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9 articles
Short Notice
A portrait of Frances Walsingham: identification and future research
06/2023 | 1443 | 165
Pages: 622-626
related names
Author:
Clifford, Elise Effmann (Clifford, Elise Effmann)
Subjects
dates:
subjects:
Illustrations
Attributed works:
3. Robert Devereux, Earl of Essex, by William Segar. c.1590. Oil on panel, 112 by 86 cm. (National Gallery of Ireland, Dublin).
Western art unattributed:
2. Portrait of a woman, here identified as Frances Walsingham, Lady Sidney. c.1585[?]. Oil on panel, 85.1 by 74 cm. (Fine Arts Museums of San Francisco).
Western art unattributed:
4. Reconstruction in Photoshop of the original inscription on the cartellino in Fig.3. (Courtesy Fine Arts Museums of San Francisco; photograph Randy Dodson).
Western art unattributed:
5. Macro detail of Fig.4, showing the craquelure and vanished letters. (Courtesy Fine Arts Museums of San Francisco; photograph Randy Dodson).
Western art unattributed:
6. Portrait of a woman, here identified as Frances Walsingham, Lady Sidney. c.1585[?]. Oil on panel, 91 by 76 cm. (Parham House, West Sussex; photograph Parham Park Ltd).
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Advertisements (front)
06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Article
Scissors-and-paste in two paintings of Elizabeth I
12/2012 | 1317 | 154
Pages: 834-838
related names
Author:
Wells-Cole, Anthony (Wells-Cole, Anthony; Cole, Anthony Wells-)
Subjects
dates:
subjects:
Illustrations
Attributed works:
10. The 'procession' portrait of Queen Elizabeth I, attributed to Robert Peake. c.1601. Canvas, 132 by 190.5 cm. (John K. Wingfield Digby, Sherborne Castle, Dorset).
Attributed works:
11. Detail of Fig.10.
Attributed works:
12. Detail of Fig.9.
Attributed works:
13. The Armada portrait of Queen Elizabeth I, attributed to George Gower. c.1588. Panel, 105.4 by 133.5 cm. (Woburn Abbey Collection, reproduced by kind permission of the Marquess of Tavistock and the Trustees of the Bedford Estate).
Attributed works:
14. Detail of Fig.13.
Attributed works:
15. Three caravels in a rising squall, with Arion on a dolphin, by Frans Huys after Pieter Bruegel the Elder. c.1561-62. Engraving and etching, 21.5 by 28.5 cm. (British Museum, London).
Attributed works:
16. Detail of Fig.13.
Attributed works:
17. Two galleys sailing behind an armed three-master with Phaethon and Jupiter in the sky, by Cornelis Cort? after Pieter Bruegel the Elder. c.1565. Engraving and etching, 21.7 by 27.8 cm. (British Museum, London).
Attributed works:
18. Armed three-master on the open sea, accompanied by a galley, by Frans Huys after Pieter Bruegel the Elder. c.1560-62. Engraving, 31 by 24.4 cm. (British Museum, London).
Attributed works:
9. The Sermon on the Mount, by Hieronymus Wierix after Maarten de Vos. c.1583. Engraving, 20.8 by 26 cm. (British Museum, London).
