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43 articles
Exhibition Review
Victorian Giants
05/2018 | 1382 | 160
Pages: 417-418
related names
Reviewer:
Barnes, Martin (Barnes, Martin)
Subjects
dates:
media:
Illustrations
Attributed works:
14. Two ways of life, by Oscar Rejlander. 1856–57. Albumen print, 21.8 by 41.8 cm. (Moderna Museet, Stockholm; exh. National Portrait Gallery, London).
Attributed works:
15. Robert Browning, by Julia Margaret Cameron. 1865. Albumen print, 18 by 22.7 cm. (Wellcome Collection, London; exh. National Portrait Gallery, London).
Attributed works:
16. Photographic study, 5 Princes Gardens (Clementina Maude), by Clementina Hawarden. 1863–64. Albumen print, 23.8 by 27.5 cm. (Victoria and Albert Museum, London; exh. National Portrait Gallery, London).
Supplement
Sculpture acquisitions (2000–10) by regional museums in Britain
11/2010 | 1292 | 152
Pages: 770-771
Subjects
dates:
print:
Illustrations
Attributed works:
I. Flenite relief, by Jacob Epstein. 1913. Serpentine stone, 30.5 by 28 by 9 cm. Leeds Art Gallery. Purchased with the aid of grants from the Heritage Lottery Fund, the Art Fund, the MLA/V. & A. Purchase Grant Fund and the Leeds Art Collections Fund, 2006.
Attributed works:
II. Birdman, by Elisabeth Frink. c.1956/59. Plaster, 190.5 by 58 by 83 cm. Leeds Art Gallery. Presented by Beaux Arts and the Frink Estate through the Art Fund, 2010.
Attributed works:
III. Kiss, by Marc Quinn. 2001. Macedonian marble, 178 by 64.5 by 62.5 cm. Graves Art Gallery, Sheffield. Purchased through the Art Fund, the MLA/V. & A. Purchase Grant Fund, the JG Graves Charitable Trust, and a donation in memory of Harold and Doris Turner, 2004.
Attributed works:
IV. Filter, by Antony Gormley. 2002. Flat mild steel rings, 193 by 50 by 38 cm. Manchester City Art Gallery. Purchased with assistance from the Art Fund and the Livingstone and Bloom Charitable Trusts, 2008.
Attributed works:
IX. Eclipse, by Langlands & Bell. 1999. Wood, steel and lacquer, 76 by 520 by 250 cm. Middlesbrough Institute of Modern Art. Gift of the artists, 2007.
Attributed works:
V. Sandstone, by Andy Goldsworthy. 1987. Red sandstone, 5 pieces, dimensions variable. Middlesbrough Institute of Modern Art. Gift of Dr Terry Friedman, 2007.
Attributed works:
VI. ‘I Like to get my loving when I get it on my mind’, by Mat Collishaw. 2003. Loop video projection, wood and ground glass screen, 182 by 168 by 26 cm. Hunterian Art Gallery, Glasgow. Purchased from Galerie Cosmic, Paris, with funds from the National Collecting Scheme for Scotland with additional grants from the Art Fund and the National Fund for Acquisitions, 2003.
Attributed works:
VII. Flailing trees, by Gustav Metzger. 2009. Willow trees, concrete, 338 by 440 by 520 cm. Whitworth Art Gallery, Manchester. Commissioned by Manchester International Festival, Whitworth Art Gallery and Cube for the Manchester International Festival in 2009. Purchased from the artist by the Whitworth Art Gallery, 2009.
Attributed works:
VIII. Blackout, by Eva Rothschild. 2007. Lacquered beech wood and acrylic (Perspex), 107 by 48 by 48 cm. Southampton City Art Gallery. Purchased from Stuart Shave/Modern Art through the David and Liza Brown Bequest Fund with grants from the Art Fund and the MLA/V. & A. Purchase Grant Fund, 2008.
