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Advertisements April 1998 (front)
04/1998 | 1141 | 140
Pages: i-xxviii
Subjects
artists:
subjects:
Illustrations
Attributed works:
Antoni Gaudi, Templo Explatorio de la Sagrada Familla, Barcelona, under Construction Since 1881.
Attributed works:
Detail from the Miraculous Draught of Fishes, by Raphael. Bodycolour on Paper, 320 by 390 cm. (Whole) (Royal Collection, on Loan to the Victoria and Albert Museum, London)
Attributed works:
[Aldega-Gordon, New York, New York] Gian Lorenzo Bernini 1598-1680. 214 × 199 mm.
Attributed works:
[Alex Wengrad Limited, The Old Knoll, Eliot Hill, London, UK] Terracotta Bozzetto for the Marble Group on the High Altar of la Nunziatella, Naples. By Giuseppe Sanmartino 1720-1793. Height: 12½ in: 32 cm
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Hans Rottenhammer Munich 1564 - Augsburg 1625. Adoration of the Shepherds, c.1604. Oil on Copper, $14frac{3}{4}$ × $10frac{7}{8}$ Inches; 37.5 × 27.5 cm. Signed with Monogram Lower Middle: 'HR'
Attributed works:
[Arnoldi-Livie, Munich. Exh. International Fine Art Fair, New York] Martin Drolling: Boy Reading. Red Chalk, 24.8 by 20 cm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Hendrick Goltzius: The Farnese Hercules. Ca. 1592. Engraving. 405 × 294 mm. The Set of Three Engravings after Antique Roman Statues. Bartsch 143 - 145. Hirschmann 145 - 147 II (Of II).
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Rudolf von Alt (1812-1905), Interior of the Basilica di San Marco in Venice. Signed and Dated: R. Alt 874. Watercolour. 41 × 31 cm
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Emilian School, Circa 1520. Drawing of an Ignudo from Michelangelo's Sistine Ceiling. Red Chalk, Brown Wash, White Bodycolour on Red Washed Paper, 230 × 160 cm. An Attribution to Pellegrino da Modena (Active 1483-1523) Is Suggested.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. International Fine Art Fair, New York] Cesare Dandini 1596 - Florence - 1637. The Archangel Gabriel. Oil on Canvas: 74.5 × 59.5 cm
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. International Fine Art Fair, New York] Niccolo Martinelli, Called il Trometta Pesaro c. 1540 - Rome 1661. The Virgin and Child with Angels. Pen. Brown Ink and Wash: 363 × 404 mm
Attributed works:
[Compagnia Di Belle Art, Via Olmetto 17, Milano, Italy] Luca Giordano Naples, 1634-1705. Venus, Mars and the Forge of Vulcan. Oil on Canvas, 106 × 102 cm.
Attributed works:
[Concorde Art Associates] Moise Kisling. Oil on Canvas. Signed, 1938. 24 × 18 Inches (61 × 46 cm.)
Attributed works:
[Courtauld Gallery, London] Vincent Van Gogh, Self Portrait with Bandaged Ear, 1889. (The Courtauld Gallery, London)
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Venus and Cupid. By Georg Petel, Ivory. Ashmolean Museum.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK. Exh. International Fine Art Fair, New York] Egon Schiele: Standing Female Nude in Fur Coat. 1914. Black Crayon, 44.2 by 28.6 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Alvise Vivarini (1445-1503). Salvator Mundi. Oil on Panel, 52.7 × 37.2 cm
Attributed works:
[Galerie Patrick Derom, Brussels. Exh. International Fine Art Fair, New York] Adolphe Fassin: Bust of Young Woman Wearing a 'Pane'. Signed 'Fassin Rome 1865'. Carrara Marble, 67 by 50 by 25 cm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger-Hof, 85452 Moosinning (Munich), Germany. Exh. International Fine Art Fair, New York] Edgar Degas: Etude de danseuse. Pencil, 32.3 by 22.5 cm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger-Hof, 85452 Moosinning (Munich), Germany] Adolph von Menzel 1815 Breslau - 1905 Berlin. Two Hands One Holding a Book. Pencil with Stump. 128 × 205 mm.
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK] Francesco Solimena (Canale di Serino 1657-1747 Barra), Death of St. Francis. Oil on Canvas, 19 × 27½ Inches (48 × 70 cm)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] After Pieter Brueghel, the Elder. c.1525 - 1569. The Battle of the Money Bags and the Strong Boxes. Engraving, by Pieter van der Heyden after a Design by Brueghel.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. International Fine Art Fair, New York] Jan van Bijlert: Portrait of Johan van Ravenswaey. 1631. Oil on Canvas, 76.8 by 62.9 cm.
