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33 articles
Exhibition Review
Dürer to Van Dyck: Drawings from Chatsworth House
02/2025 | 1463 | 167
Pages: 172–175
related names
Reviewer:
Horbatsch, Olenka (Horbatsch, Olenka)
Subjects
museums and institutions:
Reviewed Items
subjects:
Dürer to Van Dyck: Drawings from Chatsworth House Royal Scottish Academy, Edinburgh 9th November 2024–23rd February 2025 | :
Illustrations
Attributed works:
10. Arcadian landscape, by Hendrick Goltzius. 1593. Pen and black ink, 35.7 by 46.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
11. A dying tree, its trunk covered in brambles, beside a fence, by Peter Paul Rubens. c.1618. Pen, brown ink, red and black chalk and watercolour, 35.2 by 29.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
12. View of the Amsteldijk at Meerzhuizen, looking towards the little windmill, by Rembrandt. c.1648–50. Pen, brown ink and brown wash with watercolour on paper prepared with brown wash, 13 by 21.2 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
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Advertisements (front)
05/2022 | 1430 | 164
Pages: i-xxvii
Subjects
advertisements:
Christie, Manson & Woods, London, Great Britain / TEFAF (Maastricht) / Getty Trust Publications , Great Britain / Galerie Gerda Bassenge, Berlin, Germany / Salon du dessin, Paris, France / Stephen Ongpin Fine Art, London, Great Britain / Paul Prouté S.A. (gallery), Paris, France / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / F.LLI Romano, Florence, Italy / Galerie de Bayser S.A., Paris, France / Onne van Seggelen, Rotterdam, Netherlands / Charles Ratton & Guy Ladrière, Paris, France / Paul Mellon Centre for Studies in British Art, London, Great Britain / David Tunick Inc., New York, United States / Galerie Chenel, Paris, France / Friedman Benda Gallery, New Yoork, United States / Cazeau & Beraudiere (art moderne), Paris, France / London Original Print Fair / Heritage Auctions, Dallas, United States / Hermann Historica (auctioneers), Munich, Germany / Osborne Samuel Gallery, London, Great Britain / Marlborough Fine Art, London, Great Britain / Frederick Mulder, London, Great Britain / Eames Fine Art, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Wallace Collection, London, Great Britain / Daniel Crouch Rare Books, London, Great Britain / Karsten Schubert, London, Great Britain / Advanced Graphics London, London, Great Britain / Masterpiece London / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / New Raritet Gallery, Vienna, Austria / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Courtauld Institute of Art, London, Great Britain / Minerva Magazine / Lund Humphries Publishers Limited, London, Great Britain / Simiolus, Art Journal, The Netherlands / Dorotheum (auction house), Vienna, Austria
Illustrations
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000 [Camper Dabernat]
Attributed works:
Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757 Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left [Ratton and Ladrière]
Attributed works:
Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Bullfighting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. [Galerie de la Béraudière, Brussels]
Attributed works:
Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).[Photo London]
Attributed works:
Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm. [MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN]
Attributed works:
CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. [Galerie Chenel, Paris]
Attributed works:
Eternal Queen (cobalt blue), by Bradley Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. [MANIFOLD EDITIONS, LONDON]
Attributed works:
Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-Benjamin- Amand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).[Photo London]
Attributed works:
Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. [Friedman Benda, New York and Los Angeles]
Attributed works:
Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000. [Bassenge]
Attributed works:
Hats, Father’s Day picnic, Seattle, WA, by William Heick. 1951. Gelatin silver print, 38.1 by 45.7 cm (© 2021 William Heick; courtesy Peter Fetterman Gallery, Santa Monica).[Photo London]
Attributed works:
HENDRICK GOLTZIUS (1558–1617) Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.)[Stephen Ongpin]
Attributed works:
Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm. [HANGA TEN, LONDON]
Attributed works:
Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm. [FREDERICK MULDER LTD, LONDON]
Attributed works:
Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM]
Attributed works:
Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000 [Heritage Auctions]
Attributed works:
MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request [Christie's]
Attributed works:
Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. [Berggruen Gallery, San Francisco]
Attributed works:
Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. [Applicat-Prazan, Paris]
Attributed works:
Paul-Elie RANSON Limoges 1861 – Paris 1909 Nude in the forest, circa 1905. Pastel on grey laid paper, 470 × 370 mm [Paul Prouté]
Attributed works:
Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London
Attributed works:
Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. [AMBROISE DUCHEMIN, PARIS]
Attributed works:
Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. [David Tunick Inc., New York]
Attributed works:
Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. [Galerie Bernard Dulon, Paris]
Attributed works:
Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm [OSBORNE SAMUEL, LONDON]
Attributed works:
Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. [DE BAYSER, PARIS]
Attributed works:
Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm. [EAMES FINE ART, LONDON]
Attributed works:
Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. [Galleria d’Arte Maggiore, Bologna]
Attributed works:
Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. [Galerie Lefebvre, New York]
Attributed works:
Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. [ROMANO FINE ARTS, FLORENCE]
Attributed works:
Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and A  karis, Paris).[Photo London]
Attributed works:
The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm. [ELIZABETH HARVEY-LEE, OXFORDSHIRE]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. [GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON]
Attributed works:
The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. [Van de Weghe, New York]
Attributed works:
Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm [Arnoldi-Livie]
Attributed works:
Tiziano Vecellio, called Titian, The Penitent Magdalen, oil on canvas, 96.7 x 115 cm, Auction: 11 May 2022 [Dorotheum]
Attributed works:
Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm. [LOUIS & SACK, PARIS]
Attributed works:
Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. [ADVANCED GRAPHICS, LONDON]
Attributed works:
Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. [DANIEL CROUCH RARE BOOKS, LONDON]
Non-western art unattributed:
Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd - early 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent. Estimate: €500,000 - 700,000 [Christie's]
Western art unattributed:
Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D. [Hermann Historica]
Article
Sir Christopher Wren’s failed project for a crossing tower and spire at Westminster Abbey, 1713–25
01/2019 | 1390 | 161
Pages: 44-57
related names
Author:
Higgott, Gordon (Higgott, Gordon)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Model of the crossing with Wren’s project for a tower and spire, from the north west, by Elizabeth Gregory (as head carpenter). 1714–16. Oak and pearwood, 240 by 116 by 85.5 cm. (© The Dean and Chapter of Westminster).
