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25 articles
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Advertisements
Advertisements (front)
08/2018 | 1385 | 160
Pages: i–xviii
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Hecikmann, Chemnitz. Caspar David Friedrich (1774–1840) Bohemian landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Auktionshaus Heickmann, Chemnitz. Edvard Munch (1863–1944) "The Woman II, Sphinx/Woman in three Stages". 1895. Drypoint and line etching in black ink. Signed. Woll 22 VIII. 295 x 345 mm.]
Attributed works:
[Bonhams, London. Frederic, Lord Leighton, PRA (British, 1830-1896) Little Fatima oil on canvas 40.7 x 25.4cm (16 x 10in). £100,000-150,000*]
Attributed works:
[Bonhams, London. William Roberts R.A. (1895-1980) Demolition Squad pencil and watercolour Executed circa 1941 Sold in June 2018 for £125,000 *]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Ercole Setti (1530 –Modena –1618) A Procession Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Robilant + Voena, London. Alighiero Boetti (1940 - 1994) Mappa, 1983 Signed and dated ‘Kabul Afghanistan 1983’ on the overlap Embroidery 114 x 176 cm; (44 7/8 x 69 1/4 in.)]
Attributed works:
[Trinity Fine Arts, London. Anton Raphael Mengs (Aussig 1728–Rome 1779) Portrait of José Nicolás de Azara (1730–1804) Oil on canvas 82.6 x 63.5 cm / 32 1/2 x 35 in Provenance Probably Giuliana Falconieri, Principessa di Santacroce]
Western art unattributed:
[Bonhams, London. A French late 17th/early 18th century gilt and patinated bronze group of the Laocoon After the Antique £60,000–80,000 Provenance U.K. Private Collection]
Western art unattributed:
[Galerie Sismann, Paris. Apostle Limestone, traces of polychromy and gilt Lorraine 1330–1340 H.90 cm]
Western art unattributed:
[Peter Finer, London. A Pair of Spanish Bronze cannon barrels, circa 1600 Provenance: The Duke of Lerma (b.1552 – d.1625) Private Collection UK]
Publication Received
William Roberts in the ‘Atomic Age’: Publicity, Patronage and Paranoia. By David Cleall.
05/2014 | 1334 | 156
Pages: 327
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
05/2007 | 1250 | 149
Pages: 345-347
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight | institution: Norwich Castle Museum and Art Gallery
subjects:
Keith Vaughan: Figure and Landscape | institution: Victoria Art Gallery
subjects:
WE the moderns: Gaudier-Brzeska and the birth of modern sculpture | institution: Graves Art Gallery
subjects:
William Roberts: England at Play | institution: Pallant House Gallery
Illustrations
Attributed works:
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
Book Review
William Roberts: An English Cubist.
09/2005 | 1230 | 147
Pages: 625
related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
dates:
Reviewed Items
subjects:
William Roberts: An English Cubist. | author: Williams, Andrew Gibbon
Exhibition Review
William Roberts. Newcastle upon Tyne and Sheffield
08/2004 | 1217 | 146
Pages: 564-566
related names
Reviewer:
Watney, Simon (Watney, Simon)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
William Roberts 1895-1980 | institution: Graves Art Gallery , institution: University of Newcastle, Hatton Gallery
Illustrations
Attributed works:
73. Study for Two-step II, by William Roberts. c.1915. Pencil, watercolour and gouache on paper, 30 by 23 cm. (British Museum, London; exh. Graves Art Gallery, Sheffield).
Attributed works:
74. The Vorticists at the Restaurant de la Tour Eiffel, by William Roberts. 1961-62. 182.9 by 213.4 cm. (Tate, London; exh. Graves Art Gallery, Sheffield).
Attributed works:
75. Study for At the Hippodrome, by William Roberts, 1920. Chalk and wash on paper, 48 by 45.2 cm. (Cecil Higgins Museum, Bedford; exh. Graves art Gallery, Sheffield).
Attributed works:
76. The pigeon fanciers, by William Roberts. 1928. Pencil and wash on paper, 40 by 32.9 cm. (Wakefield Art Gallery; exh. Graves Art Gallery, Sheffield).
Attributed works:
77. At the Hippodrome (the gods), by William Roberts. 1920. 97.8 by 92.7 cm. (New Walk Museum, Leicester; exh. Graves Art Gallery, Sheffield).
