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12 articles
Article
Early copies on panel after Anthony van Dyck: new findings
02/2024 | 1451 | 166
Pages: 140–144
related names
Author:
Davies, Justin (Davies, Justin)
Subjects
dates:
Illustrations
Attributed works:
1. Charles I, Henrietta Maria, Charles, Prince of Wales and Princess Elizabeth, attributed to Remigius van Leemput, after Anthony van Dyck. After 1651. Oil on panel, 59.8 by 49.4 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
2. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 26 by 20 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
3. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 25.6 by 20 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Prince Frederick Henry of Orange, after Anthony van Dyck. After 1670. Oil on panel, 25.4 by 19.9 cm. (Museum of Fine Arts, Budapest).
Attributed works:
5. Jan van Ravesteyn, after Anthony van Dyck. After 1671. Oil on panel, 25.4 by 20 cm. (Museum of Fine Arts, Budapest) .
Attributed works:
6. Jan van Ravesteyn, by Anthony van Dyck. Oil on panel, 24.8 by 18.1 cm. (Collection of the Duke of Buccleuch and Queensberry, Boughton House, Northamptonshire).
Short Notice
A newly discovered painting of Adam and Eve by Pontormo
09/2020 | 1410 | 162
Pages: 779-781
related names
Author:
Franklin, David (Franklin, David)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
5. Adam and Eve after the Fall of Man, by Jacopo Carucci, called Il Pontormo. c.1518. Oil on canvas, 46 by 35.5 cm. (Private collection).
Attributed works:
6. Joseph with Jacob in Egypt, by Jacopo Carucci, called Il Pontormo. c.1518. Oil on panel, 96.5 by 109.5 cm. (National Gallery, London).
Article
The medieval glazing of Westminster Abbey: new discoveries
01/2019 | 1390 | 161
Pages: 9-17
related names
Author:
Marks, Richard (Marks, Richard)
Subjects
places:
Illustrations
Attributed works:
1. Sorting the stained glass fragments in The Cathedral Studios, Canterbury. (© The Dean and Chapter of Westminster).
Attributed works:
2. The fragments displayed in The Queen’s Diamond Jubilee Galleries, Westminster Abbey. (© The Dean and Chapter of Westminster).
Western art unattributed:
10. Fragment of initial ‘I’. c.1246–90. Yellow stained glass, 9 by 5.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
11. Fragment of initial ‘I’. c.1246–90. Grisaille glass, 8.5 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
12. Fragment of grisaille glass, c.1246–90. Stained glass, 5.2 by 9.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
13. Fragment of grisaille glass. c.1246–90. Stained glass, 5.5 by 9.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
14. Example of borderwork, leaf. c.1260–90. Stained glass, 10 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
15. Example of borderwork, leaf. c.1260–90. Stained glass, 8.5 by 4.8 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
16. Quarry with rosette design. c.1246–90. Stained glass, 11.2 by 6.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
17. Panel of grisaille glass. c.1246–90. Stained glass, 734 by 610 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
18. Fragment of background decoration. c.1330–50. Stained glass, 9.3 by 7 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
19. Fragment of garment and neck. c.1330–50. Stained glass, 8 by 8.3 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
20. Head of a prophet from the west window of Canterbury Cathedral. c.1396–1411. Stained glass, approx. 2.2 by 16 cm. (© The Cathedral Studios, Canterbury Cathedral).
Western art unattributed:
21. Fragment of a male head. c.1400. Stained glass, 6.5 by 7.7 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
22. Head of the Virgin. c.1430–50. Stained glass, 9 by 11.2 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
23. Fragment from a Pentecost scene. Late fifteenth century. Stained glass, 5.8 by 9.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
24. Fragment of a scene depicting the Temptation of St Anthony of Egypt. Late fifteenth to early sixteenth century. Stained glass, 6 by 14.2 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
25. Fragments of a figure of an angel. Fifteenth century. Stained glass, 13.8 by 10.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
26. Angel. Fifteenth century. Stained glass, 48 by 23.6 cm. (St Mary the Virgin, Martham, Norfolk; © Chris Parkinson).
Western art unattributed:
27. Panel from a window depicting the Nine Orders of Angels. Fifteenth century. Stained glass, 80 by 56 cm. (All Saints, North Street, York; © York Glaziers Trust).
