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43 articles
Exhibition Review
Tiepolo: Venice, Milan, Europe
03/2021 | 1416 | 163
Pages: 273-275
related names
Reviewer:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Tiepolo: Venice, Milan, Europe Gallerie d’Italia, Milan 30th October 2020–2nd May 2021 | :
Illustrations
Attributed works:
5. Rhea Silvia admonished by Amulio in front of the temple of Vesta (?), by Giambattista Tiepolo. c.1722– 25. Oil on canvas, 96 by 136 cm. (Fondazione Brunelli, Milan; exh. Gallerie d’Italia, Milan).
Attributed works:
6. Triumph of Virtue and Nobility, by Giambattista Tiepolo. c.1740. Detached fresco, 283 by 283 cm. (Private collection; exh. Gallerie d’Italia, Milan).
Attributed works:
7. Detail from Ulysses discovers Achilles between the daughters of Lycomedes, by Giambattista Tiepolo. Oil on canvas, 245 by 520 cm. (Private collection; exh. Gallerie d’Italia, Milan).
Exhibition Review
A Challenge to the Baroque: Rome, Turin, Paris 1680–1750
09/2020 | 1410 | 162
Pages: 802-804
related names
Reviewer:
Pietrabissa, Camilla (Pietrabissa, Camilla )
Subjects
dates:
places:
styles:
subjects:
Reviewed Items
subjects:
A Challenge to the Baroque: Rome, Turin, Paris 1680–1750 La Venaria Reale, Turin 30th May–20th September | :
Illustrations
Attributed works:
13. Chryses, by Michel- Ange Slodtz. c.1740. Marble, height 66.5 cm. (Académie des Sciences, Belles Lettres et Beaux- Arts, Lyon; exh. La Venaria Reale, Turin).
Attributed works:
14. Installation view of A Challenge to the Baroque: Rome, Turin, Paris 1680–1750 at La Venaria Reale, Turin, 2020. (Photograph Consorzio delle Residenze Reali Sabaude).
Attributed works:
15. Diana and Endymion, by Pierre Subleyras. c.1738. Oil on canvas, 73.5 by 99 cm. (National Gallery, London; exh. La Venaria Reale, Turin).
Advertisements
Advertisements December 2013 (front)
12/2013 | 1329 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adriano Ribolzi. 3 av. De l’Hermitage. Monaco. Andy Warhol «Shoes», 1980, TP Silkscreen ink and diamond dust on paper, 102,2 x 151,1 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Thomas Jones (1742-1803). A road in a Gorge near Naples, 1782. Watercolour and gum arabic over graphite, 14 5/8 x 18 7/8 inches (37.5 x 48.5 cm). Signed in ink, lower right, T. Jones; inscribed in graphite, top centre (under watercolour), Octob-r 1782; verso in brown ink (in the artist's hand), No 1 in the Suburbs of Naples quary [sic] / T. Jones]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Lorenzo Lotto (Venice c.1480 - 1556 Loreto). The Holy Family with Saint Catherine of Alexandria. Signed 'L. Lotus' (lower center, on the ledge) oil on canvas. 33 3/4 x 43 5/8 in (85.7 x 110.8 cm)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Benedetto Castiglione, called Grechetto. Genoa, 1609 - Mantua, 1664. Jacob's Journey. Oil on canvas, 111 x 149 cm (43 11/16 x 58 in). Signed at lower left: "IO:BENEDIT.ˢ/CASTILIONVS/IANEN-"]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Pittoni. 1687 - Venice - 1767, St. Peter. Oil on canvas: 51 x 43 cm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Jacques de Gheyn II (Antwerp 1565 - 1629 The Hague). An Allegory of Unequal Love. On canvas, 36 1/2 x 42 1/2 ins (92.7 x 108 cm)]
Attributed works:
[Rafael Valls Limited. 6 Ryder Street. London. An exhibition of drawings by William Lock the Younger (1767-1847)]
Attributed works:
[Salamon Fine Old Paintings and Drawings. Via San Damiano 2. Milano. Francesco De Mura (Naples 1696 - 1782). Rest on the Flight into Egypt. Oil on canvas; 47,5 x 34,5 cm (18 11/16 x 13 9/16 in.)]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Giovanna Garzoni. A study of the Red Admiral Butterfly (Vanessa Atalanta) (detail)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Sold to Yale Center for British Art, New Heaven, Connecticut. John Cheere (1709-1787). An important monumental Mid 18th Century English lead statue of Sanson and a Philistine after the celebrated marble by Giambologna]
Advertisements
Advertisements May 1995 (front)
05/1995 | 1106 | 137
Pages: i-xxviii
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St. James, London ] Rembrandt Harmensz van Rijn 1606-1669. Portrait of Jan Lutma, Goldsmith. Etching and Drypoint, Size: 198 × 149 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A, Berlin - Grünewald ] Nicolò della Casa (Active in Rome, ca. 1543-47). Baccio Bandinelli in His Studio. Engraving. 1548. Le Blanc (Salamanca) 1.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Albrecht Dürer. The Cannon. Etching on Iron. 1518. 220 × 325 mm Sheet Size. Bartsch 99. Meder 96 with Rust Marks a (Of g).