Exhibition Review
William Roberts; Mark Gertler. London and Leeds
06/1992 | 1071 | 134
Pages: 394-395
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
47. The Cinema, by William Roberts. 1920. 91.4 by 76.2 cm. (Tate Gallery, London).
Attributed works:
48. No, No, Roger! Cézanne Never Used It, by William Roberts. c. 1938. Pencil Squared for Transfer, 19.7 by 24.8 cm. (Gillian Jason Gallery, London).
Attributed works:
49. The Spanish Fan, by Mark Gertler. 1938. 106.6 by 121.9 cm. (Private Collection; Exh. Leeds City Art Gallery).
Supplement
Recent Acquisitions in Edinburgh Museums: Supplement
08/1990 | 1049 | 132
Pages: 609-612
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
I. Landscape with Christ and John the Baptist, by Goffredo Wals. Copper, 28.5 cm. diam. Purchased with the Aid of the National Art Collections Fund, 1990. (National Gallery of Scotland).
Attributed works:
II. The Bell Rock lighthouse, by Joseph Mallord William Turner. Water-colour and gouache with scratching out, 30.6 by 45.5 cm. Purchased with major contributions from the National Heritage Memorial Fund and the Pilgrim Trust. (National Gallery of Scotland). Robert Stevenson, who built the Bell Rock lighthouse, wrote an account of its revolutionary design and construction for which he needed an engraved view as illustration, and he asked Sir Walter Scott for an introduction to Turner. The subject of human enterprise against the sublime power of the sea obviously appealed to the artist.
Attributed works:
III. Chesterfield wine cooler, with the maker's mark of Paul Crespin overstriking that of Paul de Lamerie. 1727-28. Silver, 27.2 cm. high. The Victoria and Albert Museum and the National Museums of Scotland succeeded in raising £750,000 to save the two Chesterfield wine coolers from export, and the second is now in the V & A. Major financial assistance was received from the National Heritage Memorial Fund, the National Art Collections Fund, Christie's International, the Pilgrim Trust, the Wolfson Foundation and the Worshipful Company of Goldsmiths, London. (Royal Museum of Scotland). The pair is from the ambassadorial service issued by the Royal Jewel House to Philip Dormer Stanhope, 4th Earl of Chesterfield (1694-1773) for his embassy to The Hague between 1728 and 1732.
Attributed works:
IV. Hew Dalrymple, Lord Drummore, by Allan Ramsay. 1754. 127 by 102.2 cm. Purchased with assistance from the National Heritage Memorial Fund and the National Art Collections Fund, 1989. (Scottish National Portrait Gallery). Ramsay's preliminary drawing for the portrait has been in the National Gallery of Scotland since 1860.
Attributed works:
IX. Pylons, by Tristram Hillier. 1933. 92 by 60.3 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Pylons was exhibited at the 1934 Unit One exhibition held at the Mayor Gallery, London, where it was purchased by Miss Watt. With Fig. VIII, it forms part of her remarkable collection of modern British art bequeathed to the Gallery on her death in 1989.
Attributed works:
V. Model for the monument to Henry Petty, 1st Earl of Shelburne (1675-1751, attributed to Louis François Roubiliac. Terracotta, 71 by 64 by 21 cm. Acquired in 1989. (Royal Museum of Scotland.)) This rejected proposal for the monument to the 1st Earl of Shelburne was probably made between the Earl's death on 17th April 1751 and 14th August 1751 when Peter Scheemakers apparently received the first payment for the tomb at High Wycombe, Buckinghamshire which is dated 1754. The relief, supported by three allegorial figures, shows the knighting of the Earl's father, Sir William Petty. Along the top of the plinth are traces of missing, sketchily modelled statuettes of the Earl's wife (d.1740) and other members of his family. An article by Malcolm Baker on this commission will appear in a forthcoming issue of this Magazine.
Attributed works:
VI. Self Portrait, by Robert Colquhoun. 41.2 by 33 cm. Purchased with the Help of the National Art Collections Fund (Modern Art Fund) in 1990. (Scottish National Portrait Gallery).
Attributed works:
VII. View of the square in Kastellet looking towards Kastelsvolden, by Christen Ko̵bke. c.1830. 30 by 23.5 cm. Purchased with the aid of the National Art Collections Fund, 1989. (National Gallery of Scotland). This early work by one of the Danish masters of the 'Golden Age' shows the bakery of the Kastellet, the citadel in Copenhagen which then served as a prison. The bakery was owned by Ko̵bke's father who is shown here with Major J. J. Krohn and the prison sergeant, Sporch.