Attributed works:
X. Habitat, by Gavin Turk. 2004. Painted bronze, 7 by 170 by 70 cm. Aberdeen Art Gallery. Purchased with aid from the National Fund for Acquisitions, the Art Fund and with funds from the National Collecting Scheme for Scotland, which is operated by the Contemporary Art Society and supported by the National Lottery through the Scottish Arts Council, 2004.
Exhibition Review
Moore, Hepworth, Nicholson. Norwich and Sheffield
08/2009 | 1277 | 151
Pages: 561-562
related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Moore, Hepworth, Nicholson: A Nest of Gentle Artists | institution: Graves Art Gallery , institution: Norwich Castle Museum and Art Gallery
Illustrations
Attributed works:
53. Reclining figure, by Henry Moore. 1930. Ironstone, 11.5 by 17.5 by 3.5 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia; exh. Graves Gallery, Sheffield).
Attributed works:
54. Three forms, by Barbara Hepworth. 1936. Serravezza marble, 21 by 53.2 by 34.3 cm. (Tate Collection; exh. Graves Gallery, Sheffield).
Attributed works:
55. Still life with guitar, by Ben Nicholson. 1932. Oil on board, 76.2 by 63.3 cm. (Leeds City Art Gallery; exh. Graves Gallery, Sheffield).
Exhibition Review
Lady Mary Wortley Montagu. Sheffield
07/2007 | 1252 | 149
Pages: 502-503
related names
Reviewer:
Jenkins, Susan (Jenkins, Susan)
Subjects
collectors and dealers:
dates:
places:
Reviewed Items
subjects:
Lady Mary Wortley Montagu: An Extraordinary 18th Century Woman | institution: Graves Art Gallery
Illustrations
Attributed works:
44. Portrait of Lady Mary Wortley Montagu, by Jonathan Richardson Sr. c.1718. Canvas, 172.7 by 136.8 cm. (Graves Art Gallery, Sheffield).
Attributed works:
45. Portrait of Edward Wortley Montagu, by George Romney. c.1775. Canvas, 136.7 by 108.8 cm. (Graves Art Gallery, Sheffield).
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
05/2007 | 1250 | 149
Pages: 345-347
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight | institution: Norwich Castle Museum and Art Gallery
subjects:
Keith Vaughan: Figure and Landscape | institution: Victoria Art Gallery
subjects:
WE the moderns: Gaudier-Brzeska and the birth of modern sculpture | institution: Graves Art Gallery
subjects:
William Roberts: England at Play | institution: Pallant House Gallery
Illustrations
Attributed works:
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
Exhibition Review
Art at the Rockface. Norwich and Sheffield
12/2006 | 1245 | 148
Pages: 867-869
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
dates:
places:
print:
print:
Reviewed Items
subjects:
Art at the Rockface: The Fascination of Stone | institution: Norwich Castle Museum and Art Gallery , institution: Ruskin Gallery
Illustrations
Attributed works:
71. Delabole spiral, by Richard Long. 1981. Slate, 28 stones, 34.5 by 240.5 by 228.5 cm. (Sheffield Galleries and Museums Trust; exh. Millennium Galleries, Sheffield).
Attributed works:
72. Collector’s cabinet, by the Castrucci workshop. c.1620. Pietre dure, ebonised and gilded wood, 48.5 by 48.6 by 25.4 cm. (Gilbert Collection, London; exh. Millennium Galleries, Sheffield).
Attributed works:
73. Mother and child, by Henry Moore. 1936. Ancaster stone, 51 cm. high. (British Council Collection, London; exh. Millennium Galleries, Sheffield).
Attributed works:
74. Installation showing E.W. Cooke’s Steeple Rock, Kynance Cove, Lizard, Cornwall, low water (1873; private collection) and Untitled (Chair with fabric and rock), by Jannis Kounellis (2006; private collection; both exh. Schachter Rove Gallery, London) at Schachter Rove Gallery, London, 2006.
