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Advertisements (front)
06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
Article
Avatars of Antiquity II: Drapery as metaphor
12/2020 | 1413 | 162
Pages: 1056-1071
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 41 by 27.5 cm. (Royal Academy of Arts, London).
Attributed works:
10. Draped female torso, from the Acropolis, Xanthos. 470–460 BC. Marble, height 123.8 cm. (British Museum, London).
Attributed works:
11. Rebecca at the well, by Nicolas Poussin. 1648. Oil on canvas, 118 by 199 cm. (Musée du Louvre, Paris).
Attributed works:
12. Detail from Paul preaching at Athens, by Raphael. c.1516. Body colour on paper mounted on canvas, whole canvas 320 by 390 cm. (Royal Collection, on loan to the Victoria and Albert Museum, London).
Attributed works:
13. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 27.6 by 27.1 cm. (Royal Academy of Arts, London).
Attributed works:
14. Drapery study for the kneeling handmaiden in Semiramis founding Babylon, by Edgar Degas. 1860–62. Graphite with lead-white body colour and blue wash on paper, 24.4 by 31.1 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Cymon and Iphigenia by Frederic Leighton. c.1884. Oil on canvas, 162.6 by 327.7 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
16. Drapery study by Leonardo. c.1475–82. Brown-grey wash and lead white on linen prepared with a pale grey ground, 220 by 139 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
17. Detail of Virgin and Child, by Masaccio. 1426. Egg tempera on wood, whole panel 134.8 by 73.5 cm. (National Gallery, London).
Attributed works:
18. The penitence of Mary Magdalene, by Charles Le Brun. 1655. Oil on canvas, 252 by 171 cm. (Musée du Louvre, Paris).
Attributed works:
19. Heliodorus driven from the Temple, by Eugène Delacroix. 1855–61. Mural, 751 by 485 cm. (Chapelle des Anges, Saint-Sulpice, Paris)
Attributed works:
2. Detail of an Antique mural painting of a dancer, by Filippo Morghen after Camillo Paderni. Engraving, 38 by 48 cm. (page). (From Le pitture antiche d’Ercolano e contorni, I, Naples 1757).
Attributed works:
20. Ariadne on Naxos, by G.F. Watts. 1867–75. Oil on canvas, 75 by 94 cm. (Guildhall Museum, London).
Attributed works:
21. Divine figures from the east pediment of the Parthenon, Athens, believed to represent Venus reclining on the lap of her mother, Dione, by Phidias or associate. 438–432 BC. Marble, length 233 cm. (British Museum, London).
Attributed works:
22. Captive Andromache, by Frederic Leighton. c.1888. Oil on canvas, 195.6 by 406.4 cm. (City Art Gallery, Manchester).
Attributed works:
23. Detail of the figure of Amor in the chimneypiece made for the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street, Manhattan, by Augustus Saint-Gaudens. c.1881–83. Limestone, height of chimneypiece 468.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
24. Dido receiving Aeneas and Cupid disguised as Ascanius, by Francesco Solimena. 1710. Oil on canvas, 207.2 by 310.2 cm. (National Gallery, London).
Attributed works:
3. One of the ‘attitudes’ of Lady Hamilton, by Tommaso Piroli after Friedrich Rehberg. Engraving, 26.9 by 20.8 cm. (From F. Rehberg: Drawings Faithfully Copied from Nature at Naples, n.p. 1794, fig.7).
Attributed works:
4. Veiled and masked dancer. Alexandria(?), c.100 BC. Bronze, height 20.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Detail of Two dancers, after Antonio Canova. 1799. Tempera on paper. (Casa Canova, Possagno).
Attributed works:
6. Hebe, by Antonio Canova. 1816–17. Marble with gilt metal, height 158 cm. (Pinacoteca Civica, Forlì).
Attributed works:
7. Veiled woman (Allegory of Purity), by Antonio Corradini. 1717–25. Carrara marble. (Museo del Settecento Veneziano, Ca Rezzonico, Venice).
Attributed works:
8. Hebe, by Bertel Thorvaldsen. 1819–23. Marble, height 152.2 cm. (Thorvaldsen Museum, Copenhagen).
Western art unattributed:
9. Kore, from the Temple of Hera, Samos. 570–60 BC. Marble, height 192 cm. (Musée du Louvre, Paris).
Exhibition Review
A Challenge to the Baroque: Rome, Turin, Paris 1680–1750
09/2020 | 1410 | 162
Pages: 802-804
related names
Reviewer:
Pietrabissa, Camilla (Pietrabissa, Camilla )
Subjects
dates:
places:
styles:
subjects:
Reviewed Items
subjects:
A Challenge to the Baroque: Rome, Turin, Paris 1680–1750 La Venaria Reale, Turin 30th May–20th September | :
Illustrations
Attributed works:
13. Chryses, by Michel- Ange Slodtz. c.1740. Marble, height 66.5 cm. (Académie des Sciences, Belles Lettres et Beaux- Arts, Lyon; exh. La Venaria Reale, Turin).
Attributed works:
14. Installation view of A Challenge to the Baroque: Rome, Turin, Paris 1680–1750 at La Venaria Reale, Turin, 2020. (Photograph Consorzio delle Residenze Reali Sabaude).