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Advertisements February 2001(front)
02/2001 | 1175 | 143
Pages: i-viii
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
The Penitent St Peter Kneeling before Christ at the column, by Bartolomé Esteban Murillo. Obsidian, 33.7 by 30.7 cm. (Musée du Louvre, Paris).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Benvenuto Tisi Called Garofalo (c. 1476 - 1559). The Nativity. Oil on Panel: 42 × 51.5 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Silver and Gilded Monstrance by John Hardman & C. to a Design by A. W. N. Pugin. Birmingham, 1852-53. 45 × 23 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Death and the Soldiers, by Edward Burra. 1942-43. Watercolour, 100.3 × 67.3 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Edward Burra (1905 - 1976) Rye Landscape with Figure (Detail) Watercolour 1947 Cecil Higgins Art Gallery © Estate of the Artist
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Gilded French Clock, Commemorating the Birth of the Duc de Bordeaux, Movement and Dial Signed by Le Roy. Paris, 1820.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] One of a Pair of Carved Burmese Temple Lions, 80 × 45 × 100 cm. Provenance Sudley Castle.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Portrait Miniature of Joseph Bailey of Philadelphia, by Benjamin Trott. c.1805.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Portrait of Elizabeth St Albyn, Attributed to Robert Peake. Panel, 113 × 85.7 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] The Family Council by Edward Burra. c.1925. Watercolour, 22.8 × 32.5 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Jean-Baptiste Greuze (Tournus 1725-1805 Paris). La Belle Indolente. Oil on Panel, 45.1 × 37.5 cm (17 3/4 x 14 3/4 Inches) Included in the Catalogue Will be Works by Savoldo, Dosso Dossi, Giambologna, Rubens, Van Dyck, De La Hyre, Maratta, Watteau, Batoni, Greuze and Robert
Attributed works:
[L'antiquaire & The Connoisseur Inc., 36 East 73rd Street, New York, New York] Lord Frederic Leighton. Scarborough 1830 - 1896 London. Studies of Classically Drèssed Women Seated in Klismos Chairs. Black and White Chalk over Graphite on Brown Wove Paper. Size 14½ × 10½ Inches (371 × 276 mm).
Western art unattributed:
[Exh. Les Antiquaires, Palais des Beaux-Arts, Brussels] Gold and silver horses. Collection Privée • Design Rumeurs
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Two-Drawer Writing table, Gillows, Lancaster. 1820. Satinwood, 72 × 122 × 66 cm.
Advertisements
Advertisements July 1990 (front)
07/1990 | 1048 | 132
Pages: i-xx
Subjects
advertisements:
artists:
Illustrations
Attributed works:
Creation of the World, by Giovanni di Paolo. Tempera and Gold Leaf on Panel, 46.5 by 52 cm. (The Robert Lehman Collection, The Metropolitan Museum of Art, New York).
Attributed works:
[Adriano Ribolzi Antiquaire in collaboration with Roberto Visconti, 6 Avenue des Beaux Arts, Monte Carlo] Erigone by Guido Reni 65 cm x 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] John Sell Cotman (1782-1842) Wherries on Breydon Water 21 × 29 Inches. Francis Danby ARA (1793-1861) Norwegian Fjord - Early Morning. 18½ × 24 Inches
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Lambert Lombard (1506-Liège - 1566) Adam and Eve. Oil on panel: 23.9 × 18.5 cms
Attributed works:
[Douwes Fine Art, 38 Duke Street, London, 46 Rokin, 1012 KV, Amsterdam] Albert Pinot (1875-1962) La Japonnaise. Water-Colour on paper: 56 × 38 cm. Signed and dated to 1913. From the artist's estate
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Jean Baptiste Huet (1745-1811). Study of an acanthus plant. red chalk, red chalk wash with white heightening on blue grey paper 465 × 335 cm. Verso: study of the tip of a plant with its leaves in red chalk
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Carlo Dolci (1616-1686) The Adoration of the Magi. canvas, 117 × 93.5 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Pieter Pourbus and Anton Claeissens The Lamentation. Oil on Panel 215 by 166 cms
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] The Christchild with a Bunch of Grapes, by the Master of the Dangolsheim Madonna, Upper Rhine, ca.1460-1470. Lindenwood with original polychrome, Height 41 cm.
Attributed works:
[Marlborough Fine Art, 6 Albermarle Street, London] Oskar Kokoschka (1886-1980) London, Chelsea Reach. 1957. Oil on Canvas, 29½ x 39¾/75 × 101 cm.