Attributed works:
VIII. The ballet, by William Roberts. c.1933. 40.8 by 45.6 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Miss Watt purchased the picture from an exhibition of the London Artists Association held at the Cooling Galleries, Bond Street in 1933.
Attributed works:
X. Untitled (figure with raised arm), by Georg Baselitz. 1982-84, Painted wood, 253 by 71 by 46 cm. Purchased with assistance from the National Art Collections Fund, 1989. (Scottish National Gallery of Modern Art).
Attributed works:
XI. Mont Alba, by Charles Rennie Mackintosh. c.1923-27. Water-colour, 38.7 by 43.8 cm. Purchased 1990. (Scottish National Gallery of Modern Art). This is the first water-colour by Mackintosh to be acquired by the Gallery.
Advertisements
Advertisements November 1989 (front)
11/1989 | 1040 | 131
Pages: i - lxiv
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
artists:
artists:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Agnews, 43 Old Bond Street, London] Eugene Delacroix (1798-1863) Etude de Femme, Vue de Dos Etching. Delteil 21, ii/iv.
Attributed works:
[Artemis Group, 15 Duke Street St James, London] Plan einer Maschinenanlage, 1920 Pen and Ink and Watercolour 242 × 319 mm.
Attributed works:
[Austin/ Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London] Seaweed Hoist, Finistere, 1951. 19.15 × 15.50 ins.
Attributed works:
[Berggruen, 70 rue de l'Universite, Paris] Matisse, Ma Table de nuit. Encre de Chine, 1900. 23 × 30 cm.
Attributed works:
[Bob P. Habolt & Co, 42 East 76th Street, New York] Hans Hoffmann. Nuremberg ca. 1530 - 1591 Prague. Right Wing of a Blue Roller. Watercolor and Bodycolor on Vellum. 195 × 262 mm
Attributed works:
[C.&J. Goodfriend, 61 East 77th Street, New York] Francois Boucher (1703-1770): Tête de Bourgeois portant Lunettes, Etching, Baudicour 21, Jean-Richard N. D., 110 × 69 mm.
Attributed works:
[C.G. Boerner, 61 East 77th Street, New York/ Kasernenstrasse 13, Dusseldorf] Ferdinand Bol. Tobias in the House of Raguel (Tobias 7). Pen and Brown Ink and Brown and Grey Washes. 180 × 207 mm. Sumowski 184x. From the Collections of E. Galichon, B. Suermondt, Freiherr A. v. Lanna, G. v. Mallmann.
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 qui Voltaire, Paris] Marble Portrait of "Mlle Emilie Jubin" by P. J. David, dit David d'Angers Signed and Dated 1829 Height: 60 cm incl. Base
Attributed works:
[Christie's, 8 King Street St James, London] Sir Peter Paul Rubens (1577-1640): A Forest at Dawn with a Deer Hunt, Oil on Panel, 24¼ × 35½ in. (61.8 × 90 cm.)
Attributed works:
[Christie's, 8 King Street St James, London]Thomas Gainsborough R. A. (1727-1788): A Herdsman and Cattle by a Pool in a Wooded Landscape with Distant Hills, Black Chalk, Watercolour and Bodycolour on Reddish-Brown Paper, Varnished, $8frac{3}{8}$ × 12 in. (20.8 × 30.5 cm.)
Attributed works:
[Christie's, 8 King Street, St James, London] Giovanni Antonio Canal, il Canaletto (1697-1768): The Piazza del Campidoglio and the Cordonata, Rome, with Thomas Hollis and Thomas Brand in the Foreground, Oil on Canvas, 20½ × 24¼ in. (52 × 61.5 cm.), Painted in 1755 for Thomas 'Republican' Hollis (1720-1774), the Benefactor of Harvard College. Estimate on Request.
Attributed works:
[Christie's, 8 King Street, St James,London] Albrecht Dürer: The Engraved Passion (Bartsch 3-18), Engravings, 1508-13, the Set of Sixteen Plates in Fine, Uniform Impressions.
Attributed works:
[Christies, 8 King Street St James, London] Mattia Preti, il Cavaliere Calabrese (1613-1699), 'The Liberation of St. Peter,' Oil on Canvas, 57¼ × $77frac{3}{4}$ in. (145.5 × 197.5cm.).
