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Article

Girodet’s ‘Coriolanus taking leave of his family’ rediscovered

10/2023 | 1447 | 165

Pages: 1094–1105

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Author:

Wile, Aaron (Wile, Aaron)

Subjects

artists:

Girodet-Trioson, Anne-Louis / David, Jacques-Louis / Fabre, François-Xavier / Wicar, Jean Baptiste Joseph / Cochin, Charles-Nicolas, II, 1715-1790

dates:

1780-1789

museums and institutions:

National Gallery of Art, Washington, United States

sources:

Livy / Plutarch

subjects:

French painting / Grand prix de peinture, Paris / Coriolanus / Influence / Studios (work spaces) / Juries

Illustrations

Attributed works:

1. Coriolanus taking leave of his family, by Anne-Louis Girodet de Roussy-Trioson. 1786. Oil on canvas, 114 by 146 cm. (National Gallery of Art, Washington).

Attributed works:

10. Horatius killing his sister Camilla, by Anne-Louis Girodet de Roussy- Trioson. 1785. Oil on canvas, 111 by 148 cm. (Musée Girodet, Montargis).

Attributed works:

11. Oath of the Horatii, by Anne-Louis Girodet de Roussy-Trioson Girodet after Jacques-Louis David. 1786. Oil on canvas, 130.2 by 166.7 cm. (Toledo Museum of Art).

Attributed works:

12. Death of Socrates, by Jacques-Louis David. 1787. Oil on canvas, 129.5 by 196.2 cm. (Metropolitan Museum of Art, New York).

Attributed works:

13. Detail of Fig.1, showing the pose of Coriolanus and his eldest son.

Attributed works:

14. Detail of Fig.1, showing the altar to the household gods.

Attributed works:

15. Scene from a deluge, by Anne-Louis Girodet de Roussy-Trioson Girodet. 1806. Oil on canvas, 494 by 341 cm. (Musée du Louvre, Paris; Photo Josse; Bridgeman Images).

Attributed works:

16. Intervention of the Sabine women, by Jacques-Louis David. 1799. Oil on canvas, 385 by 522 cm. (Musée du Louvre, Paris; Bridgeman Images).

Attributed works:

2. Coriolanus leaving his family to fight against his fatherland, by Henri de Favanne. 1725. Oil on canvas, 97.5 by 130 cm. (Musée d’Auxerre; akg-images).

Attributed works:

3. Coriolanus taking leave of his wife to join the Volscians in their attack upon Rome, by Étienne Aubry. c.1780. Oil on canvas, 146.7 by 196.2 cm. (Mount Holyoke College Art Museum, South Hadley).

Attributed works:

4. Coriolanus entreated by his mother, by Nicolas Poussin. c.1650. Oil on canvas, 112 by 198.5 cm. (Musée Poussin, Les Andelys).

Attributed works:

6. Detail from Roman album no.8, by Jacques-Louis David. 1775–80. Pen and black ink, brown and grey wash, black chalk, some red chalk and chalk wash on paper, mounted to album leaves, 48.7 by 33 cm. (Morgan Library and Museum, New York).

Attributed works:

7. Detail of Fig.1, showing the pose of Veturia.

Attributed works:

8. Coriolanus taking leave of his wife. Last quarter of the eighteenth century. Oil on canvas, 125 by 169 cm. (Musée d’Art et d’Histoire, Cholet; RMN-Grand Palais; Gérard Blot).

Attributed works:

9. Horatius killing his sister Camilla, by Jacques-Louis David. 1781. Ink on paper, 27.5 by 38.7 cm. (Albertina, Vienna; akg-images).

Western art unattributed:

5. Detail of Brutus. Roman, 4th century BC. Bronze, height 69 cm. (Capitoline Museums, Rome; photograph Luisa Ricciarini; Bridgeman Images).

