. Charcoal and pastel on paper, 31.2 by 24.7 cm. (Private collection).
Article
Surrealism versus the academy: Charles Estienne on Paul Gauguin and Vasily Kandinsky
08/2017 | 1373 | 159
Pages: 623-629
related names
Author:
Parkinson, Gavin (Parkinson, Gavin)
Subjects
places:
Illustrations
Attributed works:
31. Still life with oranges, by Paul Gauguin. 1880 (Musée des beaux-arts de Rennes)
Attributed works:
32. Te reroia (The dream), by Paul Gauguin. 1897 (Courtauld Gallery, London)
Attributed works:
33. Dada Gauguin, by Max Ernst. 1920 (Art Institute of Chicago)
Attributed works:
34. The talisman, by Paul Sérusier. 1888 (Musée d'Orsay, Paris)
Attributed works:
36. Symbolist architecture with two green bulls, by Charles Filiger. c.1900-14 (Musée des beaux-arts, Quimper)
Western art unattributed:
35. Photograph of André Breton, Benjamin Péret, Yves Elléouët and Charles Estienne at Saint-Cirque-Lapopie. c.1952 (Atelier André Breton, Paris)
Article
Maurice Denis’s ‘Définition du Néo-traditionnisme’ and anti-naturalism (1890)
04/2012 | 1309 | 154
Pages: 260-267
related names
Author:
Thomson, Richard (Thomson, Richard)
Author:
Thomson, Belinda (Thomson, Belinda)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
31. The martyrdom of St Denis, by Léon Bonnat. 1884–85. Canvas, maroufflé to the wall, dimensions unknown. (Panthéon, Paris).
Attributed works:
32. Nous vous donnerons 25 francs pour commencer, by Jean-François Raffaëlli. c.1883–84. Oil on board laid down on panel, 50 by 65 cm. (Private collection).
Attributed works:
33. Vaccination, by Pascal Dagnan-Bouveret. 1882. Canvas, dimensions and whereabouts unknown.
Attributed works:
34. October 1806, by Ernest Meissonier. 1887–90. Canvas, 108.6 by 145.4 cm. (Private collection).
Attributed works:
35. Antonin Proust, by Alfred Roll. 1890. Pastel, dimensions and whereabouts unknown.
Attributed works:
36. Femme en rouge, by Louis Anquetin. 1890. Pastel on paper, 59.5 by 51 cm. (Musée des Beaux-Arts, Tournai).
Attributed works:
37. Calvaire breton, by Paul Gauguin. 1889. Canvas, 92 by 73.5 cm. (Musées Royaux des Beaux-Arts, Brussels).
Attributed works:
38. Le Toussaint, by Emile Friant. 1888. Canvas, 254 by 334 cm. (Musée des Beaux-Arts, Nancy).
Attributed works:
39. Illustration for Alphonse Daudet’s Femmes d’artistes, by Felicien von Myrbach-Rheinfeld. 1889 (English ed. 1890). Wood engraving, 12.5 by 9 cm. (Private collection).
Attributed works:
40. Illustration for Paul Verlaine’s Sagesse, by Maurice Denis. 1889. Lithograph, 5.2 by 11.8 cm. (Bibliothèque nationale, Paris).
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