Van Gogh: Poets & Lovers
National Gallery, London
14th September 2024–19th January
2025 |
:
Illustrations
Attributed works:
22. The poet’s
garden (public
garden in Arles),
by Vincent van
Gogh. 1888. Oil
on canvas, 73 by
92 cm. (Private
collection; exh.
National Gallery,
London).
Attributed works:
23. Undergrowth,
by Vincent van
Gogh. 1889. Oil
on canvas, 73 by
92.3 cm. (Van
Gogh Museum,
Amsterdam; exh.
National Gallery,
London).
Attributed works:
24. L’Arlesienne,
by Vincent van
Gogh. 1890. Oil
on canvas, 60 by
50 cm. (Galleria
Nazionale d’Arte
Moderna e
Contemporanea,
Rome; exh.
National Gallery,
London).
After Impressionism: Inventing
Modern Art
By MaryAnne Stevens, with contributions by
Maria Alambritis, Julien Domercq, Charlotte
de Mille, John Milner, Daniel Sobrino Ralston,
Christopher Riopelle, Camilla Smith and Sabine
Wieber. 272 pp. incl. 150 col. ills. (National
Gallery Global, London, 2023) £20.
ISBN 978–1–85709–695–8. |
:
Exhibition Review
A Taste for Impressionism: Modern French Art from Millet to Matisse
23. Interior
with artist’s
mother, by
Harold Gilman.
1917–18. Canvas,
51.2 by 61.4 cm.
(Manchester
Art Gallery;
exh. Pallant
House Gallery,
Chichester).
Attributed works:
24. Tea in the
bedsitter, by
Harold Gilman.
1916. Canvas, 71
by 92 cm. (Private
collection;
exh. Pallant
House Gallery,
Chichester).
Attributed works:
25. Nude on a
bed, by Harold
Gilman. c.1914.
Canvas, 61.4
by 46.7 cm.
(Fitzwilliam
Museum,
Cambridge;
exh. Pallant
House Gallery,
Chichester).
Exhibition Review
The Courtauld Collection: A Vision for Impressionism. Fondation Louis Vuitton, Paris
17. A bar at the
Folies-Bergère, by
Édouard Manet.
1882. Canvas,
96 by 130 cm.
(Courtauld Gallery,
London; exh.
Fondation Louis
Vuitton, Paris).
Attributed works:
18. Martinique
landscape, by
Paul Gauguin.
1887. Canvas,
117 by 89.8 cm.
(National Galleries
of Scotland,
Edinburgh; exh.
Fondation Louis
Vuitton, Paris).
Attributed works:
19. Female nude,
by Georges Seurat.
c.1879–81. Black
conté crayon
over preliminary
drawing with
stumped graphite
on laid paper,
63.2 by 48.3 cm.
(Courtauld Gallery,
London; exh.
Fondation Louis
Vuitton, Paris).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).