Attributed works:
10. The south-west crossing pier of Westminster Abbey, from the south-east gallery. (Photograph Lisa Stein).
Attributed works:
11. The easternmost bay on the north side of the nave, showing distortion of the crossing pier at the level of the aisle vaults. (Photograph the author).
Attributed works:
12. Plan of the tower of the model at four levels, with Wren’s proposal for strengthening the crossing piers at bottom left, by William Dickinson. c.1714. Pen and brown ink over graphite with grey wash on paper, 33.9 by 39 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 23, fol.46(b)).
Attributed works:
13. Detail of a survey plan of a crossing pier, by William Dickinson. 1713. Pen and brown ink over graphite with black wash on paper, 20.1 by 31.7 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 23, fol.24v; photograph the author).
Attributed works:
14. Copy of a diagram by Wren of an aisle and crossing pier, by ‘Mr Gayfere’. c.1715–c.1735. Pen and brown ink on paper, 15.2 by 9 cm. (© The Dean and Chapter of Westminster; WAM 66895*).
Attributed works:
15. Detail of Westminster Abbey from St James’s Park, by William Lodge, printed by Pierce Tempest. 1680s. Etching, 13 by 25.5 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 23, fol.46v.(d); photograph the author).
Attributed works:
16. Detail of a copy of Wren’s Figure II in his Tract II (1710–30), showing a pier and a half-arch, with their centres of gravity, in Christopher Wren Jr’s manuscript for Parentalia. 1741. Pen and brown ink on paper, 32.7 by 18.6 cm. (© The Royal Society, London; MS 249, fol.483).
Attributed works:
18. Elevation of the proposed tower and spire over a section through the crossing, by William Dickinson. Late 1722 or 1723. With notes and sketched additions by Nicholas Hawksmoor, c.1723. Grey wash over graphite, with grey and brown ink on paper, 72.8 by 21.6 cm. (© The Dean and Chapter of Westminster; WAM (P) 913).
Attributed works:
19. Long section through the Abbey showing proposals for an octagonal dome over the crossing (with alternatives in a half-plan, top left), and the west towers, by Nicholas Hawksmoor. May 1724. Pen and brown ink with grey wash over graphite on paper, 52.2 by 107.5 cm. (© The Dean and Chapter of Westminster; WAM (P) 910).
Attributed works:
2. The north prospect of Westminster Abbey, by Wenceslaus Hollar. 1654. Etching, 21.7 by 32.8 cm. (© The Dean and Chapter of Westminster; Langley Coll I, i (1)).
Attributed works:
20. Detail of a plan of the crossing, choir and sanctuary (with north at the bottom), showing Hawksmoor’s proposal for enlarging the crossing piers, by William Dickinson. June 1724. Pen and brown ink over graphite, with brown, grey and yellow-ochre wash on paper, 49.5 by 54.6 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 23, fol.24).
Attributed works:
21. The Abbey from the north, showing the first of three alternatives for the lantern and cupola, and a proposal for the west towers, by Nicholas Hawksmoor and Thomas Hinton. 1725–26. Pen and brown ink over grey wash and graphite on paper, 51 by 70.1 cm. (© The Dean and Chapter of Westminster; WAM, Hawksmoor 4A).
Attributed works:
22. The west front of Westminster Abbey, showing the towers built to Hawksmoor’s design, 1735–45. (Photograph the author).
Attributed works:
3. Survey plan of Westminster Abbey (with north at the bottom), by James Broughton. c.1697–c.1705. Pen and brown ink shaded in black and grey wash over graphite on paper, 53.5 by 74.8 cm. (© The Dean and Chapter of Westminster; WAM (P) 915).