Exhibition Review
William Roberts. Newcastle upon Tyne and Sheffield
08/2004 | 1217 | 146
Pages: 564-566
related names
Reviewer:
Watney, Simon (Watney, Simon)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
William Roberts 1895-1980 | institution: Graves Art Gallery , institution: University of Newcastle, Hatton Gallery
Illustrations
Attributed works:
73. Study for Two-step II, by William Roberts. c.1915. Pencil, watercolour and gouache on paper, 30 by 23 cm. (British Museum, London; exh. Graves Art Gallery, Sheffield).
Attributed works:
74. The Vorticists at the Restaurant de la Tour Eiffel, by William Roberts. 1961-62. 182.9 by 213.4 cm. (Tate, London; exh. Graves Art Gallery, Sheffield).
Attributed works:
75. Study for At the Hippodrome, by William Roberts, 1920. Chalk and wash on paper, 48 by 45.2 cm. (Cecil Higgins Museum, Bedford; exh. Graves art Gallery, Sheffield).
Attributed works:
76. The pigeon fanciers, by William Roberts. 1928. Pencil and wash on paper, 40 by 32.9 cm. (Wakefield Art Gallery; exh. Graves Art Gallery, Sheffield).
Attributed works:
77. At the Hippodrome (the gods), by William Roberts. 1920. 97.8 by 92.7 cm. (New Walk Museum, Leicester; exh. Graves Art Gallery, Sheffield).
Exhibition Review
Christopher Wood. Sheffield
05/2004 | 1214 | 146
Pages: 347-348
related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Christopher Wood: Between Poetry and Art | institution: Graves Art Gallery
Illustrations
Attributed works:
72. Anemones in Cornish window, by Christopher Wood. c.1928. 40.6 by 50.8 cm. (Leeds City Art Galleries; exh. Graves Art Gallery, Sheffield).
Attributed works:
73. La Plage, Hôtel Ty-Mad, by Christopher Wood. 1930. 45.7 by 54.6 cm. (Sheffield City Art Galleries; exh. Graves Art Gallery, Sheffield).
Exhibition Review
Nigel Henderson: Sudbury, Sheffield and Edinburgh
02/2002 | 1187 | 144
Pages: 116-117
related names
Reviewer:
Garlake, Margaret (Garlake, Margaret)
Subjects
artists:
dates:
subjects:
subjects:
Reviewed Items
subjects:
Nigel Henderson: Parallel of Life and Art | institution: Architectural Association , institution: Gainsborough's House , institution: Graves Art Gallery , institution: Scottish National Gallery of Modern Art , author: Walsh, Victoria
Illustrations
Attributed works:
127. Installation View of 'Parallel of Life and Art' at the Institute of Contemporary Arts, London, 1953. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
128. Teenagers, Stepney, by Nigel Henderson. 1949-53. Photograph. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
129. Male Bathers, by Nigel Henderson. c.1950. Stressed Photograph. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
130. Study for 'Parallel of Life and Art', by Nigel Henderson. 1952. Collage with Pen and Pencil, 21.6 by 30.5 cm. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Exhibition Review
Severini. London, Oxford and Sheffield
01/2000 | 1162 | 142
Pages: 49-50
related names
Reviewer:
Gale, Matthew (Gale, Matthew; G., M.)
Subjects
artists:
dates:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
70. Sea = Dancer, by Gino Severini. 1914. 105.4 by 85.9 cm. (Peggy Guggenheim Collection, Venice; Exh. Estorick Collection, London).
Attributed works:
71. Memories of a Journey, by Gino Severini. 1910-11. 81.2 by 99.8 cm. (Private Collection; Exh. Estorick Collection, London).
Attributed works:
72. Still Life with Literary Review 'Nord-Sud', by Gino Severini. c.1917. 55 by 77 cm. (Private Collection, Switzerland; Exh. Estorick Collection, London).
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