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2 articles
Exhibition Review
Twentieth-century German art. Düsseldorf, Berlin, Leipzig and Cologne
10/2005 | 1231 | 147
Pages: 699-702
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
dates:
print:
Reviewed Items
subjects:
Bernard Heisig. Die Wut der Bilder | institution: Kunstsammlung Nordrhein-Westfalen , institution: Martin-Gropius-Bau , institution: Museum der bildenden Künste
subjects:
Brücke und Berlin. 100 Jahre Expressionismus | institution: Neue Nationalgalerie
subjects:
Max Beckmann, Ferdnand Léger, Unerwartete Begegnungen | institution: Museum Ludwig
Illustrations
Attributed works:
59. Mechanisms of amnesia, by Bernhard Heisig. 1981. 151.5 by 242 cm. (Landesmuseum für Kunst und Kulturgeschicte Oldenburg; exh. Martin-Groupis Bau, Berlin).
Attributed works:
60. The impure, by Neo Rauch. 2004. 270 by 210 cm. (Sammlung Queenie, Munich; exh. Museum der Bildenden Künste, Leipzig).
Attributed works:
61. Acrobat, by Matthias Weischer. 2005. 40 vby 30 cm. (Galerie Eigen+Art, Leipzig/Berlin; exh. Museum der Bildenden Künste, Leipzig.
Attributed works:
62. Lido, by Max Beckmann. 1924. 72.5 by 90.5 cm. (Saint Louis Art Museum; exh. Ludwig Museum, Cologne).
Attributed works:
63. Decorations by Ludwig Kirchner in his studio at Körnerstraße 45, Berlin-Friedenau. Photograph 1914. (Kirchner Museum Davos; exh. Neue Nationalgalerie, berlin).
Advertisements
Advertisements April 1995 (front)
04/1995 | 1105 | 137
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St James, London ] Rembrandt Harmensz. Van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn. Size: 219 × 167 mm.
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Luca Giordano. Naples 1634-1705. Oil on canvas. 74.5 × 60.5 cms.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682) "View of an Imaginary Port" France, Circa 1640 - 1645 Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Bernhard Heisig (Born 1925 in Breslau). Aufbahrung der Märzgefallenen V. 1953. Chalk Lithograph. 490 × 628 mm Sheet Size.
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Sebastiano Ricci 1659 - 1734. Adoration of the Shepherds. Oil on Canvas, 117 × 90 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Francesco Guardi 1712 - Venice - 1793. A View of the Piazzetta from the South-West Corner of the Doge's Palace. Oil on Panel: 25.8 × 46 cms
Attributed works:
[ Cover ] Woman in Landscape III, by Willem de Kooning. 1968. 141 by 121.9 cm. (Annabel Waller Collection).
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Emile Gallé, Marquetry Vase, "Rose de France". Nancy Approx, 1903, Signed, Sale on 3rd May
Attributed works:
[ Gallerie d' Arte Armondi S.R.L., C.so Palestro 37B, Brescia ] The Martyrdom of St. Sebastian by Giovanni Battista Crespi, "Il Cerano". Oil on Canvas. 200 × 150 cm
Attributed works:
[ Gallerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Bartholomaeus Breenbergh 1598/1600 Deventer-1657 Amsterdam Panel, Circular. Diameter 32,5 cms
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Vase with design "exhibition phenomenon pink with silver, candia with silver, brown", prod. nr. 387 Lötz Witwe. Klostermühle, Bohemia, 1900 Design: Franz Hofstätter White opal glass with colourless overlay. Differently coloured glass threads applied to the bowl and combed in different strength. Mould blown. Treated by reducing and iridescing. Engraved signature "Lötz Witwe" in basal globe. Height 48 cm.
Attributed works:
[ Hill-Stone, New York ] Giovanni Battista Piranesi 1720 - 1778 The Skeletons Etching, Plate 1 of 4 from the Grotteschi. Hind 24. Robison 21, the Second State of Five (Second Edition, First Through Fifth Issues; 1750 to Early 1770s). Watermark: Fleur-de-lys in a Single Circle, Robison Watermark 5 (Circa 1748-1760) thus First Issue, 1750-1759. A Brilliant Impression with Full Margins.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667) Landscape with Trees Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Bartholomeus Breenbergh, Coastal Landscape with St. Paul after the Conversion, 1633, Oil on Canvas, $24frac{3}{8}$ by $54frac{3}{8}$ Inches (62 by 138 cm.) Signed, Bottom left: BBreenborch. Fecit./A°.1633.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Jean-Baptiste Greuze (1725-1805) Pen and Brown Ink, Brush and Brown Wash over Black Chalk. The Inheritance - Signed Lower Right 22,8 cm × 37,7 cm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Jean-Auguste-Dominique Ingres (Montauban 1780 - Paris 1867) Three Studies of Nymphs from the Fountain of the Innocents, after Jean Goujon, Black Chalk, One Signed with Initial, One 443 × 108 mm, Two 445 × 109 mm
Attributed works:
[ Villa Grisebach , Fasanenstrasse 25 D, Berlin ] Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated. Estimate: DM 700,000 - 900,000
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - T'ang Dynasty (618 - 906 A. D.) Fat Lady Terracotta with Tempera Overpainting Height 60cm