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18 articles
Exhibition Review
Making New Worlds: Li Yuanchia & Friends
02/2024 | 1451 | 166
Pages: 201–205
related names
Reviewer:
Bolwell, Sarah (Bolwell, Sarah)
Subjects
subjects:
Reviewed Items
subjects:
Making New Worlds: Li Yuanchia & Friends Kettle’s Yard, Cambridge 11th November 2023–18th February 2024 | :
Illustrations
Attributed works:
27. Road along the Roman wall (landscape with two houses), by Winifred Nicholson. 1926. Oil on canvas, 126.5 by 189.5 cm. (Kettle’s Yard, Cambridge; courtesy Trustees of Winifred Nicholson).
Attributed works:
28. Installation view of Making New Worlds: Li Yuan-chia & Friends at Kettle’s Yard, Cambridge, 2023–24. (Photograph Jo Underhill).
Attributed works:
29. Untitled, by Li Yuan-chia. 1994. Hand-coloured photographic print, 40.5 by 43.5 cm. (Courtesy Li Yuan-chia Foundation; exh. Kettle’s Yard, Cambridge).
Exhibition Review
Kettle’s Yard
04/2018 | 1381 | 160
Pages: 335-338
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
15. New entrance to the galleries at Kettle’s Yard by Jamie Fobert Architects. (Photograph Hufton + Crow).
Attributed works:
16. Linear construction in space no. 1, by Naum Gabo. 1944–45. Perspex and Nylon thread, 304 by 304 by 62 cm. (Kettle’s Yard, University of Cambridge).
Attributed works:
17. Transparent orange rose / May green, by Callum Innes. 2017. Watercolour on Canson Heritage 640gsm, 56 by 76 cm. (Courtesy the artist; exh. Kettle’s Yard, Cambridge).
Attributed works:
18. The ladies (Wren Library), by Melanie Manchot. 2017. Digital Chromagenic print, 120 by 80 cm. (Courtesy the artist and Parafin, London; exh. Kettle’s Yard, Cambridge).
Book Review
Anthony Caro: The Last Sculptures. With an essay by Alastair Sooke. Alan Green: Selected Works from 1972 to 2003. Naum Gabo: Gabo’s Stones. With an essay by Graham Williams.
07/2015 | 1348 | 157
Pages: 488
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
Advertisements
Advertisements October 2012 (front)
10/2012 | 1315 | 154
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Alfred Janniot (French, 1889-1969). Elégance, circa 1930. Plaster. 99 x 48 x 11 inches (253 x 118 x 28 cm)]
Attributed works:
[CG. Boerner, New York. Saint Eustace, by Albrecht Durer. Engraving. 36 by 26 cm. Bartsch 57; Meder 60b (of k); Schoch/Mende/Scherbaum 32.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Cesare Dandini (1596 - 1657). Portrait of a Young Man, oil on canvas, oval 62.5 x 50.5 cm]
Attributed works:
[Emanuel van Baeyer, London. L'Assemblée - Au Concert, by François Dequevauviller. 1783-84. Pendant to 'L'Assemblée - Au Salon'. After gouaches by Nicolas Laureince. Engraving, 58 by 68 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Guido Reni. Calvenzano, 1575 - Bologna, 1642. Saint Jerome. Oil on canvas, 65.1 x 50 cm (25 5/8 x 19 11/16 in)]
Attributed works:
[Galerie St. Etienne, New York. Male nude (self Portrait) 1, by Egon Schiele. 1912. Delteil 239. Signed, dated and with the signet of The Sema Association, lower left. Lithograph, 44.8 by 40 cm]
Attributed works:
[Galleria Russo, Rome and Milan. Impression de boulevard (Lady of the veil), by Medardo Rosso. Bronze. Height: 70 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Naum Gabo 1890-1977. Linear Construction in Space No.1, 1950. Perspex with nylon monofilament. 8 1/4 x 8 1/4 x 2 1/4 inches; 21 x 21 x 5.6 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Camille Pissarro (Charlotte Amalie, St. Thomas 1830-1902 Paris). FourBathers (Les quatre baigneuses). Etching; 1895. Delteil 118, the exceedingly rare first of two states before the reduction of the height of the plate. Delteil cites only two impressions of this state. A brilliant impression printed with rich plate tone]