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Fra Galgario, Portrait of a man with oriental costume.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup by Floch. Brittany Early 16th Century. Diameter 21,5 cm - Weight 223g
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Yuri Ivanchenko. A Still Life with a Self Portrait, Butterflies and Mechanical Objects. Signed and Dated 1993, 569 × 422 mm
Attributed works:
[ Cover ] Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. Pen and Brush in Brown Ink over Red and Black Chalk, Heightened with White, 28 by 19 cm. (Ashmolean Museum, Oxford).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / Didier Aaron & Cie, 118 Faubourg St. Honoré, Paris / Didier Aaron, Ltd., 21 Ryder Street, London ] François Perrier French: 1594 - 1649. Hercules and Omphale. Oil on Canvas: 98 × 135 cm. Executed ca. 1645-47
Attributed works:
[ Fischer Galleries, Haldenstrasse 19, Lucerne ] Giandomenico Tiepolo (Venice 1727-1804). Ecce Homo. Pen and Brown Ink over Pencil Sketch; 461×363 mm (Drawing); Signed Domo Tiepolo f.
Attributed works:
[ Flavia Ormond Fine Arts Ltd., 24 Brechin Place, London ] Giovanni Battista Pittoni. Venice 1687 - 1767. San Francesco di Paola. Red and Black Chalk. 225 × 187mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Albrecht Dürer, Underweysung der Messung. Nuremberg 1525. Supplement: Underricht zu befestigung der Stett... Nuremberg 1527.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Ferdinand Hodler. Lake Geneva from Chexbres; Sunday Morning. Oil on Canvas. 1895-1899. 101: 130 cm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Ferdinand Georg Waldmüller. Canvas, 66,3 × 52,8 cms. Brünn 1793 - Vienna 1865. Signed and Dated 1833
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Francis Hayman (1708 Exeter - 1776 London). A Scene from 'The Tempest'. Oil on Canvas Mounted on Cardboard. 49.8 × 88.5 cm
Attributed works:
[ Jack Kilgore & Co, 154 East 71st Street, New York ] Pieter Lastman (1583-1633). The Crucifixion. Signed with Monogram "PL". Oil on Shaped Panel, 43 by 25 3/8 Inches (109 by 64.3 cm)
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667). Landscape with Trees. Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ M. Roy Fisher, 170 Mercer St., New York City ] Francesco Zuccarelli. Pitigliano (Tuscany) 1702-1788 Florence. Landscape with Milkmaid and a Troop of Animals. Oil on Canvas: 32 × 51½ Inches, 81 × 131 cm.
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Giulio Cesare Procaccini (Bologna 1574-Milan 1625). Mythological Scene. Red Chalk; 166 × 316 mm., 6½ × $12frac{3}{8}$ in.
Attributed works:
[ Paul Prouté, 74 rue de Seine, Paris ] Jean-Baptiste Oudry (Paris 1680 + Beauvais 1755). The Fish and the Cormorant, Illustration to the Fable 192 by Jean de la Fontaine. Brush Drawing in China Ink, with Ink Washes and White Gouache Heightening, on Blue Paper with a Cobalt Blue Border, 310 × 266mm, Signed and Dated at Lower Right.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Cristofano Roncalli, Called il Pomerancio, The Death of Ananias and Saphira, 1599-1603, Oil on Canvas, en grisaille 49 by 33½ Inches (124.5 by 85 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866). Pen, Watercolour Heightened with Gouache. The Family Inn at Vaugirard, 1862 - Signed and Dated Lower Left 18,5 cm × 25,5 cm
Attributed works:
[ Thomas Gibson Fine Arts Ltd, 44 Old Bond Street, London ] Federico Barocci c. 1535-1612. The Circumcision of Christ, c. 1585-1590. Oil on Canvas 32 × 25 Inches/81 × 64 cm
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Pierre Puget. 1620 Marseille 1694. Ships at Anchor near a Broken Obelisk. Pen and Black Ink on Vellum. Signed in the Lower Left Corner: P. Puget a Tollon. 252 × 352 mm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton street, London ] A Gilt Bronze Group of Saint Martin Dividing his Cloak with the Beggar, by Jan-Baptist van Helderberghe, circa 1700, Signed with Initials, 32.8 cm. High.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated.