Attributed works:
15. Diana and Endymion, by Pierre Subleyras. c.1738. Oil on canvas, 73.5 by 99 cm. (National Gallery, London; exh. La Venaria Reale, Turin).
Book Review
Francesco Solimena (1657–1747) e le Arti a Napoli. Edited by Nicola Spinosa
03/2020 | 1404 | 162
Pages: 264-266
related names
Reviewer:
Loire, Stéphane (Loire, Stéphane)
Subjects
places:
Reviewed Items
subjects:
Francesco Solimena (1657–1747) e le Arti a Napoli Edited by Nicola Spinosa. 1100 pp. incl. 400 col. + 600 b. & w. ills. (Ugo Bozzi, Rome, 2018),  365. ISBN 978–88–7003–060–0. | :
Illustrations
Attributed works:
6. The fall of Simon Magus, by Francesco Solimena. 1690. Fresco. (Basilica di San Paolo Maggiore, Naples).
Article
A letter from Solimena: a patron and a date for his ‘Dido receiving Aeneas and Cupid disguised as Ascanius’ in the National Gallery
08/2015 | 1349 | 157
Pages: 542-545
related names
Author:
Favilla, Massimo (Favilla, Massimo)
Author:
Rugolo, Ruggero (Rugolo, Ruggero)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
22. Dido receiving Aeneas and Cupid disguised as Ascanius, by Francesco Solimena. 1710 (National Gallery, London)
Attributed works:
23. Portrait of Cardinal Vincenzo Grimani, by Vincenzo Coronelli. 1707 (Private collection)
Attributed works:
24. Self-Portrait, by Francesco Solimena. c.1730 (Gallerie degli Uffizi, Florence)
Attributed works:
25. Detail of Fig.22 showing Francesco Solimena's self-portrait
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Advertisements August 2008 (Front)
08/2008 | 1265 | 150
Pages: i-iv
Subjects
subjects:
Illustrations
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris] Luca Giordano (Naples 1634-1705). Portrait of a philosopher. Circa 1660. Oil on canvas, 114.4 x 96.8 cm. (45 x 38 in.)
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Francesco Solimena (Canale di Serino 1657-Barra 1747). Erminia and the Shepherds. Oil on canvas, 102 x 129 cm. (40 3/16 x 50¾ in.)
Attributed works:
[Tomasso Brothers, Bardon Hall, Weetwood Lane, Leeds] John Cheere (1709-1787). An important monumental mid 18th century English lead statue of Samson and a Philistine after the celebrated marble by Giambologna.
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Advertisements January 2005 (Front)
01/2005 | 1222 | 147
Pages: i-xiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. August Lucas (1803-1863). Washwomen in Subiaco 1850. Watercolour over pencil, 32 x 47 cm, annotated, dated and signed with the artist's monogram at lower right.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Landscape near Plauen, c. 1830, by Ernst Ferdinand Oehme (Dresden 1797-1855). Watercolour, 130 x 215 mm.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The Abandoning of Moses, by Giovanni Benedetto Castiglione, Il Grechetto (1609/16-1664/79). Quill pen, brush and brown oily wash, the corners up, 256 x 387 mm.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Pensionate di Saraceni. Flourished in Rome, 1610-1620's St. Jerome in an interior (detail) oil on canvas. 67 3/4 x 48 3/8 in. (172 x 123 cm.)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Filippino Lippi (Prato c. 1457-1504 Florence) The Penitent Magdalen (detail). Tempera grassa on panel, arched top. 28 x 15 in. (71 x 38 cm.) Estimate: $800,000-1,200,000.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Giovanni Francesco Barbieri, il Guercino. A picture of the Nativity supported by two angels holding a crown. Pen and brown ink. 9 3/4 x 7 3/4 in. (248 x 197 mm.) Estimate: $60,000-80,000.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. The Judgement of Paris, by Alessandro Turchi, called l'Orbetto (Verona 1578-1649 Rome). Oil on canvas, 968 x 1346 mm. The property of a Family Trust. Sale: Old Master Painting.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. The Temptetion of Adam, by Batholomaus Spranger (Antwerp 1546-1611 Prague). Black chalk, pen and brown ink, brown and grey wash heightened with white, 240 x 178 mm. Sale: Old Master and 19th Century Drawing.]
Attributed works:
[Di Robilant – Voena. 38 Dover Street, London W1S 4LN. Gaspar van Wittel, called Vanvitelli (Amersfoort ca. 1652 - 1736 Rome). Dell'Aniene Cascade, Tivoli and Porta Galliera, Bologna. Both Oil on Canvas, 50 x 100 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Seascape in Normandy, c 1880, by Ernest-Ange Duez (1843-1896). Signed and dedicated lower right, à Dagnan/E Duez. Pastel, 490 x 605 mm. Exhibition: Works on Paper Recent, on view through 4th February 2005.]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. The Mark Hotel, 25 East 77th Street (3rd Floor), New York. ADOLF von MENZEL. View of Verona. 1881. Black chalk. 207 x 126 mm (8 1/8 x 5 inches).]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ducan Grant. 1885-1978. The Modeling Stand, circa 1914. Oil and collage on board. 29 3/4 x 24 3/4 inches; 75,6 x 61 cm.]
Attributed works:
[Kate Ganz, USA, Ltd. 25 East 73rd Street, New York, NY 10021. Annibale Carracci. Studies for the Hand of an Angel Holding a Violin Bow, a study for the painting The Baptism of Christ (detail), 1585.]