Attributed works:
4. Sectional model of one bay of the choir and cloister, by Elizabeth Gregory (as head carpenter), 1710. Oak and pearwood, 72.9 by 83.7 by 16.2 cm. (© The Dean and Chapter of Westminster).
Attributed works:
5. Elevation (with alternatives) of the proposed tower and spire, with the gable of the north transept front, and attached plan, by William Dickinson. September and December 1722. Pen and brown ink over graphite, with grey and brown wash on paper, 104 by 38.2 cm. (© The Dean and Chapter of Westminster; WAM (P) 907, 907A).
Attributed works:
6. Detail of the model in Fig.1, showing the vault over the crossing. (© The Dean and Chapter of Westminster).
Attributed works:
7. The quire of Westminster Abbey from the west. c.1700. Canvas, 153 by 129 cm. (© The Dean and Chapter of Westminster; WA 1775).
Attributed works:
8. Plan of the vault for the crossing lantern, by Nicholas Hawksmoor. 1726–27. Pen and brown ink, with yellow ochre and grey wash over graphite on paper, 47.5 by 35 cm. (© The Dean and Chapter of Westminster).
Attributed works:
9. The north transept front and the crossing lantern of Westminster Abbey. (Photograph the author).
Western art unattributed:
17. The north-east prospect of Beverley Minster, published by H. Overton and J. Hoole (London) and G. Feraby (Hull). c.1717. Engraving, 48.5 by 56.7 cm. (The Bodleian Libraries, The University of Oxford, Gough Maps 35, fol.2).
Exhibition Review
Nature Unleashed: the Image of Catastrophe since 1600. Hamburger Kunsthalle
10/2018 | 1387 | 160
Pages: 850-852
related names
Reviewer:
Saß, Maurice (Saß, Maurice)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. View of Delft after the explosion of 1654, by Egbert Lievensz van der Poel. c.1654. Panel, 36.2 by 9.5 cm. (National Gallery, London; exh. Hamburger Kunsthalle).
Attributed works:
2. The sea of ice, by Caspar David Friedrich. 1823–24. Canvas, 96.7 by 126.9 cm. (Hamburger Kunsthalle).
Attributed works:
3. Flood, by Kota Ezawa. 2011. Transparency, 100 by 150 cm. (Collection the artist and Galerie Anita Beckers, Frankfurt a.M.; exh. Hamburger Kunsthalle).
Article
‘Qualis vita, finis ita’: The life and death of Margaret Lemon, mistress of Van Dyck
02/2018 | 1379 | 160
Pages: 92-100
related names
Author:
Maddicott, Hilary (Maddicott, Hilary)
Subjects
dates:
Illustrations
Attributed works:
1. Marguerite Lemon Angloise, by Wenceslas Hollar after Anthony Van Dyck. 1646. Etching and engraving, 26.1 by 18.1 cm. (National Portrait Gallery, London).
Attributed works:
2. Margaret Lemon, by Anthony van Dyck. c.1636. Canvas, 59.5 by 49.5 cm. (Private collection, New York).
Attributed works:
3. Margaret Lemon, attributed to Peter Lely after Anthony van Dyck. Brush and grey ink on paper, 24.8 by 14.5 cm. (Fondation Custodia, Paris).
Attributed works:
4. Margaret Lemon, by Anthony van Dyck. c.1638. Canvas, 93.3. by 77.8 cm. (Royal Collection Trust / © H.M. Queen Elizabeth II 2018).
Attributed works:
5. Margaret Lemon as Erminia, by Anthony van Dyck. Late 1630s. Canvas, 109.2 by 129.5 cm. (Blenheim Palace, Oxfordshire).
Attributed works:
6. Margaret Lemon, by Samuel Cooper. ?1635–37. Watercolour on vellum, height 12.1 cm. (Fondation Custodia, Paris).
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10/2009 | 1279 | 151
Pages: s.p.
Subjects
advertisements:
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advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Bartolomeo Schedoni (1578-1615). The Holly Family with the infant St. John Baptist. Oil on walnut, 13 7/8 x 10 ins (35.5 x 25.5 cm)]
Attributed works:
[August Laube, Zurich. Old bearded man in a high fur cap, with eyes closed, by Rembrandt van Rijn (1606-69). Etching.]
Attributed works:
[C. & J. Goodfriend, New York. Standard bearer in a landscape, Heinrich Aldegrever (1502-58/61). 1540. Engraving, 118 by 77 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Anton Maria Vassallo. Genoa 1617/1618 - Milan 1680. Medea rejuvenating Esone. Oil on canvas, 60 x 81 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino. Saint John the Evangelist. Oil on canvas, 102 x 78 1/2 in. (259x199.4 cm)]
Attributed works:
[Courtesy of Hill-Stone, Inc, New York. Evening thou bringest all, by Henry Fuseli (1741-1825). 1802. Pen lithograph, 22.3 by 31.5 cm]
Attributed works:
[David Tunick, New York. Engraved passion, by Albrecht Durer (1471-1528). 1507-12 (1513 for no.16, Meder 18). Complete set of sixteen engravings, each 11.7 x 7.4 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576 - 1602. Portrait of Virginio Guicciardini. Oil on canvas, 90 x 80,5 cm (39 x 31 11/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Francesco Monti (1685-1768). A Sketch for a ceiling. Oil on canvas, 39.5 x 57 cm (15 1/2 x 22 1/2 in)]
Attributed works:
[Joseph Friedman Ltd. Sir Thomas Lawrance, P.R.A. (1769-1830). John Philip Kemble as Cato (1812). Oil on canvas. 104 x 70 1/2 in (254 x 177.8 cm)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Giovanni Bettista Tiepolo (1696-1770). Presentation of the Rosary. Oil on cardboard, 72x34 cm. Modelletto for the ceiling of the Gesuati church in Venice.]