Attributed works:
[ W. M. Brady & Co., Inc., 3 East 76th Street, New York ] Jacques-François-Joseph Saly, Valenciennes 1717-1776 Paris. Portrait of a Man in Profile, Red Chalk, 13¼ × $12frac{5}{8}$ Inches (337 × 320 cm.)
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - Han Dynasty (200 - 210 A. D.). Horse Terracotta. Height 52cm
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours for Use by Rome. Paris, Kerver, 1 December 1502. 96 pp. With 18 Full-Page Engravings on Vellum.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Last Third of the 15th c. Illuminated Latin Manuscript on Vellum, 10 Full-Page Miniatures and Numerous Initials.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Mid-15th c. Illuminated Latin Manuscript on Vellum, 12 Full-Page Miniatures and Numerous Initials.
Advertisements
Advertisements January 1993 (Front)
01/1993 | 1078 | 135
Pages: i-xxiv
Subjects
advertisements:
Illustrations
Attributed works:
[Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] The Annunciation to the Shepherds. Jacopo da Ponte Called Jacopo Bassano (c. 1517/8-1592). Oil on Canvas 127.5 × 118.8 cm. (50¼ × 46¾ Inches)
Attributed works:
[Claude Kuhn, Blumenrain 12, Basel] The Master of the Berlin Sketchbook Probably Active in Amsterdam around 1520/30. 'St. Christopher Carrying the Infant Christ'. Verso: Studies of Figures, Pen and Brown Ink, 21 × 14.2 cms
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Giovanni Antonio Pellegrini 1675 - Venice - 1741. The Penitent Magdalen. Oil on Canvas: 118.7 × 94 cms (46¾ x 37 ins).
Attributed works:
[David Jones, 8 Rue Rossini, Paris] Bartolomeo Neroni Called Il Riccio. (Siena 1500-1571). Recto: Two Standing Male Nudes, One Holding a Flaming Torch. Faint Study of a Third Female Figure in Profile. Pen, Brown Ink and Black Chalk. Verso: Standing Male with Outstretched Arm; Acanthus Leaf Studies. Pen and Brown Ink over Black Chalk; Decorative Studies in Red Chalk. 233 × 150 mm.
Attributed works:
[David Jones, 8 Rue Rossini, Paris] Lorenzo Sabbattini (Bologna 1530-Rome 1576). Coronation of the Virgin. Pen and Brown Ink with Brown Wash over Traces of Black Chalk, with Extensive White Highlighting on Blue Paper; Squared for Transfer. 185 × 205 mm.
Attributed works:
[Didier Aaron Inc., 32 East 67th Street, New York/ 21 Ryder Street, London] Nicolas Lejeune. The Feast of Absalom. Gouache, Pen and Black Ink: 710 × 865 mm. Executed in Rome in 1771
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Pompeo Batoni. Study for an Angel. Red Chalk. 215 × 140 mm.
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Master of the Greenville Tondo (Active in Tuscany Late 15th Century, Early 16th Century). Madonna with Child, St. John the Baptist and Two Angels Panel, Diameter 82 cms
Attributed works:
[Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich] Francesco Mazzola, Il Parmigianino. Parma 1503-1540 Casal Maggiore. Saint Jerome. Pen and Grey-Brown Ink, Wash, Heightened with White, on Blue Paper. 173 × 124 mm
Attributed works:
[Mia Weiner, 8 East 77th Street, New York] Attributed to Simon Vouet, Early Roman Period, ca. 1617. Oil on Linen. 387 × 310 mm. Provenance: Dr. John Maxon, Chicago.