Attributed works:
[Neffe-Degandt Fine Art, 32A St. George Street, London, UK. Exh. International Fine Art Fair, New York] Camille Pissarro (1830-1903). Etude pour "Femme cassant du bois", c.1890, Oil on Canvas. 33 × 33 cm. Signed with Initials Lower Left
Attributed works:
[Neffe-Degandt, London. Exh. International Fine Art Fair, New York] Pierre Bonnard: Nude in the Bath. 1940. Gouache, 22 by 27 cm.
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Hendrik Goltzius (1558-1617) The Triumph of Galathea, after Raphael.
Attributed works:
[Phillips International, 406 East 79th Street, New York, New York] Marc Chagall, "Profil bleu, jaune et blanc", 1977. Signed, Oil on Canvas, 73.3 × 60.5cm. Estimate: $700,000-900,000 (Approx. £420,000-540,000)
Attributed works:
[Plowman Craven & Associates, 141 Lower Luton Road, Harpenden, UK] Detail of Christ's Charge to Peter with Sheet Grid Superimposed. Generated by Non-Invasive Photogrammetry, the Grid Shows the Precise Position and Overlap (Including Relief Measurements) of Every Sheet of Paper Used to Make up the Cartoon.
Attributed works:
[Richard Green, 39 Dover Street, London, UK. Exh. International Fine Art Fair, New York] Eugène Boudin: Trouville, scène de plage. 1881. 15 by 25 cm.
Attributed works:
[Spink-Leger, 13 Old Bond Street, London, UK] J-B. Greuze. Le Notaire
Attributed works:
[Spink-Leger, London. Exh. International Fine Art Fair, New York] Francis Barlow: Wooded Landscape with Pheasants and Deer. 1684. Pencil, Pen and Brown Ink, 13.7 by 18.4 cm.
Attributed works:
[The Mass Gallery, 15A Clifford Street, London, UK] William Mulready, RA (1786-1863). Study of a Nude. Pencil and Red Chalks; Inscribed Royal Academy, London Aug 1854; $18frac{5}{8}$ × $12frac{3}{4}$ in.
Attributed works:
[Thomas Colville Fine Art, 58 Trumbull Street, New Haven, CT, USA] Les Musiciens. Oil on Canvas. 16 × 13 Inches. Signed and Dated "1855" Lower Right
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Two Persian Grooms Holding the Sultan's Horse, by Jacopo Ligozzi (1547-1632), Brush and Brown Ink with Watercolour and Bodycolour Heightened with Gold and Gum Arabic, 278 × 222 mm.
Attributed works:
[Vallois, Paris. Exh. International Fine Art Fair, New York] Chana Orloff: Ruth and Naomi. 1928. Bronze, 60 by 40 by 25 cm.
Attributed works:
[Waddington Galleries, 11, 12 & 34 Cork Street, London, UK] Matthew Smith (1879-1959), Landscape c.1935, Oil on Canvas, 13½ × 17½ ins / 34.3 × 44.5 cms
Non-western art unattributed:
[British Museum, Great Russell Street, London, UK] A'a, God of Rurutu, Austral Islands, Polynesia, 18th Century.
Western art unattributed:
Ephesos, Marble Replacement Head, 5th Century AD (Selçuk, Ephesos Archaelogical Museum)
Western art unattributed:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Circle of the Master of the "Virgo Inter Virgines" (Flemish Master around 1480). The Madonna and Child. Oil on Panel, 43,5 × 29,5 cm
Western art unattributed:
[Seago, 22 Pimplico Road, London, UK] A Rare Late Eighteenth-Century Coade Stone Statue of the Farnese Flora, (Museo Nazionale, Naples) after a Marble and Terra-Cotta by John Michael Rysbrack (1694-1780). English, circa 1780 Height: 3ft 5in.
Advertisements
Advertisements March 1998 (front)
03/1998 | 1140 | 140
Pages: i-xxviii
Subjects
advertisements:
artists:
artists:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
Still Life: Vase with Twelve Sunflowers, by Vincent van Gogh. January 1889. 92 by 72.5 cm. (Philadelphia Museum of Art)
Attributed works:
[Achim Moeller fine Art. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Edgar Degas: Three Nude Dancers 'en arabesque', c.1905-12. Signed. Pastel, 44.5 × 84.5 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptiste Marie Pierre: Triton and naiad [? Nereid]. Black and White Chalks on Blue Paper. 24.2 by 40.7 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Attributed to Pietro Liberi, Female Prisoner in the Presence of the Roman Emperor. Pen and Ink with Wash in Brown. 23.2 by 29.8 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Otto Mueller, Standing and Sitting Girl on the Shore. Lithograph 1921/22. Karsch 143, a (of b). Signed. Printed on Japanese Laid Paper. 38.8 by 28.7 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Rembrandt, Landscape with a Cow Drinking. Etching, c. 1650. Bartsch 237. Nowell-Usticke 237, III (of VI). 10.5 by 13 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Niccolo Frangipane (1555-1600) A Lute Player Oil on Canvas, 72 × 54.5 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich.] Anthony Van Dyck: Portrait of Sir Arthur Hopton. Canvas, 59 by 47.5 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Sir Anthony Van Dyck Antwerp 1599 - London 1641 Portrait of Sir Anthony Hopton Oil on Oval Canvas: 59 × 47.5 cm
Attributed works:
[David Koetser Gallery, Zurich. Exh. TEFAF Maastrich.] Jan Brueghel the Younger: Horsemen and Waggons on a Country Road. Copper 7 by 9.3 cm.