Attributed works:
[Marcello Aldega/Margot Gordon. New York. Flying Angel, by Cristofano Roncalli, called Il Pomarancio (1551/52-1626). Red Chalk, 213 x 251 mm. Exhibition: Disegni Italiani, 1493-1930.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jacopo del Sellaio (Florence, 1442-1493) The Madonna and Child with St. John. Tempera, d. 92 cm.]
Attributed works:
[Otto Naumann, Ltd. New York. A night scene with an old lady holding a basket and candle, a young boy at her side about to light his candle from hers, 1615-1618, by Peter Paul Rubens (Siegen 1577-Antwerp 1640). Oil on panel, 790 x 641 mm. Exhibition: Kunst-und Wunderkammer.]
Attributed works:
[Robert Simon, Fine Art, New York. Minerva with a Putto, by Giovanni Antonio Pellegrini. (Vence 1675-1741) Oil on canvas, 699 by 460 mm.]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. Jacopo Palma, Called Palma Giovane (Venetian, 1544-c. 1628). Susanna before Daniel. Oil on canvas, 57 1/2 x 77 3/8 inches (146,1 x 196,5 cm.)]
Attributed works:
[Shepherd & Derom Galleries. 58 East 79 Street, New York City. ANDREA APPIANI. Milan, 1754-1817. Elias and the Angel. Pen and Grey ink, over preliminary study in black chalk. 15 1/16 x 14 7/8 inches (637 x 378 mm)]
Attributed works:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Portrait of a young man, circle of Bellini, Bears inscription in pen and brown ink, lower right: Palma. Black chalk, 291 by 272 mm. Sale: Old Master Drawings.]
Attributed works:
[Stiebel. New York, Upper Eastside. Francesco Solimena. "Judith with the Head of Holofernes."]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jean-Antoine Houdon. Versailles 1741-1828 Paris. Jean-Jacuqes Rousseau (Geneva 1712-1778 Ermenonville), 1780. Signed and dated on the edge of the right shoulder, houdon 1780. Patinated bronze on a grey Sainte-Anne marble socle, height 22 13/16 inches (58 inches). Provenance: Julien Potin, France; Edmond Courty, Chatillon-sous-Bagneux, Seine, France.]
Attributed works:
[W. M. Brady & Co. New York. Bust-lenght study of a man with outstretched arms, circa 1736, by Michel-François Dandré-Bardon (Aix-en-Provence 1700-1783 Paris.). Inscribed, lower left, Dandré-Bardon. Red chalk on beige on beige paper, 145 x 250 mm. Exhibition: Master Drawings, Oil Sketches and Sculpture, 1740-1900, 25th January-18th February, 2005.]
Attributed works:
[W. M. Brady & Co. New York. Reposo, by John Hamilton Mortimer. (Eastbourne 1741-1779 London). Inscribed on the mount, lower left, J. Mortimer Delt. Pen and black ink, 280 x 210 mm. Exhibition: Master Drawings, Oil Sketches and Sculpture, 1740-1900, 25th January-18th February, 2005.]
Western art unattributed:
[Dirk Kennis. Lange Gasthuisstraat 13, Antwerp. Strap-End, 9th century AD, English.]
Western art unattributed:
[Stiebel. New York, Upper Eastside. Since Rosemberg & Stiebel moved from a 57th Street gallery to an East Side Townhouse as Stiebel, Ltd. we have been able to present Old Master paintings, drawings, sculpture, and decorative arts in a home setting. The atmosphere is far more conductive to private appreciation and informal discussion of works of art.]
Advertisements
Advertisements May 2000
05/2000 | 1166 | 142
Pages: i-xx
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Comte Henri-Amédé-Mercure de Turenne, by Jacques-Louis David. 1816. 70 by 53 cm. (Sterling and Francine Clark Art Institute, Williamstown)
Attributed works:
[Aldega-Gordon, New York, New York] Cristofano Roncalli, Called Il Pomarancio, 1552-1626. Red Chalk, 212 × 249 mm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Johan Christian Clausen Dahl (1788-1857). The Coast of Capri by Moonlight. Oil on Canvas, Signed and Dated 1822, 24 16/18 × 38 5/8 Inches
Attributed works:
[B. A. Wright, P.O. Box 1659, Bath, UK] 1887 Marc Chagall 1985. Gouache and Watercolour on Paper: 17 3/4 times 13 3/4 inches
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Greek Boxer Waiting His Turn. Signed J. Gott. English. 1836-38. Of Marble. Commissioned by Benjamin Gott in 1836. Literature: Walker Art Gallery, Joseph Gott, Sculptor, 1786-1860, Liverpool, 1972, p21.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Theo van Rysselberghe (1862-1926). Coastal Scene. Oil on Canvas, Monogrammed Lower Right: 51 × 61 cms. (20 1/8 × 24 in.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Roger-Noël-François de la Fresnaye. (Mans 1885-1925 Grasse). Eve à la pomme. Original Plaster, Circa 1910. Height: 12 3/4 Inches (320 mm.). Width of Base: 17½ Inches (445 mm.). Depth of Base: 8 Inches (203 mm.) Signature Inscribed on the Left of the Terrace: R. Delafresnaye