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Adriaen van Ostade (1610-1685) Etching The Dance under the Trellis Godefroy 47, iii/vii
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] BENJAMIN WEST. Springfield (Pennsylvania) 1738 - London 1820. Triptych Study for the Painted Window in St. Paul's Church, Birmingham, showing the Conversion of St. Paul (centre), St. Paul persecuting the Christians (left) and Ananias restoring St. Paul's Sight (right) Oil on canvas: 125.7 × 58.9cm (shaped centre) and 89.5 × 23.5cm (laterals, each)
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Manuel Orazi. Colour Lithograph
Attributed works:
[Entwistle, 37 Old Bond Street, London] William Roberts. Died of Wounds, 1919 Watercolour and Pencil. 45.6 × 53 cm.
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Johann Heinrich Fuseli, R. A. (1741-1825) Agave, Queen of Thebes, Is Told by Cadmus of the Death of Her Son, King Pentheus (Euripides, The Bacchae) Pen with Grey Ink and Grey Washes over Pencil on Laid Paper 10¼ × $8frac{5}{8}$ Inches (26 × 22 cm.) Dated by Fuseli in Rome. May 1774
Attributed works:
[Front cover] Event on the Downs, by Paul Nash. 1934. 50.8 by 61 cm. (British Government Art Collection).
Attributed works:
[G.A.L.L.E.R.Y, 28 Bruton Street, London] Benjamin Scott of Carlisle, Sir Edward Burne-Jones and the Earl and Countess of Carlisle at Naworth Castle, 1874, Albumen Print $10frac{5}{8}$ × 9 Inches from the Howard Family Photograph Album.
Attributed works:
[Galerie Charles & Andre Bailly, 25 Quai Voltaire, Paris], Andre Maire, Échec et Mat
Attributed works:
[Galerie Nathan, Arosastrasse 7, Zurich] Maurice Estève, Drawing.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] C F Dening & E G Rodway Architects fl.1912-1918 Design for an Entrance Lodge, c.1905 Watercolour over Pencil Signed in Monogram A. C. F. del 10¼ × $13frac{3}{4}$ Inches
Attributed works:
[Gallery Mathias F. Hans, Jungfernstieg 34, Hamburg] Abraham von Calraet, (1642 - 1722) Still Life, Oil on Panel, 56 × 82 cm. Signed with Monogram and Dated.
Attributed works:
[Groupe Gersaint, 20 rue Daniele Casanova, Paris] "Mes Ohnet ét Krantz Notaires, membres du G. I. E. des notaires de l'hôtel des ventes du Bas. Rhin". Jacques-Louis DAVID Paris 1748. Bruxelles 1825. Portrait du conventionnel Joseph Nicolas Barbeau Duberran Plume encre de Chine sur traits de crayon noir. Signé en bas à gauche. Montage ancien Diametre: 18.7 cm.
Attributed works:
[Groupe Gersaint, 20 rue Daniele Casanova, Paris] Jean Valade (1709-1787) Portrait du marquis et de la marquise de Faventines jouant de la musique (107 × 88cm). Antoine Watteau (1684-1721) Deux études d'homme Sanguine (16,3 × 22,3cm) Etude pour le tableau "le rêve de l'artiste" de l'ancienne collection David Weil
Attributed works:
[H. Blairman & Sons Ltd, 119 Mount Street, London] Inkstand by George Bullock. English. Circa 1815
Attributed works:
[Harari & Johns Lts, 12 Duke Street St James, London] Claude Gellee Called Claude le Lorrain - Circa 1662 The Dance of the Seasons Oil on Copper 28×35 cms
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Simon Bening, Scenes from the Life of Christ, c. 1525
Attributed works:
[I. J. Mazure and Co. Ltd. , 90 Jermyn Street, London] "Soldiers at Leisure" Signed and Dated 1901 by Salomon Kishinevskii (1863-1941) 28cms × 20.6cms
Attributed works:
[Jean Francois et Philippe Heim, 7 rue Louvois, Paris] Terrasse des Elephants Cour Intérieure d'Angkor Thom Lavis de sépia Dim: H. 0,72 × L. 0.56 m.