Attributed works:
[De Jonkheere, Paris. Exh. TEFAF Maastrich.] Herri Met de Bles (1501-After 1555): Landscape with the Flight into Egypt. Signed. Panel, 44 by 74.3 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Egon Schiele Male Nude (Self Portrait) I, 1912 Brush and Ink Lithograph in One Colour on Yellow Velin, 44.8 × 40 cm. Signed and Dated Lower Right.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giovanni Domenico Tiepolo: Centaur on Its Back Teasing a Faun, c.1775. Pen and Brown Ink with Grey Wash over Black Chalk. 19.6 × 27.5 cm. Signed in Brown Ink at Bottom Left.
Attributed works:
[Galerie Antoine Laurentin. Exh. Salon Du Dessin, Salons Hoche, Paris, France] François-Marie Granet: Nun Holding a Book (Allegory of Time) with a View of the Pavillon de Flore. Signed and Dated 1844. 22.5 × 15 cm.
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK. Exh. TEFAF Maastrich.] Peter Paul Rubens: Portrait of Isabella of Bourbon. Oak panel, 63.6 by 49.1 cm
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK. Exh. TEFAF Maastright] Carlo Saraceni (1579-Venice-1620) Madonna and Child with Saint Ann and an Angel Oil on Copper, 11½ × 14¼ Inches (29.1 × 36 cm)
Attributed works:
[Hamptons International, Baverstock House, 93 High Street, Godalming, UK] Provencal Farm by Henry Herbert La Thangue. Signed. Oil on Canvas, 34 × 29½ in. (86.4 × 74.9 cm). Estimate: £25,000 - £40,000
Attributed works:
[Hamptons International, Baverstock House, 93 High Street, Godalming, UK] Under the Western Sun by Henry Scott Tuke, R. A. RWS. Signed and Dated 1918. Oil on Canvas, 59½ × 44 in. (151.2 × 112.4 cm). Estimate: £40,000 - £60,000
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. TEFAF Maastrich.] Aelbert Cuyp: A Guard House along a River with Dordrecht in the Distance. Signed. Panel, 36.8 by 52.8 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. TEFAF Maastrich.] Herman van der Mijn: Death of Sophonisba. Signed and Dated 1726. Panel, 84 by 67 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Joachim Beuckelaer circa 1530/33 - Antwerp - 1573/74 Christ Carrying the Cross Signed with Monogram & Dated 'JB 1562' Oil on Canvas, 38 by 31 Inches (96.5 by 78.7 cm.)
Attributed works:
[Johnny van Haeften, London. Exh. TEFAF Maastrich.] Dirck van Delen: A Church Interior with Elegant Figures. Signed and Dated 1629. Copper, 24.5 by 34 cm.
Attributed works:
[Kate de Rothschild, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Pietro Testa: The Worship of the Cross. Pen and Brown Ink over Black Chalk. 37.4 × 24.3 cm.
Attributed works:
[Kate de Rothschild, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Study of Santa Rosalia of Palermo by Ciro Ferri (1634-1689). Black Chalk, 204 × 185 cm.
Attributed works:
[Noortman, London and Maastricht. Exh. TEFAF Maastrich.] Pieter de Hooch: A Gentleman Reading a Letter to a Lady in an Interior. Signed. Canvas, 79 by 70 cm.
Attributed works:
[Otto Naumann, New York, New York. Exh. TEFAF Maastrich.] Cornelis de Man: A Gold Weigher, a Woman Seated at a Table and a Boy Preparing a Fire in an Interior. Canvas, 81.6 by 67.6 cm.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jean Auguste Dominique Ingres (Montauban 1780 - Paris 1867). Pyrrhus and Glaucias. Pen and Ink with Grey Wash Touched with Black Chalk and Pen and Brown Ink. Signed in Brown Ink at Lower Right. 240 × 365 mm
Attributed works:
[Paul Proute, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Guercino: St Anthony Tempted by Two Demons. Pen and Brown Ink with Brown Wash. 21.1 × 26.9 cm.