Attributed works:
[Minet Insurance, 66 Prescot Street, London] "La Pietà degli Albizi" an "affresco staccato" by Pietro Perugino (1483-1523). Reproduced by Courtesy of Cassa di Risparmio di Firenze
Attributed works:
[Newhouse Galleries Inc., 16 East 66th Street, New York] Allegorical Tomb of Archbishop Tillotson. Giovanni Antonio Canal, Called Canaletto (1697-1768). Giovanni Battista Pittoni (1687-1767). Gianbattista Cimaroli (c. 1700-1735). Oil on Canvas: 218 × 138.5 cm
Attributed works:
[Paul Drey Gallery, 11 East 57th Street, New York] Anton Domenico Gabbiani, Florence 1652-1726. Elijah and the Angel. Pen and Brown Ink, Brown Wash. 230 × 245 mm.
Attributed works:
[Paul Prouté S. A., 74 rue de Seine, Paris] Jules Cheret (Paris 1836 - 1933). Loïe Fuller in the Fire Dance at the Folies-Bergères. Watercolour and Gouache, 1140 × 785 mm.
Attributed works:
[Richard Green, 39 Dover Street, London] Louis-Leopold Boilly. Portrait of Madame Saint-Ange Chevrier. Oil on Canvas 71.5 × 58 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, London/49 East 68th Street, New York] Domenico Puligo, Madonna and Child with the Young St. John the Baptist, Circa 1515. Oil on Panel, 34¾ by 26 Inches (88.3 by 66 cm.)
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53, 1071 BN Amsterdam] Bernhardt Keil (Helsingo̵r 1624-1678 Rome). The Concert. Oil on Canvas 112 × 138 cm.
Attributed works:
[Sotheby's, 1334 York Avenue, New York] Joos van Cleve, "Christ on the Cross with Mary, Mary Magdalen and Saint John the Evangelist". The Central Panel of an Altarpiece, Oil on Panel, 87.6 × 60.3 cm. Estimate: $350,000-550,000.
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] John Melhuish Strudwick (1849-1937). Portrait of a Young Lady. Courtesy Christopher Wood Gallery
Attributed works:
[University of Missouri Press, 3 Henrietta Street, London] Dance Around the Golden Calf (Detail), Courtesy of Rijksmuseum, Amsterdam
Western art unattributed:
[Alexander George Ley & Sons, 13 Brecknock Road, London] George II Kent Style Frame with Carved Top Shell, Running Egg and Dart Outset Corners, with Hush Drops and Pierced Chain to Centre
Western art unattributed:
[C. G. Boerner, Kasernenstrasse 13, Düsseldorf/61 East 77th Street, New York] German, Second Quarter of 16th Century. Das Narrenschneiden. Satirical Design for a Stained Glass Roundel. Pen with Dark Brown Ink, and Grey-Brown, Yellow and Rose Washes. Diam. 235 mm. On Paper with Watermark Briquet 1241 ff.
Western art unattributed:
[Charles Ratton & Guy Ladrière, 14 rue de Marignon, 11 quai Voltaire, Paris] Gothic Ivory Box, Fitted for a Scale and Weights France - XIV Century. Height: 9.8 cm.; Length: 5.4 cm.
Article
The Church of the Miracoli in Venice and Pittoni's St Jerome Altar-Piece
10/1989 | 1039 | 131
Pages: 684-692
related names
Author:
Howard, Deborah (Howard, Deborah)
Subjects
artists:
dates:
dates:
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. The Exterior of S. Maria dei Miracoli, Venice, by Pietro Lombardo, Showing the Domed Presbytery Added after 1485.
Attributed works:
10. Photomontage Reconstruction of the Original Setting of Fig.7 on the Left Wall of S. Maria dei Miracoli. The Details of the Altar Table Are Tentative, See Note 30.
Attributed works:
2. S. Maria dei Miracoli, by G. Bernasconi. Engraving, Published in Il Fiore di Venezia, by E. Paoletti, Vol. III, Venice, 1840.
Attributed works:
3. Plan of S. Maria dei Miracoli, Published in Le fabbriche più cospicue di Venezia, by L. Cicognara, A. Diedo and G. A. Selva, Venice, 1815-20.
Attributed works:
4. Annunciation, Attributed to Giovanni Bellini. Organ Shutters from S. Maria dei Miracoli, Oil on Panel, Each 224 by 105cm. (Accademia, Venice).
Attributed works:
5. Procession in S. Antonio di Castello, by Vittore Carpaccio. 121 by 174 cm. (Accademia, Venice).
Attributed works:
6. Interior of S. Maria dei Miracoli, Attributed to G. Bernasconi. Engraving, Published in Il Fiore di Venezia, by E. Paoletti, Vol. III, Venice, 1840.