Attributed works:
[Michael Werner, 21 East 67 Street, New York] A.R. Penck Standart-Models
Attributed works:
[Patrick Perrin, 98 Faubourg Saint-Honore, Paris] François Boucher (1703-1770). French School. Study of a man. red Chalk. H. 22,3 cm; L. 17,6 cm. study after Jean Jouvenet's painting 'Christ and the Centurion'
Attributed works:
[Richard L. Feigen & Co, 6 Ryder Street, London] Guercino, St. Luke, 1631. Oil on Canvas. 62.7 by 51.2 cm
Attributed works:
[Sabrina Förster, Poststrasse 3 D-4000, Düsseldorf] Bernardino Poccetti (1548-1612), Study of a Kneeling Monk. Red Chalk. 299 × 206 mm. This Study is Preparatory for the Fresco The Death of the Saint Bruno in the Certosa di Galuzzo near Florence, Painted 1591/92
Attributed works:
[Spink & Son Ltd, 5,6 & 7 King Street, London] A set of four Silver Salts by Paul De Lamerie, London 1748, on spreading circular Bases, scribed with bands of reeding. The shallow circular bowls applied with vertical palmettes below an applied dentilated rim, engraved with a crest. The interiors of the bowls gilt. Diameter: 3¼ ins (8.2 cms)
Attributed works:
[Stanza del Borgo, 20121, Milan] Giovanni Domenico Tiepolo (1727-1804), Nessus, Rearing, Seen from behind Abducting Dejanira. Pen and Brown Ink, Brown Wash over Black Chalk. Signed Bottom Right: Dom.o Tiepolo f. 190 × 268 mm.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Domenico Fetti Rome (1588/89 - Venice 1623). The Annunciation. Poplar Panel: 59.5 × 29.8 cms
Western art unattributed:
[Accademia Italiana, 24 Rutland Street, London] Painting
Western art unattributed:
[Accademia Italiana, 24 Rutland Street, London] Sculpture
Western art unattributed:
[Auktionshaus Galerie Hassfurther, Hohenstaufeng, Vienna] Print Imperator Caesar Diuus Maximilianus Pius Felix Augustus
Western art unattributed:
[Benzaquen 295 Main Street Gibraltar] Celto - Iberian Stone Head, Reddish Sandstone. 5th - 3rd Century B. C. Central Pyrenees.
Western art unattributed:
[Otto Naumann, 4 East Street, New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins
Article
New Light on Jacobean Painters
02/1976 | 875 | 118
Pages: 74-81+83
related names
Author:
Edmond, Mary (Edmond, Mary)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
18. Part of John Rocque's London Map of 1746 Showing Cow-Lane, Green Dragon Court and the Rose Inn.
Attributed works:
19. Elizabeth Drury, Second Wife of William Cecil, 2nd Earl of Exeter (1579-1654), Attributed to William Larkin (d.1619). Canvas, 206.1 by 123.8 cm. (G. L. C. Gallery, Ranger's House, Blackheath).
Attributed works:
20. A Howard Boy Aged 5, Here Attributed to William Peake (c.1580-1639). 1627. Canvas, 135.2 by 85.4cm. (G. L. C. Gallery, Ranger's House, Blackheath).
Attributed works:
21. Richard Sackville, 3rd Earl of Dorset (1589-1624), Attributed to William Larkin. Canvas, 206.4 by 122.3 cm. (G. L. C. Gallery, Ranger's House, Blackheath).
Attributed works:
22. Anne Cecil, Countess of Stamford (c.1603-76), Twin Daughter of 2nd Earl and Countess of Exeter, Attributed to William Larkin. Canvas, 205 by 119.1 cm. (G. L. C. Gallery, Ranger's House, Blackheath).
Attributed works:
23. Diana Cecil, Countess of Oxford, (c.1603-54), Twin Daughter of 2nd Earl and Countess of Exeter, Attributed to William Larkin. Canvas, 205.8 by 120 cm. (G. L. C. Gallery, Ranger's House, Blackheath).
Attributed works:
24. Payment to William Peake for Work at Prince Henry's Funeral, 1612. (Lord Chamberlain's Accounts, P. R. O.).
Attributed works:
25. Larkin Signs His Will, 1619. (Guildhall Library).
Attributed works:
26. From a Petition to Lord Salisbury, c.1605: Signatories Include Robert Peake, William Larkin's Father, John Mattingley the King's Master Joiner, and John Webster, the Dramatist's Father. (Collection Marquess of Salisbury, Hatfield House).
