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Exhibition Review

The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London

08/2018 | 1385 | 160

Pages: 678-681

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Reviewer:

Yarker, Jonathan (Yarker, Jonathan)

Subjects

art literature:

Berger, John / Solkin, David H., London, Great Britain

artists:

Rowlandson, Thomas / Cope, Charles West / Kauffmann, Angelica / Wilkie, David / Bigg, William Redmore / Morland, George / Mulready, William, I, 1786-1863 / Wilton, Joseph / Turner, Joseph Mallord William / Constable, John / Sims, Charles / Munnings, Alfred James / Lewis, Wyndham / Piper, Myfanwy / Churchill, Winston / Annigoni, Pietro / Blake, Peter / Bowling, Frank / Nicholson, Ben / Hitchens, Ivon / Chipperfield, David / Barry, James, 1741-1806 / Gibson, John / Reynolds, Joshua / Gainsborough, Thomas / Lawrence, Thomas / Michelangelo / Leonardo da Vinci / Nevay, Giacomo / Blake, William

artists:

Blow, Sandra

buildings:

Burlington House, London, Great Britain / Somerset House, London, Great Britain

dates:

2010-2019

media:

Paintings / Sculpture / Drawings / Watercolours / Frames / Architecture

museums and institutions:

Royal Academy of Arts, London, Great Britain

places:

Great Britain / London

subjects:

British painting / British architecture / Art schools / Academies / Study and teaching / Portraits / Landscapes (visual works) / Genre paintings / Satire / Abstract art / Pre-Raphaelite / Collecting / Casts (sculpture) / Copies / Copying / Internet and art history

Illustrations

Attributed works:

18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).

Attributed works:

19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).

Attributed works:

20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).

Attributed works:

21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).

Article

Anthony Blunt's Picasso

01/2005 | 1222 | 147

Pages: 26-33

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related names

Author:

Green, Christopher (Green, Christopher)

Subjects

art literature:

Blunt, Anthony (A. B.; A. F. B) / Berger, John

artists:

Picasso, Pablo / Rivera, Diego

dates:

1930-1939 / 1940-1959

subjects:

Surrealism / Cubist / Marxism / Exhibitions / Art criticism / Art theory / Art periodicals / Exhibition reviews / Guernica (Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain)

Illustrations

Attributed works:

Anthony Blunt reading his press conference statement, 20th November 1979, in the offices of The Times in London.

Attributed works:

Guernica, by Pablo Picasso, and a detail of a mural by Diego Rivera in Detroit, illustrating A. Blunt: ‘Two Artists and the Outside World’, The Listener (28th July 1938).

Attributed works:

Large bather, by Pablo Picasso. 1921. 180 by 98 cm. (Musée de l’Orangerie, Paris).

Attributed works:

Manuscript page from Anthony Blunt’s paper given to Marlborough College’s ‘Anonymous Society’, 1924. (A. Blunt papers, Courtauld Institute of Art, London).

Attributed works:

Sleeping nude, by Pablo Picasso. 1932. 130 by 161.7 cm. (Musée Picasso, Paris).

Attributed works:

Study for ‘The Crucifixion’, by Pablo Picasso. 1929. Pencil on paper, dimensions unknown. (Whereabouts unknown; repr. in A. Blunt: Picasso’s ‘Guernica’, Oxford 1969).

Attributed works:

The dream and lie of Franco, by Pablo Picasso. 1937. Etching, 31.4 by 42.1 cm. (Musée Picasso, Paris).

Western art unattributed:

Cover of <i>The Heretick</i>, Marlborough College, 1924.

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