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14 articles
Article
Jan van Belcamp in London: new documents and perspectives
06/2022 | 1431 | 164
Pages: 558-567
related names
Author:
Davies, Justin (Davies, Justin)
Author:
Innes-Mulraine, James (Innes-Mulraine, James)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.6, showing the figures painted by Jan van Belcamp.
Attributed works:
2. Anne of Denmark and a groom, by Paul van Somer. 1617. Oil on canvas, 265.5 by 209 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
3. Anne of Denmark, by Jan van Belcamp after Paul van Somer. 1630–39. Oil on canvas, 247.2 by 144.4 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
4. Henrietta Maria, by an unknown artist, the background by Hendrik van Steenwyck. c.1635. Oil on canvas, 215.9 cm by 135.2 cm. (National Portrait Gallery, London).
Attributed works:
5. Louis XIII, by Jan van Belcamp, 1636. Oil on canvas, 201.6 by 122.6 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
6. A view of Greenwich with Charles I and Henrietta Maria among a group of courtiers, by Adriaen van Stalbemt and Jan van Belcamp. c.1632. Oil on canvas, 83.5 by 107 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
7. Henrietta Maria, by Jan van Belcamp and Hendrick van Steenwyck the Younger. 1637. Oil on panel, 51 by 44.5 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden).
Article
The Victorian high-altar reredos in St Paul’s Cathedral, London
08/2020 | 1409 | 162
Pages: 646-657
related names
Author:
Hall, Michael (Hall, Michael)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The high-altar reredos in St Paul’s Cathedral, London, designed by Thomas Garner and made by Farmer and Brindley. 1888. Photograph by A.F. Kersting, c.1939. (© The Courtauld Institute of Art, London).
Attributed works:
10–12. Angels, by Attilio and Furio Piccirilli for Farmer and Brindley. c.1887. Marble with gilding and imitation rosso antico marble, each 73 by 40 cm. (Private collections; courtesy Bonhams).
Attributed works:
13. The Jesus Chapel, St Paul’s Cathedral, London. Photograph, c.1900. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
14. The high altar, St Paul’s Cathedral, London, following bomb damage. Photograph by Arthur Cross and Fred Tibbs, 1940. (London Metropolitan Archives).
Attributed works:
15. Cherubs, by Farmer and Brindley. c.1887. Marble with gilding. Each 107 by 61 cm. (Private collection; photograph Christie’s).
Attributed works:
2. The nave of St Paul’s Cathedral, looking east. 1870s. Photograph by London Stereoscopic Company. (Mary Evans Picture Library).
Attributed works:
3. The altar in the chapel, Temple Newsam, Yorkshire, by Bodley and Garner. 1877. Photograph, 1948. (Leeds Libraries, www.leodis.net).
Attributed works:
4. Model of a proposed reredos for St Paul’s Cathedral, London, by Charles Hopson after a design by Christopher Wren. c.1696. Oak, 119.3 by 91.4 by 62.5 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
5. Sir Christopher Wren’s altar piece, a study for the completion of the apse of St Paul’s, by F.C. Penrose. c.1860. Watercolour, 96 by 56 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
6. Design for the high-altar reredos, St Paul’s Cathedral, London, by Thomas Garner. c.1885. Pencil, pen and ink on paper, 56 by 35.3 cm. (St Paul’s Cathedral Library; © The Chapter of St Paul’s Cathedral).
Attributed works:
7. Virgin and Child, by Jean Guillemin for Farmer and Brindley. c.1887. Marble, 142 by 58 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
8. Christ, by Jean Guillemin for Farmer and Brindley. c.1887. The cross was added after 1950. Marble, height 196 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
9. St Paul, by Farmer and Brindley. c.1887. Marble, height 138 cm. (Private collection; photograph Sotheby’s, London).
Editorial
Hilliard in Europe
02/2019 | 1391 | 161
Pages: 99
Exhibition Review
The Paston Treasure: Riches and Rarities of the Known World. Norwich Castle Museum & Art Gallery
09/2018 | 1386 | 160
Pages: 772-774
related names
Reviewer:
Thornton, Dora (Thornton, Dora)
Subjects
dates:
Illustrations
Attributed works:
4. Nautilus cup, attributed to Nicolaes de Grebber. 1592. Nautilus shell, silver gilt, glass and enamel, height 26.5 cm. (Museum Het Prinsenhof, Delft; exh. Norwich Castle Museum & Art Gallery).