Attributed works:
[Johnny Van Haeften, 13 Duke Street St James, London] On Panel. Moses van Uyttenbroeck 1590 The Hague 1648. A Wooded Landscape with Pan and Syrinx Signed in Monogram. 20½ × 26½ Inches (51.4 × 67.3 cm)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Little Girl II 1987 Bronze, Height 68 in./172.7 cm. Edition of 9
Attributed works:
[Martyn Gregory, 34 Bury Street St James, London] Daniel Harris c.1789. Original Entrance to the Cloisters at Magdalen College
Attributed works:
[New Art Centre, 41 Sloane Street, London] Paul Nash The Tower 1928 Oil on Canvas 28¼ × 19 Inches
Attributed works:
[Paul McCarron, Graham Gallery building, 1014 Madison Avenue, New York] Charles Random Baron de Berenger The Noble Stock Jobber or Facts Unveiled Irrefutably to Disapprove Lord Cochrane's Affidavits by C. R. Baron de Berenger Pen, Ink and Watercolor, 240 × 330 mm. after November 19, 1816
Attributed works:
[Pawsey & Payne 90 Jermyn Street, St James, London] William Marlow 1740-1813. View of Florence with the River Arno in Foreground. Oil on Canvas 27 × 33 Inches
Attributed works:
[Phillips, 101 New Bond Street, London] C. R. W. Nevinson, 'Troups Marching', Etching, Signed in Pencil and Dated 1916, 13.5 cm × 20 cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Charles Parrocel (1688-1752); Study of a Soldier with a Musket over His Shoulder, Together with the Study of a Sword Hilt. Signed, Red Chalk with Black Chalk, 285mm × 187mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Liubov Sergeevna Popova (1889-1924) 'Composition with Guitar'. Oil on Canvas, Executed in 1918, 67.5cm × 50cm
Attributed works:
[Phillips, 101 New Bond Street, London] Robert Griffier (1688-c.1760), a View of the Rhine, Signed, Oil on Copper, 21cm × 27cm, and a Companion.
Attributed works:
[Phillips, 101New Bond Street London/ rue de Penthievre (Faubourg Saint Honore), Paris/ Ramistrasse 27, Zurich/ Lange Vijverberg 4-5, The Hague] Bernard Buffet, 'Nature Morte avec Verre sur Table' Oil and Pencil on Paper, Laid down on Canvas, Signed and Dated 1950, 49.5cm. × 65cm.
Attributed works:
[Pierre- Yves Gabus Gallery, 19 course de Rive, Geneva] Gabus Giorgio Morandi "Still Life" (1954) Signed, Oil on Camras, 24.5 × 39.5 cm.
Attributed works:
[Richard Green, 44 Dover Street, 39 Dover Street, 4 new Bond Street, London] Balthasar van der Ast (1593/4-1657). Still Life with Fruit, Exotic Shells, a Vase of Flowers and a Macaw Perched on an Overturned Basket. Signed. Panel: $21frac{5}{8}$ × $39frac{3}{8}$ in./55 × 100 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street, New York] John Singleton Copley, R. A., Portrait of Colonel Baker, 1781 Oil on Canvas, in an Oval, 30 by 25 Inches (76.2 by 63.5 cm) Signed and Dated, lower Left: "J. S. Copley/Pinx 1781"
Attributed works:
[Robert Douwma, 4 Henrietta Street, Covent Garden, London] Stanley William Hayter Hex Engraving 1981
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Simon Vouet, Paris, 1590-1649, The Young Flutist, Oil on Canvas, 90 by 66cm (36 by 26¼in).
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Bronze Statuette of David with the Head of Goliath, by Gianfrancesco Susini, c. 1630-1640, Signed on Sword G. S. Fl. F., 38cm (15in) High.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Paul Gauguin, Petit Breton à l'Oie, Signed and Dated '89, Oil on Canvas, 92 by 73 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London]Théodore Géricault (1791-1824), A Horse Frightened by Lightning, 31 by 39cm (12¼ by 15¼in.) Oil on Canvas.
Attributed works:
[Spencer A. Samuels, 39 East 72nd Street, New York] Andrea Solario Milan 1473 - 1524 The Head of St. Matthew, after Leonardo da Vinci. Black, Brown and Red Chalk. Watercolor on Light Grey Preparation 25½×18½ Inches (65×47 cm)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] Francisco-Jose-Pablo Lacoma (Barcelone 1794 - Paris 1849) Portrait of a Man Oil on Canvas: 17½ × $12frac{5}{8}$ Inches (44.5 × 32 cms) Signed Lacoma, Madrid and Dated 1821
Attributed works:
[Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London] Agapanthus,, 1983. Oil on Gessoed Panel. 14 × 10 Inches 35.5 × 25.5cm
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Alexej von Jawlensky, "Head," Circa 1920. Oil on Paper, 36 × 27 cm. Monogrammed on lower Left. Estimate: DM 380,000-440,000
Attributed works:
[W.M.Brady & Co, 3 East 76th Street, New York] Anton Raphael Mengs (1728-1779) A Male Academy Seated in a Landscape, 1775 Signed, lower Left A. R. Mengs; Also Inscribed in Ink on an Old Label, Ant Raphael Mings (Sic) 1775/Raparte par Mr Vien Graphite Heightened with White Chalk on Prepared Green Paper $15frac{3}{4}$ × 15½ Inches (400 × 394 mm)
Attributed works:
{Perrin, 98 Faubourg Saint - Honore, Paris] Eustache Le Sueur (1616-1655). French School. Head of a Bearded Man Black Chalk with Touches of White Chalk on Grey Paper H. 18,5 cm; L. 17,3 cm.
