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6 articles
Exhibition Review
Moore, Hepworth, Nicholson. Norwich and Sheffield
08/2009 | 1277 | 151
Pages: 561-562
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related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Moore, Henry Spencer, 1898-1986 / Hepworth, Barbara / Nicholson, Ben
dates:
2000-2009
museums and institutions:
Graves Art Gallery, Sheffield, Great Britain
places:
Sheffield / England
print:
Moore, Henry Spencer, 1898-1986
print:
Hepworth, Barbara
print:
Nicholson, Ben
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Moore, Hepworth, Nicholson: A Nest of Gentle Artists | institution: Graves Art Gallery , institution: Norwich Castle Museum and Art Gallery
Illustrations
Attributed works:
53. Reclining figure, by Henry Moore. 1930. Ironstone, 11.5 by 17.5 by 3.5 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia; exh. Graves Gallery, Sheffield).
Attributed works:
54. Three forms, by Barbara Hepworth. 1936. Serravezza marble, 21 by 53.2 by 34.3 cm. (Tate Collection; exh. Graves Gallery, Sheffield).
Attributed works:
55. Still life with guitar, by Ben Nicholson. 1932. Oil on board, 76.2 by 63.3 cm. (Leeds City Art Gallery; exh. Graves Gallery, Sheffield).
Exhibition Review
Prunella Clough. London
07/2007 | 1252 | 149
Pages: 500-501
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related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Clough, Prunella
media:
2000-2009
museums and institutions:
Tate Britain, London, Great Britain / Norwich Castle Museum and Art Gallery, Norwich, Great Britain / Abbot Hall Art Gallery, Kendal, Great Britain
places:
Norwich / London / Kendal / England
print:
Clough, Prunella
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Prunella Clough | institution: Abbot Hall Art Gallery , institution: Norwich Castle Museum and Art Gallery , institution: Tate Britain
Illustrations
Attributed works:
40. Printer cleaning press, by Prunella Clough. 1953. Canvas, 91.5 by 56.5 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
41. Wire landscape, by Prunella Clough. 1985. Canvas, 91.5 by 101.5 cm. (Accenture plc; exh. Tate Britain, London).
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
05/2007 | 1250 | 149
Pages: 345-347
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related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
artists:
Knight, Laura / Gaudier-Brzeska, Henri / Roberts, William, 1895-1980 / Vaughan, Keith
dates:
2000-2009
museums and institutions:
Djanogly Art Gallery, Nottingham, Great Britain / Laing Art Gallery, Newcastle upon Tyne, Great Britain / Norwich Castle Museum and Art Gallery, Norwich, Great Britain / Kettle's Yard Gallery, Cambridge, Great Britain / Graves Art Gallery, Sheffield, Great Britain / Pallant House Gallery, Chichester, Great Britain / Victoria Art Gallery, Bath, Great Britain
places:
Bath / Cambridge / Chichester / England / Newcastle-upon-Tyne / Nottingham / Norwich / Sheffield
print:
British art
print:
Twentieth-century art
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight | institution: Norwich Castle Museum and Art Gallery
subjects:
Keith Vaughan: Figure and Landscape | institution: Victoria Art Gallery
subjects:
WE the moderns: Gaudier-Brzeska and the birth of modern sculpture | institution: Graves Art Gallery
subjects:
William Roberts: England at Play | institution: Pallant House Gallery
Illustrations
Attributed works:
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
Exhibition Review
Art at the Rockface. Norwich and Sheffield
12/2006 | 1245 | 148
Pages: 867-869
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related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
dates:
2000-2009
museums and institutions:
Norwich Castle Museum and Art Gallery, Norwich, Great Britain
museums and institutions:
Millennium Gallery, Sheffield, Great Britain
places:
Sheffield / Norwich / England
print:
Sculpture
print:
Stone
subjects:
Reviews / Exhibitions / Sculpture / Stone / Pietre Dure
Reviewed Items
subjects:
Art at the Rockface: The Fascination of Stone | institution: Norwich Castle Museum and Art Gallery , institution: Ruskin Gallery
Illustrations
Attributed works:
71. Delabole spiral, by Richard Long. 1981. Slate, 28 stones, 34.5 by 240.5 by 228.5 cm. (Sheffield Galleries and Museums Trust; exh. Millennium Galleries, Sheffield).