Attributed works:
[Piero Corsini, New York. Exh. TEFAF Maastrich.] Giovannni Battista Salvi, il Sassoferrato: St Cecilia. Canvas, 97 by 74 cm.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Adriaen Cornelisz van Salm (1657-1720) Dutch School A Fleet of 'Bootschepen' Escorted by Dutch Men of War, One Being the Frigate 'T Wapen van Schiedam' Oil on Panel (Grisaille). 29 × 42½ Inches (74 × 108 cms). Indistinctly Signed
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Domenico Brandi - (1683-1736) Italian School Six Guinea Pigs Feeding with a Chicken and a Cockerel in the Background Oil on Canvas. 19 × $31frac{1}{8}$ Inches (48.3 × 79 cms) Signed, Inscribed and Dated 1732
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jan Siberechts (1627-1703) Flemish School An Extensive English Country Landscape Oil on Canvas. 26 × 28 7/8 Inches (66.6 × 73.2 cms) Signed and Dated 1684
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Simon Kick - (1603-1652) Dutch School A Portrait of a Young Man Wearing a Wide Brimmed Felt hat Oil on Copper. 8 × 6½ Inches (20.5 × 16.5 cms)
Attributed works:
[Richard Green, 39 Dover Street, London, UK. Exh. TEFAF Maastrich.] Jan Miense Molenaer: A Tavern Interior (the 'fat kitchen'). Signed and Dated 1637. Canvas, 81.4 by 102.5 cm.
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New york, New York] Anne-Louis Girodet-Trioson The Sermon of the Seven Chiefs before Thebes, Circa 1820 Black and White Chalk, 41 by 61 cm.
Attributed works:
[Simon C. Dickinson Ltd., 58 Jermyn Street, London, UK] Ferdinand Bol (1616-1680) An Allegory of Education Oil on Canvas; 72 × 54 Inches, 183.5 × 140 cm
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Visionary Heads by Blake, including Shakespeare's wife, Xanthippe, Pisistratus, Tom Nixon the idiot, Bothwell, Mary Queen of Scots, Ossian, Robert Bruce, Owen Glendower, Colonel Blood, Vortigern and many others. Eighty nine leaves with forty drawings by William Blake, seventeen by Varley. Estimate: £200,000-300,000
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Lorenzo de Ferrari (Genua 1680-1744), A Flying Angel. Black Chalk on Blue Paper, Squared. 528 by 393 mm.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: Study of a Young Man. (Verso: Fragementary Study of a ?St Peter and a Turbaned Man) Pen and Brown Ink with Grey Wash, 11.3 × 6.5 cm.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Joseph Werner (1639 - 1710) Gouache on Parchment. 11.8 × 9.5 cm. The Bath of Diana Signed and Dated 1668
Attributed works:
[Thomas Williams Fine Art Ltd. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Philips Koninck: The Anointing of a Queen. Signed and Dated 1664. Pen and Brown Ink with Wash. 36 × 20 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Ercole Lelli Bologna 1702 - 1766 Bologna. Head of a Man Red Chalk Heightened with White Inscribed in Gabburri's Hand: Originale / Di Ercole Lelli Pictor Bolognese / no. 1. (Verso) 376 × 270 mm; $14frac{3}{4}$ × 10½ in.
Non-western art unattributed:
[Vanderven & Vanderven, 's-Hertogenbosch. Exh. TEFAF Maastrich.] Head of a Bodhisattva. Chinese, Song Dynasty Stone, ht 38.5 cm.
Western art unattributed:
Console Table by Sébastien Youf. Paris, Signed and Dated 1830. Mahogany and Ormolu, 97 by 151 by 54 cm.
Western art unattributed:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Napoleonica: The Library of Dr. Alfred Schaefer, Zürich Bibliophilia: Masterbindings by the Studio Stemmle, Zürich-Ascona and from the Wollisch Collection, Vienna Rare Books on Hunting, Fishing, Riding, Firearms and Natural History
Western art unattributed:
[Dr Jorn Gunther Antiquariat, Hamburg. Exh. TEFAF Maastrich.] The Seven Days of Creation, from a Biblia Latina. Paris, c.1240 Attributed to the Vie de Saint Denis Workshop
Western art unattributed:
[Heribert Tenschert, Switzerland. Exh. TEFAF Maastrich.] The Last Supper, an Extraordinary Miniature from a Franciscan Manuscript of the 'Meditationes Vitae Christi', Made in the Immediate Circle of Giotto di Bondone in Padua, Shortly after 1305. We Offer the Complete Manuscript Containing 27 Miniatures (3 Full Page), an Art Historical 'Find' par Excellence.