Attributed works:
[Exh. International Fine Art Fair, New York] Aegidius Sadeler: Portrait of the Emperor Matthias. Engraving; 1614. Hollstein 310. Hill-Stone, New York
Attributed works:
[Exh. International Fine Art Fair, New York] Andrea Appiani: Portrait of Don Pascual, Falco de Belaochaga y Pujades. Oil on Canvas, 74.5 × 59 cm. Rafael Valls, London
Attributed works:
[Exh. International Fine Art Fair, New York] Claude Vignon: The Adoration of the Magi. Oil on Copper, 32.1 × 24.4 cm. Whitfield Fine Art, London
Attributed works:
[Exh. International Fine Art Fair, New York] Etienne Moreau-Nélaton: Le Jardinier dans l'atelier, 1885. Pastel, 62.5 × 47 cm. William Brady, New York
Attributed works:
[Exh. International Fine Art Fair, New York] Francesco Pozzi: Susanna Surprised. Signed and Dated 1837. 140 cm. High Paricia Wengraf, London
Attributed works:
[Exh. International Fine Art Fair, New York] Jacques de Claeuw: Flower Still Life. Signed and Dated 1651. Jack Kilgore, New York
Attributed works:
[Exh. International Fine Art Fair, New York] Jean-Baptiste-Camille Corot: Environs de Coubran, bord de la Marne. Oil on Canvas 21.5 × 37.5 cm. Spink-Leger, London
Attributed works:
[Exh. International Fine Art Fair, New York] Nicolas Bertin: The Gathering of Manna. c. 1690. Oil on Canvas, 85.7 × 91.6 cm. Agnew's, London
Attributed works:
[Exh. International Fine Art Fair, New York] Paul Gauguin: A Tahitian Woman. c. 1896. Black Chalk and Pencil. 26.8 × 17 cm. Colnaghi, London
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Guido Reni (Bologna, 1575-1642). Christ Crowned with Thorns. Oil on Canvas, 66.5 by 55.5 cm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger-Hof, 85452 Moosinning (Munich), Germany] Jean-Baptiste Greuze. 1725 Tournus - 1805 Paris, Portrait of a Lady. Oil on Canvas, 610 × 505 mm
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Lopez Gaspare detto "Gaspare dei Fiori" (Napoli? - Firenze o Venezia 1732 ca.) Solimena Francesco (Canale di Serino 1657 - Barra di Napoli 1747) "Allegoria delle Arti e dei Mestieri" - Olio su tela di cm. 96 × 76
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Edgar Degas (1834-1917). Vue de Capodimonte, Naples. Oil on Paper, Laid down on Canvas, 20 × 27 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Caspar David Friedrich. Creifswald 1774 - 1840 Dresden. Landscape with a Thatched Hut. Etching; 1799. Boersch-Supan 24, Only State. In This Impression the Unworked Area at the Top Edge Has Been Lightly Worked in Grey Pen, Possibly by the Artist.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Gerbrand van den Eeckhout (1621 - Amsterdam - 1674) Portrait of Willem Woutersz. Oorthoorn on a Goat-Cart. Signed & Dated 'G. V. Eeckhout fc. Ao 1662' Oil on Canvas, 38½ by $48frac{5}{8}$ Inches (96 by 121 cm.)
Attributed works:
[Ketterer Kunst, Hamburg, vorm., F. Dorling, Germany] Mario Nuzzi, Named Mario de' Fiori. Attributed. Stillife with Flowers. Oil on Canvas. Estimate: DM 35.000 - 40.000. A. Ortelius. Theatrum orbis terrarum. Atlas. Antwerpen 1603. Estimate: DM 75.000
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Giulio Cesare Procaccini, A Head of a Woman. Oil on Paper, Laid Down on Canvas, 440 × 303 mm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Stanhope Alexander Forbes R. A., The Seine Boat, Oil on Canvas, 114cm × 158cm.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Alessandro Varotari, Called IL Padovanino (Padua - 1588 - Venice, 1649) Venus and Mars Surprised by Vulcan - Circa 1631 Oil on Canvas 176 × 208 cm.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Archibald Skirving (1749-1819), Mrs Johnston of Hutton Hall, Circa 1796-1800, Pastel, National Gallery of Scotland
Western art unattributed:
[Abegg-Stiftung, Riggisberg, Switzerland] Book cover: Bizarre Silks - An Exoticism from around 1700
Western art unattributed:
[Bassenge, Erdener Str. 5A, Berlin, Germany] School of Fontainebleau. Atlas Carrying a Globe with the Signs of the Zodiac. Etching after Francesco Primaticcio. Undescribed.
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04/1998 | 1141 | 140
Pages: i-xxviii
Subjects
artists:
subjects:
Illustrations
Attributed works:
Antoni Gaudi, Templo Explatorio de la Sagrada Familla, Barcelona, under Construction Since 1881.
Attributed works:
Detail from the Miraculous Draught of Fishes, by Raphael. Bodycolour on Paper, 320 by 390 cm. (Whole) (Royal Collection, on Loan to the Victoria and Albert Museum, London)
Attributed works:
[Aldega-Gordon, New York, New York] Gian Lorenzo Bernini 1598-1680. 214 × 199 mm.