Attributed works:
[Hill-Stone, New York. Jupiter and Juno on Mount Ida, by James Barry. 1777-90. Etching, engraving and aquatint, 26 by 19.6 cm]
Attributed works:
[ifpda|printfair|2012. Park Avenue Armory, New York. Cyril Power. The Tube Station, ca. 1932. Color linocut. Edition of 60.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Girolamo da Treviso (1497-1544). Virgin with the Child and Saint Catherine. Oil on panel, 103 x 83 cm]
Attributed works:
[Mazzoleni Galleria d'Arte, Turin. The comforter, by Giorgio de Chirico. 1958. Oil on canvas, 100 by 81 cm]
Attributed works:
[Moretti, Florence, London and New York. Virgin and Child with the young St. John, by Lorenzo Lippi (1606-56). Oil on canvas, 72.5 by 109 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Sybil Andrews. Rush Hour, 1930. Linocut, from the edition of 50, 20.9 x 25.1 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Camille Pissarro. Market in Pontoise]
Attributed works:
[Paul Stolper Gallery, London. London, Abbey Road parade, by Peter Blake. 2012. Signed and numbered. Edition of 100. Silkscreen, 50 by 50 cm]
Attributed works:
[Piano Nobile. 129 Portland Road, London. The Violinist, 1912. Oil and tempera on board. 38 x 28 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Hugo Wilson, Dodus Dei, 2011. Etching and aquatint, 57.5 x 72.5 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. An ancient dark night descended upon my soul I, by Ana Maria Pacheco. 2010-12. Printed on Somerset satin white, 410 gsm, in an edition of 15. 99.7 by 57.8 cm]
Attributed works:
[Robilant + Voena, London and Milan. Penitent St. Peter, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Oil on canvas, 103.5 by 82 cm]
Attributed works:
[Simon Theobald Fine Art, London. Zwiesprache (Dialogue) by Max Pachstein. 1920. Woodcut printed in colours, 40 by 32 cm]
Attributed works:
[Sims Reeds, London. Marilyn, by Andy Warhol. 1967. Screenprint, 91.4 by 91.4 cm]
Attributed works:
[Sperone Westwater. Bruce Nauman Parallaz. Shell, 1971]
Attributed works:
[The Redfern Gallery, London. Jeu de Boules, by Lill Tschudi, 1934. Linocut, 58.4 x 83.8 cm]
Attributed works:
[The Redfern Gallery, London. Nudes, by Lill Tschudi, 1933. Linocut, 26 by 28 cm]
Attributed works:
[www.kunsthammer.at . Plankengasse . Wien. Josef Hoffman Wiener Werkstatte Beaten Silver, 1906]
Attributed works:
[www.kunsthammer.at . Plankengasse 7. Wien. Johan Loetz-Witwe sign. Phen gre. 356. Paris World Exhibition.]
Non-western art unattributed:
[Galleria Ajassa, Turin. One of a pair of imaginary animals. Chinese, Tang dynasty (618 - 907). Painted terracotta. Height: 58 and 65 cm]
Non-western art unattributed:
[Galleria Stanza Del Borgo. Via Turati 7. Milano. Hosonda Eishi 1756 - 1829. Morokoshi from the House of Echizenya. Mid 1790's. Oban: mm 350 x 247. Series: Seiro bijin rokkasen. Fine impression and colour with embossing in the kimono]
Advertisements
Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
advertisements:
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advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
Short Notice
'Construction through a Plane' by Naum Gabo
12/2002 | 1197 | 144
Pages: 755-756
related names
Author:
Dewey, Alice (Dewey, Alice)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
48. Front view of Construction through a plane, by Naum Gabo. c. 1937. Perspex with wood base, 48.2 by 48.2 by 21.6 cm. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