Western art unattributed:
[Heribert Tenschert, Switzerland. Exh. TEFAF Maastrich.] Two Double Page Illustrations Consisting of Full-Page Miniatures and Corresponding Text, Both with Borders of Solid Gold with Drolleries, Fruits and Flowers. The Most Important Manuscript Made for the Bridgettine Abbey of Marienwater (Near 'S-Hertogenbosch), c. 1480. The Manuscript, Which Is in the Finest Possible State of Preservation, Has 15 Large and Small Miniatures and Retains Its Original Binding.
Western art unattributed:
[Le Louvre des Antiquaires, 2, Place du Palais Royal, 75001, Paris, France] The Divine Metamorphoses of Alexander by François Antonovich
Western art unattributed:
[Les Enluminures, Paris. Exh. TEFAF Maastrich.] Flight into Egypt (fol. 61), from a Book of Hours. Amiens, c.1480-90
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century Florentine Pietra Dura Table Cabinet, 106cm Wide. With Similarities to a Cabinet in the Metropolitan Museum, New York, Which Also Depicts Orpheus Surrounded by Animals. A George III Marquetry Commode, 144cm Wide. With Similarities to Commodes Illustrated and Discussed in "Catalogue of Commodes: The Lady Lever Art Gallery" by Lucy Wood.
Advertisements
Advertisements April 1997 (front)
04/1997 | 1129 | 139
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (Venice 1696 - 1770 Madrid). Studies of the Head of a Man, Seen from below and in Profile to the Right. Red and White Chalk. 28.5 × 21 cm
Attributed works:
[ Cailleux, 136 Faubourg Saint-Honoré, Paris ] Jacques Rousseau (Paris, 1630 - London, 1693) Landscape with a River. Red Chalk. H.138mm; W.189mm. Signed on the Margin: Rousseau del.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire ] Head of a Dog. By Joseph Charles Marin (1759-1834). Terracotta, Signed Marin on the Collar. Height: 18 cm. Width: 15 cm. Depth: 20 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Giovanni Battista Tiepolo Venice 1696 - 1770 Madrid. Christ on the Cross. Black Chalk, with Touches of White Chalk, on Blue Paper. 467 × 322 mm. ($18frac{3}{8}$ × $12frac{3}{4}$ in.). One of Only Three Early Drawings by Tiepolo Which are Preparatory Studies for Prints.
Attributed works:
[ Cover ] Fête champêtre, by Jean-Antoine Watteau. c.1718-21. Panel, 48.4 by 64.5 cm. (Art Institute of Chicago)
Attributed works:
[ Emmanuel Moatti, 134 Rue du Faubourg Saint Honoré, Paris ] Pierre-Paul Prud'hon Cluny, 1758 - Paris, 1823. Study for 'The Dream of Happiness', Black Pencil, with White Highlights on Blue Paper 29.5 cm × 45.5 cm. Circa 1819
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Théodore Géricault (1791-1824) Scène Antique 1816. India Ink and Pencil Heightened with Gouache on Paper, 20 × 25.5 cm
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger - Hof, Moosinning (Munich) ] Johann Wolfgang Baumgartner (Kufstein 1709 - 1761 Augsburg). Saint Ignatius from Loyola Preaching. Pen and Black and Grey Ink, Point of Brush in Grey, Grey Wash, Heightened with White, on Blue Paper. 11¼ × $13frac{3}{4}$ Inches (284 × 348 mm)
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St. James, London ] Annibale Carracci (1560-1609) A Semi-Nude Boy Red Chalk Heightened with White on Buff Paper 277 × 192 mm. The Visitors of the Ashmolean Museum
Attributed works:
[ Hill Stone, Park Avenue, New York ] Jan Saenredam. 1565 - 1607. Allegory of the Triumph of the Netherlands over Spain. Engraving, 1600. Hollstein 120, the Rare First of Five States. Trimmed 3 to 4 mm at Right Otherwise in Fine Condition.
Attributed works:
[ Katrin Bellinger, Rauchstrasse 2, Munich ] Giovanni Francesco Barbieri, Called il Guercino (Cento 1591 - 1666 Bologna). The Triumph of Galatea. Pen and Brown Ink, Brown Wash, Squared in Black Chalk; 205 × 261 mm.