Attributed works:
[Alex Wengrad Limited, The Old Knoll, Eliot Hill, London, UK] Terracotta Bozzetto for the Marble Group on the High Altar of la Nunziatella, Naples. By Giuseppe Sanmartino 1720-1793. Height: 12½ in: 32 cm
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Hans Rottenhammer Munich 1564 - Augsburg 1625. Adoration of the Shepherds, c.1604. Oil on Copper, $14frac{3}{4}$ × $10frac{7}{8}$ Inches; 37.5 × 27.5 cm. Signed with Monogram Lower Middle: 'HR'
Attributed works:
[Arnoldi-Livie, Munich. Exh. International Fine Art Fair, New York] Martin Drolling: Boy Reading. Red Chalk, 24.8 by 20 cm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Hendrick Goltzius: The Farnese Hercules. Ca. 1592. Engraving. 405 × 294 mm. The Set of Three Engravings after Antique Roman Statues. Bartsch 143 - 145. Hirschmann 145 - 147 II (Of II).
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Rudolf von Alt (1812-1905), Interior of the Basilica di San Marco in Venice. Signed and Dated: R. Alt 874. Watercolour. 41 × 31 cm
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Emilian School, Circa 1520. Drawing of an Ignudo from Michelangelo's Sistine Ceiling. Red Chalk, Brown Wash, White Bodycolour on Red Washed Paper, 230 × 160 cm. An Attribution to Pellegrino da Modena (Active 1483-1523) Is Suggested.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. International Fine Art Fair, New York] Cesare Dandini 1596 - Florence - 1637. The Archangel Gabriel. Oil on Canvas: 74.5 × 59.5 cm
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. International Fine Art Fair, New York] Niccolo Martinelli, Called il Trometta Pesaro c. 1540 - Rome 1661. The Virgin and Child with Angels. Pen. Brown Ink and Wash: 363 × 404 mm
Attributed works:
[Compagnia Di Belle Art, Via Olmetto 17, Milano, Italy] Luca Giordano Naples, 1634-1705. Venus, Mars and the Forge of Vulcan. Oil on Canvas, 106 × 102 cm.
Attributed works:
[Concorde Art Associates] Moise Kisling. Oil on Canvas. Signed, 1938. 24 × 18 Inches (61 × 46 cm.)
Attributed works:
[Courtauld Gallery, London] Vincent Van Gogh, Self Portrait with Bandaged Ear, 1889. (The Courtauld Gallery, London)
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Venus and Cupid. By Georg Petel, Ivory. Ashmolean Museum.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK. Exh. International Fine Art Fair, New York] Egon Schiele: Standing Female Nude in Fur Coat. 1914. Black Crayon, 44.2 by 28.6 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Alvise Vivarini (1445-1503). Salvator Mundi. Oil on Panel, 52.7 × 37.2 cm
Attributed works:
[Galerie Patrick Derom, Brussels. Exh. International Fine Art Fair, New York] Adolphe Fassin: Bust of Young Woman Wearing a 'Pane'. Signed 'Fassin Rome 1865'. Carrara Marble, 67 by 50 by 25 cm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger-Hof, 85452 Moosinning (Munich), Germany. Exh. International Fine Art Fair, New York] Edgar Degas: Etude de danseuse. Pencil, 32.3 by 22.5 cm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger-Hof, 85452 Moosinning (Munich), Germany] Adolph von Menzel 1815 Breslau - 1905 Berlin. Two Hands One Holding a Book. Pencil with Stump. 128 × 205 mm.
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK] Francesco Solimena (Canale di Serino 1657-1747 Barra), Death of St. Francis. Oil on Canvas, 19 × 27½ Inches (48 × 70 cm)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] After Pieter Brueghel, the Elder. c.1525 - 1569. The Battle of the Money Bags and the Strong Boxes. Engraving, by Pieter van der Heyden after a Design by Brueghel.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. International Fine Art Fair, New York] Jan van Bijlert: Portrait of Johan van Ravenswaey. 1631. Oil on Canvas, 76.8 by 62.9 cm.
Attributed works:
[Neffe-Degandt Fine Art, 32A St. George Street, London, UK. Exh. International Fine Art Fair, New York] Camille Pissarro (1830-1903). Etude pour "Femme cassant du bois", c.1890, Oil on Canvas. 33 × 33 cm. Signed with Initials Lower Left
Attributed works:
[Neffe-Degandt, London. Exh. International Fine Art Fair, New York] Pierre Bonnard: Nude in the Bath. 1940. Gouache, 22 by 27 cm.
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Hendrik Goltzius (1558-1617) The Triumph of Galathea, after Raphael.
Attributed works:
[Phillips International, 406 East 79th Street, New York, New York] Marc Chagall, "Profil bleu, jaune et blanc", 1977. Signed, Oil on Canvas, 73.3 × 60.5cm. Estimate: $700,000-900,000 (Approx. £420,000-540,000)
Attributed works:
[Plowman Craven & Associates, 141 Lower Luton Road, Harpenden, UK] Detail of Christ's Charge to Peter with Sheet Grid Superimposed. Generated by Non-Invasive Photogrammetry, the Grid Shows the Precise Position and Overlap (Including Relief Measurements) of Every Sheet of Paper Used to Make up the Cartoon.
Attributed works:
[Richard Green, 39 Dover Street, London, UK. Exh. International Fine Art Fair, New York] Eugène Boudin: Trouville, scène de plage. 1881. 15 by 25 cm.