Attributed works:
[Paul McCarron Fine Prints and Drawings. New Jersey. Five butterflies, by Wenceslaus Hollar (1607-77). 1646. Etching, 8.1 by 11.9 cm]
Attributed works:
[Paul Prouté, Paris. Le coiffeur, programme from "Le Théatre Libre", by Henri Toulouse Lautrec (1864-1901). 1893. Lithograph, 22.4 by 16.1 cm.]
Attributed works:
[Pia Gallo, New York. Westminster Bridge, by Felix Buhot, (1847-98). 1884. Etching and drypoint, 28 by 39.4 cm]
Attributed works:
[Sims Reed, London. Le Lézard aux plumes d'or, by Joan Mirò. 1971. Edition of 150. Lithograph printed in colours.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Anthony Van Dyck. Self Portrait.]
Attributed works:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of boxwood and ebony consoles attributed to Andrea Brustolon (1662-1732). Italy, Venice, early 18th century. Height: 88 cm (34 1/2 in). Width: 99 cm (39 in). Depth: 56 cm (22 in).]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Detail of the monument of Mary Victoria and George Nathaniel Curzon, by Bertram Mackennal. 1907-13. Serravezza marble on black marble plinth. c. 200 by 160 by 130 cm. (All Saint's Church, Kadlestone, Derbyshire.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Madonna della Misericordia, attributed to Bartolomeo Bon and workshop. c. 1440-41. Istrian stone with traces of paint and gilding. 251.5 by 208.3 cm (Victoria and Albert Museum, London.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Scandal relief, by Charles Sargeant Jagger. 1930. Bronze, 161 by 149 cm (Victoria and Albert Museum)]
Attributed works:
[The Fine Art Society, London. Returning to the trenches, by C.R.W. Nevison (1889-1946). Edition of 75. Drypoint, 51.2 by 76.8 cm]
Attributed works:
[The International Art Fair for FIne Prints. The Park Avenue Armory. New York. Augustin Hirschvogel (1503-1553), Courtyard of a Castle. Etching. 1546.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giambologna (1529-1608). Prometheus. Gilt bronze.]
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Advertisements April 2007 (front)
04/2007 | 1249 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
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advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphics, London. 'Onward and upwards', by Ray Richardson. 2007. Screenprint with woodlock, 92.5 by 92.5 cm. Edition of 75.]
Attributed works:
[Andrew Edmunds. London. Gin Lane, by William Hogarth (1697-1764). 1751. 38 by 32.1 cm. Paulson 186, second state of four. Gin Lane highlights the vices of the lower classes following an alarming increase in street crime in London around the middle of the eighteenth century. Gin was relatively new import and one that achieved a more rapid and intense level of intoxication than any other readily available means, shown here to result in poverty, misery, vice, even madness and death.]
Attributed works:
[Catherine Hodgkinson. London. Views of hotel well III, by David Hockney. Signed, dated and numbered in pencil. Edition of 80. Colour lithograph on TGL handmade paper, 123.2 by 97.8 cm]
Attributed works:
[Caylus. Lagasca, 28. Madrid. Francisco de Goya Y Lucientes (Fuendetodos, 1746 - Bordeaux, 1828). "La letra con sangre entra" A school scene (detail). Oil on canvas, 19.7 by 38.7 cm. Painted circa 1777-85]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Joshua Reynolds, P.R.A. (Devon 1723-1792 London). Portrait of Philip Gell (1723-1795), full-length in a mauve suite, holding a gun, with a dog at his feet, in a wooded landscape. Oil on canvas. 94 x 58 in. (238.7x147.3cm)]
Attributed works:
[Christopher Mendez. London. Self-portrait, smiling, by Wenzel Hollar. 1636. Etching, 74 by 55 cm]
Attributed works:
[Coll & Cortes Fine Art Dealer. C/Justiniano 3. Madrid. Jusepe de Ribera, called Lo Spagnoletto (Jativa, Valencia 1591 - Naples, 1652). Philosopher. Oil on canvas, 129.8 x 101.8 cm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Francisco de Goya de Lucientes (Fuendetodos, 1764 - Bordeaux, 1828). Portrait of the artist's wife, Josefa Bayeu. Inscribed: ANO 1805. Chalk and graphite on paper, 111 x 81 mm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Benedetto da Maiano (1442-1497), Pietro Mellini. Terracotta bust, approx. 1474.]