Attributed works:
7. St Jerome, St Peter of Alcantara and Another Franciscan Saint, by Giovanni Battista Pittoni. Before 1733. 275 by 143 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
8. The Interior of S. Maria dei Miracoli.
Attributed works:
9. Recent View of the Interior of S. Maria dei Miracoli Showing Campagna's Statues of St Francis and St Clare.
Advertisements
Advertisements December 1985 (Front)
12/1985 | 993 | 127
Pages: i-xxx
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
Dada-Cino, by Raoul Hausmann. 1921. Gouache on Collage. (Private Collection; Exh. Royal Academy, London).
Attributed works:
[C.D.R. Fine Art Ltd, 97 Cambridge Street, London] Georg Schrimpf (1889-1938), Ausschauende-Mädchen am Fenster, 1937 (Girl by a window). Oil on Canvas, 75 × 52cm. Signed and Dated Lower Right
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Giovanni Pietro da Birago after Leonardo (ca. 1497). The Last Supper. Engraving. B. XIII,83,28. Hind V,88,9. From the Collection Earl Spencer, Althorp.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Emilius-Ditler Baerentzen (Copenhagen 1799-1868), Self Portrait. Oil on Canvas. 58 × 50.5 cms.
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Electa, via Trentacoste 7, Milan] Canaletto. The Complete Work by André Corboz
Attributed works:
[Electa, via Trentacoste 7, Milan] Duccio di Buoninsegna. The Complete Work by Florens Deutcher
Attributed works:
[Electa, via Trentacoste 7, Milan] Giambattista Pittoni. The Complete Work by Franca Zava Boccazzi
Attributed works:
[Electa, via Trentacoste 7, Milan] I Guardi. The Complete Work by Antonio Morassi
Attributed works:
[Electa, via Trentacoste 7, Milan] Palma il Giovane. The Complete Work by Stefania Mason Rinaldi
Attributed works:
[Electa, via Trentacoste 7, Milan] Paolo Veronese. The Complete Work by Terisio Pignatti
Attributed works:
[Electa, via Trentacoste 7, Milan] Perugino. The Complete Work by Pietro Scarpellini
Attributed works:
[Electa, via Trentacoste 7, Milan] Tintoretto. The Complete Work by Rodolfo Pallucchini and Paola Rossi
Attributed works:
[Galerie Michael Haas, Niebuhrstraße 5, Berlin] Ernst Ludwig Kirchner "Bartanz", 1914, Radierung, Eigendruck Sign. Dube 174.
Attributed works:
[Galerie Westphal, Fasanenstr. 68, Berlin] Walter Libuda 'Ohne Titel (Acht Figuren)'. Oil/Canvas, Signed and Dated (19)84, 145,5 × 121 cm
Attributed works:
[I & G Fine Arts International Ltd, 37 Curzon Street, London] Giovanni Lanfranco, 1582-1647, Susannah and the Elders. Oil on Copper, 36.8 × 50cm
Attributed works:
[Jean Willems, rue Ernest Allard 5, Brussels] Leonard Bramer, Delft 1596-1674, "The Doctors of the Law". Grey and Black Ink and Wash, Heightened with White Gouache on Grey Paper 372 × 292 mm. Provenance: Bremen Kunsthalle (L.293). Bremen Kunstverein (L.295)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Henry Moore: Working Model for Mother with Child on Lap, 1985. Bronze ht. 34 in./86.4 cm. Cast 1/9
Attributed works:
[Marlborough, 39 Old Bond Street, London] Ernst Ludwig Kirchner Zwei Badende am Ofen. Lithograph, 1914. 42 × 31cm
Attributed works:
[Mes Audap-Godeau-Solanet, 32 rue Drouot, Paris] Michel Garnier "Le Hamac" Painting Shown at the "Cinq siècles d'art français" Exhibition - Stockholm National Museum 1958 - no 109 - 0.46 × 0.55 cm
Attributed works:
[Mes Audap-Godeau-Solanet, 32 rue Drouot, Paris] Vigee le Brun Louise Elisabeth "La vertu irrésolue". Oil on Canvas. 49 × 39 cm. (Engraved by Dennel).