Attributed works:
[Spink-Leger, 13 Old Bond Street, London, UK] J-B. Greuze. Le Notaire
Attributed works:
[Spink-Leger, London. Exh. International Fine Art Fair, New York] Francis Barlow: Wooded Landscape with Pheasants and Deer. 1684. Pencil, Pen and Brown Ink, 13.7 by 18.4 cm.
Attributed works:
[The Mass Gallery, 15A Clifford Street, London, UK] William Mulready, RA (1786-1863). Study of a Nude. Pencil and Red Chalks; Inscribed Royal Academy, London Aug 1854; $18frac{5}{8}$ × $12frac{3}{4}$ in.
Attributed works:
[Thomas Colville Fine Art, 58 Trumbull Street, New Haven, CT, USA] Les Musiciens. Oil on Canvas. 16 × 13 Inches. Signed and Dated "1855" Lower Right
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Two Persian Grooms Holding the Sultan's Horse, by Jacopo Ligozzi (1547-1632), Brush and Brown Ink with Watercolour and Bodycolour Heightened with Gold and Gum Arabic, 278 × 222 mm.
Attributed works:
[Vallois, Paris. Exh. International Fine Art Fair, New York] Chana Orloff: Ruth and Naomi. 1928. Bronze, 60 by 40 by 25 cm.
Attributed works:
[Waddington Galleries, 11, 12 & 34 Cork Street, London, UK] Matthew Smith (1879-1959), Landscape c.1935, Oil on Canvas, 13½ × 17½ ins / 34.3 × 44.5 cms
Non-western art unattributed:
[British Museum, Great Russell Street, London, UK] A'a, God of Rurutu, Austral Islands, Polynesia, 18th Century.
Western art unattributed:
Ephesos, Marble Replacement Head, 5th Century AD (Selçuk, Ephesos Archaelogical Museum)
Western art unattributed:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Circle of the Master of the "Virgo Inter Virgines" (Flemish Master around 1480). The Madonna and Child. Oil on Panel, 43,5 × 29,5 cm
Western art unattributed:
[Seago, 22 Pimplico Road, London, UK] A Rare Late Eighteenth-Century Coade Stone Statue of the Farnese Flora, (Museo Nazionale, Naples) after a Marble and Terra-Cotta by John Michael Rysbrack (1694-1780). English, circa 1780 Height: 3ft 5in.
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11/1985 | 992 | 127
Pages: i-liv
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein c/o Vic Pearson & Co Ltd, 7 Munton Road, London] Giovanni Battista Piranesi Title? Boy Standing. Pen and Brown Ink 90 × 108 × 58 mm
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Battista Foggini (1652-1725), Studies of the Mocking of Christ. Pen and Ink and Wash, 295 × 212 mm
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Oil on Canvas. Jan Siberechts, Antwerp 1627-c1703 London. 88 × 130 cms
Attributed works:
[Annamaria Edelstein at Robin Symes, 94 Jermyn Street, London] Ferrau Fenzoni. Faenza 1562-1645 Two Studies of Male Nudes: St Sebastian. Pen and Brown Ink over Black Chalk. 236 by 178 mm
Attributed works:
[Arnoldi-Livie, Maximilianstr. 36, Munich] Giovanni Paolo Schor 1615-1674, "Design for the Back of a Coach for the Spanish Ambassador in Rome with the Arms of Castile and Habsburg." 1673. Pen and Brown Ink with Grey Wash. 29.5 × 20 cm. Inscribed and Dated by the Artist: "facta per il S. marches de Lice Amb. Ventino di Spagna - l'anno 1673"
Attributed works:
[Artemis Fine Arts (UK) Ltd, 15 Duke Street, London] Rembrandt Harmensz. van Rijn, The Entombment, c. 1654, B.86, First State, Etching and Drypoint on Thin Oriental Paper, 212 × 163 mm., ex-colls. K. E. von Liphart, Carl Schlösser, Edward Smith, Paul Davidsohn and E. A. Seasongood.
Attributed works:
[Belle Etage, Mahlerstraße 15, Vienna] Display Cabinet. Height 191 cm, Width 90 cm. Designed by Otto Prutscher and Erwin Puchinger; Manufactured by S. Oppenheim. Exh. Winterausstellung des Österreichischen Landesmuseums 1901. Lit., Das Interieur, 1901.
Attributed works:
[Berko in Art Gallery, Berko-Kustlaan, Belgium] Charles Verlat (1824-1890). Canvas: 118 × 75 cm. Signed
Attributed works:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Easter Egg, Moscow, about 1905, Plique á Jour-Enamel, Made by the Master Iwan Petrowitsch Chlebnikow DM 85.000
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] D. M. Canuti (1620 Bologna-Rome 1684). Red Chalk and Brush in Brown and Rose, Heightened with White. 256: 350 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honoré, Paris] François Boucher "Les Grâces au tombeau de Watteau". Red Chalk. 255 mm × 215 mm. Engraved by Boucher in Reverse for the Title Page of Figures de Différents Caractères. (1728)
Attributed works:
[Colnaghi Usa Ltd, 26 East 80th Street, New York] Francesco Solimena 1657-1747, St. Peter. Oil on Canvas 39¼ × 28½ ins.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Pier Francesco Mola (Rome 1612-1666), Study of a Cellist. Red Chalk and Red Wash. 270 × 190 mm
Attributed works:
[David Jones, 109 rue Cardinet, Paris] Giovanni Maria Morandi Florence 1622-Rome 1717. "Death of the Virgin" Black Chalk with Brown and Grey Wash, Squared in Black Chalk. 28 cm × 41 cm. A Drawing Related to the Painting "Death of the Virgin" in S. Maria della Pace, Rome.