Attributed works:
[Eagle Gallery. London. Harvest 2007, by Tom Hammick. Etching, 50 by 65 cm. Edition of 25]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardo Cavallino. Naples, 1616-ca. 1656. The Death of Saint Joseph. Oil on canvas, 46,5 x 36 cm (18 5/16 x 14 3/16)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Augustus John. 1878-1961. Portrait of Ida in a feathered hat, circa 1904. Red chalk. 13 1/4 x 9 3/4 inches; 33.5 x 24 cm. Signed.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Rossello di Jacopo Franchi (1376-1457). Enthroned Madonna. Signed. Oil on wood, 131 x 91 cm.]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst. Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolper and Other Criteria]
Attributed works:
[Lopez Aragon. Velazquez 90. Madrid. Parto Iberia or El Coloso. Salvador Dalì, 1904-1989. Signed and dated: "Dalì 1956". Tempera and acrylic on canvas, 242.5 x 328 cm.]
Attributed works:
[Lopez Aragon. Velazquez 90. Madrid. San Antonio Abad. Francisco de Zurbaran. Oil on canvas, 110x204 cm]
Attributed works:
[Paul Stolper. London. Sceptic, by Damien Hirst. 2006. Silkscreen print, 150 by 99 cm. Edition of 55]
Attributed works:
[Tajan. 37 rue des Mathurins. Paris. Hendrick Ter Brugghen (Deventer, 1588 - Utrecht, 1629). The denial of St. Peter. Canvas. 113.4 in x74.8 in. ]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. A rediscovered Italian Equestrian Group of Carlo Emanuele I, Duke of Savoy (1562-1630) by Antonio Susini (FL 1580-1624)]
Attributed works:
[Uppsala Auktions. Eddagatan 10. Uppsala. Sweden. Pietro Orioli (Siena, 1458-1496). Madonna and CHild with Saints John the Baptist and Paul. Tempera and gold on wood, 73 x 50 cm]
Attributed works:
[Victoria and Albert Museum. Tripod perfume burner, designed by James 'Athenian' Stuart (c.1760)]
Western art unattributed:
[KPM. 1 Stokes Place, St. Stephen's Green. Dublin. Rossborough House, Blessington, Co. Wicklow.]
Advertisements
Advertisements March 2005 (Front)
03/2005 | 1224 | 147
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. DANTE GABRIEL ROSSETTI (1828-1882). Elizabeth Siddal seated in a chair. Verso: Studies of THree Female Figures. Pencil, 8 x 15 1/2 in (20.5 x 14 cm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. Study of St. Joseph in Glory, by Giuseppe Passeri (1654-1714). Pen and brown ink over black chalk heightened with white on paper washed brown, 291 x 241 mm. Inscribed 'Passeri' and 'du Passeri' on the mount.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Albrecht Durer 1471-1528. St. Sebastian, bund to a column. Engraving c. 1498-9.]
Attributed works:
[Arturo Cuellar, Zurich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Homme buvant du café, by Vincent van Gogh (1853-1890). Pencil on paper, 310 x 240 mm. Signed: 'Vincent'. Circa 1882.]
Attributed works:
[Arturo Cuellar. Burglistrasse 18, 8002, Zurich. PABLO PICASSO (Malaga 1881-1973 Mougins) Two studies of heads (1931). Signed: Picasso lower right. Pencil, 25.5 x 33 cm]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Claude Gellée, called Le Lorrain (1600-1682). Landscape with Large Tree 1640-45. Pen and brown ink with wash and white heightening over black chalk underrawing on blue paper, 21 x 31 cm. Signed at bottom center. Claudio fecit.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Landscape Plauen (Saxony), by Ernst Ferdinand Oehme (1797-1855). Watercolour, 130 x 215 mm. Circa 1830.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. GIOVANNI DOMENICO CERRINI (Perugia 1605-Rome 1681). Head of an Angel. Black, white and red chalk on blue paper, 270 x 222 mm. Inscription on the recto: Cerrino nel quadro dell'Assunta in sagrestia dell Chiesa nuova di Roma. Inscription on the verso: Cerrino da Perugia.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Gerrit Dou (Leiden 1613-1675). A sleeping dog beside a terracotta jug, a basket and a pile of kindling wood. Signed and dated 1650. Oil on panel. 7 x 9 in. (17.8 x 22.9 cm. $2,000,000-3,000,000 (£1,060,828-1,591,323)]
Attributed works:
[David Tunick, Inc., New York. Saint Jerome in the Wilderness, by Titian (1477-1576) Woodcut, 384 x 529 mm. Circa 1525-30.]
Attributed works:
[Day & Faber, London. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Face of a Native American, study for the decoration at Wuzburg, by Giovanni Battista Tiepolo (1696-1770) Black chalk, heightened with white, on blue Venetian paper, 293 x 202 mm.]