Western art unattributed:
1. Pair of flagons. London, 1598. Silver gilt, height 31.1 cm. (Metropolitan Museum of Art, New York; exh. Norwich Castle Museum & Art Gallery).
Western art unattributed:
2. The Paston treasure. c.1663. Canvas, 166.8 by 247.5 cm. (Norwich Castle Museum & Art Gallery).
Western art unattributed:
3. Panel with the arms of the Paston family. Florence, c.1638. Pietre dure, 49 by 37 cm. (Sir Henry PastonBedingfeld, Oxburgh Hall, Norfolk; exh. Norwich Castle Museum & Art Gallery).
Book Review
Unlocking the Church: The Lost Secrets of Victorian Sacred Space. By William Whyte
06/2018 | 1383 | 160
Pages: 523
Book Review
Turin and the British in the Age of the Grand Tour. Edited by Paola Bianchi and Karin Wolfe
06/2018 | 1383 | 160
Pages: 520-521
related names
Reviewer:
Hornsby, Clare (Hornsby, Clare)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
5. View of the house and garden of the Comte de Perron, by Thomas Robinson. 1759. Pen and ink and grey wash, 50.5 by 20 cm. (West Yorkshire Archive Service, Leeds).
Book Review
A Magnificent Faith: Art and Identity in Lutheran Germany. By Bridget Heal
03/2018 | 1380 | 160
Pages: 256
Article
The full power of the Reformation: anniversary exhibitions in Germany
11/2017 | 1376 | 159
Pages: 906-911
related names
Author:
Heal, Bridget (Heal, Bridget)
Subjects
Reviewed Items
subjects:
Luther and the Germans at the Wartburg, Eisenach | :
subjects:
Luther! 95 Treasures - 95 People at the Augusteum, Lutherstadt, Wittenberg | :
subjects:
The Luther Effect: 500 Years of Protestantism in the World at the Deutches Historisches Museum, Berlin (DHM) in the Martin-Gropius-Bau | :
Illustrations
Attributed works:
34. Luther nails the theses, by Ferdinand Pauwels. 1872 (Kustsammlung, Wartburg, Eisenach).
Attributed works:
35. Installation view of TRANSITION, by Hans-Peter Kuhn in the Martin-Gropius-Bau, Berlin, for the exhibition The Luther Effect: 500 Years of Protestantism in the World. 2017 (Photograph: Deutsches Historisches Museum).
Attributed works:
37. Morning glory in the Lutheran Kariakoo church in Dar es Salaam, by Karsten Hein. 2016 (Deutsches Historisches Museum, Berlin; exh. Martin-Gropius-Bau).
Attributed works:
38. Students march on the Wartburg, 19th October 1817, by Johann Heinrich Hose. After 1817 (Wartburg Stiftung Eisenach; exh. Augusteum, Lutherstadt, Wittenberg).
Western art unattributed:
36. These are the customs of Lapland. Before 1668 (Staatliche Schlösser, Burgen und Gärten Sachsen; exh. Martin-Gropius-Bau, Berlin).
Western art unattributed:
39. German oaks: Luther and Bismarck. 1917 (Zentral-archiv der Evangelischen Kirche der Pfalz; exh. Augusteum, Lutherstadt, Wittenberg).
Publication Received
Michelangelo and the English Martyrs. By Anne Dillon
10/2013 | 1327 | 155
Pages: 718-719
related names
Reviewer:
Quiviger, François (Quiviger, François; Q., F.)
Subjects
artists:
Book Review
The Netherlandish Image after Icon­oclasm 1566–1672: Material Religion in the Dutch Golden Age
02/2010 | 1283 | 152
Pages: 103-104
related names
Reviewer:
Watney, Simon (Watney, Simon)
Subjects
dates:
print:
print:
Reviewed Items
subjects:
The Netherlandish Image after Icon­oclasm 1566–1672: Material Religion in the Dutch Golden Age | author: Mochizuki, Mia M.
Illustrations
Western art unattributed:
42. Framed text of the New Testament description of the Last Supper. c.1581. (St Bavo Cathedral, Haarlem).
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