Attributed works:
v Baudouin (Eugène) Montpellier 1842 - Paris 1893. Lavandières sur les rives du LEZ S. B. G. et Daté 1874 - Toile 103 × 170.
Attributed works:
[Ad for Spencer Scott Travel, London, UK] From the Wernher Collection of Fabergé at Luton Hoo
Attributed works:
[Bernheimer Fine Arts Ltd., 32 St. George Street, London, UK] A Biedermeier Campaign Chair. Stamped: Ernst Seifert. Vienna. ca. 1820. Width: 58cms. Depth 45cms. Height 92cms.
Attributed works:
[Bruton Gallery, Somerset, UK] 'Centaure Mourant' Height: 113 in (288 cm)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Rembrandt Harmensz. van Rijn, Christ Preaching (La Petite Tombe). Etching. (ca.1652). Bartsch 67. 157 × 210mm Sheet Size. Provenance: J. Camesina de Pomal, 1812; J. L. H. Le Secq Des Tournelles.
Attributed works:
[Christie's, Park Place, 98000 Monte Carlo, Monaco] Rembrandt Bugatti, Petit Elephant au Repos, a cire perdue Bronze Figure, Signed R. Bugatti, 20 cm. long × 20 cm. High
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Gian Antonio Guardi 1698-Venice-1760. A Turkish Harem Scene. Oil on Canvas: 46 × 63 cms.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Léon Benouville, Portrait à la mine de plomb, Signé, Daté 1852 et dédicacé à mon ami Jules Girard. 310 × 230 mm.
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] Paul Gavarni (1804-1866). Standing Pierrot 12 3/8 x 8 3/8 Inches (31.1 × 20.8 cm.) Grey Ink with Reed Pen, Grey Wash, and Watercolour over Black Chalk with White Heightening on Wove Paper.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Paintings by both Tiepolo and Bison.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin, Germany] Lucas Cranach the Elder (1472 Kronach-1553 Weimar). Portrait of the Electress Sibyl of Saxony. Oil on Panel. 64 × 49 cm. Ca. 1535.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern, Switzerland] Paul Gauguin. Scène Martiniquaise- Eventail. Watercolour and Gouache. 1887. Wildenstein 223.
Attributed works:
[Galerie Pierre-Yves Gabus SA, CH-2022 Bevaix, Switzerland] Fragonard. Red Chalk. TTC Frs: 142.000. Vigée LeBrun. Self Portrait. TTC Frs: 224.500. Gallé Lamp. TTC Frs: 61.500
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 270 × 166 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 330 × 290 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting 330 × 290 cm
Attributed works:
[Galerie Sagittaire, 23 rue Auguste-Comte 69002, Lyon, France] Auguste de la Brely, painting170 × 170 cm
Attributed works:
[Gallery Lingard, 50 Pall Mall, London, UK] Tom Ellis Architect 1911-1988. A Design for a Traffic Control Tower 19308 3/4 x 10 1/2 Inches.
Attributed works:
[Guy Monegier du Sorbier, 18 rue de Beaune, Paris, France] Paul Guigou - 1866. Les Grands Saules - H. S. B. S. B. G. Daté 1866 - 0,43 × 0,18
Attributed works:
[Haslam & Whiteway Ltd., 105 Kensignton Church Street, London, UK] Woven Silk Design 'Sicily' by Owen Jones for Warners of Spitalfields.
Attributed works:
[Heim Gallery, 59 Jermyn Street, St James's, London, UK] Marco Ricci. (Belluno 1675-Venice 1730). Imaginary Landscape. Oil on Canvas 99 × 143cms
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Jean-Pierre Andreoli-Patochi and His Wife Marie-Elizabeth née Saint Didier. A Pair of Portraits by Jean Jacques Karpff dit Casimir 1770 - 1829. Black Chalk with White Heightening on Beige Paper. 26 1/4 x 17 3/4 ins. 67×45 cms. Each Signed, Dated An XII (1804) and Inscribed on the Reverse. With the Original Backboards and Empire Frames.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Jean-Pierre Andreoli-Patochi and His Wife Marie-Elizabeth née Saint Didier. A Pair of Portraits by Jean Jacques Karpff dit Casimir 1770 - 1829. Black Chalk with White Heightening on Beige Paper: 26 1/4 x 17 3/4 ins. 67×45 cms. Each Signed, Dated An XII (1804) and Inscribed on the Reverse. With the Original Backboards and Empire Frames.
