55. Blue glass airscape, by Peter Lanyon. 1960 (Private collection; exh. Abbot Hall Art Gallery, Kendal)
Attributed works:
56. Torrid zone/region, by Bryan Wynter. 1958 (Lakeland Arts Trust; exh. Abbot Hall Art Gallery, Kendal)
Attributed works:
57. Green, black and white movement, by Terry Frost. 1951-52 (Scottish National Gallery of Modern Art, Edinburgh; exh. Newlyn Art Gallery and The Exchange, Penzance)
Publication Received
Modern Art and St Ives. By Paul Denison, Sara Matson, Rachel Smith, Chris Stephens and Michael White.
41. Walk along the quay, by Terry Frost. 1950. Canvas, 152.5 by 56 cm. (Private collection).
Attributed works:
42. Composition, by Adrian Heath. 1951–52. Canvas, 61 by 51 cm. (Private collection).
Attributed works:
43. Coloured relief, by Ben Nicholson. 1938. Oil, pencil and wash on carved board, 33.9 by 44.15 cm. (Courtesy Marlborough Fine Art, London).
Attributed works:
44. Wall relief, by Victor Pasmore. 1950. Painted plaster, 244 by 580 cm. (Kingston bus station canteen, London; destroyed).
Attributed works:
45. St Ives harbour from 3 St Andrew’s Street, by Victor Pasmore. 1950. Pen and ink, 21.5 by 28 cm. (Courtesy Offer Waterman & Co., London).
Attributed works:
46. Beach in Cornwall, by Victor Pasmore. 1950. Pen and ink on card, 26 by 32.4 cm. (Arts Council Collection, London).
Attributed works:
47. View south from Porthmeor Beach, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 38 by 27 cm. (Courtesy of Gimpel Fils, London).
Attributed works:
48. Spiral motif: green, violet, blue and gold: the coast of the inland sea, by Victor Pasmore. 1950. Canvas, 81.2 by 100.3 cm. (Tate, London).
Attributed works:
49. The waterfall, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 27 by 38 cm. (Courtesy Gimpel Fils, London).
Attributed works:
50. The waterfall, by Victor Pasmore. 1950–51. Black and white tile mural, 976 by 854 cm. (South-east wall of the Regatta Restaurant, Festival of Britain, London; destroyed).
Attributed works:
51. Square motif, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 38 by 27 cm. (Courtesy Gimpel Fils, London).
64. St Just, by Peter Lanyon. Signed and Dated 1953. (Private Collection). Exhibited at 'St Ives', Tate Gallery
Attributed works:
65. St Ives, Cornwall, by Ben Nicholson. 1943. 40.6 by 50.2 cm. (Tate Gallery). Exhibited at 'St Ives', Tate Gallery
Attributed works:
66. Sailing Ship with Grey Sails and Floating Figure, by Roger Hilton. 1974. Gouache, 49.5 by 38 cm. (Private Collection). Exhibited at 'St Ives', Tate Gallery
Attributed works:
67. This is Sain Fishery That Used to be, by Alfred Wallis. Oil and Pencil, 40.5 by 58 cm. (Private Collection). Exhibited at 'St Ives', Tate Gallery
Attributed works:
68. PZ134, by Christopher Wood. 50 by 69.2 cm. (Towner Art Gallery, Eastbourne). Exhibited at 'St Ives', Tate Gallery
38. Three Studies of a Nude in an Interior, by Renato Guttuso. Signed. 1960. Charcoal, Gouache, Pencil, and Ink on Paper Laid on Board, 150 by 190 cm. (Exh. McRoberts and Tunnard Ltd, London.)
Attributed works:
39. Charing Cross Bridge, London, by André Derain. Signed. 1905-6. Canvas, 82 by 101 cm. (Collection Mr John Hay Whitney.)
Attributed works:
42. Reclining Figure No.2 (2 Piece), by Henry Moore. 1959-60. Bronze. Height, 130 cm; Length, 259 cm. (Exh. Whitechapel Art Gallery, London.)