Article

Paolo Stella’s Belvedere: a Genoese outpost in Prague

11/2022 | 1436 | 164

Pages: 1088-1103

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Author:

Schulz, Anne Markham (Schulz, Anne Markham)

Subjects

artists:

Stella, Paolo / Stella, Giovanni Domenico

buildings:

Belvedere, Prague Castle, Prague, Czech Republic

dates:

1520-1549 / 1550-1599

patrons:

Ferdinand I, Holy Roman Emperor, 1503-1564

places:

Prague / Genoa

sources:

Bruto de’ Franchi (Partenopeo) , Paolo / Ovid / Plutarch / Pliny, the Elder, 23-79 AD / Virgil / Diodorus Siculus

styles:

Genoese

subjects:

House of Habsburg / Italian sculpture / Iconography / Classical mythology / Reliefs / Carvings / History / Charles V, Holy Roman Emperor, 1500-1558 / Roman history / Humanism

Illustrations

Attributed works:

1. The west front of the Belvedere, Prague. (Photograph Jan Bazant).

Attributed works:

10. Charles V liberating Christian captives, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [11E]; photograph Prague Castle).

Attributed works:

11. Meeting of King Mulay Hassan and Charles V, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [13E]; photograph Prague Castle).

Attributed works:

12. King Ferdinand and Queen Anna, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [3W]; photograph Prague Castle).

Attributed works:

13. Plexippos and Toxeus, sons of Thestius, carrying the head of the Caledonian Boar, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, south side [5S]; photograph Prague Castle).

Attributed works:

14. Perseus and Atlas, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [4N]; photograph Prague Castle).

Attributed works:

15. Hermes and Battus, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [7W]; photograph Prague Castle).

Attributed works:

16. Cadmus and the dragon, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [13W]; photograph Prague Castle).

Attributed works:

17. Jason and the Golden Fleece, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [2W]; photograph Prague Castle).

Attributed works:

18. Zeus and Ganymede, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [8W]; photograph Prague Castle).

Attributed works:

19. Hannibal and Scipio Africanus, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [2N]; photograph Prague Castle).

Attributed works:

2. Detail from Miracle of the Goblet, by Giammaria Mosca and Paolo Stella. 1520–29. (Cappella del Santo, Basilica di S. Antonio, Padua; photograph Mauro Magliani).

Attributed works:

20. Mago the Carthaginian reaping grain, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [6W]; photograph Prague Castle).

Attributed works:

21. Leda and the swan, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [11W]; photograph Prague Castle).

Attributed works:

22. Perseus and Andromeda, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [3N]; photograph Prague Castle).

Attributed works:

23. Garden façade of the Villa Doria, Genoa. (Photograph Alinari).

Attributed works:

3. Detail of Fig.2, showing the central kneeling woman. (Photograph Mauro Magliani).

Attributed works:

4. Hope, from the tomb of Lodovico Euffreducci, S. Francesco, Fermo, by Paolo Stella. (Diocesan Museum, Fermo; photograph Mauro Magliani).

Attributed works:

5. St Thomas Aquinas, by Paolo Stella. c.1525. Marble, height 161 cm. (SS. Giovanni e Paolo, Venice; photograph Anne Markham Schulz).

Attributed works:

6. Tomb of Giovanni Battista Bonzio. 1525–26. (SS. Giovanni e Paolo, Venice).

Attributed works:

7. Tomb of Lodovico Euffreducci. c.1528–29. (S. Francesco, Fermo; photograph Mauro Magliani).

Attributed works:

8. Pursuit of fleeing Tunisians by imperial forces, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [9E]; photograph Prague Castle).

Attributed works:

9. Danaë, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [10W]; photograph Prague Castle).

Short Notice

The Subject of Domenico Morone's 'Tournament' Panels in the National Gallery, London

01/1994 | 1090 | 136

Pages: 21-22

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Author:

Henry, Tom (Henry, Tom)

Subjects

artists:

Morone, Domenico

dates:

1450-1549

museums and institutions:

National Gallery, London, Great Britain

places:

Italy

sources:

Plutarch

subjects:

Italian painting / Iconography

subjects:

Rape of the Sabines

Illustrations

Attributed works:

22. The Rape of the Sabines (Before the Signal), by Domenico Morone. c.1490. Probably Oil on Spruce, 45 by 49 cm. (National Gallery, London).

Attributed works:

23. The Rape of the Sabines (After the Signal), by Domenico Morone. c.1490. Probably Oil on Spruce, 45 by 49 cm. (National Gallery, London).

Article

Disegno as the Foundation of Art: Some Drawings by Pietro Testa

07/1974 | 856 | 116

Pages: 376-383+385

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Author:

Cropper, Elizabeth (Cropper, Elizabeth; Cropper, E.)