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Jurgen Ovens (1623 - 1678), "Charity," Signed and Dated 1646, on Panel, 82 cm. × 66 cm. Estimate: £10,000 - £15,000 ($14,000 - $21,000).
Attributed works:
[Prestel-Verlag, Manlstraße 26, Munich] Naum Gabo
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Alexandre-Denis Abel de Pujol, "Portrait of Nicolas Legrand and his Grandson," 1815. Oil on Canvas, 114 by 96.5 cm. Signed, Lower Right: "Abel de Pujol 1815"
Attributed works:
[Sotheby's, 1334 York Avenue, New York] Master of the Holy Kinship, Adoration of the Magi, Oil on Panel, 146 by 164 cm.
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Asprey. A Rare Silver Mounted Green Glass Whiskey Decanter by Omar Ramsden, London, 1938, 11½ ins High. Stand no. D7
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Brand Inglis Ltd. A Rare Pair of Charles II Large Scent Flagons. Maker's Mark Only: PR London c.1675. Height: 7 ins. Stand no. B4
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] E. & C. T. Koopman & Son Limited. A Magnificent Silver-Gilt Toilet Service, London 1734, by David Willaume. Arms Are of Cecil with Chambers in Pretence for Brownlow, 8th Earl of Exeter. Stand no. H2
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Galerie Rotmann. 1 Pair of Russian Table Candle-Sticks St. Petersburg 1833. Assaymaster: Michael Karpinski. Workmaster: Christian Andreas Jantzen. Weight: ca. 12kg. Height: 22½ ins. Jantzen Was Purveyor to the Russian court. Stand no. F1
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Hancocks. A Good Wine Goblet by Omar Ramsden, London 1936. Stand no. F7
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] I. J. Mazure & Co Limited. A German Silver Gilt Mounted Ivory Beaker and Cover with a Scene of Cherubs Holding Hands Dancing round in a Circle, and Carved in the Style of Leonard Kern, 1588-1663. c.1645. Stand no. E1
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] J. H. Bourdon-Smith Ltd. A Pair of Shell Cornered Swirling Fluted. Candlesticks, Made in London in 1829 by Robert Garrard. Engraved with a Contemporary Crest and Coronet. 10 ins. Tall. 52.5 Ounces. Stand no. E8
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Maurice Asprey. A William III Silver Nutmeg Grater and Box by RB. London 1696. The Box Is Fully Marked and the Grater Bears the Maker's Mark on the Cover. Stand no. D6
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Steppes Hill Farm Antiques. A Fine George III Oval Tray with Reeded Rim and Double Handles Engraved with Contemporary Armorials. Makers: Hannam and Crouch, 1802. Weight: 106 ozs. Width: 31 ins. Stand no. K1
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Van Kranendonk Duffels. A Carnet de Bal in Different Coloured Golds and Silver with Diamonds. French c.1850. Probably Froment Meurice. Stand no. J1
Attributed works:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Wartski. A Fabergé Looking Glass in Coloured Gold with a Bowenite Base, by M. Perchin - St. Petersburg. c.1900. Stand no. D8
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Andrew Wyld. William Callow 1812-1908 Sunset on the Normandy Coast, 1832. Watercolour. Stand no. G3
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Caroline Stroude. Erich Wolfsfeld, 1885-1956, Mother and Child Graphite. Stand no. H10
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Colnaghi. Edward Dayes, 1763-1804 A View of Leek, Staffordshire Pencil and Watercolour. Signed and Dated 1793. 6½ × 9 ins. Stand no. H6
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Fry Gallery. Nicholas Pocock, 1740-1821. Giant's Causeway Co. Antrim. Watercolour, Signed and Dated 1793. Stand no. P4
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] J. S. Maas & Co Ltd. Finished Pencil Sketch for A Wife, an Illustration to an Anonymous Poem in Once a Week, 7th of January 1860, 4 × 5½ ins., by Sir John Everett Millais, P. R. A. (1829-1896). Stand no. M5
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Jocelyn Feilding Fine Art Ltd. Johann Christoffer Bayer, 1738-1812. Flowers in an Urn. Signed. Gouache on Paper. 24 ¾ × 21 ins. Stand no. B3