Attributed works:
[David Koester, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Dorotheum Kunstpalais, Dorotheergasse 11, Vienna] Egon Schiele, 48,2 × 31,8 cm, Rufpreis: öS 800.000,-
Attributed works:
[Electa, via Trentacoste, Milan] Raffaello Architetto by C. L. Frommel - S. Ray M. Tafuri
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Adriaen van de Venne (1589-1662). On Panel, Signed and Dated 1615, 16.5 × 24.5 cm.
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Workshop of Primaticcio: 'Ulysses and the Sirens' Oil on Canvas 151 × 208 cm.
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Govaert Flink (1615-1660)
Attributed works:
[Galerie F. Franco, Avenue Molière, Brussels] Bernard van Orley, Virgin Enthroned, Panel 31.5 × 35 cm.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse, Berlin] Andrea Salvatore Aglio (1736-1786, Arzo, Active in Dresden). Prospect of the Hofkirche in Dresden. Pen and Pencil, Grey Wash. 442 × 194mm. Signed. Coll. I. O. Wessner (Lugt 2562a).
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Camille Pissarro (1830-1903), Sur la rivière, c. 1872/75. Oil on Canvas, 19 × 24,5 cm, Signed Bottom Left.
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Gustav Klimt (1862-1918) "Adele Bloch-Bauer" 1903, Brown Coloured Pencil on Paper, 45 × 32 cm, 1903. Provenence: Present of Gustav Klimt to Adele Bloch-Bauer, Since Then in Property of the Family. Literature: Will Be Included in the Forthcoming Catalogue Raisonné by Dr. Alice Strobl, Gustav Klimt "The Drawings".
Attributed works:
[Galleria Gilli, Via Gesù, Milan] Bernadino Campi, Cremona 1522-1590/95. St. Stephen. Black & Red Chalk, Heightened with White, Squared in Red Chalk. 390 × 230 mm. Preparatory Drawing for the Dome of S. Sigismondo, Cremona.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Gustave Doré 1832-1883, La France protège ses enfants. Pen and Ink over Pencil and Black Chalk, with Grey and Brown Washes, Heightened with White Gouache, 73.7 × 55.9 cm. Signed and Dated 1871
Attributed works:
[Jacques Fischer - Chantal Kiener 46 rue de Verneuil Paris] Alphonse Perin (1798-1874), D'un ensemble de neuf cartons et sept dessins pour la décoration de la chapelle de l'Eucharistie à Notre-Dame de Lorette à Paris. 1835-1852. Carton de "La Cène". Tympan au-dessus de la porte de la sacristie. Détail. Dimensions du carton: 200 × 400 cm. Dimensions du détail: 58 × 83 cm environ. Fusain, crayon bleu, sanguine, craie blanche et lavis bleu.
Attributed works:
[Jacques van Rijn Fine Art O.L., Vrouweplein 28, Maastricht] Pieter de Bloot 1602-1658, 'A Village Scene with Drinking and Dancing Peasants'. Panel, 49½ × 74½ cm. Signed with Monogram
Attributed works:
[Jean Willems, rue Ernest Allard, Brussels] Pietro Dandini, Firenze 1646-1712. The Multiplication of the Loaves. Brown Ink and Wash 212 × 388 mm. Provenance: Coll. G. Vallardi (L. 1223).
Attributed works:
[Joanna Booth, 247 Kings Road, London] Attributed to Georg Frederic Wille (1715-1808), Head of a Boy. Red Chalk 458 mm by 322 mm. Provenance: Vallardi (L. 1223)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] The Jewish Rider 1984-85 Oil on Canvas 60 × 60 in./152.4 × 152.4 cm.
Attributed works:
[Matthiesen in association with Stair Sainty Matthiesen, 7-8 Mason's Yard, Duke Street, London] Giovanni Boldini. The Countess of Rasty
Attributed works:
[Me Hubert Le Blanc, 32 avenue de L'Opera, Paris] Jan Steen, Le souper fin. Canvas, Signed on the Left Towards the Bottom of the Table Base. 48.5 × 64.5cm
Attributed works:
[Mia N. Weiner at Piero Corsini Inc., 162 East 63rd Street, New York] Giulio Romano, Bacchanale. Pen & Brown Ink & Wash. 8¼ × 11¾ ″
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Jean-Honoré Fragonard "Le Verrou". Red Chalk, Pen and Brown Ink, and Brown Wash: 9½ × 14½ Inches
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Joachim Wtewael 1566-1638, Saint Sebastian. On Canvas, 169.5 × 124.8 cm. Signed and Dated 1600
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Simon Vouet, (Paris 1590-1649 Paris). Head of an Old Man. Black and White Chalk on Beige Paper. 5 × $4frac{15}{16}$ in. (128 × 126 mm.). A Preparatory Study for the Figure of Time in the Painting Time, Venus, Mars and Amor in The John and Mabel Ringling Museum, Sarasota
Attributed works:
[Pat Coombs, London] Palma Vecchio (1480?-1528)
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Luca Giordano, "The Penitent Magdalen", Oil on Canvas, 72″ × 71″.
