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7 articles
Article
Turner’s ‘Staffa, Fingal’s Cave’: exporting ‘indistinctness’
04/2025 | 1465 | 167
Pages: 330-341
related names
Author:
Warrell, Ian (Warrell, Ian)
Subjects
dates:
Illustrations
Attributed works:
1. James Lenox, by Francis Grant. 1848. Oil on canvas. (New York Public Library)
Attributed works:
10. Cotopaxi, by Frederic Edwin Church. 1862. Oil on canvas, 121.9 by 215.9 cm. (Detroit Museum of Arts; Bridgeman Images).
Attributed works:
11. Bally-burgh Ness, by J.M.W Turner. c.1835. Watercolour and gouache, with scratching-out, on cream wove paper, 8.3 by 13.5 cm. (© President and Fellows of Harvard College; Fogg Museum, Harvard Art Museums).
Attributed works:
2. Staffa, Fingals' Cave, by J.M.W. Turner. 1832. Oil on canvas, 90.8 x 121.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
3. Van Tromp's Shallop, at the Entrance of the Scheldt (previously mistitled Van Tromp Returning after the Battle off the Dogger Bank) by J.M.W. Turner. 1832 (previously misdated 1833). Oil on canvas, 90.5 x 120.8 cm. (Tate).
Attributed works:
4. Fingal's Cave, by J.M.W. Turner, c.1832. Pencil and watercolour, heightened with white, 29.2 x 21.6 cm. (Private collection).
Attributed works:
5. North wall of the Lenox Library Picture Gallery, Showing Turner's Staffa, Fingal's Cave in its original frame/ c.1882. Photograph. (New York Public Library Archives).
Attributed works:
6. Turner's Watteau Study by Fresnoy's rules (1831) in its original frame. Photograph. (Tate).
Attributed works:
7. The New York and London packet ship 'Victoria'. 1000 tons (entering New York Harbour), by Thomas Goldsworth Dutton. 1843. Hand-coloured lithograph, 26.2 by 40.1 cm. (National Maritime Museum, Greenwich).
Attributed works:
8. Lenox Library, from the west, designed by Richard Morris Hunt, by H.N. Tuimann & Co. 1909. Gelatin silver print. 35.5 x 27.8 cm. (Museum of the City of New York).
Attributed works:
9. Detail of the Lenox Library Picture Gallery Digital Recreation, showing the north and west walls. (From S. Webster and D. Schwittek, eds: ‘A digital recreation of the Lenox Library Picture Gallery: a contribution to the early history of public art museums in the United States’, Nineteenth-Century Art Worldwide 17, no.2 (2018)).
Editorial
La Serenissima
06/2024 | 1455 | 166
Pages: 543
Subjects
museums and institutions:
places:
Letter
Croatia across borders
11/2023 | 1448 | 165
Pages: 1172
related names
Author:
Webster, Harry (Webster, Harry)
Subjects
places:
subjects:
Exhibition Review
Grand Tour: Sogno d’Italia da Venezia a Pompei
03/2022 | 1428 | 164
Pages: 295-298
related names
Reviewer:
Hornsby, Clare (Hornsby, Clare)
Subjects
dates:
dates:
museums and institutions:
Reviewed Items
subjects:
Grand Tour: Sogno d’Italia da Venezia a Pompei Gallerie d’Italia - Piazza Scala, Milan 19th November 2021– 27th March 2022 | :
Illustrations
Attributed works:
15. The Tolstoy family in Venice, by Giulio Carlini. 1855. Oil on canvas, 88 by 110 cm. (State Hermitage Museum, St Petersburg; exh. Gallerie d’Italia - Piazza Scala, Milan).
Attributed works:
16. Peter Beckford, by Pompeo Batoni. 1766. Oil on canvas, 239 by 163 cm. (Statens Museum for Kunst, Copenhagen; exh. Gallerie d’Italia - Piazza Scala, Milan).
