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12 articles
Exhibition Review
Feast and Fast: The Art of Food in Europe, 1500–1800. Fitzwilliam Museum, Cambridge
03/2020 | 1404 | 162
Pages: 246-248
related names
Reviewer:
Glanville, Philippa (Glanville, Philippa; G., P.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Feast and Fast: The Art of Food in Europe, 1500–1800 Fitzwilliam Museum, Cambridge 26th November 2019–26 April | :
Illustrations
Attributed works:
18. Interior, with an old woman peeling apples, by David Teniers the Younger. c.1640–60. Oil on panel, 35.6 by 46.4. cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
19. Recreation of an English Renaissance sugar banquet for a wedding c.1610, conceived and made by Ivan Day for the exhibition Feast and Fast: The Art of Food in Europe 1500–1800 at the Fitzwilliam Museum, Cambridge, 2019.
Book Review
Eve’s Apple to the Last Supper: Picturing Food in the Bible by C.M. Kauffmann
07/2019 | 1396 | 161
Pages: 605-606
related names
Reviewer:
Law-Turner, Frederica C.E. (Law-Turner, Frederica C.E.)
Subjects
Reviewed Items
subjects:
Eve’s Apple to the Last Supper: Picturing Food in the Bible by C.M. Kauffmann. 184 pp. incl. 157 col. + 2 b. & w. ills. (Boydell & Brewer, Rochester, 2017), | :
Article
The Art of Conservation XV. The conservation history of the Ghent Altarpiece
09/2018 | 1386 | 160
Pages: 754-765
related names
Author:
Dubois, Hélène (Dubois, Hélène)
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown open, 375 by 514 cm. Before restora- tion. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
2. Diagram showing the extent of mid-sixteenth century overpaint on the outside wings of the polyptych. (©KIK-IRPA, Brussels).
Attributed works:
3. Detail of Fig.4, showing Joos Vijd’s right eye after varnish removal. The pink scumbles around the eyes, which cover the original eyelashes, are typical of the mid-sixteenth-century overpainting campaign. (©KIKIRPA, Brussels).
Attributed works:
4. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown closed, 375 by 257 cm. Photographed after restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
5. Detail of Fig.4, showing Elisabeth Borluut’s drapery before the removal of varnish and overpaint. (Cathedral of St Bavo, Ghent).
Attributed works:
6. Fig.5 after the removal of overpaint and restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
7. The Virgin Annunciate and Angel musicians (recto and verso of the same panel), by Hubert and Jan van Eyck. Photographs taken in Berlin before the restoration of 1894. Original hinges are present on the left side of the frame of the Virgin’s panel. Metal reinforcements were added to the extremities of the crossbar. Later, wrought metal hinged braces were attached by large screws fitted through the frame and visible on the front of the Angels panel. (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg).
Attributed works:
8. The prophet Micah, detail of Fig.4, shown in the frame designed by Karl Friedrich Schinkel with a hatch covering the inscription beneath the prophet. Photograph, before 1878. (RKD, Netherlands Institute for Art History, M.J. Friedländer Archive, The Hague).
Attributed works:
9. The Ghent Altarpiece as installed in the Vijd chapel between 1865 and 1920. It comprises Eyckian central panels, Lagye’s fur-clothed Adam and Eve and Coxcie’s copies of the other shutters. Photograph, c.1910–13. (© Stadsarchief, Ghent).
Western art unattributed:
10. Jef Van der Veken in his studio in Brussels. Photograph, before 1929. (RKD, Netherlands Institute for Art History, Jef Van der Veken Archive, The Hague).
Western art unattributed:
11. Albert Philipott applies wax to the surface of Eve in order to consolidate the paint layers. Photograph, 1951. (© KIK-IRPA, Brussels).
Western art unattributed:
12. Albert Philipott removes the overpainted clouds around the dove in The Adoration of the Lamb. Photograph, 1951. (© KIK-IRPA, Brussels).
Article
Evidence for Florentine patronage in two liturgical manuscripts illuminated by Rinaldo da Siena
08/2018 | 1385 | 160
Pages: 630-639
related names
Author:
Battaglia, Laura Alidori (Battaglia, Laura Alidori)
Author:
Battaglia, Marco (Battaglia, Marco)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Initial A, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.2r).
Attributed works:
10. Initial D for the introit of the nativity of a virgin saint, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.175r).
Attributed works:
11. Initial E, by Rinaldo da Siena. From De Regimine Principum Parigi by Egidio Romano, after 1285. Tempera on parchment, 33.5 by 24 cm. (Bibliothèque nationale de France, Paris, MS Ital.233, fol.130r).
Attributed works:
12. Initial E for the Feast of St John the Evangelist, here attributed to Rinaldo da Siena. From a Camaldolese missal, late 1280s to early 1290s. Tempera on parchment, 37.5 by 24 cm. (Biblioteca Apostolica Vaticana, Arch.Cap.S.Pietro.B.67, fol.21v).
Attributed works:
13. Initial I, by Rinaldo da Siena. From Mulomedicina by Vegezio. c.1275. Tempera on parchment, 21.5 by 15.5 cm. (Biblioteca Medicea Laurenziana, Florence, MS Plut.45.19, fol.95r).
Attributed works:
14. Initial I for the introit of the nativity of a non-papal martyr, by Rinaldo da Siena. From a Franciscan gradual, c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.118v).
Attributed works:
15. Initial I for the introit of the Feast of St John the Evangelist, here attributed to Rinaldo da Siena, From a Camaldolese missal, late 1280s to early 1290s. Tempera on parchment, 37.5 by 24.0 cm. (Biblioteca Apostolica Vaticana, MS Arch.Cap.S.Pietro.B.67, fol.18v).
