Creating Sculpture: Renaissance
Drawings and Models
Edited by Michael Cole, Ana Debenedetti and
Peta Motture, with Kira d’Alburquerque. 224
pp. incl. 150 col. + 5 b. & w. ills. (V&A Publishing,
London, 2022), £35. ISBN 978–1–85177–998–7. |
:
Illustrations
Attributed works:
3. River god, by Giambologna. c.1580.
Terracotta, height 31 cm. (Victoria and
Albert Museum, London).
1. Study of a bust at Lille, by John Singer Sargent. c.1877.
Oil on mahogany panel, 30.7 by 20.6 cm. (Private collection).
Attributed works:
10. The Maiden of Lille, by Arthur Mayeur. Drawing reproduced on
the cover of Lille et la région du nord en 1909, Lille 1909.
Attributed works:
2. The ‘Maiden of Lille’ in the Wicar galleries at the Palais des Beaux-Arts,
Lille, c.1892. (Palais des Beaux-Arts, Lille).
Attributed works:
4. The Maiden of Lille, by Aurelio Micheli. c.1909. Plaster, wax and
polychromy. (Letter Stiftung, Cologne).
Attributed works:
5. Jean-Jacques Henner’s studio in Paris, with a plaster cast of the
‘Maiden of Lille’ from the Kaiser Friedrich Museum, Berlin. Detail of a
photograph, c.1900. (Courtesy Henner Museum, Paris).
Attributed works:
6. Wolfgang Gurlitt’s music room at 113 Potsdamer Strasse, Berlin.
Photograph, c.1920. (Bildindex der Kunst und Architektur, Deutsches
Dokumentationszentrum für Kunstgeschichte, Bildarchiv Foto Marburg).
Attributed works:
7. The display of old-master drawings in the Royal Library at Windsor
Castle. Photograph by James Russell and Sons, 1910. (Manley family
collection).
Attributed works:
8. The plaster-cast room at the Museum of Fine Arts, Copley Square,
Boston. Photograph, 1902. (Museum of Fine Arts, Boston).
Attributed works:
9. The Maiden of Lille, in the Musée Wicar, Lille. Photograph by Robert
Jefferson Bingham, 1864. (Palais des Beaux-Arts, Lille).
Western art unattributed:
3. The Maiden of Lille. Possibly seventeenth or eighteenth century.
Beeswax, terracotta and glass, 44.5 by 30.3 by 19.5 cm. (Palais des Beaux-
Arts, Lille; photograph the author).
20. Anatomical Head, by Gaetano Giulio Zumbo. (Museo Zoologico (Formerly Museo di Fisica e Storia Naturale), Florence.) Reproduced by Courtesy of the Museo Zoologico.
Attributed works:
21. Lamentation. Engraving by Elisabeth Chéron after Gaetano Giulio Zumbo.
Attributed works:
22. Adoration of the Shepherds, by Gaetano Giulio Zumbo. Wax, 61 by 85.1 cm. (Victoria and Albert Museum.) Crown Copyright Reserved.
10. The Tomb. Plate 2 of Errard and Genga, Anatomia, Rome, 1691. By courtesy of the Wellcome Trust.
Attributed works:
11. The Plague of Ashdod. Engraved c.1650 by Jean Baron after Poussin.
Attributed works:
12. A Soul in Hell, by Gaetano Giulio Zumbo. Wax; Height, 20.5 cm; length, 15.5 cm; Depth, 5 cm. (Museo Degli Argenti (No.181), Palazzo Pitti, Florence.)
Attributed works:
13. A Soul in Purgatory, by Gaetano Giulio Zumbo. Wax; Height, 20.6 cm; Length, 15.5 cm; Depth, 5 cm. (Museo Degli Argenti (No.180), Palazzo Pitti, Florence.)
Attributed works:
14. St Francis of Assisi, by Gaetano Giulio Zumbo. Wax; Height, 20.5 cm; Length, 14.9 cm; Depth, 6 cm. (Museo Degli Argenti (No.179), Palazzo Pitti, Florence.)
Attributed works:
15. Allegorical Relief, by Gaetano Giulio Zumbo. Wax, 26.7 by 19.4 cm. (Victoria and Albert Museum.) Crown Copyright Reserved.
Attributed works:
7. The Triumph of Time, by Gaetano Giulio Zumbo. Wax; Height, 84.9 cm; Length, 89.7 cm; Depth, 45.5 cm. (Museo Nazionale, Florence.)
Attributed works:
8. La Pestilenza, by Gaetano Giulio Zumbo. Wax; Height, 85.1 cm; Length, 89.8 cm; Depth, 46.4 cm. (Museo Nazionale, Florence.)
Attributed works:
9. The Vanity of Human Greatness, by Gaetano Giulio Zumbo. Wax; Length, 85 cm; Depth, 89.8 cm; Width, 46.9 cm. (Museo Nazionale, Florence.)
Portrait of a Woman, Here Identified as Madame Roland and As by Etienne Maurice Falconet. Wax, Life-Size. (Mr. E. W. Edwards, Cincinnati). Shorter Notices: An Unknown Wax Bust by Falconet
Plate I. A, B, C-Sketch in Wax For a Slave. Actual Size (V. and A. Cat. 4109-1854). The Wax Models by Michael Angelo in the Victoria and Albert Museum
Attributed works:
Plate II. D-Torso of a Woman (4105-1854). The Wax Models by Michael Angelo in the Victoria and Albert Museum
Attributed works:
Plate II. E-Study For a David. Actual Size (4106-1854). The Wax Models by Michael Angelo in the Victoria and Albert Museum
Attributed works:
Plate II. F-Hercules and Cacus (4108-1854). The Wax Models by Michael Angelo in the Victoria and Albert Museum
Attributed works:
Plate II. G-Mask; Dried Clay. Slightly Enlarged (4107-1854). The Wax Models by Michael Angelo in the Victoria and Albert Museum
Attributed works:
Plate II. H-Apollo; Cast in Wax (4116-1854). The Wax Models by Michael Angelo in the Victoria and Albert Museum
Attributed works:
Plate III. J-Anatomical Figure; Study in Reverse For the Bacchus (4114-1854). K-Right Arm of the David (4109-1854). L-Right Arm of the Cupid (4112-1854); M-Left Leg of the David (4111-1854); N-Right Leg of the David (4110-1854). O-Left Leg of Christ in the Pietà in St. Peter's (4113-1854). The Wax Models by Michael Angelo in the Victoria and Albert Museum
Wax Models For Florentine, Papal, Mantuan and Other Coins, Partly the Work of Gaspare Mola. In the Collection of Mr. T. Whitcombe Greene, F. S. A. Italian Medals-XXVI