Western art unattributed:
3. Tonsured head. c.1246–90. Stained glass, 5.5 by 4.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
4. Fragment of garment. c.1246–90. Stained glass, 7.7 by 7.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. Fragment of garment. c.1246–90. Stained glass, 5.5 by 6 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. Descent of the Holy Spirit. c.1246–90. Stained glass, 62.9 by 49.9 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
7. The head of a lion from a shield of the royal arms of England. c.1246–90. Stained glass, 9.8 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
8. Winged beast (with tail). c.1246–90. Stained glass, 8.8 by 11.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
9. Winged beast. c.1246–90. Stained glass, 9.3 by 8.3 cm. (© The Dean and Chapter of Westminster).
Exhibition Review
Tiepolo Segreto. Palladio Museum, Vicenza
06/2018 | 1383 | 160
Pages: 495-497
related names
Reviewer:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
art literature:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
10. Jupiter, by Giandomenico Tiepolo. 1772–73. Detached fresco on canvas, 448 by 316 cm. (Private collection; exh. Palladio Museum, Vicenza).
Attributed works:
8. Hercules, by Giandomenico Tiepolo. 1772–73. Detached fresco on canvas, 492 by 368 cm. (Private collection; exh. Palladio Museum, Vicenza).
Attributed works:
9. South wall of the salone of Palazzo Valmarana Franco, Vicenza. (Photograph Studio Ferruzzi, Venice, 11th March 1944).
Book Review
Bruegel in Black and White: Three Grisailles Reunited, by K. Serres
02/2017 | 1367 | 159
Pages: 134-135
related names
Reviewer:
Buchanan, Iain (Buchanan, Iain)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
62. Christ and the woman taken in adultery, by Pieter Bruegel the Elder. 1565 (Courtauld Gallery, London)
Book Review
Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden
02/1986 | 995 | 128
Pages: 152-153
related names
Reviewer:
Royalton-Kisch, Martin (Royalton-Kisch, Martin; Kisch, Martin Royalton-)
Subjects
dates:
places:
Reviewed Items
subjects:
Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden | author: Plokker, Annelies
Article
Some 'Modelli' of Religious Scenes by Dirck Barendsz
04/1978 | 901 | 120
Pages: 198-205
related names
Author:
Foucart, Jacques (Foucart, Jacques)
Author:
Rosenberg, Pierre (Rosenberg, Pierre; R., P.)
Subjects
artists:
dates:
subjects:
subjects:
Illustrations
Attributed works:
10. Anointing at Bethany, by Jan Sadeler after Dirck Barendsz. Engraving.
Attributed works:
11. Christ Mocked and Crowned with Thorns, by Jan Sadeler after Dirck Barendsz. Engraving.
Attributed works:
2. Calling of St Matthew, by Dirck Barendsz. Signed. Oil on Paper, 24.5 by 20.5 cm. (Musée du Louvre).
Attributed works:
3. Anointing at Bethany, by Dirck Barendsz. Signed. Oil on Paper, 25 by 20.5 cm. (Private Collection, Paris).
Attributed works:
4. Christ on the Cross, by Dirck Barendsz. Signed. Oil on Paper, 25.5 by 21 cm. (Private Collection, Paris).
Attributed works:
5. Saints Peter and John at the Tomb of Christ, by Dirck Barendsz. Signed. Oil on Paper, 25.5 by 20.5 cm. (Musée des Beaux-Arts, Rouen; Gift of Suzanne and Henri Baderou).
Attributed works:
6. Christ Crowned with Thorns, by Dirck Barendsz. Signed. Oil on Paper, 25 by 21 cm. (Musée des Beaux-Arts, Rouen; Gift of Suzanne and Henri Baderou).
Attributed works:
7. Meeting of the Resurrected Christ with the Three Holy Women on Easter Morn, by Dirck Barendsz. Signed. Oil on Paper, 26.2 by 20.8 cm. (Musée Lambinet, Versailles).
Attributed works:
8. The Resurrection of the Dead, by Dirck Barendsz. Signed. Oil on Paper, 26 by 20.8 cm. (Musée des Beaux-Arts, Lille). Reproduced with Its Old Mount, Now Removed.
Attributed works:
9. Christ Mocked and Crowned with Thorns. Anonymous Copy after the Engraving after Dirck Barendsz. Dated 1588. (Copenhagen Print Room).
Article
A Reappraisal of "The Introduction of the Cult of Cybele at Rome" by Mantegna
07/1973 | 844 | 115
Pages: 457-463
related names
Author:
Braham, Allan (Braham, Allan; Braham, A. J.; Braham, Mr.)