Attributed works:
17. Capriccio of Roman ruins with the Pantheon, by Giovanni Paolo Panini. 1734. Oil on canvas, 98 by 135 cm. (Private collection; exh. Gallerie d’Italia - Piazza Scala, Milan).
Exhibition Review
Museo del Prado 1819–2019: Un lugar de memoria
06/2021 | 1419 | 163
Pages: 546-549
related names
Reviewer:
Dotseth, Amanda (Dotseth, Amanda)
Subjects
art literature:
Reviewed Items
subjects:
Museo del Prado 1819–2019: Un lugar de memoria Edited by Javier Portús et al. 304 pp. incl. numerous col. ills. (Museo Nacional del Prado, Madrid, 2018), €18.95. ISBN 978–84–8480–516–8. | :
Illustrations
Attributed works:
13. María Isabel de Braganza, Queen of Spain, as founder of the Museo del Prado, by Bernardo López Piquer. 1829. Oil on canvas, 258 by 174 cm. (Museo Nacional del Prado, Madrid; Bridgeman Images).
Attributed works:
14. Museo del Prado 7, by Thomas Struth. 2005. Chromogenic print, 177.5 by 218.6 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
15. View of the Real Museo de Pintura de Madrid, by Léon-Auguste Asselineau after Fernando Brambilla. c.1833. Illuminated lithograph, 29.5 by 46.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
16. Sala de la Reina Isabel II, by Jean Laurent. c.1895. Gelatin silver print, 24.8 by 35.7 cm. (Museo Nacional del Prado, Madrid).
Article
Picturing Mount Yandang: the travel paintings and landscape aesthetics of Yu Jianhua
10/2020 | 1411 | 162
Pages: 840-849
related names
Author:
Chan, Pedith (Chan, Pedith)
Subjects
artists:
media:
patrons:
Illustrations
Attributed works:
1. View of the Lingyan Temple, by Yu Jianhua. 1931. Ink and colour on paper, 30.6 by 22.5 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
10. Illustration of the Spirit Peak, Yan shan zhi, 15th−16th century. Blockprint. (Repr. in Gazetteer of Mount Yan, 1601).
Attributed works:
11. A view of the Spirit Peak, by Jiang Shunan. Photograph. (Repr. in Scenic China series X: Yen T’ang Shan, Shanghai 1917).
Attributed works:
12. Spirit Peak, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
13. Jinzhu Brooks, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
14. View of Furong Village, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
15. Tandang Rock, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
2. Yangtianwo Studio, by Yu Jianhua, a section from the handscroll Yantianwo. 1931. Ink and colour on paper, 26 by 91.8 cm. Collection of Kyoto National Museum
Attributed works:
3. View of the Geese Lake and Baigang Summit, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 61.2 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
4. Magnificent view of the Spirit Peak, by Yu Jianhua. 1931. Ink on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
5. Duxiu Peak, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 15.3 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
6. Duxiu Peak. Blockprint. (Repr. in Extended Gazetteer of Mount Yan-dang [Guang Yandang shan zhi], 1790; Harvard Library, Cambridge, MA).
Attributed works:
7. Dragon Waterfall, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
8. Peaks in strange shapes, by Yu Jianhua. 1931, Ink on paper, 22.5 by 15.3 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
9. Peaks in strange shapes. China, late 18th century. Blockprint. (Repr. in Extended Gazetteer of Mount Yandang [Guang Yandang shan zhi], 1790; Harvard Library, Cambridge, MA).
Exhibition Review
Glasgow International. Various locations
07/2018 | 1384 | 160
Pages: 599-601
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
art literature:
dates:
Illustrations
Attributed works:
31. Installation view of Duggie Fields at The Modern Institute, Osborne Street, Glasgow (photograph Patrick Jameson).
Attributed works:
32. Performance photograph of Dark continent: SEMIRAMIS, by Tai Shani. Tramway, Glasgow (photograph Keith Hunter).
Attributed works:
33. Installation view of The regenerators, by Mick Peter at Dalmarnock Gas Purifier Shed, Glasgow (photograph Keith Hunter).