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Stoppenbach & Delestre Ltd. François Bonvin, 1817-1887, Woman Spinning 1861. Charcoal, 16 × 11¼ ins. Signed and Dated Lower Left. Stand no. H5
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] The Leger Galleries Ltd. Daniel Gardner, 1750-1805. Portrait Group of Mrs. Anthony James Keck and Her Son and Daughter. Gouache and Pastel. 38 × 24 ¾ ins. Stand no. D8
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] Thos. Agnew & Sons Ltd. Michael Ayrton, The Chainmakers. Gouache. 18 × 22 ins. Stand no. F1
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] William Drummond. William Turner of Oxford O. W. S. Born 1789 Died 1862 A Distant View of Loch Maree, Rosshire, North Britain. - Sunset (Inscribed Verso by the Artist). Watercolour and Body Colour on Paper, 29 × 40 Inches. Signed and Dated "W. Turner 1846". Stand no. M4
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] William Weston Gallery. Pierre Bonnard 1867-1947. Drawing in Black Chalk. c.1930. Signed with the Monogram Stamp. A Study for the Oil 'Nu à la Baignoire' c.1930 (Private Coll. U. S. A. - Exhibited Royal Academy 1966 - No 208.). 5 × $6frac{1}{8}$ ins. Stand no. M2
Western art unattributed:
[Deutscher Verlag für Kunstwissenschaft GmbH, Lindenstr. 76, Berlin] Hans R. Hahnloser und Susanne Brugger-Koch
Western art unattributed:
[Lawrence Fine art, South Street, Crewkerne] A Pair of Old Sheffield Plated Wine Coolers. c. 1815
Western art unattributed:
[Nella Longari, Via Bigli, Milan] Miniated Page Representing "The Adoration of the Magi". France, 15th Century. Size: 20.5 × 14.5 cm
Western art unattributed:
[Schwabe & Co. Ltd, Basel] Paul Klee Beiträge zur bildnerischen Formlehre
Western art unattributed:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Axel Vervoordt. An Embossed Two-Handled Commonwealth Presentation Cup, the Interior Gilt, Given to Queen Anne in 1681 at Her Confirmation and Engraved on the Occasion. London 1657. Height: 3 ins. Stand no. J7
Western art unattributed:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Donohoe. Eighteenth Century Gold Portrait Ring of Frederick the Great. Stand no. G2
Western art unattributed:
[The International Jewellery Fair, The Dorchester, Park Lane, London] Ulf Breede. Enamelled Gold Pendant Formed as a Warrior with a Trophy of Arms. English or Dutch c.1620. 2½ × 2 ins. Stand no. D4
Advertisements
Advertisements July 1983 (Front)
07/1983 | 964 | 125
Pages: i-xxviii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Walter Richard Sickert A. R. A. Santa Maria della Salute, Venice, Canvas, 24 1/8 x 19 3/4 ins
Attributed works:
[Anthony Dallas & Sons Ltd., 9 Old Bond Street, London, UK] Thomas Gainsborough, R. A Drovers and Cattle on a Heath. Oil and Watercolour on Brown Prepared Paper. 15 3/4 by 20½ ins. (40.1 × 52.1 cm) To Be Included in Our
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Guido Reni St. Catherine
Attributed works:
[Athenenaeum Old Master Paintings Works of Art, Avenue Princesse Alice 5, Monte Varlo, Monaco] Francesco Guardi (Venice 1712-1793) Canvas 45,5 × 60 cm.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Wenzel Hollar. Die Holtzport zu Duren: Pen and Brown Ink, Grey Wash and Watercolour. 102:186 mm. (Cf. the Etching Parthey 737).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] A Porcelain Calvary Doccia (Florence), 1744 Dimension: 74 × 83 × 43 cm. The Wax Model for This Group Was Executed by Giovan Battista Foggini (1652-1725)
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Jacopo Ligozzi. Verona 1547-Florence 1626
Attributed works:
[D. L. Lavender, 63 South Molton Street, London, UK] An Important and Rare Group of Louis XV Gouache Miniatures of Views of the Duc de Choiseul's Palace of Chanteloup, near Amboise, Painted by Lioux de Savignac, Circa 1770
Attributed works:
[D. L. Lavender, 63 South Molton Street, London, UK] An Important and Rare Group of Louis XV Gouache Miniatures of Views of the St Cloud Palace, Painted by Lioux de Savignac, Circa 1770