49. Side view of Fig.48.
Attributed works:
50. Leslie and Sadie Martin with Naum Gabo's Construction through a plane. Photograph, c. 1990, by Douglas Menzies. (Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Naum Gabo. St Ives
10/2002 | 1195 | 144
Pages: 641-643
related names
Reviewer:
Wallersteiner, Anthony (Wallersteiner, Anthony)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
54. Model for Constructed Torso, by Naum Gabo. 1917, Reassembled 1981. Cardboard, 39.5 by 29 by 16 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
55. Construction in Space: Diagonal, by Naum Gabo. 1921-25. Glass, Metal and Celluloid, 61 by 16.3 by 16 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
56. Construction in Space with Crystalline Centre, by Naum Gabo. 1938-40. Perspex and Celluloid, 32.4 by 47 by 22 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
57. Opus 2, by Naum Gabo. 1950. Wood Engraving, 20 by 15.6 cm. (Tate, London; Exh. Tate St Ives).
Attributed works:
58. Opus 8, by Naum Gabo. c.1969. Wood Engraving, 30.4 by 23.9 cm. (Tate, London; Exh. Tate St Ives).
Book Review
Constructing Modernity: The Art and Career of Naum Gabo
05/2001 | 1178 | 143
Pages: 304
related names
Reviewer:
Bowlt, John E. (Bowlt, John E.)
Subjects
artists:
Reviewed Items
artists:
Constructing Modernity: The Art and Career of Naum Gabo | author: Hammer, Martin , author: Lodder, Christina
Article
Peter Lanyon's Letters to Naum Gabo
04/1995 | 1105 | 137
Pages: 233-241
related names
Author:
Garlake, Margaret (Garlake, Margaret)
Subjects
artists:
artists:
dates:
places:
Illustrations
Attributed works:
16. Peter Lanyon Looking Through a Lobster Basket. Photograph Taken by Charles Gimpel. (Tate Gallery Archive, London).
Attributed works:
17. Wine, Women and Song, by Peter Lanyon. 1944. Mural, Aircraft Paint, Dimensions Unknown. (Destroyed, Formerly Officers' Mess, Brindisi).
Attributed works:
18. Prelude, by Peter Lanyon. 1947. 60.96 by 96.52 cm. (Collection of Andrew Lanyon).
Attributed works:
19. Landscape with Cup (Annunciation), by Peter Lanyon. 1946. Board, 31.7 by 39.3 cm. (Private Collection).
Attributed works:
20. Generation, by Peter Lanyon. 1947. Plywood, 87 by 43.5 cm. (Collection of Sheila Lanyon).
Attributed works:
21. Generator, by Peter Lanyon. 1946. 76.2 by 50.8 cm. (Collection of Sheila Lanyon).
Attributed works:
22. Earth, by Peter Lanyon. 1946. Board, 40.64 by 63.5 cm. (Whereabouts Unknown).
Attributed works:
23. Tinstone, by Peter Lanyon. 1947. Incised Line, Wax on Board, 33.2 by 40.64 cm. (Collection of Sheila Lanyon).
Attributed works:
24. North, by Peter Lanyon. 1949. Board, 47 by 18.5 cm. (Sold, Sotheby's, London, 1st July 1991).
Attributed works:
25. West Penwith, by Peter Lanyon. 1949. Plywood, 29.2 by 109.3 cm. (Collection of Penelope Rosenberg).
Attributed works:
26. Page 6 of a Letter from Peter Lanyon to Naum Gabo, Dated February 1949 (Here Letter No.5).
Attributed works:
27. Page 7 of Same Letter as Fig.26. [Letter from Peter Lanyon to Naum Gabo, Dated February 1949 (Here Letter No.5).]
Supplement
Recent Museum Acquisitions in Edinburgh: Supplement
08/1987 | 1013 | 129
Pages: 562-565
Subjects
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Illustrations
Attributed works:
107-109. La jardinière endormie, L'offrande à la villageoise, and L'aimable pastorale, by François Boucher. Each 229 by 89 cm. (National Gallery of Scotland). A set of three canvases which were formerly in the collection of Marchal de Saincy (d.1789); they were subsequently bought by Baron Meyer Amschel de Rothschild and hung at Mentmore. Purchased by private treaty sale from the estate of H. M. V. Showering.