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Patrick Derom Gallery, 1 Rue aux Laines, Brussels ] Xavier Mellery (1845-1921) La Renaissance italienne. Ink and Watercolour on Gold, 77 × 47 cm, Signed Lower Right,
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Lorenzo de Ferrari (Genoa 1680 - 1744). Angel Standing Holding a Decorative Object in the Shape of a Tassel. Black Chalk with White Highlights on Slightly Prepared Paper, 555 × 405 mm.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Annibale Carracci (1560-1609). Hercules Resting, 1595. Black Chalk Heightened with White, 34.4 × 52 cm. First Thought for the Fresco in the Camerino at Palazzo Farnese
Attributed works:
[ The International Fine Art Fair, New York ] Antonio Manno The Prophet Daniel. Pen and Ink with Grey Wash and White Heightening. Squared for Transfer 33.5 by 44.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Cristofano Roncalli. Called Pomarancio A study of Two Heads Black and Red Chalk on Blue Paper 22 by 34.6 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Dante Gabriel Rossetti Study of Mrs Morris for Pandora. Pen over Traces of Pencil 17.8 by 11.4 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Francesco Fanelli Diana Bronze 40.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Frans Hals Portrait of a Woman Aged 36, 1637. 93 by 67 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Frans Hals, Portrait of a Man Aged 37, 1637 93 by 67 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Giorgio de Chirico Portrait of Carlo Cirelli, Signed and Dated 1915 76 by 64 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Hendrick van Steenwijck the Younger, An Imaginary City Square Animated with Figures, Signed and Dated Lower Left 'Henn.V Steen/ 160[?8]'. Oil on Copper 25 × 36 cm.
Attributed works:
[ The International Fine Art Fair, New York ] John Constable Portrait of Ann or Jane Gubbins. Pencil 10.6 by 17 cm.
Attributed works:
[ The International Fine Art Fair, New York ] John Flaxman A Study of Two Women. Pen and Ink with Grey Wash.
Attributed works:
[ The International Fine Art Fair, New York ] John Singer Sargent Portrait of Sylvia Harrison. 147.2 by 83.8 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Pierre Bonnard, Still Life with Faïence Plate 38 by 46.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Pieter Brueghel the Younger (1564/5 - 1637/8). The Return from the Kermis. Signed. Panel: $22frac{7}{8}$ × 33¼ in / 58 × 84.5 cm
Attributed works:
[ The International Fine Art Fair, New York ] Renè Magritte L'Invention de la Vie, 1928 81 by 116 cm.
Attributed works:
[ The International Fine Art Fair, New York ] William Hogarth Portrait of Mrs Elizabeth Hoadly, Signed and Dated 1741 76 by 63.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Pierre Bonnard Nu à sa toilette. Red Chalk 34.5 by 21.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Alfonso Parigi Stage Design for 'Le Nozze degli Dei', 1637. Pen and Brown Ink with Grey Wash 27.6 × 39.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Charles-Joseph Natoire Young Man Kneeling. Black Chalk with White Heightening 25.5 by 20.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Claude Gellée Shepherds in a Landscape. Black Chalk, Pen and Brown and Grey Wash Heightened with White 24.4 by 40.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Eugène Delacroix Jewish Woman of Tangier. Watercolour over Graphite 22 by 14.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Hans Bol: Landscape. Pen and Brown Ink with Wash 14.3 by 21.2 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Hubert Robert The Cupola of St Peter's, Rome. Red Chalk over Traces of Black Chalk 41.4 by 53.4 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Jacopo Zanguidi, Called Bertoia Jacob's Dream. Pen and Brown Ink with Wash Heightened with White on Blue Paper, Squared in Red Chalk 29.8 by 25.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Jean-Baptiste Greuze La marchande de marrons. Pen and Black Ink with Grey and Bistre Wash 42 by 31.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] John 'Warwick' Smith Distant View of St Peter's and the Vatican, 1799. Watercolour 30.8 by 40.7 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Millet, Peasants Loading Barley into a Cart. 1854-58 31.1 by 47 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Simon Vouet Armand-Jean du Plessis, Cardinal de Richelieu. Black and Red Chalk, Heightened with White. 27.4 × 21.1 cm.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Martinus Ro̵rbye 1803 Drammen (Norway) - Copenhagen 1848. View of Copenhagen Seen from the Stairs of the Slotskirken. Signed and Dated M. Ro̵rbye 1826, Pen and Watercolour, 210 × 260 mm.
Attributed works:
[ Whitefied Fine Art, 180 New Bond Street, London ] Detail from Allegory of Water by Paolo Fiammingo. Antwerp, Circa 1540-1596.