Attributed works:
[Daniel Malingue, 26 Avenue Matigonon, Paris, France] Dali, Vestiges ataviques après la pluie, 1934
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[Exh. International Biennial Exhibition of Antique Dealers, Jewellers and Art Galleries, Monte Carlo] Jeune Fille Aux Roses, by Renoir, 1897, Signed in Left-Hand Corner. Oil on Canvas, 45 by 35.5 cm. Daniel Malingue, Paris. A Louis XV Wall Clock and Pedestal with Mother of Pearl Inlay, Its Ormolu Mounts Stamped with a Crowned 'C'. The Centre of the Dial Bears the Image of Louis XV Surrounded by Fleur-de-Lys. 105 by 44 by 22cm. Jacques Perrin, Paris. Virgin and Child, by Giovanni Battista Pittoni (1687-1767). Oil on Canvas, 75 by 59 cm. Athenaeum, Monte-Carlo. A Louis XV Commode, Attributed to Cressent, in Crossbanded Satin and Purple Wood with Ormolu Mounts and Alep Breccia Marble Top. 144 by 87 by 64 cm. Michel Meyer, Paris. One of a Pair of Empire Bronze Lacquered Vases, after Drawings by Percier and Fontaine. 98 by 38 by 29 cm. at the Base. Antiquaires à Paris. Jour du marché à Siout, by Theodore Frère (1814-1888). Signed Bottom Left. Panel, 37 by 22 cm. Berko, Brussels and Paris. A Bureau-Plat, Stamped B. V. R. B. 76.5 by 75 by 57 cm. Antiquaires à Paris. Bouquet de fleurs dans un panier by Jean-Baptiste Monnoyer. Oil on Canvas, 132.5 by 78.5 cm. Maurice Segoura, Paris.
Attributed works:
[Fischer Fine Art, 30 King Street, London, UK] John Minton. Harvest Moon, 1944. Pen and Ink and Gouache, 18 × 22½ ins
Attributed works:
[Front Cover] Cubist Design, by Georges Braque. c.1911. (The Keynes Trust, King's College, Cambridge; Exh. Fitzwilliam Museum).
Attributed works:
[Galerie Bieder Albertina, A-1010 Wien 1, Ausria] Cupboard, Vienna Secession, c. 1904 School of Koloman Moser White Lacquer with Brass Mounts Height 1.96; Width 1.43; Depth 0.66
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Mercury Decapitating Argus, by Giovanni Battista Foggini (Florence 1652-1725). Bronze: Height 40 cm.
Attributed works:
[I.F.W. Fairly of Tyler and Co., Brunning House. London, UK] Edouard Vuillard - "Nu Debout Mains Aux Chevaux"
Attributed works:
[I.F.W. Fairly of Tyler and Co., Brunning House. London, UK] Marc Chagall - "Les Mariés"
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Reclining Connected Forms, 1969, Bronze, Length 84in/213cm, Edition of 9.
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] Richard Wilson 1713-1782. Rome from the Villa Madama. Canvas, 122 × 172.7 cm. 48 × 68 ins.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Holy Family Jacopo del Sellaio (Firenze 1441-1493) Tondo, Oil on Panel, 85 cm. (33½ in.)
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Jan Wynants, Signed and Dated 1659. Oil on Canvas, 105 by 132 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jusepe de Ribera, Called lo Spagnoletto, The Martyrdom of Saint Bartholomew, Signed, Jusepe de Ribera Espanol. F. 1934. 103 by 112 cm.
Attributed works:
[Thomas le Claire, Adikesstr. 40, Hamburg, Germany] Salvator Rosa (1615-1673), Pen and Brown Ink, 111 × 78 mm. Mahoney 46.2.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] Charles François Daubigny. Temps d'Orage. Etching. 1845
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] Paul Gauguin: Te Arii Vahine. Original Woodcut. 1895
Exhibition Review
Brescia, Duomo Vecchio. Brescia pittorica, 1700-60
12/1981 | 945 | 123
Pages: 762-763+765-766
related names
Reviewer:
Enggass, Robert (Enggass, Robert)
Subjects
artists:
dates:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
59. The Ecstasy of St Andrew of Avellino, by G. B. Pittoni. (S. Gaetano, Brescia; Exh. Duomo Vecchio, Brescia).
Attributed works:
60. Assumption of the Virgin, by Giacomo Zoboli. 1732-35. 650 by 350 cm. (Duomo Nuovo, Brescia; Exh. Duomo Vecchio, Brescia).
Attributed works:
61. Pastoral Idyll, here Attributed to Bernardo Strozzi. 260 by 400 cm. (Diocesan Museum, San Giuseppe, Brescia; Exh. Duomo Vecchio, Brescia).
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