Attributed works:
[Phillips, Blenstock House, 7 Blenstock Street, London] Armand Guillaumin, "Bord de Rivière", Signed, Oil on Canvas, 54 cm. × 65 cm.
Attributed works:
[Pietro Scarpa, Via XXII Marzo, Venice] Parmigianino: St. John the Baptist (Actual Size)
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Henry Tonks Neac (1862-1937), A Conversation, Betteshanger Barn. Oil on Canvas 24 × 20 ins. Ins. H. Tonks, 1927-8
Attributed works:
[Richard Green, 4 New Bond Street, London] James Tissot (1836-1902), Jeune Femme chantant à l'Orgue. Signed. Canvas: 42¼ × 28¼ in/105 × 72 cm
Attributed works:
[Richard Green, 4 New Bond Street, London] John Cleveley Snr. (1712-1777). The 'Amazon' with the 'Caroline' at a Distance. Signed, Titled and Dated 1750. Canvas 35¾ × 51 in 91 × 129.5 cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jacques-Louis David, "Cupid and Psyche," 1813 Black, Grey and Sepia Inks with White Gouache over Black Chalk, 16.8 by 22.6 cm. Signed, Lower Right: "L. David 1813"
Attributed works:
[Shaunagh Fitzgerald Ltd at Baskett & Day, 173 New Bond Street, London] Circle of Albrecht Dürer
Attributed works:
[Society Portraits 1850-1939 a joint exhibition held at Colnaghi, 14 Old Bond Street, London and Clarendon Gallery, 8 Viggo Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An Italian Marble Group of Aeneas and Anchise by Antonio Carra, Signed, Venetian, Late 16th Century, Height 87.6 cm. £15,000-20,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Christoffer Wilhelm Eckersberg, Sailing Ships, Dated 1825, Oil on Canvas, 38.5 by 54 cm.
Attributed works:
[Spencer A. Samuels 11 East 57th Street New York] Domenico Campagnola, Study of Candlesticks. Pen & Brown Ink, 11¾ × 7¼″
Attributed works:
[Spink & Son Ltd, King Street, London] Walter Richard Sickert, R. A., 1860-1942. The Hat Shop. Oils on Canvas. 13 × 16 Inches. Signed.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69 Street, New York] Louis de Boullongne II, Rinaldo and Armida. Oil on Canvas. 38 × 51½ Inches. Signed: L. de Boullogne 1704. Exhibited: Paris. Salon. 1704.
Attributed works:
[Stanze del Borgo, via Puccini 5, Milan] Bernardo Strozzi - Genoa 1581 - Venice 1644, "Testa di Fanciullo". Charcoal, White Touches on Chamois Paper - 144 x 131 mm. From the S. Varni Collection The Drawing is Dated ca. 1610, during the Artist's Genoa Period.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Thomas Shotter Boys. A View of Paris near the Jardin des Tuileries. Size: 14 × 10 Inches. Signed and Dated 1832
Attributed works:
[Thomas le Claire Adickesstraße 40 Hamburg] Cornelis Saftleven (1607 Gorkum - Rotterdam 1681): "Landscape with Shepherd and Cattle", Black Chalk, Grey Washes; Monogrammed and Dated > 1659 <; 159: 197 mm.
Attributed works:
[Wiener Kunst und Antiquitatenmesse] Belle Etage Left: Table. Height 75cm, diameter 115cm. Design attributed to Adolf Loos. Vienna c. 1900. Below left: Brass Lamp. Design attributed to Josef Hoffmann. Vienna 1903. Galerie bei der Albertina Below: Garden bench. 1906-1908. Softwood painted white. Larger variant of the bench, which was exhibited at the "Kunstschau 1908" and in the Austrian pavilion in Rome 1911. Provenance: Dr Hugo Koller House. Height: 105cm, length 200cm, width 54cm. Right: Dancer. Painted plaster. 53cm high. On a highly polished wooden pedestal, 141cm high. Attributed to Richard Teschner, Vienna c. 1909.
Attributed works:
[William H. Schab Gallery, 11 East 57th Street, New York] Carletto Caliari, Study of Hands
Attributed works:
[Yvonne Tan Bunzl, London] Carlo Dolci. Red and Black Chalk 255 × 190 mm
Western art unattributed:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Lion-Gilded-Aquamanile, Hildesheim, 14./15. Century 13 × 11,5 cm
Western art unattributed:
[Glassgallery Michael Kovacek, Vienna] Bohemian Goblets c. 1840-50. Left: Colourless Glass with White and Blue Overlays, Painted in Gold and Silver. Height 14.5 cm. Centre: Colourless Glass, Gold-Ruby Overlay on Interior. Painted in Gold, Silver and Enamels. Height 24.5 cm. Right: Colourless Glass, Gold-Ruby Overlay, Painted in Gold, Silver and Enamels. Height 15.3 cm
Western art unattributed:
[Phillips, Blenstock House, 7 Blenheim Street, London] An Important Roman Figure of Hercules, 2nd Century AD., 176 cm. High. Estimate: Refer to Department.
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