Subjects

artists:

Testa, Pietro

artists:

Domenichino

dates:

1600-1649

museums and institutions:

Teylers Museum, Haarlem, Netherlands

museums and institutions:

British Museum, London, Great Britain

museums and institutions:

Musée Fabre, Montpellier, France

places:

Italy

places:

Rome

sources:

Aristotle

sources:

Firenzuola, Agnolo

sources:

Plutarch

subjects:

Baroque

subjects:

Disegno

subjects:

Classicism

subjects:

Allegorical figures

subjects:

Art theory

subjects:

Italian painting / Drawings

Illustrations

Attributed works:

17. Figure Studies, by Pietro Testa. Pen and Brown Ink, 24.7 by 35.9 cm. (Teylers Stichting, Haarlem, N15.)

Attributed works:

18. Il Liceo della Pittura, by Pietro Testa. Etching.

Attributed works:

19. La Pittura co'suoi seguaci, by Pietro Testa. Etching.

Attributed works:

20. La Pittura co'suoi seguaci, by Pietro Testa. Drawing. (British Museum P. p.5.95.)

Attributed works:

21. Eight Expressive Heads, by Pietro Testa. Pen and Brown Ink, 19.5 by 26.6 cm. (Musée Fabre, Montpellier, 864-2-254 (L870), Recto.)

Attributed works:

22. Death of Cato, by Pietro Testa. Etching.

Attributed works:

23. Five Weeping Heads, by Pietro Testa. Pen and Brown Ink over Graphite, 16 by 25.4 cm. (Musée Fabre, Montpellier, 864-2-256 (L870).)

Attributed works:

24. Study for Allegory in Honour of Innocent X, by Pietro Testa. Pen and Brown Ink with Some Red Chalk, 14.4 by 18.7 cm. Uffizi, Florence, 5727S.)

Attributed works:

25. MS on Painting, by Pietro Testa. Düsseldorf, Folio 6 Recto.

Attributed works:

26. MS on Painting, by Pietro Testa. Düsseldorf, Folio 6 Verso.

Attributed works:

27. Prose di M. Agnolo Firenzuola Fiorentino, Florence, 1548, p.105.

Attributed works:

28. Prose di M. Agnolo Firenzuola Fiorentino, Florence, 1548, p.74.

Short Notice

A Classical Source for David's 'Oath of the Tennis Court'

07/1974 | 856 | 116

Pages: 394-396

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Author:

Kagan, Andrew (Kagan, Andrew; Kagan, Andrew A.)

Subjects

artists:

David, Jacques-Louis

dates:

1790-1799

museums and institutions:

Fogg Art Museum, Cambridge, United States

places:

France

places:

Cambridge (United States) / United States

sources:

Plutarch

subjects:

French painting / Sources

subjects:

Drawings / Studies (visual works)

subjects:

Exempla

subjects:

Appius / Roman iconography

works:

Le Serment du Jeu de Paume

Illustrations

Attributed works:

43. The Oath of the Tennis Court, by Jacques-Louis David. Pencil, Brown Ink and Pen, Gouache. (Fogg Art Museum, Cambridge (Mass.).)

Article

A Silver Basin Designed by Strozzi

01/1971 | 814 | 113

Pages: 2+4-11+13

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Author:

MacAndrew, Hugh (MacAndrew, Hugh; Magandrew, Hugh)

Subjects

artists:

Strozzi, Bernardo

artists:

Tempesta, Antonio

dates:

1600-1649

museums and institutions:

Ashmolean Museum, Oxford, Great Britain

patrons:

Giustiniani family

places:

Italy

places:

Rome

places:

Genoa

sources:

Plutarch

subjects:

Italian painting / Drawings

subjects:

Silverwork

subjects:

Metalwork / Design

subjects:

Battles / Iconography

subjects:

Roman history

Illustrations

Attributed works:

1. Design for a Silver Basin, by Bernardo Strozzi. Canvas, 74.3 cm. in diam. (Ashmolean Museum, Oxford.)

Attributed works:

10. Detail from An Allegory of Vanity, by Bernardo Strozzi. Canvas. (Formerly Modiano Collection, Bologna.)

Attributed works:

11. Detail from The Cook, by Bernardo Strozzi. Canvas. (Palazzo Rosso, Genoa.)

Attributed works:

12. Detail from St Lawrence Distributing the Treasures of the Church, by Bernardo Strozzi. Canvas. (Portland Art Museum, Samuel H. Kress Collection.)