Attributed works:
72. Collector’s cabinet, by the Castrucci workshop. c.1620. Pietre dure, ebonised and gilded wood, 48.5 by 48.6 by 25.4 cm. (Gilbert Collection, London; exh. Millennium Galleries, Sheffield).
Attributed works:
73. Mother and child, by Henry Moore. 1936. Ancaster stone, 51 cm. high. (British Council Collection, London; exh. Millennium Galleries, Sheffield).
Attributed works:
74. Installation showing E.W. Cooke’s Steeple Rock, Kynance Cove, Lizard, Cornwall, low water (1873; private collection) and Untitled (Chair with fabric and rock), by Jannis Kounellis (2006; private collection; both exh. Schachter Rove Gallery, London) at Schachter Rove Gallery, London, 2006.
Exhibition Review
British watercolours. London, Manchester and Norwich
06/2005 | 1227 | 147
Pages: 420-421
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related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
dates:
2000-2009
museums and institutions:
Whitworth Art Gallery, Manchester, Great Britain / Dulwich Picture Gallery, London, Great Britain / Norwich Castle Museum and Art Gallery, Norwich, Great Britain
places:
Norwich / Manchester / London / England
print:
Watercolours
subjects:
Reviews / Exhibitions / Watercolours / British painting / British / Royal Society of Painters in Water-Colours / Norwich School
Reviewed Items
subjects:
Face to Face: Portraits of Artists of the Norwich School | institution: Norwich Castle Museum and Art Gallery
subjects:
The Triumph of Watercolour: the early years of the Royal Watercolour Society 1805-55, Face to Face: Portraits of Artists of the Norwich School, Cotman in the British Museum: The James Reeve Collection, The Golden Age of Watercolours and john Sell Cotman and the Norwich School. | institution: Dulwich Picture Gallery , institution: Whitworth Art Gallery
Illustrations
Attributed works:
72. Suburbs of an ancient city, by John Varley. 1808. Watercolour, 61.2 by 91.2 cm. (Tate London; exh. Whitworth Art Gallery, Manchester).
Attributed works:
73. Exhibition of watercoloured drawings, Old Bond Street, by Augustus Charles Pugin, Thomas Rowlandson and Joseph Stadler. 1808. Aquatint with watercolour, 23.6 by 28.6 cm. (Private collection; ex. Whitworth Art Gallery, Manchester).
Attributed works:
74. Alby, Norfolk, by John Middleton. 1847. Watercolour, 31.7 by 48.2 cm. (Norwich Castle Museum).
Attributed works:
75. Drop gate, Duncombe Park, by John Sell Cotman. 1805. Watercolour, 33 by 23.1 cm. (British Museum, London; exh. Norwich Castle Museum).
Exhibition Review
Frederick Sandys: Norwich
01/2002 | 1186 | 144
Pages: 48–50
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related names
Reviewer:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
artists:
Sandys, Frederick
dates:
2000-2009
museums and institutions:
Norwich Castle Museum and Art Gallery, Norwich, Great Britain
places:
England / Norwich
subjects:
Exhibitions / Reviews
Reviewed Items
subjects:
Frederick Sandys and the Pre-Raphaelites | institution: Norwich Castle Museum and Art Gallery
Illustrations
Attributed works:
62. Medea, by Frederick Sandys. 1866-68. 62.2 by 46.4 cm. (Birmingham Museums and Art Gallery; Exh. Norwich Castle Museum and Art Gallery).
Attributed works:
63. Autumn, by Frederick Sandys. c.1860. 80 by 109.3 cm. (Norwich Castle Museum and Art Gallery).
Attributed works:
64. Cyril Flower, Lord Battersea, by Frederick Sandys. 1877. Coloured Chalks on Paper, 109.8 by 74.9 cm. (Norwich Castle Museum and Art Gallery).
Attributed works:
65. Dean Richard Church and Alfred, Lord Tennyson, by Frederick Sandys. Coloured Chalks on Blue-Green Paper, Each 66 by 50.8 cm. (Macmillan Trust; Exh. Norwich Castle Museum and Art Gallery).