Attributed works:
[Day & Faber. 173 New Bond Street, London. François Boucher. Paris 1703-1770 Paris. Charlotta Sparre, aged twenty-one. Red, black and white chalk: 343 x 265 mm. Drawn in Paris 1740-41.]
Attributed works:
[Dickinson, London & New York. En marche, by Georges Seurat (1859-1891). Conté crayon on paper, 305 x 230 mm. With the red signature stamp Seurat (Lugt 282a) lower right.]
Attributed works:
[Dr. Jorn Gunther Rare Books Ltd., Hamburg. Missale Fratrum Minorum, manuscript on vellum written by the German scribe Henricus Haring for the convent of S. Francesco di Montone near Perugia. Miniatures by Bartolomeo Caporali, probably assisted by his Brother Giapeco. Vellum, 350 x 250 mm. Italy, Perugia, 1469.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of Baccio, by Bartolomeo Passarotti (1529-1592). Pen and brown ink, 420 x 275 mm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré, 75008, Paris. JEAN, DIT ALEXIS GRIMOU (Romont 1678 - Paris 1733) La marquise de La Salle dite l'Espagnolette. Three crayons on blue paper, H. 355 mm. L. 290 mm.]
Attributed works:
[Galerie Normand, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Le lavoir des capucins à Rome, by François-Marius Granet (1775-1849). Signed. Watercolour and ink, 120 x 150 mm.]
Attributed works:
[Galerie Normand. 35 rue de Lille, 75007 Paris. Théodore ROUSSEAU 1812-1867. La mare aux fées, foret de Fontainebleau, circa 1848. Initial 'THR' on lower left. Oil on canvas, 59 x 114 cm (23 1/4 x 44 3/4 inches)]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Attributed to Valentin Sonneenschein. (Stuttgart, 1749-Berne, 1828) A meeting of men of letters. Sculpture in Lorrain stone, 25 by 56.6 cm. Tablet in white marble, 39 by 51.5 cm. Dated 1777.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. JEAN-BAPTISTE OUDRY. (1686-1755) A Hare looking back to the left. Black and white chalk on blue paper, 27.8 x 42.2 cm (11 x 16 3/4 in)]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Book of Hours, by Jean Dreux (?= Master of the Sachsenheim-prayerbook). Illuminated manuscript on vellum, with 12 large miniatures and one historiated inital. Calligraphy with superb cadels on every text page by Nicolas Spierinc.]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG. Bibermuhle 1, CH 8262, Ramsen. THE ROSSI MISSAL. Missal for the major feasts. Parma or Pavia, c. 1530-1540. Illuminated manuscript on vellum, with 3 miniatures (one full page) by Guernerius Beretta, who signed the crucifixion - a renowned and highly praised artist (nella miniatura pittore singolare) but not all defined until the discovery of the signature here. Made for a member of the Rossi family, viz. Giovan Girolamo de' Rossi, bishop of Pavia from 1530. Still in its original binding with the Rossi coats of arms: Folio (350 x 245 mm).]
Attributed works:
[Kunsthandlung Helmut H. Rumbler. Frankfurt. Portrait of Emperor Maximilian I, by Lucav von Leyden. 1520. Etching with engraving, 257 x 193 mm. Watermark: crowned coat of arms with sun (Hollstein 4, 1520).]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. FRANCIS COTES, R.A. 1726-1770. Lieutenant-colonel the Hon. Edmund Craggs Nugent, Wearing van Dyck costume. Pastel on paper laid on canvas. 23 1/4 x 17 inches; 590 x 437 mm. In its original frame. Signed and dated 1748.]
Attributed works:
[Maggs Brothers. 50 Berkeley Square, London, W.C. Workshop of Jean Pucelle. Illuminated leaf from a Pontifical. Paris. Circa 1330.]
Attributed works:
[Museo Thyssen-Bornemisza. Ernst Ludwig Kirchner. Franzi in front of carved chair. 1910.]
Attributed works:
[Museo Thyssen-Bornemisza. Hans Memling. Portrait of a Young Man at Prayer, c. 1485.]
Attributed works:
[Noortman, Maastricht. Les repasseuses, by Edgar Degas (1834-1917). Charcoal and pastel on three pieces of paper joined and laid down on heavy cardboard, 600 x 760 cm. Signed in charcoal upper left; Degas.]
Attributed works:
[Pandora, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of a Bishop, by Giovanni Mannozzi, called Giovanni da San Giovanni (1592-1636). Pastel, black and red chalk on blue paper, 304 x 202 mm.]
Attributed works:
[Pandora. P.O. Box 1761, New York. Detail of LUIGI SABATELLI (Florence 1772-1850 Milan), Study of a Lion, pen and brown ink, 299 x 418 mm.]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Jacques Louis DAVID. Paris 1748 - Bruxelles 1825. A naked woman with left arm raised (recto). Figure of Love crying, sitting with a bow (verso). Pencil, 229 x 149 mm, squared.]