Non-western art unattributed:
[Michael B. Weisbrod Inc, 987 Madison Avenue, New York] Li Ding Late Shang/Early Western Zhou Dynasty 12th-11th Century BC Height: 8½ in. (21.5 cm.)
Western art unattributed:
[Arnold Wiggins & Sons Ltd, 4 Bury Street St James, London] English, 2nd Half 17th Century, Carved and Silvered 'Lely', Panel Frame. Sight Size: $28frac{7}{8}$ $23frac{7}{8}$ ins. Section: 4½ ins
Western art unattributed:
[Joanna Booth, 247 Kings Road, Chelsea, London] Flemish School, 17th Century A Study of a Rabbit Red Chalk. 24cm by 32cms.
Western art unattributed:
[Karsten Schubert Ltd, 85 Charlotte Street, Lonodn] Head of a Man Blackened Sandstone 20 × 8 × 8 ins
Western art unattributed:
[Maggs Bros Ltd, 50 Berkeley Square, London] Illuminated Miniature from Li Fait des Romains, Northern France, c. 1480.
Supplement
Recent Museum Acquisitions of British Works on Paper: Supplement
11/1985 | 992 | 127
Pages: 838-842
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
dates:
museums and institutions:
museums and institutions:
places:
Illustrations
Attributed works:
1. Bird Women, by Edward Burra. Signed and Dated 1932. Pencil, Ink, Water-Colour and Gouache, 55.5 by 76.2 cm. Purchase 1985.
Attributed works:
10. The Ploughman, by Joseph Crawhall. Gouache and Ink on Card, 31.6 by 28.9 cm. Bequest 1985.
Attributed works:
11. Slopes of Glyder Fawr, Llyn Idwal, North Wales, by John Piper. Signed. c.1947. Ink, Water-Colour and Bodycolour, 55.7 by 71.2 cm. Purchase 1985.
Attributed works:
12. Portrait of Robert MacBryde, by Robert Colquhoun. Ink, 30.5 by 22.7 cm. Purchase 1985 (Photograph Courtesy Mercury Gallery, Edinburgh).
Attributed works:
13. La nature morte, by William Roberts. Signed and Inscribed. c.1970-75. Water-Colour, 49.5 by 31.8 cm. Purchase 1985.
Attributed works:
14. Study for The tub, by Vanessa Bell. Studio Stamp, 1917. Water-Colour, 44.5 by 40.2 cm. Purchase 1985.
Attributed works:
2. Woman with a Red Tam O'Shanter, by Wyndham Lewis. Signed and Dated 1921. 38.7 by 50.2 cm. Purchase 1984.
Attributed works:
3. Fruit Market and Statues, by Edward Burra. Signed. c.1930. Ink, 51.1 by 40.1 cm. Purchase 1985.
Attributed works:
4. 'A Young Man of His Country's Services', by John Butler Yeats. Signed and Dated 1885. Pencil, Chalk and Water-Colour, 35.7 by 25.6 cm. Gift 1985.
Attributed works:
5. Study of an Old Lady, by Joan Eardley. c.1947. Charcoal and White Chalk, 58.4 by 45.7 cm. Purchase 1985.
Attributed works:
6. Two Gulls and a Fish, by Eduardo Paolozzi. 1946 Signed and Dated 1946. Mixed Media and Collage, 45.6 by 60.5 cm. Purchase with 50 Per Cent Government Grant 1985.
Attributed works:
7. Evening in the City, by David Bomberg. 1944. Charcoal, 47 by 61 cm. Purchase 1984.
Attributed works:
8. Portrait of a Naval Rating, by Frank Dobson. c.1942. Pastel, 43.2 by 33 cm. Purchase 1984.
Attributed works:
9. Munitions Worker, by Charles Ginner Signed. 1918. Ink and Coloured Chalks, 21 by 7.6 cm. Purchase 1985.
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