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6 articles
Exhibition Review
Moore, Hepworth, Nicholson. Norwich and Sheffield
08/2009 | 1277 | 151
Pages: 561-562
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Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Moore, Henry Spencer, 1898-1986 / Hepworth, Barbara / Nicholson, Ben
dates:
2000-2009
museums and institutions:
Graves Art Gallery, Sheffield, Great Britain
places:
Sheffield / England
print:
Moore, Henry Spencer, 1898-1986
print:
Hepworth, Barbara
print:
Nicholson, Ben
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Moore, Hepworth, Nicholson: A Nest of Gentle Artists | institution: Graves Art Gallery , institution: Norwich Castle Museum and Art Gallery
Illustrations
Attributed works:
53. Reclining figure, by Henry Moore. 1930. Ironstone, 11.5 by 17.5 by 3.5 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia; exh. Graves Gallery, Sheffield).
Attributed works:
54. Three forms, by Barbara Hepworth. 1936. Serravezza marble, 21 by 53.2 by 34.3 cm. (Tate Collection; exh. Graves Gallery, Sheffield).
Attributed works:
55. Still life with guitar, by Ben Nicholson. 1932. Oil on board, 76.2 by 63.3 cm. (Leeds City Art Gallery; exh. Graves Gallery, Sheffield).
Exhibition Review
Lady Mary Wortley Montagu. Sheffield
07/2007 | 1252 | 149
Pages: 502-503
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Reviewer:
Jenkins, Susan (Jenkins, Susan)
Subjects
collectors and dealers:
Montagu, Mary Wortley, 1689-1762
dates:
2000-2009
museums and institutions:
Graves Art Gallery, Sheffield, Great Britain
places:
Sheffield / England
print:
Montagu, Mary Wortley, 1689-1762
subjects:
Reviews / Exhibitions / Portraits / Biographies
Reviewed Items
subjects:
Lady Mary Wortley Montagu: An Extraordinary 18th Century Woman | institution: Graves Art Gallery
Illustrations
Attributed works:
44. Portrait of Lady Mary Wortley Montagu, by Jonathan Richardson Sr. c.1718. Canvas, 172.7 by 136.8 cm. (Graves Art Gallery, Sheffield).
Attributed works:
45. Portrait of Edward Wortley Montagu, by George Romney. c.1775. Canvas, 136.7 by 108.8 cm. (Graves Art Gallery, Sheffield).
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
05/2007 | 1250 | 149
Pages: 345-347
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Reviewer:
Beechey, James (Beechey, James)
Subjects
artists:
Knight, Laura / Gaudier-Brzeska, Henri / Roberts, William, 1895-1980 / Vaughan, Keith
dates:
2000-2009
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Laing Art Gallery, Newcastle upon Tyne, Great Britain / Norwich Castle Museum and Art Gallery, Norwich, Great Britain / Kettle's Yard Gallery, Cambridge, Great Britain / Graves Art Gallery, Sheffield, Great Britain / Pallant House Gallery, Chichester, Great Britain / Victoria Art Gallery, Bath, Great Britain
places:
Bath / Cambridge / Chichester / England / Newcastle-upon-Tyne / Nottingham / Norwich / Sheffield
print:
British art
print:
Twentieth-century art
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight | institution: Norwich Castle Museum and Art Gallery
subjects:
Keith Vaughan: Figure and Landscape | institution: Victoria Art Gallery
subjects:
WE the moderns: Gaudier-Brzeska and the birth of modern sculpture | institution: Graves Art Gallery
subjects:
William Roberts: England at Play | institution: Pallant House Gallery
Illustrations
Attributed works:
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
Exhibition Review
William Roberts. Newcastle upon Tyne and Sheffield
08/2004 | 1217 | 146
Pages: 564-566
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Reviewer:
Watney, Simon (Watney, Simon)
Subjects
artists:
Roberts, William, 1895-1980
dates:
2000-2009
museums and institutions:
Graves Art Gallery, Sheffield, Great Britain
places:
England / Sheffield
print:
Roberts, William, 1895-1980
subjects:
Exhibitions / Reviews
Reviewed Items
subjects:
William Roberts 1895-1980 | institution: Graves Art Gallery , institution: University of Newcastle, Hatton Gallery
Illustrations
Attributed works:
73. Study for Two-step II, by William Roberts. c.1915. Pencil, watercolour and gouache on paper, 30 by 23 cm. (British Museum, London; exh. Graves Art Gallery, Sheffield).
Attributed works:
74. The Vorticists at the Restaurant de la Tour Eiffel, by William Roberts. 1961-62. 182.9 by 213.4 cm. (Tate, London; exh. Graves Art Gallery, Sheffield).
Attributed works:
75. Study for At the Hippodrome, by William Roberts, 1920. Chalk and wash on paper, 48 by 45.2 cm. (Cecil Higgins Museum, Bedford; exh. Graves art Gallery, Sheffield).
Attributed works:
76. The pigeon fanciers, by William Roberts. 1928. Pencil and wash on paper, 40 by 32.9 cm. (Wakefield Art Gallery; exh. Graves Art Gallery, Sheffield).
Attributed works:
77. At the Hippodrome (the gods), by William Roberts. 1920. 97.8 by 92.7 cm. (New Walk Museum, Leicester; exh. Graves Art Gallery, Sheffield).
Exhibition Review
Christopher Wood. Sheffield
05/2004 | 1214 | 146
Pages: 347-348
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related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Wood, Christopher
dates:
2000-2009
museums and institutions:
Graves Art Gallery, Sheffield, Great Britain
places:
England / Sheffield
print:
Wood, Christopher
subjects:
Exhibitions / Reviews
Reviewed Items
subjects:
Christopher Wood: Between Poetry and Art | institution: Graves Art Gallery
Illustrations
Attributed works:
72. Anemones in Cornish window, by Christopher Wood. c.1928. 40.6 by 50.8 cm. (Leeds City Art Galleries; exh. Graves Art Gallery, Sheffield).
Attributed works:
73. La Plage, Hôtel Ty-Mad, by Christopher Wood. 1930. 45.7 by 54.6 cm. (Sheffield City Art Galleries; exh. Graves Art Gallery, Sheffield).
Exhibition Review
Nigel Henderson: Sudbury, Sheffield and Edinburgh
02/2002 | 1187 | 144
Pages: 116-117
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Reviewer:
Garlake, Margaret (Garlake, Margaret)
Subjects
artists:
Henderson, Nigel
dates:
2000-2009
museums and institutions:
Institute of Contemporary Arts (ICA), London, Great Britain
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / Gainsborough's House, Sudbury, Great Britain / Graves Art Gallery, Sheffield, Great Britain / Architectural Association, London, Great Britain
places:
Sudbury / Sheffield / London / Edinburgh / England
print:
Henderson, Nigel
subjects:
Exhibitions
subjects:
Reviews
Reviewed Items
subjects:
Nigel Henderson: Parallel of Life and Art | institution: Architectural Association , institution: Gainsborough's House , institution: Graves Art Gallery , institution: Scottish National Gallery of Modern Art , author: Walsh, Victoria
Illustrations
Attributed works:
127. Installation View of 'Parallel of Life and Art' at the Institute of Contemporary Arts, London, 1953. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
128. Teenagers, Stepney, by Nigel Henderson. 1949-53. Photograph. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
129. Male Bathers, by Nigel Henderson. c.1950. Stressed Photograph. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
130. Study for 'Parallel of Life and Art', by Nigel Henderson. 1952. Collage with Pen and Pencil, 21.6 by 30.5 cm. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).