Attributed works:
[Leighton House Art Gallery, 12 Holland Park Road, London, UK] Axel Torneman. "The Night Cafe", Paris 1906
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Lyonel Feininger (1871-1956) Abend am Meere, 1927. Oil on Canvas 17 3/4 x 30 1/4 in./45 × 77 cm.
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Guido Reni. (1575 Calvenzano - 1642 Bologna). The Martyrdom of St. Appolonia. Copper: 44 × 33 cm.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A Fine Regency Rosewood, Gilt Brass & Ormolu Mounted Cylinder Desk by John McLean, 93cms., 3ft. 1in. Wide. Estimate: £15,000-£20,000.
Attributed works:
[Richard Green, 39 Dover Street, London, UK] Stanislas Lepine (1835-1892). Le Quai Henri IV, Paris. Signed. Canvas: 37 1/8 x 48 in/94 × 122 cm
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Karel van Mander, Joshua and the Children of Israel Passing Over the Jordan, 1605. Oil on Panel, 42 3/4 x 72 3/4 Inches (106 by 184.5 cm). Signed and Dated, Lower Centre: "KVM [In Compendium] ANDER. 1605"
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Francisco Herrera the Younger, The Dream of Saint Joseph, Oil on Canvas, 195.5cm by 208.3 (77 by 82in). Estimate: $150,000-200,000 (£85,000-110,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A French Royal Inventory Bronze Group of Hercules Wrestling with Achelous in the form of a Bull, Florentine 17th Century, Attributed to Ferdinando Tacca, 58.5cm High, 57cm Wide (23 by 22½ in). Estimate: FF2,750,000-3,850,000 (£250,000-350,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Gustave Doré, Knights Courting a Young Lady, Pen, 30.5 by 28.7cm (12 by 11¼ in). One of 36 Pen Drawings, All Studies for Doré's Illustrations of Ariosto's Orlando Furioso, Printed in 1879. Total Estimate: FF600,000-800,000 (£55,000-75,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Marie Louise Elizabeth Vigée-Lebrun, Comtesse Potocka, Signed and Dated 1791, Oil on Canvas, 142.2 by 126.4cm 56 x 49 3/4 in. Property of the Kimbell Art Foundation, Fort Worth, Texas. Estimate: $400,000-600,000 (£250,000-350,000)
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Egon Schiele, Portrait of Arthur Roessler, 1910. Watercolour and Chalk on Paper. 44.5 × 29.7 cm. Monogr. and Dated: S 10. Prov.: Austrian Private Collection. Estimate: DM 400,000-500,000
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Franz Marc: Fabeltier II (Pferd), 1913, Tempera on Light Cardboard, 26.5 × 30.5 cm. Monogr. Lower Right. Lankheit 482. Prov.: Swiss Private Collection. Estimate: DM 400,000-600,000
Attributed works:
[Villa Grisebach Auktionen, Fasanenstra. 25, D-1000 Berlin 15, Germany] Georges Braque, Fox, 1911. Dry Point Etching, 54.4 × 38.0 cm. Signed. Vallier 6. Prov.: H. Swarzenski Collection. Estimate: DM 130,000-160,000
Attributed works:
[William Beadleston Inc., 60 East 91st Street, New York, New York] Henri Matisse. Portrait de fillette. Charcoal 515 by 394 mm.
Attributed works:
[William Beadleston Inc., 60 East 91st Street, New York, New York] Jean-Baptiste Greuze (1725-1805). 'La Boudeuse'. Red and Black Chalk with Estompe 363 by 294 mm.
Non-western art unattributed:
[La Chine des Ts'ing, 14 rue de l'Universite, Paris, France] A Very Fine Camphor Wood Old Model of a Chinese Imperial Palace H: 110 cm - W: 162 cm - D: 62 cm
Non-western art unattributed:
[S. Marchant & Son, 120 Kensignton Church Street, London, UK] A Chinese Porcelain Wucai Baluster Jar and Cover. 49.5 cm high. 1640-1670.
