• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
2 articles
Exhibition Review
Between Rubens and Van Dyck: Gaspar de Crayer. Musée de Flandre, Cassel; Gaspar de Crayer and Ghent: An unbreakable bond. Museum voor Schone Kunsten, Ghent
11/2018 | 1388 | 160
Pages: 958-960
Subscribe to read
related names
Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
art literature:
Vlieghe, Hans, Van Rompaylaan 7, Belgium
artists:
Crayer, Gaspar de / Rubens, Peter Paul / Dyck, Anthony van / Coxie, Raphael / Clerck , Hendrik de / Loon, Theodoor van / Pontius, Paulus / Jordaens, Jacob / Faydherbe, Lucas / Velázquez, Diego / Maíno, Juan Bautista
collectors and dealers:
Seilern, Antoine / Lamberg-Sprinzenstein, Anton Franz de Paula Graf
dates:
2010-2019
media:
Paintings / Oil sketches / Drawings
museums and institutions:
Musée de Flandre, Cassel, France / Museum voor Schone Kunsten, Ghent, Belgium
patrons:
Ferdinand of Austria, Cardinal-Infante, 1609–1641 / Leopold Wilhelm, Archduke of Austria, 1614-1662 / Philip IV, King of Spain, 1605-1665
places:
France / Cassel / Belgium / Ghent
subjects:
Flemish painting / Courts (social groups) / Patronage / Attributions / Attributions, former / Style / Influence / Collecting / Christian iconography / Portraits / Self-portraits / Altarpieces / Busts / Copies / Mannerism
Illustrations
Attributed works:
10. The Martyrdom of St Catherine, by Gaspar de Crayer. c.1622. Canvas, 242 by 188 cm. (Musée des Beaux-Arts, Grenoble; photograph J.-L. Lacroix; exh. Musée de Flandre, Cassel).
Attributed works:
11. Adolescent Virgin decorated by angels in the presence of Joachim and St Anne, by Gaspar de Crayer. Canvas, 155 by 111 cm. (Royal Museums of Fine Arts of Belgium, Brussels; photograph J. Geleyns; exh. Musée de Flandre, Cassel).
Attributed works:
12. Philip IV of Spain in parade armour, by Gaspar de Crayer. c.1627– 30. Canvas, 182.9 by 118.1 cm. (Metropolitan Museum of Art, New York; exh. Musée de Flandre, Cassel).
Article
The Art of Conservation XV. The conservation history of the Ghent Altarpiece
09/2018 | 1386 | 160
Pages: 754-765
Subscribe to read
related names
Author:
Dubois, Hélène (Dubois, Hélène)
Subjects
art literature:
Friedländer, Max J. / Coremans, Paul B. / Schryver, Antoine de / Marijnissen, R.-H. / Heere, Lucas de / Mander, Karel van, I, 1548-1606 / Waagen, Gustav Friedrich, 1794-1868 / Bode, Wilhelm von / Puyvelde, Leo van / Hulin de Loo, Georges / Vanderveken, Jef / Gettens, R. J. / Stout, George L. / Asperen de Boer, J. R. J. van / Spronk, Ron
art literature:
Vaernewijck, Marcus van / Hauser, Aloïs, the younger / Grevenstein, Anne van
artists:
Eyck, Jan van / Eyck, Hubert van / Blondeel, Lancelot / Scorel, Jan van / Coxie, Michiel, I, 1499-1592 / Coxie, Raphael / Bruyn, Jan Baptist de / Heuvel, Anton van den / Schlesinger, Johann / Schinkel, Karl Friedrich / Lagye, Victor / Bouts, Dieric
collectors and dealers:
Nieuwenhuys, L.J. / Solly, Edward
dates:
1400-1499 / 1500-1599 / 1600-1699 / 1700-1799 / 1800-1899 / 1900-1999 / 2000-2009 / 2010-2019
media:
Paintings / Displays / Radiographs / Infrared photography
museums and institutions:
Royal Institute for Cultural Heritage (KIK-IRPA), Brussels, Belgium / Musée du Louvre, Paris, France / Altes Museum, Berlin, Germany / Musées royaux des Beaux-Arts de Belgique, Brussels, Belgium / Museum voor Schone Kunsten, Ghent, Belgium / International Council of Museums (ICOM)
museums and institutions:
Getty Foundation, Los Angeles, United States
patrons:
Vijd, Joos / Borluut, Elisabeth / Philip II, King of Spain, 1527-1598
places:
Netherlands / Belgium / Brussels / Ghent / France / Paris / Germany / Berlin
subjects:
Netherlandish painting / Conservation / Restoration (process) / Scientific analysis / Technical analysis / Provenance / Iconoclasm / Damage to works of art / Stolen works of art / Alterations / Altarpieces / Panel paintings / Polyptychs / Collecting / Patronage / Retables / Feasts / Religious ceremonies / Glazes / Varnish / Pigments / Colour / Commissions / Archives / Style / Council of Trent (1545-1563) / Calvinism / Revolution (France: 1789-1799) / Restitution / Repatriation / Polychromy / Copies / World War (1914-1918) / World War (1939-1945) / Nazism / Exhibitions / Curators / Art historians / Conservators / Restorers / Science
Illustrations
Attributed works:
1. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown open, 375 by 514 cm. Before restora- tion. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
2. Diagram showing the extent of mid-sixteenth century overpaint on the outside wings of the polyptych. (©KIK-IRPA, Brussels).
Attributed works:
3. Detail of Fig.4, showing Joos Vijd’s right eye after varnish removal. The pink scumbles around the eyes, which cover the original eyelashes, are typical of the mid-sixteenth-century overpainting campaign. (©KIKIRPA, Brussels).
Attributed works:
4. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown closed, 375 by 257 cm. Photographed after restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
5. Detail of Fig.4, showing Elisabeth Borluut’s drapery before the removal of varnish and overpaint. (Cathedral of St Bavo, Ghent).
Attributed works:
6. Fig.5 after the removal of overpaint and restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
7. The Virgin Annunciate and Angel musicians (recto and verso of the same panel), by Hubert and Jan van Eyck. Photographs taken in Berlin before the restoration of 1894. Original hinges are present on the left side of the frame of the Virgin’s panel. Metal reinforcements were added to the extremities of the crossbar. Later, wrought metal hinged braces were attached by large screws fitted through the frame and visible on the front of the Angels panel. (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg).
Attributed works:
8. The prophet Micah, detail of Fig.4, shown in the frame designed by Karl Friedrich Schinkel with a hatch covering the inscription beneath the prophet. Photograph, before 1878. (RKD, Netherlands Institute for Art History, M.J. Friedländer Archive, The Hague).
Attributed works:
9. The Ghent Altarpiece as installed in the Vijd chapel between 1865 and 1920. It comprises Eyckian central panels, Lagye’s fur-clothed Adam and Eve and Coxcie’s copies of the other shutters. Photograph, c.1910–13. (© Stadsarchief, Ghent).
Western art unattributed:
10. Jef Van der Veken in his studio in Brussels. Photograph, before 1929. (RKD, Netherlands Institute for Art History, Jef Van der Veken Archive, The Hague).
Western art unattributed:
11. Albert Philipott applies wax to the surface of Eve in order to consolidate the paint layers. Photograph, 1951. (© KIK-IRPA, Brussels).
Western art unattributed:
12. Albert Philipott removes the overpainted clouds around the dove in The Adoration of the Lamb. Photograph, 1951. (© KIK-IRPA, Brussels).