Attributed works:
27. William Peake Witnesses a Will in 1632 (P. R. O.).
Article
Elizabethan Painting: An Approach Through Inscriptions - I: Robert Peake the Elder
02/1963 | 719 | 105
Pages: 53-57
related names
Author:
Strong, Roy (Strong, Roy; Strong, Roy C.)
Subjects
artists:
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
13. Unknown Military Commander, by Robert Peake the Elder. Dated 1593. Panel, 113 by 90.8 cm. (Collection Lord Rootes, Ramsbury.)
Attributed works:
14. Inscription on the Reverse of Fig. 13.
Attributed works:
15, 16, 17. Details of the Date and Age of the Sitter from Figs. 13, 19, 22 Respectively.
Attributed works:
18. Sir Thomas Crompton, by Robert Peake the Elder. Dated 1590. Panel, 87.6 by 68.5 cm. (Collection J. B. Gold, Esq.)
Attributed works:
19. Lady Catherine Constable, by Robert Peake the Elder. Dated 1590. Panel, 76.2 by 63.5 cm. (Collection Brigadier R. C. J. Chicester-Constable, Burton Constable Hall.)
Attributed works:
20. ?Katherine, Lady Tollemache, by Robert Peake the Elder. Panel, 76.2 by 63.5 cm. (Collection Lord Tollemache, Helmingham Hall.)
Attributed works:
21. Sir Edward Grimston, by Robert Peake the Elder. Dated 1590. Panel, 78.7 by 61 cm. (Collection Earl of Verulam, Gorhambury.) From the Gorhambury Collection; By Permission of the Earl of Verulam.
Attributed works:
22. Sir Drue Drury, by Robert Peake the Elder. Dated 1599. Panel, 91.4 by 76.2 cm. (Collection Major-General Sir Hereward Wake, Bt.)
Attributed works:
23. Edward Grimston of Bradfield, by Robert Peake the Elder. Dated 15[9]8. Panel, 88.9 by 71.1 cm. (Collection Earl of Verulam, Gorhambury.) From the Gorhambury Collection; By Permission of the Earl of Verulam.
Article
Some Early Portraits of Charles I
01/1949 | 550 | 91
Pages: 4-9
related names
Author:
Toynbee, Margaret R. (Toynbee, Margaret R.; Toynbee, Margaret Ruth; Toynbee, Margaret)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
4. Prince Charles. Engraving by Francis Delaram. Dated 1616. 33 by 22 cm.
Attributed works:
5. Charles, Duke of York. Engraving from a Map in Speed's Theatre of the Empire of Great Britaine. Perhaps by Iodocus Hondius. 12 by 6.4 cm.
Attributed works:
6. Charles, Duke of York. Miniature by Nicholas Hilliard. Probably 1608-9. 3.4 by 2.9 cm. (Victoria and Albert Museum.)
Attributed works:
7. Prince Charles. Miniature Attributed to Isaac Oliver. 1614-15. 8.4 by 7 cm. (The Duke of Rutland, Belvoir Castle.)
Attributed works:
8. Prince Charles, by Robert Peake. 1613. Canvas, 155 by 86.4 cm. (Old Schools, Cambridge.)
Western art unattributed:
2. Charles, Duke of York, by an Unknown Artist. 1610-11. Panel, 68.6 by 52 cm. (St John's College, Cambridge.)
Western art unattributed:
3. Prince Charles. 1613. Engraving from (Sir) Robert Dallington's Aphorismes Civill and Militarie. 15.2 by 12.7 cm.
Western art unattributed:
9. Prince Charles. 1616. Engraving from Aaron Rathborne's Surveyor. 19 by 12 cm.
Article
Gleanings from the Records of the Reigns of James I and Charles I
02/1913 | 119 | 22
Pages: 276+279-282