Western art unattributed:
The Balfour Ciborium. English, c. 1160-70. Engraved Copper Alloy, Enamel and Gilding. Height 18 cm. (Victoria and Albert Museum, London).
Western art unattributed:
v A Rare George III Gold Goblet, Circa 1775, Maker's Mark RB Struck Twice Only, Probably for Robert Burton. 5½ in. (13.7 cm.) High. Engraved with the Arms of Rogers of Wisdome, Co. Devon. Estimate: £15,000-£25,000
Western art unattributed:
[C.John, 70 South Audley Street, London, UK] A Rare Late 17th-Century. Turkish Ghiordes Carpet 13′6″ × 8′6″
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Italian Marble Relief, XVIth Century. 43 × 48 cm
Western art unattributed:
[De Havilland Ltd., 48 Sloane Street, London, UK] One of a Set of 6 Painted George III Armchairs Circa 1790
Western art unattributed:
[Didier Aaron, 21 Ryder Street, London, UK] An Early Nineteenth Century Irish Mahogany Wine Cooler. Height: 63.5 cm. Length: 70 cm. Depth: 53.5 cm.
Western art unattributed:
[G. Sarti Antiques Ltd, 186 Westbourne Grove, London, UK] A Pair of 18th Century French Marble Vases. Height 77 cm (30¼″).
Western art unattributed:
[Huntington Antiques Ltd., The Old Forge, Church Street, Stow-on-the-Wold, UK] Rare and Important Mid 16th Century Solid Walnut Standing Cupboard 70″w. × 58″h. × 21½″d. (French Renaissance Circa 1550)
Western art unattributed:
[J & M Duputel, 20 rue de Beaune, Paris, France] J. B. Carpeaux - 1827-1875. Esquisse en terre cuite pour le projet définitif du monument "La Fontaine de Watteau" Réalisé par Hiolle, pour la ville de Valenciennes
Western art unattributed:
[Joanna Booth, 247 King's Road, London, UK] Embroidered Hanging with a Crowned Armorial shield before the cross of Santiago, bordered by entwining flowers and vines worked in green, white, pink and blue silk with silver thread on a ground of blue velvet. Spanish circa 1700. Height 6ft 8ins (203 cms) Width 5ft 4ins (163 cms)
Western art unattributed:
[Ronald A. Lee plc, 1-9 Bruton Place, London, UK] This quite exceptional small cabinet on stand must surely rank as one of the most exciting and important pieces of English furniture to have appeared on the market in recent times. The cabinet stands at 47½″ high. Although the shelved interior is fitted with mahogany slides to accommodate coins and medals, there is evidence that this was not the original use. The galleried superstructure is made of holly and ebony and as with the exceedingly fine carving on the main body of the piece, would appear to be intended to simulate ivory. For comparison, the use of ivory inlay in Queen Charlotte's jewel cabinet made by William Vile in 1761 is the best example. Several other features such as quartered veneers on the front; the canted door to the side and the style of hinge fixing, can be associated with William Vile. The cabinet itself bears wonderful applied carving in intricate detail, possibly the work of Sefferin Alken and as is the case with the rest of the cabinet, the state of preservation is perfect. The mouldings are of ebony. The original concept was clearly most sumptious - age has softened the overall effect. The cabinet was formerly in the possession of the Trollope-Bellew family of Casewick House, Lincolnshire. However, it is likely that a previous provenance is more probable either through marriage or acquisition. Research will hopefully reveal this.
Western art unattributed:
[S. J. Phillips, 139 New Bond Street, London, UK] A James I Silver Gilt Wine Cup, the Maker's Mark a Double-Headed Eagle, London 1607. Height: 8 3/4 Inches Weight: 6.09 Ounces
Western art unattributed:
[Sam Fogg, 35 St. George Street, London, UK] The Murder of Mark Anthony Folio 347 from a Manuscript of Boccaccio's 'Fall of Princes' Illuminated in Paris c. 1475.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Selection of Furniture from a Parisian Private Collection Previously the Property of Mr & Mrs Henri Rabeau