Attributed works:
[Paul Proute, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study for a portrait of a seated man, writing, seen in left profile, by François de Troy (1645-1730). Red, Black and white chalk on chamois paper, 243 x 210 mm.]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. Gregorio di Lorenzo. Maestro delle Madomme di Marmo. Firenze, 1470/80. S. Giovanni Battista Fauciullo. Marmo. 38 x 22 x 15 cm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. ANNE-LOUIS GIRODET DE ROUSSY-TRIOSON. 1767 Montargis, Loiret - Paris 1824. Armin Witnessing the Death of his Children. Pen and ink and gray wash, over charcoal, with white heightening. 219 x 254 mm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. The death of Lucretia, by Etienne-Barthélemy Garnier (1759-1849). Black pen and blue brush with white heightening on beige paper, 525 x 770 mm.]
Attributed works:
[Thomas Williams Fine Art, London. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. View of Lahnstein on the River Rhine, by Wenceslaus Hollar (1607-1677). Pen and brown ink over black and red chalk, 98 x 238 mm. Inscribed by the artist, Lahnstein (verso).]
Attributed works:
[Thomas Williams, fine art Ltd. 22 Old Bond Street, London. W1S 4PY. WENCESLAUS HOLLAR. Prague 1607-1677 London. A View of Tangier from the South-East. Watercolour and pen and brown ink over black chalk, 157 x 623 mm; 6 1/8 x 24 1/2 in.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. François Bonvin. Paris 1827-1887 Saint-Germain-en-Layne. A man seated at a Table Reading a Newspaper, 1852. Watercolour and black chalk. Signed and dated, lower left, f. Bonvin. 52. 11 3/4 x 9 1/4 inches (300 x 235 mm). Exhibiting at the SALON DU DESSIN, March 16-21, 2005, Stand no.5]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait studies of a girl and an older woman, by Adolph von Menzel (1815-1905). Graphite with stumping, 133 x 199 mm. Signed with initials and dated: 'A.M/1886'.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study of fingers on the march, by François Boucher (1703-1770) Signed or inscribed lower right, F. Boucher. Black and white chalk on buff-coloured paper, 306 x 413.]
Western art unattributed:
[Charles Edwin Puckett. 3867 West Market Street, #253. Akron, Ohio 44333. DAVID IN PREYER. Tempera and gold on vellum, 160 x 115 mm. From a book of Hours. France (Use of Rouen), circa 1490.]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. The Hourse of Guyot II Le Peley of Troyes, manuscript on vellum illuminated by Jean Colombe and atelier. c. 1485. 128mm x 95mm. £250,000-350,000.]
Western art unattributed:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Biblia Sacra, by Mainz, Johannes Fust & Peter Schoffer, 14 August 1462. Two volumes, complete. Printed on vellum and illuminated throughout by the Fust-Master, 400 x 300 mm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Circle of Giovanni Bellini. Head and Shoulders portrait of a young man. Black chalk. 291 by 272 mm. Sold for $800,000, Sotheby's New York 26 January 2005.]
Exhibition Review
Wenceslaus Hollar. New Haven
03/1995 | 1104 | 137
Pages: 205-207
related names
Reviewer:
Kitson, Michael (Kitson, Michael; K., M.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
82. A Dark Fur Muff, by Wenceslaus Hollar. 1647. Etching, 8 by 11.2 cm. (N. G. Stogdon Collection; Exh. Yale Center for British Art, New Haven).
Attributed works:
83. Aeneas and the Golden Bough, by Wenceslaus Hollar and William Faithorne after Francis Cleyn. Engraving and Etching, 30.7 by 19.7 cm. (Frank W. Raysor II Collection; Exh. Yale Center for British Art, New Haven).
Attributed works:
84. Hippopus Maculatus, by Wenceslaus Hollar. Etching, 9.5 by 14.5 cm. (Private Collection; Exh. Yale Center for British Art, New Haven).
Attributed works:
85. A Young Man Playing a Lute, by Wenceslaus Hollar. Etching, 18.5 by 13 cm. (Private Collection; Exh. Yale Center for British Art, New Haven).
Attributed works:
86. Summer, by Wenceslaus Hollar. 1643-44. Etching (First State), 26.5 by 18.5 cm. (Private Collection; Exh. Yale Center for British Art, New Haven).