Western art unattributed:
[ H. W. Keil Ltd, Tudor House Broadway, Worcestershire ] A Rare 17th-Century Jacobean Oak Moulded Fronted Spice Cabinet Fitted with Small Drawers inside. Of fine Rich Colour. Height 2′8¼″ Width 2′6″ Depth 11½″
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Advertisements May 1995 (front)
05/1995 | 1106 | 137
Pages: i-xxviii
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street St. James, London ] Rembrandt Harmensz van Rijn 1606-1669. Portrait of Jan Lutma, Goldsmith. Etching and Drypoint, Size: 198 × 149 mm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640 - 1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A, Berlin - Grünewald ] Nicolò della Casa (Active in Rome, ca. 1543-47). Baccio Bandinelli in His Studio. Engraving. 1548. Le Blanc (Salamanca) 1.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Albrecht Dürer. The Cannon. Etching on Iron. 1518. 220 × 325 mm Sheet Size. Bartsch 99. Meder 96 with Rust Marks a (Of g).
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Fra Galgario, Portrait of a man with oriental costume.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] French Circular Silver Cup by Floch. Brittany Early 16th Century. Diameter 21,5 cm - Weight 223g
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Yuri Ivanchenko. A Still Life with a Self Portrait, Butterflies and Mechanical Objects. Signed and Dated 1993, 569 × 422 mm
Attributed works:
[ Cover ] Thomas Howard, Second Earl of Arundel, by Peter Paul Rubens. Pen and Brush in Brown Ink over Red and Black Chalk, Heightened with White, 28 by 19 cm. (Ashmolean Museum, Oxford).
Attributed works:
[ Didier Aaron, Inc., 32 East 67th Street, New York / Didier Aaron & Cie, 118 Faubourg St. Honoré, Paris / Didier Aaron, Ltd., 21 Ryder Street, London ] François Perrier French: 1594 - 1649. Hercules and Omphale. Oil on Canvas: 98 × 135 cm. Executed ca. 1645-47
Attributed works:
[ Fischer Galleries, Haldenstrasse 19, Lucerne ] Giandomenico Tiepolo (Venice 1727-1804). Ecce Homo. Pen and Brown Ink over Pencil Sketch; 461×363 mm (Drawing); Signed Domo Tiepolo f.
Attributed works:
[ Flavia Ormond Fine Arts Ltd., 24 Brechin Place, London ] Giovanni Battista Pittoni. Venice 1687 - 1767. San Francesco di Paola. Red and Black Chalk. 225 × 187mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Albrecht Dürer, Underweysung der Messung. Nuremberg 1525. Supplement: Underricht zu befestigung der Stett... Nuremberg 1527.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Ferdinand Hodler. Lake Geneva from Chexbres; Sunday Morning. Oil on Canvas. 1895-1899. 101: 130 cm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Ferdinand Georg Waldmüller. Canvas, 66,3 × 52,8 cms. Brünn 1793 - Vienna 1865. Signed and Dated 1833
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Francis Hayman (1708 Exeter - 1776 London). A Scene from 'The Tempest'. Oil on Canvas Mounted on Cardboard. 49.8 × 88.5 cm
Attributed works:
[ Jack Kilgore & Co, 154 East 71st Street, New York ] Pieter Lastman (1583-1633). The Crucifixion. Signed with Monogram "PL". Oil on Shaped Panel, 43 by 25 3/8 Inches (109 by 64.3 cm)
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667). Landscape with Trees. Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ M. Roy Fisher, 170 Mercer St., New York City ] Francesco Zuccarelli. Pitigliano (Tuscany) 1702-1788 Florence. Landscape with Milkmaid and a Troop of Animals. Oil on Canvas: 32 × 51½ Inches, 81 × 131 cm.
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Giulio Cesare Procaccini (Bologna 1574-Milan 1625). Mythological Scene. Red Chalk; 166 × 316 mm., 6½ × $12frac{3}{8}$ in.
Attributed works:
[ Paul Prouté, 74 rue de Seine, Paris ] Jean-Baptiste Oudry (Paris 1680 + Beauvais 1755). The Fish and the Cormorant, Illustration to the Fable 192 by Jean de la Fontaine. Brush Drawing in China Ink, with Ink Washes and White Gouache Heightening, on Blue Paper with a Cobalt Blue Border, 310 × 266mm, Signed and Dated at Lower Right.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Cristofano Roncalli, Called il Pomerancio, The Death of Ananias and Saphira, 1599-1603, Oil on Canvas, en grisaille 49 by 33½ Inches (124.5 by 85 cm.)
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866). Pen, Watercolour Heightened with Gouache. The Family Inn at Vaugirard, 1862 - Signed and Dated Lower Left 18,5 cm × 25,5 cm
Attributed works:
[ Thomas Gibson Fine Arts Ltd, 44 Old Bond Street, London ] Federico Barocci c. 1535-1612. The Circumcision of Christ, c. 1585-1590. Oil on Canvas 32 × 25 Inches/81 × 64 cm
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Pierre Puget. 1620 Marseille 1694. Ships at Anchor near a Broken Obelisk. Pen and Black Ink on Vellum. Signed in the Lower Left Corner: P. Puget a Tollon. 252 × 352 mm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton street, London ] A Gilt Bronze Group of Saint Martin Dividing his Cloak with the Beggar, by Jan-Baptist van Helderberghe, circa 1700, Signed with Initials, 32.8 cm. High.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated.