Attributed works:
16. Crucifix, by Rinaldo da Siena. c.1275–1300. Tempera on panel, 313 by 248 cm. (Museo Civico, San Gimignano).
Attributed works:
2. Vegezio with two assistants and a horse, by Rinaldo da Siena. From Mulomedicina by Vegezio. c.1275. Tempera on parchment, 21.5 by 15.5 cm. (Biblioteca Medicea Laurenziana, Florence, MS Plut.45.19, fol.2r).
Attributed works:
3. Egidio Romano presents his work to Philip IV of France, by Rinaldo da Siena. From De Regimine Principum Parigi by Egidio Romano, after 1285. Tempera on parchment, 33.5 by 24 cm. (Bibliothèque nationale de France, Paris, MS.Ital.233, fol.19r)
Attributed works:
4. Top left Initial G with the Stigmatisation of St Francis, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 52.9 by 37.2 cm. (J. Paul Getty Museum, Los Angeles, MS 71v).
Attributed works:
5. Top right Initial D at the introit to the Feast of St John the Baptist, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.79r).
Attributed works:
6. Bottom left Initial C at the introit to the Feast of St Lawrence, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.89r).
Attributed works:
7. Bottom right Initial G at the introit to the feast of the Assumption of the Virgin, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.91r).
Attributed works:
8. Incipit page, by Rinaldo da Siena. From a Camaldolese missal, late 1280s to early 1290s. Tempera on parchment, 37.5 by 24 cm. (Biblioteca Apostolica Vaticana, MS Arch.Cap.S.Pietro.B.67, fol.10r).
Attributed works:
9. Initial C at the introit to the feast of Sts Philip and James, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.72r).
Exhibition Review
Fêtes galantes
06/2014 | 1335 | 156
Pages: 480-410
related names
Reviewer:
Pullins, David (Pullins, David)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
79. An embarrassing proposal, by Antoine Watteau (State Hermitage Museum, St Petersburg; exh. Musée Jacquemart-André, Paris)
Attributed works:
80. Pleasures of the bath, by Nicolas Lancret (Musée du Louvre, Paris; exh. Musée Jacquemart-André, Paris)
Attributed works:
81. A game of hot cockles, by Jean-Honoré Fragonard (National Gallery of Art, Washington; exh. Musée Jacquemart-André, Paris)
Book Review
Les Grandes Fetes et leurs Decors a l'Epoque de Louis XVI
04/1974 | 853 | 116
Pages: 220-221
related names
Reviewer:
Watson, F. J. B. (Watson, F. J. B.; Watson, Francis John Bagott; W., F. J. B.; Watson, Mr.; Watson, F.J.B.; Watson, Francis)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Les Grandes Fetes et leurs Decors a l'Epoque de Louis XVI | author: Gruber, Alain-Charles
Book Review
Feste e Apparati civili e religiosi in Napoli dal Viceregno alla Capitale
06/1971 | 819 | 113
Pages: 341
related names
Reviewer:
Viale Ferrero, Mercedes (Viale Ferrero, Mercedes; Viale, Mercedes; Ferrero, M. Viale; Ferrero, Mercedes Viale)
Subjects
dates:
places:
subjects:
subjects:
Reviewed Items
subjects:
Feste e Apparati civili e religiosi in Napoli dal Viceregno alla Capitale | author: Mancini, Franco
Book Review
Le Feste Veneziane
10/1963 | 727 | 105
Pages: 459-460
related names
Reviewer:
Constable, W. G. (Constable, W. G.; C., W. G.; Zwollo, An)
Subjects
artists:
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Le Feste Veneziane | author: Mazzarotto, B. Tamassia
Book Review
Watteaus Fêtes Galantes und ihre Ursprunge
01/1931 | 334 | 58
Pages: 54
related names
Reviewer:
Cox, Trenchard (Cox, Trenchard; C., T.; Cox, T.)
Subjects
artists:
dates:
places:
subjects:
subjects:
Reviewed Items
subjects:
Watteaus Fetes Galantes und ihre Ursprunge | author: Einsentadt, Mussia
Article
Notes on the Museo Nazionale of Florence-VII. Two Florentine Cassoni - (2) The Feast of S. John in Florence at the Beginning of the 15th Century
06/1918 | 183 | 32
Pages: 218+220-221+224-226
related names
Author:
Nicola, Giacomo de (Nicola, Giacomo de)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Western art unattributed:
Plan of the scene of the Festa di San Giovanni.-1, Duomo. 2, San Giovanni. 3. Porphyry columns. 4, Via della Fondamenta. 5, Via degli Spadai. 6, Case Martelli. 7, Case Vivarini. 8, Case Lorini. 9, Workshops of the cofanai. 10, Loggia del Bigallo.
Western art unattributed:
Plate I. Florentine Cassoni. (2) The Festival of S. John. Left Half of the Cassone-Front, Illustrating the Procession of the Palii, with the Baptistery. Notes on the Museo Nazionale of Florence-VII
Western art unattributed:
Plate II. Florentine Cassoni. (2) The Festival of S. John. Right Half of the Cassone Front, Illustrating the Procession of the Palii, with the Doorway of the Duomo on the Extreme Right (The Bargello, Florence). Notes on the Museo Nazionale of Florence-VII
Western art unattributed:
Plate III. Florentine Cassoni. (2) The Festival of S. John (C) Cassone, with Front Illustrating the Procession of the Palii (The Bargello, Florence). (D) The Front of the Fellow Cassone, Illustrating the Race of the Palio; From a Drawing by Cav. Andrea da Varrazzano in the Collection of the Società Colombaria, Florence. Notes on the Museo Nazionale of Florence-VII
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