Advertisements
Advertisements July 1983 (Front)
07/1983 | 964 | 125
Pages: i-xxviii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Walter Richard Sickert A. R. A. Santa Maria della Salute, Venice, Canvas, 24 1/8 x 19 3/4 ins
Attributed works:
[Anthony Dallas & Sons Ltd., 9 Old Bond Street, London, UK] Thomas Gainsborough, R. A Drovers and Cattle on a Heath. Oil and Watercolour on Brown Prepared Paper. 15 3/4 by 20½ ins. (40.1 × 52.1 cm) To Be Included in Our
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Guido Reni St. Catherine
Attributed works:
[Athenenaeum Old Master Paintings Works of Art, Avenue Princesse Alice 5, Monte Varlo, Monaco] Francesco Guardi (Venice 1712-1793) Canvas 45,5 × 60 cm.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf, Germany] Wenzel Hollar. Die Holtzport zu Duren: Pen and Brown Ink, Grey Wash and Watercolour. 102:186 mm. (Cf. the Etching Parthey 737).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] A Porcelain Calvary Doccia (Florence), 1744 Dimension: 74 × 83 × 43 cm. The Wax Model for This Group Was Executed by Giovan Battista Foggini (1652-1725)
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Jacopo Ligozzi. Verona 1547-Florence 1626
Attributed works:
[D. L. Lavender, 63 South Molton Street, London, UK] An Important and Rare Group of Louis XV Gouache Miniatures of Views of the Duc de Choiseul's Palace of Chanteloup, near Amboise, Painted by Lioux de Savignac, Circa 1770
Attributed works:
[D. L. Lavender, 63 South Molton Street, London, UK] An Important and Rare Group of Louis XV Gouache Miniatures of Views of the St Cloud Palace, Painted by Lioux de Savignac, Circa 1770
Attributed works:
[Daniel Malingue, 26 Avenue Matigonon, Paris, France] Dali, Vestiges ataviques après la pluie, 1934
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Hendrick G. Pot
Attributed works:
[Exh. International Biennial Exhibition of Antique Dealers, Jewellers and Art Galleries, Monte Carlo] Jeune Fille Aux Roses, by Renoir, 1897, Signed in Left-Hand Corner. Oil on Canvas, 45 by 35.5 cm. Daniel Malingue, Paris. A Louis XV Wall Clock and Pedestal with Mother of Pearl Inlay, Its Ormolu Mounts Stamped with a Crowned 'C'. The Centre of the Dial Bears the Image of Louis XV Surrounded by Fleur-de-Lys. 105 by 44 by 22cm. Jacques Perrin, Paris. Virgin and Child, by Giovanni Battista Pittoni (1687-1767). Oil on Canvas, 75 by 59 cm. Athenaeum, Monte-Carlo. A Louis XV Commode, Attributed to Cressent, in Crossbanded Satin and Purple Wood with Ormolu Mounts and Alep Breccia Marble Top. 144 by 87 by 64 cm. Michel Meyer, Paris. One of a Pair of Empire Bronze Lacquered Vases, after Drawings by Percier and Fontaine. 98 by 38 by 29 cm. at the Base. Antiquaires à Paris. Jour du marché à Siout, by Theodore Frère (1814-1888). Signed Bottom Left. Panel, 37 by 22 cm. Berko, Brussels and Paris. A Bureau-Plat, Stamped B. V. R. B. 76.5 by 75 by 57 cm. Antiquaires à Paris. Bouquet de fleurs dans un panier by Jean-Baptiste Monnoyer. Oil on Canvas, 132.5 by 78.5 cm. Maurice Segoura, Paris.
Attributed works:
[Fischer Fine Art, 30 King Street, London, UK] John Minton. Harvest Moon, 1944. Pen and Ink and Gouache, 18 × 22½ ins
Attributed works:
[Front Cover] Cubist Design, by Georges Braque. c.1911. (The Keynes Trust, King's College, Cambridge; Exh. Fitzwilliam Museum).
Attributed works:
[Galerie Bieder Albertina, A-1010 Wien 1, Ausria] Cupboard, Vienna Secession, c. 1904 School of Koloman Moser White Lacquer with Brass Mounts Height 1.96; Width 1.43; Depth 0.66
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Mercury Decapitating Argus, by Giovanni Battista Foggini (Florence 1652-1725). Bronze: Height 40 cm.
Attributed works:
[I.F.W. Fairly of Tyler and Co., Brunning House. London, UK] Edouard Vuillard - "Nu Debout Mains Aux Chevaux"
Attributed works:
[I.F.W. Fairly of Tyler and Co., Brunning House. London, UK] Marc Chagall - "Les Mariés"
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London, UK] Reclining Connected Forms, 1969, Bronze, Length 84in/213cm, Edition of 9.
Attributed works:
[Noortman & Brod, Vrijthof 49, 6211 LE Maastricht, Holland] Richard Wilson 1713-1782. Rome from the Villa Madama. Canvas, 122 × 172.7 cm. 48 × 68 ins.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Holy Family Jacopo del Sellaio (Firenze 1441-1493) Tondo, Oil on Panel, 85 cm. (33½ in.)
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York, New York] Jan Wynants, Signed and Dated 1659. Oil on Canvas, 105 by 132 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Jusepe de Ribera, Called lo Spagnoletto, The Martyrdom of Saint Bartholomew, Signed, Jusepe de Ribera Espanol. F. 1934. 103 by 112 cm.
Attributed works:
[Thomas le Claire, Adikesstr. 40, Hamburg, Germany] Salvator Rosa (1615-1673), Pen and Brown Ink, 111 × 78 mm. Mahoney 46.2.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] Charles François Daubigny. Temps d'Orage. Etching. 1845
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] Paul Gauguin: Te Arii Vahine. Original Woodcut. 1895
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