23. Vortograph, by Alvin Langdon Coburn. 1917. Gelatin silver print, 28.3 by 21.4 cm. (George Eastman House, Rochester NY; exh. Tate Modern, London).
Attributed works:
24. Homage to Kandinsky, by Marta Hoepffner. 1937. Gelatin silver print, 39.5 by 29.3 cm. (Estate Marta Hoepffner; Stadtmuseum Hofheim am Taunus; exh. Tate Modern, London).
Book Review
The Apparently Marginal Activities of Marcel Duchamp. By Elena Filipovic
7. Boîte-en-valise, by Marcel Duchamp or Rrose Sélavy. Brown leather valise with handle containing sixty-nine miniature replicas and printed reproductions and one original, Virgin (No. 2), 1938, hand-coloured collotype. 1935–41 (box); 1938 (collotype). The Louise and Walter Arensberg Collection, 1950 (Philadelphia Museum of Art, Philadelphia; photograph Art Resource, NY).
Article
Camille Pissarro’s ‘Turpitudes sociales’ revisited, part II: anarchism, anti-Semitism and Adolphe Willette
28. Cover of Turpitudes sociales, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
29. L'hiver sera dur pour les goymes cette année (Discours de S.M. Rothschild, roi de France), by Adolphe Willette. Published in Le Pierrot 21 (30th August 1889). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
30. Le Capital. Turpitudes sociales, no.1, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
31. Les Affaires; Accaparement - Misère!, by Jean-Louis Forain. Published in Le Fifre (30th March 1889). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
32. The Golden Calf, by Camille Pissarro. 1889 (Denver Art Museum)
Attributed works:
33. Detail of Les Juifs et la Semaine Sainte, by Adolphe Willette. Published in Le Courrier français (5th April 1885). (Zimmerli Art Museum, Rutgers University, New Brunswick)