Attributed works:

13. Detail from St Lawrence Distributing the Treasures of the Church, by Bernardo Strozzi. Canvas. (City Art Museum of St Louis.)

Attributed works:

14. Design for the Bowl of a Tazza, by Antonio Tempesta. Pen and Brown Wash over Black Chalk, 50 cm. in diam. (Gabinetto dei disegni degli Uffizi, Florence - Inv.940 E.)

Attributed works:

15. Adoration of the Shepherds (? After a Lost Jacopo Bassano Altar-Piece), by Bernardo Strozzi. Copper, 79 by 42 cm. (Ashmolean Museum, Oxford.)

Attributed works:

16. Adoration of the Shepherds (? After a Lost Jacopo Bassano Altar-Piece), by a Veronese Artist, c.1600-10 (Most Probably Alessandro Turchi). Copper, 47.4 by 23.4 cm. (Private Collection.)

Attributed works:

6. Detail of Painting Reproduced in Fig.1. [Design for a Silver Basin, by Bernardo Strozzi]

Attributed works:

7. A Battle. Engraving by Antonio Tempesta. (British Museum.)

Attributed works:

8. Scene from 'Historia Septem infantium de Lara' (Antwerp 1612). Engraving by Antonio Tempesta, after Otto van Veen. (British Museum.)

Attributed works:

9. Scene from 'Historia Septem Infantium de Lara' (Antwerp 1612). Engraving by Antonio Tempesta, after Otto van Veen. (British Museum.)

Western art unattributed:

2. Basin, Here Attributed to a Northern, Perhaps Flemish, Goldsmith, c.1625. Silver, 75.5 cm. in diam. (Italian Private Collection.)

Western art unattributed:

3. Detail of Silver Basin Reproduced in Fig.2. [Basin, Here Attributed to a Northern, Perhaps Flemish, Goldsmith, c.1625]

Western art unattributed:

4. Detail of Silver Basin Reproduced in Fig.2. [Basin, Here Attributed to a Northern, Perhaps Flemish, Goldsmith, c.1625]

Western art unattributed:

5. Detail of Silver Basin Reproduced in Fig.2. [Basin, Here Attributed to a Northern, Perhaps Flemish, Goldsmith, c.1625]

Short Notice

A Ludovico Carracci Drawing for the Palazzo Magnani

12/1967 | 777 | 109

Pages: 710+712-713

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Author:

Brown, Jonathan (Brown, Jonathan; Brown, Jonathan M.)

Subjects

artists:

Carracci, Lodovico

buildings:

Palazzo Magnani, Bologna, Italy

dates:

1590-1609

places:

Italy / Bologna

sources:

Plutarch

subjects:

Italian painting / Drawings

subjects:

Frescoes / Preliminary drawings / Studies (visual works)

Illustrations

Attributed works:

81. The Death of Tatius, Here Attributed to Ludovico Carracci. Pen and Brown Ink, 27 by 40.6 cm. (Biblioteca del Palacio Real, Madrid.)

Attributed works:

82. The Death of Tatius, from a Fresco Cycle, by Ludovico Carracci (?). c.1587-91. (Palazzo Magnani, Bologna.)

Attributed works:

83. The Death of Tatius. Engraving (1659) after a Drawing by F. Tortebat, Showing the Scene from the Fresco Cycle at Palazzo Magnani, in Reverse.

Article

Two Works by Rubens

01/1933 | 358 | 62

Pages: 15-17

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related names

Author:

Alten, W. von (Alten, W. von)

Subjects

artists:

Rubens, Peter Paul

dates:

1600-1649

places:

Flanders / Netherlands / Rome (historical region)

sources:

Plutarch

sources:

Livy

subjects:

Flemish painting / Roman iconography

subjects:

Quintus Fabius Maximus Verrucosus

subjects:

Lucius Minucius Esquilinus Augurinus

subjects:

Romulus

subjects:

Julius Proculus

subjects:

Roman (ancient)

subjects:

Oil sketches

Illustrations

Attributed works:

A-Quintus Fabius Maximus and Lucius Minucius. Oil Sketch by Rubens 45 by 33 cm. (Private Collection, Berlin). Two Works by Rubens

Attributed works:

B-Romulus Appearing to Julius Proculus. Oil Sketch by Rubens. 45 by 32.5 cm. (Van Diemen Gallery, Berlin). Two Works by Rubens

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