Attributed works:
[ W. M. Brady & Co., Inc., 3 East 76th Street, New York ] Jacques-François-Joseph Saly, Valenciennes 1717-1776 Paris. Portrait of a Man in Profile, Red Chalk, 13¼ × $12frac{5}{8}$ Inches (337 × 320 cm.)
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - Han Dynasty (200 - 210 A. D.). Horse Terracotta. Height 52cm
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours for Use by Rome. Paris, Kerver, 1 December 1502. 96 pp. With 18 Full-Page Engravings on Vellum.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Last Third of the 15th c. Illuminated Latin Manuscript on Vellum, 10 Full-Page Miniatures and Numerous Initials.
Western art unattributed:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Book of Hours. Northern France, Mid-15th c. Illuminated Latin Manuscript on Vellum, 12 Full-Page Miniatures and Numerous Initials.
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Advertisements April 1995 (front)
04/1995 | 1105 | 137
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St James, London ] Rembrandt Harmensz. Van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn. Size: 219 × 167 mm.
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Luca Giordano. Naples 1634-1705. Oil on canvas. 74.5 × 60.5 cms.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682) "View of an Imaginary Port" France, Circa 1640 - 1645 Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Bernhard Heisig (Born 1925 in Breslau). Aufbahrung der Märzgefallenen V. 1953. Chalk Lithograph. 490 × 628 mm Sheet Size.
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Sebastiano Ricci 1659 - 1734. Adoration of the Shepherds. Oil on Canvas, 117 × 90 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Francesco Guardi 1712 - Venice - 1793. A View of the Piazzetta from the South-West Corner of the Doge's Palace. Oil on Panel: 25.8 × 46 cms
Attributed works:
[ Cover ] Woman in Landscape III, by Willem de Kooning. 1968. 141 by 121.9 cm. (Annabel Waller Collection).
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Emile Gallé, Marquetry Vase, "Rose de France". Nancy Approx, 1903, Signed, Sale on 3rd May
Attributed works:
[ Gallerie d' Arte Armondi S.R.L., C.so Palestro 37B, Brescia ] The Martyrdom of St. Sebastian by Giovanni Battista Crespi, "Il Cerano". Oil on Canvas. 200 × 150 cm
Attributed works:
[ Gallerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Bartholomaeus Breenbergh 1598/1600 Deventer-1657 Amsterdam Panel, Circular. Diameter 32,5 cms
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Vase with design "exhibition phenomenon pink with silver, candia with silver, brown", prod. nr. 387 Lötz Witwe. Klostermühle, Bohemia, 1900 Design: Franz Hofstätter White opal glass with colourless overlay. Differently coloured glass threads applied to the bowl and combed in different strength. Mould blown. Treated by reducing and iridescing. Engraved signature "Lötz Witwe" in basal globe. Height 48 cm.
Attributed works:
[ Hill-Stone, New York ] Giovanni Battista Piranesi 1720 - 1778 The Skeletons Etching, Plate 1 of 4 from the Grotteschi. Hind 24. Robison 21, the Second State of Five (Second Edition, First Through Fifth Issues; 1750 to Early 1770s). Watermark: Fleur-de-lys in a Single Circle, Robison Watermark 5 (Circa 1748-1760) thus First Issue, 1750-1759. A Brilliant Impression with Full Margins.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667) Landscape with Trees Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Bartholomeus Breenbergh, Coastal Landscape with St. Paul after the Conversion, 1633, Oil on Canvas, $24frac{3}{8}$ by $54frac{3}{8}$ Inches (62 by 138 cm.) Signed, Bottom left: BBreenborch. Fecit./A°.1633.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Jean-Baptiste Greuze (1725-1805) Pen and Brown Ink, Brush and Brown Wash over Black Chalk. The Inheritance - Signed Lower Right 22,8 cm × 37,7 cm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Jean-Auguste-Dominique Ingres (Montauban 1780 - Paris 1867) Three Studies of Nymphs from the Fountain of the Innocents, after Jean Goujon, Black Chalk, One Signed with Initial, One 443 × 108 mm, Two 445 × 109 mm
Attributed works:
[ Villa Grisebach , Fasanenstrasse 25 D, Berlin ] Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated. Estimate: DM 700,000 - 900,000
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - T'ang Dynasty (618 - 906 A. D.) Fat Lady Terracotta with Tempera Overpainting Height 60cm