Subjects
artists:
dates:
museums and institutions:
patrons:
subjects:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
67. 'The Introduction of the Cult of Cybele at Rome', by Andrea Mantegna. Canvas, 73.5 by 268 cm. (National Gallery, London.)
Attributed works:
68. The Vestal Virgin Tuccia and Sophonisba Drinking Poison (?), by a Follower of Mantegna. Panels, Each 72.5 by 23 cm. (National Gallery, London.)
Attributed works:
69. An Episode from the Life of Publius Cornelius Scipio, Attributed to Giovanni Bellini. Canvas, 74.6 by 356 cm. (National Gallery of Art, Samuel H. Kress Collection, Washington, D. C.)
Attributed works:
70. Detail from Fig.67, Showing the Principal Group of Figures. [The Introduction of the Cult of Cybele at Rome', by Andrea Mantegna. Canvas, 73.5 by 268 cm. (National Gallery, London.)]
Attributed works:
71. Detail from Fig.69, Showing the Principal Group of Figures. [An Episode from the Life of Publius Cornelius Scipio, Attributed to Giovanni Bellini. Canvas, 74.6 by 356 cm. (National Gallery of Art, Samuel H. Kress Collection, Washington, D. C.)]
Attributed works:
72. The Vestal Virgin Tuccia (See Fig. 68). [by a Follower of Mantegna. Panels, Each 72.5 by 23 cm. (National Gallery, London.)]
Attributed works:
73. Sophonisba Drinking Poison (?), with Additions Omitted (See Fig.68). [by a Follower of Mantegna. Panels, Each 72.5 by 23 cm. (National Gallery, London.)]
Attributed works:
74. Detail from Fig.67, Showing Pentimento of Head. ['The Introduction of the Cult of Cybele at Rome', by Andrea Mantegna. Canvas, 73.5 by 268 cm. (National Gallery, London.)]
Article
Bruegel's 'Woman Taken in Adultery' and Other Grisailles
08/1952 | 593 | 94
Pages: 218-227+229
related names
Author:
Grossmann, Fritz (Grossmann, Fritz)
Subjects
artists:
dates:
places:
places:
subjects:
subjects:
Illustrations
Attributed works:
2. Christ and the Woman Taken in Adultery, by Pieter Bruegel the Elder. Grisaille on Panel, 24.1 by 34.4 cm. Signed and Dated 1565. (Count Antoine Seilern.)
Attributed works:
3. Resurrection, Attributed to Philips Galle. Engraving Based on a Lost Grisaille by Bruegel. (Bastelaer, No. 114.)
Attributed works:
4. Detail from Fig. 2. (Enlarged.) [Christ and the Woman Taken in Adultery, by Pieter Bruegel the Elder. Grisaille on Panel, 24.1 by 34.4 cm. Signed and Dated 1565. (Count Antoine Seilern.)]
Attributed works:
5. Detail from Fig. 2. (Enlarged.) [Christ and the Woman Taken in Adultery, by Pieter Bruegel the Elder. Grisaille on Panel, 24.1 by 34.4 cm. Signed and Dated 1565. (Count Antoine Seilern.)]
Attributed works:
6. The Death of the Virgin, by Pieter Bruegel the Elder. Panel, 36 by 54 cm. (Viscountess Lee of Fareham.)
Attributed works:
7. Christ and the Woman Taken in Adultery, by Pieter Aertsen. Panel, 122 by 177 cm. Signed and Dated 1559. (Staedel Institut, Frankfurt.)
Attributed works:
8. Christ and the Woman Taken in Adultery, by Pierre Perret. Engraving Based on the Grisaille (Fig. 2) by Bruegel. Signed and Dated 1579. (Bastelaer, No. 111.)
Attributed works:
9. Christ and the Woman Taken in Adultery. Copy of Design by Hans Holbein the Younger for Wall-Painting in the Basle Town Hall. (Öffentliche Kunstsammlung, Basle.)
Short Notice
A Grisaille by van de Velde the Elder
11/1941 | 464 | 79
Pages: 161-163+167
related names
Author:
Callender, Geoffrey (Callender, Geoffrey)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
Dutch Flagships. By Willem van de Velde the Elder. Signed. About 1656. Reed-Pen Drawing in Indian Ink on Panel, 76 by 91.5 cm. (National Maritime Museum, Greenwich). Shorter Notice: A Grisaille by van de Velde the Elder
Attributed works:
Figure I. Signature on "The Tempest"
Attributed works:
Figure III. Signature of Willem the Younger.
Attributed works:
Figure IV. Signature of Willem the Younger.
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