Attributed works:
110. James Watt and the steam engine: the dawn of the nineteenth century, by James Eckford Lauder. 147.3 by 238.8 cm. (National Gallery of Scotland). Lauder's celebration of the modern age of steam was painted in 1855 and exhibited in the Royal Scottish Academy's half of the newly erected National Gallery of Scotland building. This dramatic painting, with its obvious debt to Wright of Derby, is unusual in Lauder's career, his preferred subjects being generally selected from Scott or Shakespeare.
Attributed works:
113. Seton Palace and the Firth of Forth, by Alexander Keirincx. 45.6 by 68.5 cm. (Scottish National Portrait Gallery). This Landscape, Discovered and Identified Last Year, Contains the Only Known View of the Great Medieval and Renaissance Palace of Seton. It Was Painted for Charles I.
Attributed works:
114. The Musical Contest between Apollo and Masyas, by Giulio Sanuto. Engraving in Three Plates, 51.8 by 42.4 cm Each. (National Gallery of Scotland).
Attributed works:
115. Portrait of Mrs Fuseli, by Johann Heinrich Fuseli. Pen and Grey Wash over Traces of Black Chalk, 22 by 15.4 cm. Inscribed by the Artist '31 May 1800'. (National Gallery of Scotland). Purchased by Private Treaty from a Scottish Private Collection.
Attributed works:
116. Holy Family with St John in a Landscape, by Denys Calvaert. Oil on Copper, 42 by 32 cm. (National Gallery of Scotland). Dated by Stephen Pepper C.1593-94, a Close Variant is in the National Gallery, Warsaw, and Related Drawings are in the Albertina, Vienna and the Budapest Museum. Purchased with the Aid of the Patrons of the National Galleries of Scotland and the NACF.
Attributed works:
117. Close number 46, Saltmarket, by Thomas Annan. 1868-71. Albumen photograph, 27.9 by 22.5 cm. (Scottish National Portrait Gallery). One of thirty-one photographs from Thomas Annan's famous series Old Closes and Streets of Glasgow, taken for the Glasgow Improvement Trust, which is remarkable not just as a social or historical document but as a group of strikingly beautiful photographs.
Attributed works:
118. Alexander III of Scotland rescued from the fury of a stag by the intrepidity of Colin Fitzgerald, by Benjamin West. 1786. 366 by 521 cm. (National Gallery of Scotland). One of the earliest portrayals of Scottish history to be shown at the Royal Academy, it was commissioned by Francis Humberston Mackenzie to illustrate the legendary exploit of his ancestor in the thirteenth century. There is a preparatory oil-sketch at Petworth House, Sussex. Purchased with the aid of the National Heritage Memorial Fund, the NACF, the Pilgrim Trust, Ross and Cromarty District Council and Mr Dennis F. Ward.
Attributed works:
119. Two Sleeping Figures with Still-Life of Flask and Bottles, by Pier Francesco Mola. Pen and Brush with Brown Ink, 20.4 by 28 cm. (National Gallery of Scotland).
Attributed works:
120. Spiral Theme, by Naum Gabo. 1941. Perspex, 7.5 by 11 by 12.5 cm. (Scottish National Gallery of Modern Art).
Attributed works:
121. Clamp, by Bill Woodrow. 1986. Painted Metal, 248 by 67 by 51 cm. (Scottish National Gallery of Modern Art).
Western art unattributed:
111. One of a Set of Eight Carved Oak Panels Made for Cardinal David Beaton, Scottish, before 1546. The Whole Measures 670 by 145 cm. (The Royal Museum of Scotland).
Western art unattributed:
112. Deposition from the Cross, a Miniature from the Murthly Hours. The Manuscript was Written and Illuminated in England in the Late 13th or Early 14th Century, but It Has Been in Scottish Ownership Since 1420. (National Library of Scotland).
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